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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B6BA3 it is the complementary color #94945C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B6BA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B6BA3 shade: #706B9E, #817DB1, #928FC4, #A3A1D7 and #B4B3EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B6BA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B6BA3 shade: #6B6BA3, #5A5990, #49477D, #38356A and #272357

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B6BA3 shade: #6B6BA2, #7A6BA2, #896BA2, #986BA2 and #A26B9E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B6BA3 shade: #6B6BA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B6BA3 shade matches the following richer shades: #6B6BA2, #5858B6, #4444C9, #3131DC and #1E1EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B6BA3 shade: #6B6BA2, #7E7E8F, #92927B, #A5A568 and #B9B955

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B6BA3 shade: #6B88A2, #6B7AA2, #6B6BA2, #7A6BA2 and #886BA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B6BA3 shade: #484873, #58588C, #6B6BA2, #8484B2 and #9E9EC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B6BA3 shade: #6B6BA3, #A26B97 and #81A26B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B6BA3 shade: #6B6BA3, #A26B6B and #6BA26B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B6BA3 shade: #6B6BA3, #A26B97, #A2A26B and #6BA276

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B6BA3 shade: #6B6BA3, #A26B87, #A2A26B and #6BA287

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 34 / 0 / 36

HEX #6B6BA3

RGB 107 107 163

HSL 240, 0.23%, 0.53%

LAB 47.35, 13.72, -30.16

 

Complementary color

CMYK 0 / 0 / 38 / 42

HEX #94945C

RGB 148 148 92

HSL 60, 0.23%, 0.47%

LAB 60.11, -8.85, 29.63

 

CMYK 29 / 32 / 0 / 38

HEX #706B9E

RGB 112 107 158

HSL 245.88, 0.21%, 0.52%

LAB 47.53, 13.88, -26.89

 

CMYK 27 / 29 / 0 / 31

HEX #817DB1

RGB 129 125 177

HSL 244.62, 0.25%, 0.59%

LAB 54.56, 13.29, -26.94

 

CMYK 26 / 27 / 0 / 23

HEX #928FC4

RGB 146 143 196

HSL 243.4, 0.31%, 0.66%

LAB 61.43, 12.78, -27.02

 

CMYK 24 / 25 / 0 / 16

HEX #A3A1D7

RGB 163 161 215

HSL 242.22, 0.4%, 0.74%

LAB 68.15, 12.32, -27.14

 

CMYK 23 / 24 / 0 / 8

HEX #B4B3EA

RGB 180 179 234

HSL 241.09, 0.57%, 0.81%

LAB 74.75, 11.9, -27.3

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA3

RGB 107 107 163

HSL 240, 0.23%, 0.53%

LAB 47.35, 13.72, -30.16

 

CMYK 38 / 38 / 0 / 44

HEX #5A5990

RGB 90 89 144

HSL 241.09, 0.24%, 0.46%

LAB 40.13, 14.48, -30.24

 

CMYK 42 / 43 / 0 / 51

HEX #49477D

RGB 73 71 125

HSL 242.22, 0.28%, 0.38%

LAB 32.71, 15.41, -30.41

 

CMYK 47 / 50 / 0 / 58

HEX #38356A

RGB 56 53 106

HSL 243.4, 0.33%, 0.31%

LAB 25.04, 16.57, -30.67

 

CMYK 55 / 60 / 0 / 66

HEX #272357

RGB 39 35 87

HSL 244.62, 0.43%, 0.24%

LAB 17.09, 18.11, -31.02

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA2

RGB 107 107 162

HSL 240, 0.23%, 0.53%

LAB 47.3, 13.45, -29.64

 

CMYK 25 / 34 / 0 / 36

HEX #7A6BA2

RGB 122 107 162

HSL 256.36, 0.23%, 0.53%

LAB 48.59, 18.03, -27.54

 

CMYK 15 / 34 / 0 / 36

HEX #896BA2

RGB 137 107 162

HSL 272.73, 0.23%, 0.53%

LAB 50.03, 22.84, -25.19

 

CMYK 6 / 34 / 0 / 36

HEX #986BA2

RGB 152 107 162

HSL 289.09, 0.23%, 0.53%

LAB 51.61, 27.77, -22.62

 

CMYK 0 / 34 / 2 / 36

HEX #A26B9E

RGB 162 107 158

HSL 304.36, 0.23%, 0.53%

LAB 52.58, 30.33, -18.69

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA2

RGB 107 107 162

HSL 240, 0.23%, 0.53%

LAB 47.3, 13.45, -29.64

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA2

RGB 107 107 162

HSL 240, 0.23%, 0.53%

LAB 47.3, 13.45, -29.64

 

CMYK 52 / 52 / 0 / 29

HEX #5858B6

RGB 88 88 182

HSL 240, 0.39%, 0.53%

LAB 41.89, 26.29, -50.05

 

CMYK 66 / 66 / 0 / 21

HEX #4444C9

RGB 68 68 201

HSL 240, 0.55%, 0.53%

LAB 37.08, 41.38, -69.03

 

CMYK 78 / 78 / 0 / 14

HEX #3131DC

RGB 49 49 220

HSL 240, 0.71%, 0.53%

LAB 34.02, 56.3, -85.09

 

CMYK 88 / 88 / 0 / 6

HEX #1E1EF0

RGB 30 30 240

HSL 240, 0.88%, 0.53%

LAB 32.91, 69.38, -98.37

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA2

RGB 107 107 162

HSL 240, 0.23%, 0.53%

LAB 47.3, 13.45, -29.64

 

CMYK 12 / 12 / 0 / 44

HEX #7E7E8F

RGB 126 126 143

HSL 240, 0.07%, 0.53%

LAB 53.32, 3.59, -9.16

 

CMYK 0 / 0 / 16 / 43

HEX #92927B

RGB 146 146 123

HSL 60, 0.1%, 0.53%

LAB 59.98, -4.14, 12.22

 

CMYK 0 / 0 / 37 / 35

HEX #A5A568

RGB 165 165 104

HSL 60, 0.25%, 0.53%

LAB 66.45, -9.48, 31.64

 

CMYK 0 / 0 / 54 / 27

HEX #B9B955

RGB 185 185 85

HSL 60, 0.42%, 0.53%

LAB 73.33, -13.51, 49.92

 

CMYK 34 / 16 / 0 / 36

HEX #6B88A2

RGB 107 136 162

HSL 208.36, 0.23%, 0.53%

LAB 55.42, -3.73, -17.12

 

CMYK 34 / 25 / 0 / 36

HEX #6B7AA2

RGB 107 122 162

HSL 223.64, 0.23%, 0.53%

LAB 51.44, 4.42, -23.22

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA2

RGB 107 107 162

HSL 240, 0.23%, 0.53%

LAB 47.3, 13.45, -29.64

 

CMYK 25 / 34 / 0 / 36

HEX #7A6BA2

RGB 122 107 162

HSL 256.36, 0.23%, 0.53%

LAB 48.59, 18.03, -27.54

 

CMYK 16 / 34 / 0 / 36

HEX #886BA2

RGB 136 107 162

HSL 271.64, 0.23%, 0.53%

LAB 49.93, 22.51, -25.35

 

CMYK 37 / 37 / 0 / 55

HEX #484873

RGB 72 72 115

HSL 240, 0.23%, 0.37%

LAB 32.37, 11.4, -24.7

 

CMYK 37 / 37 / 0 / 45

HEX #58588C

RGB 88 88 140

HSL 240, 0.23%, 0.45%

LAB 39.49, 13.36, -28.85

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA2

RGB 107 107 162

HSL 240, 0.23%, 0.53%

LAB 47.3, 13.45, -29.64

 

CMYK 26 / 26 / 0 / 30

HEX #8484B2

RGB 132 132 178

HSL 240, 0.23%, 0.61%

LAB 56.71, 10.37, -24.18

 

CMYK 19 / 19 / 0 / 24

HEX #9E9EC2

RGB 158 158 194

HSL 240, 0.23%, 0.69%

LAB 66.23, 7.55, -18.48

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA3

RGB 107 107 163

HSL 240, 0.23%, 0.53%

LAB 47.35, 13.72, -30.16

 

CMYK 0 / 34 / 7 / 36

HEX #A26B97

RGB 162 107 151

HSL 312, 0.23%, 0.53%

LAB 52.32, 29.02, -14.99

 

CMYK 20 / 0 / 34 / 36

HEX #81A26B

RGB 129 162 107

HSL 96, 0.23%, 0.53%

LAB 62.99, -21.69, 25

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA3

RGB 107 107 163

HSL 240, 0.23%, 0.53%

LAB 47.35, 13.72, -30.16

 

CMYK 0 / 34 / 34 / 36

HEX #A26B6B

RGB 162 107 107

HSL 0, 0.23%, 0.53%

LAB 50.99, 21.98, 9.03

 

CMYK 34 / 0 / 34 / 36

HEX #6BA26B

RGB 107 162 107

HSL 120, 0.23%, 0.53%

LAB 61.68, -29.52, 23.02

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA3

RGB 107 107 163

HSL 240, 0.23%, 0.53%

LAB 47.35, 13.72, -30.16

 

CMYK 0 / 34 / 7 / 36

HEX #A26B97

RGB 162 107 151

HSL 312, 0.23%, 0.53%

LAB 52.32, 29.02, -14.99

 

CMYK 0 / 0 / 34 / 36

HEX #A2A26B

RGB 162 162 107

HSL 60, 0.23%, 0.53%

LAB 65.42, -8.74, 28.66

 

CMYK 34 / 0 / 27 / 36

HEX #6BA276

RGB 107 162 118

HSL 132, 0.23%, 0.53%

LAB 61.89, -27.56, 17.27

 

CMYK 34 / 34 / 0 / 36

HEX #6B6BA3

RGB 107 107 163

HSL 240, 0.23%, 0.53%

LAB 47.35, 13.72, -30.16

 

CMYK 0 / 34 / 17 / 36

HEX #A26B87

RGB 162 107 135

HSL 329.45, 0.23%, 0.53%

LAB 51.78, 26.21, -6.39

 

CMYK 0 / 0 / 34 / 36

HEX #A2A26B

RGB 162 162 107

HSL 60, 0.23%, 0.53%

LAB 65.42, -8.74, 28.66

 

CMYK 34 / 0 / 17 / 36

HEX #6BA287

RGB 107 162 135

HSL 150.55, 0.23%, 0.53%

LAB 62.27, -24.18, 8.34

 

Description

Color code: HEX #6B6BA3 | qconv.com Color code: HEX #6B6BA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 107 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 107 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 34 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 34% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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