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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B66A8 it is the complementary color #949957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B66A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B66A8 shade: #7066A3, #8178B6, #928AC9, #A39CDC and #B4AEEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B66A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B66A8 shade: #6B66A8, #5A5495, #494282, #38306F and #271E5C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B66A8 shade: #6A65A8, #7C65A8, #8E65A8, #A065A8 and #A8659E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B66A8 shade: #6A65A8 and #6565A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B66A8 shade matches the following richer shades: #6A65A8, #5A52BC, #493ECF, #392BE2 and #2818F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B66A8 shade: #6A65A8, #7B7895, #8B8C81, #9C9F6E and #ACB35B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B66A8 shade: #6584A8, #6573A8, #6A65A8, #7B65A8 and #8D65A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B66A8 shade: #474378, #575292, #6A65A8, #847FB7 and #9D9AC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B66A8 shade: #6B66A8, #A86596 and #7BA865

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B66A8 shade: #6B66A8, #A86A65 and #65A86A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B66A8 shade: #6B66A8, #A86596, #A4A865 and #65A877

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B66A8 shade: #6B66A8, #A86582, #A4A865 and #65A88B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 39 / 0 / 34

HEX #6B66A8

RGB 107 102 168

HSL 244.55, 0.28%, 0.53%

LAB 46.25, 18.18, -34.81

 

Complementary color

CMYK 3 / 0 / 43 / 40

HEX #949957

RGB 148 153 87

HSL 64.55, 0.28%, 0.47%

LAB 61.45, -12.11, 33.99

 

CMYK 31 / 37 / 0 / 36

HEX #7066A3

RGB 112 102 163

HSL 249.84, 0.25%, 0.52%

LAB 46.43, 18.25, -31.55

 

CMYK 29 / 34 / 0 / 29

HEX #8178B6

RGB 129 120 182

HSL 248.71, 0.3%, 0.59%

LAB 53.47, 17.53, -31.51

 

CMYK 27 / 31 / 0 / 21

HEX #928AC9

RGB 146 138 201

HSL 247.62, 0.37%, 0.66%

LAB 60.34, 16.9, -31.52

 

CMYK 26 / 29 / 0 / 14

HEX #A39CDC

RGB 163 156 220

HSL 246.56, 0.48%, 0.74%

LAB 67.07, 16.34, -31.57

 

CMYK 25 / 27 / 0 / 6

HEX #B4AEEF

RGB 180 174 239

HSL 245.54, 0.67%, 0.81%

LAB 73.68, 15.83, -31.65

 

CMYK 36 / 39 / 0 / 34

HEX #6B66A8

RGB 107 102 168

HSL 244.55, 0.28%, 0.53%

LAB 46.25, 18.18, -34.81

 

CMYK 40 / 44 / 0 / 42

HEX #5A5495

RGB 90 84 149

HSL 245.54, 0.28%, 0.46%

LAB 39.04, 19.11, -34.98

 

CMYK 44 / 49 / 0 / 49

HEX #494282

RGB 73 66 130

HSL 246.56, 0.33%, 0.38%

LAB 31.63, 20.23, -35.22

 

CMYK 50 / 57 / 0 / 56

HEX #38306F

RGB 56 48 111

HSL 247.62, 0.4%, 0.31%

LAB 24.01, 21.62, -35.54

 

CMYK 58 / 67 / 0 / 64

HEX #271E5C

RGB 39 30 92

HSL 248.71, 0.51%, 0.24%

LAB 16.17, 23.34, -35.86

 

CMYK 37 / 40 / 0 / 34

HEX #6A65A8

RGB 106 101 168

HSL 244.48, 0.28%, 0.53%

LAB 45.91, 18.51, -35.36

 

CMYK 26 / 40 / 0 / 34

HEX #7C65A8

RGB 124 101 168

HSL 260.6, 0.28%, 0.53%

LAB 47.52, 23.77, -32.71

 

CMYK 15 / 40 / 0 / 34

HEX #8E65A8

RGB 142 101 168

HSL 276.72, 0.28%, 0.53%

LAB 49.36, 29.31, -29.71

 

CMYK 5 / 40 / 0 / 34

HEX #A065A8

RGB 160 101 168

HSL 292.84, 0.28%, 0.53%

LAB 51.39, 35, -26.39

 

CMYK 0 / 40 / 6 / 34

HEX #A8659E

RGB 168 101 158

HSL 308.96, 0.28%, 0.53%

LAB 51.95, 35.68, -19.59

 

CMYK 37 / 40 / 0 / 34

HEX #6A65A8

RGB 106 101 168

HSL 244.48, 0.28%, 0.53%

LAB 45.91, 18.51, -35.36

 

CMYK 40 / 40 / 0 / 34

HEX #6565A8

RGB 101 101 168

HSL 240, 0.28%, 0.53%

LAB 45.5, 17.12, -36.03

 

CMYK 37 / 40 / 0 / 34

HEX #6A65A8

RGB 106 101 168

HSL 244.48, 0.28%, 0.53%

LAB 45.91, 18.51, -35.36

 

CMYK 52 / 56 / 0 / 26

HEX #5A52BC

RGB 90 82 188

HSL 244.53, 0.44%, 0.53%

LAB 40.96, 32.34, -55.06

 

CMYK 65 / 70 / 0 / 19

HEX #493ECF

RGB 73 62 207

HSL 244.55, 0.6%, 0.53%

LAB 36.68, 47.46, -73.15

 

CMYK 75 / 81 / 0 / 11

HEX #392BE2

RGB 57 43 226

HSL 244.59, 0.76%, 0.53%

LAB 34.17, 61.43, -88.27

 

CMYK 84 / 90 / 0 / 4

HEX #2818F6

RGB 40 24 246

HSL 244.32, 0.93%, 0.53%

LAB 33.47, 73.01, -100.82

 

CMYK 37 / 40 / 0 / 34

HEX #6A65A8

RGB 106 101 168

HSL 244.48, 0.28%, 0.53%

LAB 45.91, 18.51, -35.36

 

CMYK 17 / 19 / 0 / 42

HEX #7B7895

RGB 123 120 149

HSL 246.21, 0.12%, 0.53%

LAB 51.63, 7.43, -15.24

 

CMYK 1 / 0 / 8 / 45

HEX #8B8C81

RGB 139 140 129

HSL 65.45, 0.05%, 0.53%

LAB 57.88, -2.45, 5.74

 

CMYK 2 / 0 / 31 / 38

HEX #9C9F6E

RGB 156 159 110

HSL 63.67, 0.2%, 0.53%

LAB 64.15, -9.18, 25.28

 

CMYK 4 / 0 / 49 / 30

HEX #ACB35B

RGB 172 179 91

HSL 64.77, 0.37%, 0.53%

LAB 70.71, -15.29, 43.71

 

CMYK 40 / 21 / 0 / 34

HEX #6584A8

RGB 101 132 168

HSL 212.24, 0.28%, 0.53%

LAB 54.13, -1.52, -22.59

 

CMYK 40 / 32 / 0 / 34

HEX #6573A8

RGB 101 115 168

HSL 227.46, 0.28%, 0.53%

LAB 49.32, 8.56, -30.04

 

CMYK 37 / 40 / 0 / 34

HEX #6A65A8

RGB 106 101 168

HSL 244.48, 0.28%, 0.53%

LAB 45.91, 18.51, -35.36

 

CMYK 27 / 40 / 0 / 34

HEX #7B65A8

RGB 123 101 168

HSL 259.7, 0.28%, 0.53%

LAB 47.42, 23.47, -32.87

 

CMYK 16 / 40 / 0 / 34

HEX #8D65A8

RGB 141 101 168

HSL 275.82, 0.28%, 0.53%

LAB 49.25, 29, -29.88

 

CMYK 41 / 44 / 0 / 53

HEX #474378

RGB 71 67 120

HSL 244.53, 0.28%, 0.37%

LAB 31.14, 15.91, -29.79

 

CMYK 40 / 44 / 0 / 43

HEX #575292

RGB 87 82 146

HSL 244.69, 0.28%, 0.45%

LAB 38.09, 18.65, -34.7

 

CMYK 37 / 40 / 0 / 34

HEX #6A65A8

RGB 106 101 168

HSL 244.48, 0.28%, 0.53%

LAB 45.91, 18.51, -35.36

 

CMYK 28 / 31 / 0 / 28

HEX #847FB7

RGB 132 127 183

HSL 245.36, 0.28%, 0.61%

LAB 55.59, 14.56, -28.77

 

CMYK 21 / 22 / 0 / 22

HEX #9D9AC6

RGB 157 154 198

HSL 244.09, 0.28%, 0.69%

LAB 65.24, 10.41, -22.22

 

CMYK 36 / 39 / 0 / 34

HEX #6B66A8

RGB 107 102 168

HSL 244.55, 0.28%, 0.53%

LAB 46.25, 18.18, -34.81

 

CMYK 0 / 40 / 11 / 34

HEX #A86596

RGB 168 101 150

HSL 316.12, 0.28%, 0.53%

LAB 51.65, 34.26, -15.35

 

CMYK 27 / 0 / 40 / 34

HEX #7BA865

RGB 123 168 101

HSL 100.3, 0.28%, 0.53%

LAB 64.29, -27.77, 29.85

 

CMYK 36 / 39 / 0 / 34

HEX #6B66A8

RGB 107 102 168

HSL 244.55, 0.28%, 0.53%

LAB 46.25, 18.18, -34.81

 

CMYK 0 / 37 / 40 / 34

HEX #A86A65

RGB 168 106 101

HSL 4.48, 0.28%, 0.53%

LAB 51.35, 24.19, 13.19

 

CMYK 40 / 0 / 37 / 34

HEX #65A86A

RGB 101 168 106

HSL 124.48, 0.28%, 0.53%

LAB 63.19, -34.47, 25.52

 

CMYK 36 / 39 / 0 / 34

HEX #6B66A8

RGB 107 102 168

HSL 244.55, 0.28%, 0.53%

LAB 46.25, 18.18, -34.81

 

CMYK 0 / 40 / 11 / 34

HEX #A86596

RGB 168 101 150

HSL 316.12, 0.28%, 0.53%

LAB 51.65, 34.26, -15.35

 

CMYK 2 / 0 / 40 / 34

HEX #A4A865

RGB 164 168 101

HSL 63.58, 0.28%, 0.53%

LAB 67.15, -11.82, 34.11

 

CMYK 40 / 0 / 29 / 34

HEX #65A877

RGB 101 168 119

HSL 136.12, 0.28%, 0.53%

LAB 63.43, -32.15, 18.79

 

CMYK 36 / 39 / 0 / 34

HEX #6B66A8

RGB 107 102 168

HSL 244.55, 0.28%, 0.53%

LAB 46.25, 18.18, -34.81

 

CMYK 0 / 40 / 23 / 34

HEX #A86582

RGB 168 101 130

HSL 334.03, 0.28%, 0.53%

LAB 50.97, 30.97, -4.54

 

CMYK 2 / 0 / 40 / 34

HEX #A4A865

RGB 164 168 101

HSL 63.58, 0.28%, 0.53%

LAB 67.15, -11.82, 34.11

 

CMYK 40 / 0 / 17 / 34

HEX #65A88B

RGB 101 168 139

HSL 154.03, 0.28%, 0.53%

LAB 63.87, -28.09, 8.34

 

Description

Color code: HEX #6B66A8 | qconv.com Color code: HEX #6B66A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 102 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 102 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 39 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 39% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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