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Color name
HEX #6B6912

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B6912 it is the complementary color #9496ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B6912. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B6912 shade: #70690D, #817B20, #928D33, #A39F46 and #B4B159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B6912. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B6912 shade: #6B6912, #5A5700, #494500, #383300 and #272100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B6912 shade: #6D6A12, #6D5212, #6D3A12, #6D2112 and #6D1212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B6912 shade: #6D6A12, #566D12, #3E6D12, #256D12 and #126D17

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B6912 shade matches the following richer shades: #6D6A12 and #777408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B6912 shade: #6D6A12, #62611C, #585727, #4E4D31 and #43433B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B6912 shade: #6D3912, #6D5112, #6D6912, #576D12 and #3F6D12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B6912 shade: #262506, #49480C, #6D6A12, #908D18 and #B3B01E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B6912 shade: #6B6912, #126D21 and #45126D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B6912 shade: #6B6912, #126D69 and #69126D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B6912 shade: #6B6912, #126D21, #12156D and #6D125D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B6912 shade: #6B6912, #126D3C, #12156D and #6D1242

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 83 / 58

HEX #6B6912

RGB 107 105 18

HSL 58.65, 0.71%, 0.25%

LAB 43.17, -9.74, 44.85

 

Complementary color

CMYK 38 / 37 / 0 / 7

HEX #9496ED

RGB 148 150 237

HSL 238.65, 0.71%, 0.75%

LAB 65.14, 19.91, -44.04

 

CMYK 0 / 6 / 88 / 56

HEX #70690D

RGB 112 105 13

HSL 55.76, 0.79%, 0.25%

LAB 43.62, -7.51, 46.88

 

CMYK 0 / 5 / 75 / 49

HEX #817B20

RGB 129 123 32

HSL 56.29, 0.6%, 0.32%

LAB 50.61, -8.79, 47.5

 

CMYK 0 / 3 / 65 / 43

HEX #928D33

RGB 146 141 51

HSL 56.84, 0.48%, 0.39%

LAB 57.46, -9.76, 47.01

 

CMYK 0 / 2 / 57 / 36

HEX #A39F46

RGB 163 159 70

HSL 57.42, 0.4%, 0.46%

LAB 64.18, -10.53, 46.06

 

CMYK 0 / 2 / 51 / 29

HEX #B4B159

RGB 180 177 89

HSL 58.02, 0.38%, 0.53%

LAB 70.78, -11.13, 44.93

 

CMYK 0 / 2 / 83 / 58

HEX #6B6912

RGB 107 105 18

HSL 58.65, 0.71%, 0.25%

LAB 43.17, -9.74, 44.85

 

CMYK 0 / 3 / 100 / 65

HEX #5A5700

RGB 90 87 0

HSL 58, 1%, 0.18%

LAB 35.97, -8.35, 43.5

 

CMYK 0 / 5 / 100 / 71

HEX #494500

RGB 73 69 0

HSL 56.71, 1%, 0.14%

LAB 28.57, -6.33, 37.28

 

CMYK 0 / 9 / 100 / 78

HEX #383300

RGB 56 51 0

HSL 54.64, 1%, 0.11%

LAB 20.86, -4.19, 29.23

 

CMYK 0 / 15 / 100 / 85

HEX #272100

RGB 39 33 0

HSL 50.77, 1%, 0.08%

LAB 12.73, -1.84, 18.79

 

CMYK 0 / 3 / 83 / 57

HEX #6D6A12

RGB 109 106 18

HSL 58.02, 0.72%, 0.25%

LAB 43.66, -9.35, 45.35

 

CMYK 0 / 25 / 83 / 57

HEX #6D5212

RGB 109 82 18

HSL 42.2, 0.72%, 0.25%

LAB 36.61, 4.72, 39.05

 

CMYK 0 / 47 / 83 / 57

HEX #6D3A12

RGB 109 58 18

HSL 26.37, 0.72%, 0.25%

LAB 30.21, 19.3, 33.1

 

CMYK 0 / 70 / 83 / 57

HEX #6D2112

RGB 109 33 18

HSL 9.89, 0.72%, 0.25%

LAB 24.9, 32.9, 27.92

 

CMYK 0 / 83 / 83 / 57

HEX #6D1212

RGB 109 18 18

HSL 0, 0.72%, 0.25%

LAB 22.75, 38.82, 25.75

 

CMYK 0 / 3 / 83 / 57

HEX #6D6A12

RGB 109 106 18

HSL 58.02, 0.72%, 0.25%

LAB 43.66, -9.35, 45.35

 

CMYK 21 / 0 / 83 / 57

HEX #566D12

RGB 86 109 18

HSL 75.16, 0.72%, 0.25%

LAB 42.7, -21.67, 43.78

 

CMYK 43 / 0 / 83 / 57

HEX #3E6D12

RGB 62 109 18

HSL 90.99, 0.72%, 0.25%

LAB 41.22, -31.58, 41.89

 

CMYK 66 / 0 / 83 / 57

HEX #256D12

RGB 37 109 18

HSL 107.47, 0.72%, 0.25%

LAB 40.2, -39.47, 40.57

 

CMYK 83 / 0 / 79 / 57

HEX #126D17

RGB 18 109 23

HSL 123.3, 0.72%, 0.25%

LAB 39.79, -42.83, 38.25

 

CMYK 0 / 3 / 83 / 57

HEX #6D6A12

RGB 109 106 18

HSL 58.02, 0.72%, 0.25%

LAB 43.66, -9.35, 45.35

 

CMYK 0 / 3 / 93 / 53

HEX #777408

RGB 119 116 8

HSL 58.38, 0.87%, 0.25%

LAB 47.53, -10.44, 51.45

 

CMYK 0 / 3 / 83 / 57

HEX #6D6A12

RGB 109 106 18

HSL 58.02, 0.72%, 0.25%

LAB 43.66, -9.35, 45.35

 

CMYK 0 / 1 / 71 / 62

HEX #62611C

RGB 98 97 28

HSL 59.14, 0.56%, 0.25%

LAB 39.97, -9.01, 37.71

 

CMYK 0 / 1 / 56 / 65

HEX #585727

RGB 88 87 39

HSL 58.78, 0.39%, 0.25%

LAB 36.06, -7.11, 27.69

 

CMYK 0 / 1 / 37 / 69

HEX #4E4D31

RGB 78 77 49

HSL 57.93, 0.23%, 0.25%

LAB 32.14, -4.63, 16.79

 

CMYK 0 / 0 / 12 / 74

HEX #43433B

RGB 67 67 59

HSL 60, 0.06%, 0.25%

LAB 28.18, -1.69, 4.86

 

CMYK 0 / 48 / 83 / 57

HEX #6D3912

RGB 109 57 18

HSL 25.71, 0.72%, 0.25%

LAB 29.96, 19.89, 32.87

 

CMYK 0 / 26 / 83 / 57

HEX #6D5112

RGB 109 81 18

HSL 41.54, 0.72%, 0.25%

LAB 36.33, 5.33, 38.8

 

CMYK 0 / 4 / 83 / 57

HEX #6D6912

RGB 109 105 18

HSL 57.36, 0.72%, 0.25%

LAB 43.36, -8.78, 45.09

 

CMYK 20 / 0 / 83 / 57

HEX #576D12

RGB 87 109 18

HSL 74.51, 0.72%, 0.25%

LAB 42.77, -21.23, 43.88

 

CMYK 42 / 0 / 83 / 57

HEX #3F6D12

RGB 63 109 18

HSL 90.33, 0.72%, 0.25%

LAB 41.28, -31.21, 41.95

 

CMYK 0 / 3 / 84 / 85

HEX #262506

RGB 38 37 6

HSL 58.13, 0.73%, 0.09%

LAB 14.11, -4.53, 18.16

 

CMYK 0 / 1 / 84 / 71

HEX #49480C

RGB 73 72 12

HSL 59.02, 0.72%, 0.17%

LAB 29.61, -7.61, 33.51

 

CMYK 0 / 3 / 83 / 57

HEX #6D6A12

RGB 109 106 18

HSL 58.02, 0.72%, 0.25%

LAB 43.66, -9.35, 45.35

 

CMYK 0 / 2 / 83 / 44

HEX #908D18

RGB 144 141 24

HSL 58.5, 0.71%, 0.33%

LAB 57.12, -11.98, 56.5

 

CMYK 0 / 2 / 83 / 30

HEX #B3B01E

RGB 179 176 30

HSL 58.79, 0.71%, 0.41%

LAB 69.99, -14.47, 67.08

 

CMYK 0 / 2 / 83 / 58

HEX #6B6912

RGB 107 105 18

HSL 58.65, 0.71%, 0.25%

LAB 43.17, -9.74, 44.85

 

CMYK 83 / 0 / 70 / 57

HEX #126D21

RGB 18 109 33

HSL 129.89, 0.72%, 0.25%

LAB 39.87, -41.84, 34.1

 

CMYK 37 / 83 / 0 / 57

HEX #45126D

RGB 69 18 109

HSL 273.63, 0.72%, 0.25%

LAB 19.23, 40.72, -41.91

 

CMYK 0 / 2 / 83 / 58

HEX #6B6912

RGB 107 105 18

HSL 58.65, 0.71%, 0.25%

LAB 43.17, -9.74, 44.85

 

CMYK 83 / 0 / 4 / 57

HEX #126D69

RGB 18 109 105

HSL 177.36, 0.72%, 0.25%

LAB 41.35, -25.67, -5.01

 

CMYK 4 / 83 / 0 / 57

HEX #69126D

RGB 105 18 109

HSL 297.36, 0.72%, 0.25%

LAB 25.38, 47.85, -31.67

 

CMYK 0 / 2 / 83 / 58

HEX #6B6912

RGB 107 105 18

HSL 58.65, 0.71%, 0.25%

LAB 43.17, -9.74, 44.85

 

CMYK 83 / 0 / 70 / 57

HEX #126D21

RGB 18 109 33

HSL 129.89, 0.72%, 0.25%

LAB 39.87, -41.84, 34.1

 

CMYK 83 / 81 / 0 / 57

HEX #12156D

RGB 18 21 109

HSL 238.02, 0.72%, 0.25%

LAB 14.23, 32.47, -50.34

 

CMYK 0 / 83 / 15 / 57

HEX #6D125D

RGB 109 18 93

HSL 310.55, 0.72%, 0.25%

LAB 25.18, 46.08, -21.5

 

CMYK 0 / 2 / 83 / 58

HEX #6B6912

RGB 107 105 18

HSL 58.65, 0.71%, 0.25%

LAB 43.17, -9.74, 44.85

 

CMYK 83 / 0 / 45 / 57

HEX #126D3C

RGB 18 109 60

HSL 147.69, 0.72%, 0.25%

LAB 40.23, -37.56, 20.3

 

CMYK 83 / 81 / 0 / 57

HEX #12156D

RGB 18 21 109

HSL 238.02, 0.72%, 0.25%

LAB 14.23, 32.47, -50.34

 

CMYK 0 / 83 / 39 / 57

HEX #6D1242

RGB 109 18 66

HSL 328.35, 0.72%, 0.25%

LAB 23.92, 42.43, -5.3

 

Description

Color code: HEX #6B6912 | qconv.com Color code: HEX #6B6912 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 105 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 105 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 83 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 83% 58% C M Y K

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Provide designers and agencies with accurate color values.

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