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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B4E18 it is the complementary color #94B1E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B4E18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B4E18 shade: #704E13, #816026, #927239, #A3844C and #B4965F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B4E18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B4E18 shade: #6B4E18, #5A3C05, #492A00, #381800 and #270600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B4E18 shade: #6C4E18, #6C3818, #6C2118 and #6C1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B4E18 shade: #6C4E18, #6C6518, #5C6C18, #456C18 and #2F6C18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B4E18 shade matches the following richer shades: #6C4E18, #76520D and #815503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B4E18 shade: #6C4E18, #614B23, #56482D, #4B4538 and #414143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B4E18 shade: #6C2218, #6C3818, #6C4E18, #6C6518 and #5C6C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B4E18 shade: #281D09, #4A3610, #6C4E18, #8D6720 and #AF7F27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B4E18 shade: #6B4E18, #256C18 and #2D186C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B4E18 shade: #6B4E18, #186C4E and #4E186C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B4E18 shade: #6B4E18, #256C18, #18356C and #5F186C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B4E18 shade: #6B4E18, #186C25, #18356C and #6C185F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 78 / 58

HEX #6B4E18

RGB 107 78 24

HSL 39.04, 0.63%, 0.26%

LAB 35.28, 6.45, 35.13

 

Complementary color

CMYK 36 / 23 / 0 / 9

HEX #94B1E7

RGB 148 177 231

HSL 219.04, 0.63%, 0.74%

LAB 71.9, 3.04, -30.24

 

CMYK 0 / 30 / 83 / 56

HEX #704E13

RGB 112 78 19

HSL 38.06, 0.71%, 0.26%

LAB 35.87, 8.66, 38.11

 

CMYK 0 / 26 / 71 / 49

HEX #816026

RGB 129 96 38

HSL 38.24, 0.54%, 0.33%

LAB 43.02, 7.02, 37.22

 

CMYK 0 / 22 / 61 / 43

HEX #927239

RGB 146 114 57

HSL 38.43, 0.44%, 0.4%

LAB 50.03, 5.74, 35.88

 

CMYK 0 / 19 / 53 / 36

HEX #A3844C

RGB 163 132 76

HSL 38.62, 0.36%, 0.47%

LAB 56.89, 4.72, 34.47

 

CMYK 0 / 17 / 47 / 29

HEX #B4965F

RGB 180 150 95

HSL 38.82, 0.36%, 0.54%

LAB 63.62, 3.88, 33.1

 

CMYK 0 / 27 / 78 / 58

HEX #6B4E18

RGB 107 78 24

HSL 39.04, 0.63%, 0.26%

LAB 35.28, 6.45, 35.13

 

CMYK 0 / 33 / 94 / 65

HEX #5A3C05

RGB 90 60 5

HSL 38.82, 0.89%, 0.19%

LAB 27.89, 8.34, 35.5

 

CMYK 0 / 42 / 100 / 71

HEX #492A00

RGB 73 42 0

HSL 34.52, 1%, 0.14%

LAB 20.33, 10.93, 29.27

 

CMYK 0 / 57 / 100 / 78

HEX #381800

RGB 56 24 0

HSL 25.71, 1%, 0.11%

LAB 12.57, 13.91, 19.02

 

CMYK 0 / 85 / 100 / 85

HEX #270600

RGB 39 6 0

HSL 9.23, 1%, 0.08%

LAB 5.07, 15.02, 7.88

 

CMYK 0 / 28 / 78 / 58

HEX #6C4E18

RGB 108 78 24

HSL 38.57, 0.64%, 0.26%

LAB 35.41, 6.94, 35.29

 

CMYK 0 / 48 / 78 / 58

HEX #6C3818

RGB 108 56 24

HSL 22.86, 0.64%, 0.26%

LAB 29.62, 20.3, 29.37

 

CMYK 0 / 69 / 78 / 58

HEX #6C2118

RGB 108 33 24

HSL 6.43, 0.64%, 0.26%

LAB 24.77, 32.77, 24.13

 

CMYK 0 / 78 / 78 / 58

HEX #6C1818

RGB 108 24 24

HSL 0, 0.64%, 0.26%

LAB 23.36, 36.63, 22.55

 

CMYK 0 / 28 / 78 / 58

HEX #6C4E18

RGB 108 78 24

HSL 38.57, 0.64%, 0.26%

LAB 35.41, 6.94, 35.29

 

CMYK 0 / 6 / 78 / 58

HEX #6C6518

RGB 108 101 24

HSL 55, 0.64%, 0.26%

LAB 42.09, -6.73, 41.78

 

CMYK 15 / 0 / 78 / 58

HEX #5C6C18

RGB 92 108 24

HSL 71.43, 0.64%, 0.26%

LAB 42.86, -18.14, 42.02

 

CMYK 36 / 0 / 78 / 58

HEX #456C18

RGB 69 108 24

HSL 87.86, 0.64%, 0.26%

LAB 41.31, -28.05, 39.98

 

CMYK 56 / 0 / 78 / 58

HEX #2F6C18

RGB 47 108 24

HSL 103.57, 0.64%, 0.26%

LAB 40.24, -35.87, 38.57

 

CMYK 0 / 28 / 78 / 58

HEX #6C4E18

RGB 108 78 24

HSL 38.57, 0.64%, 0.26%

LAB 35.41, 6.94, 35.29

 

CMYK 0 / 31 / 89 / 54

HEX #76520D

RGB 118 82 13

HSL 39.43, 0.8%, 0.26%

LAB 37.69, 8.96, 42.21

 

CMYK 0 / 34 / 98 / 49

HEX #815503

RGB 129 85 3

HSL 39.05, 0.95%, 0.26%

LAB 39.87, 12.23, 47.41

 

CMYK 0 / 28 / 78 / 58

HEX #6C4E18

RGB 108 78 24

HSL 38.57, 0.64%, 0.26%

LAB 35.41, 6.94, 35.29

 

CMYK 0 / 23 / 64 / 62

HEX #614B23

RGB 97 75 35

HSL 38.71, 0.47%, 0.26%

LAB 33.34, 4.14, 26.98

 

CMYK 0 / 16 / 48 / 66

HEX #56482D

RGB 86 72 45

HSL 39.51, 0.31%, 0.26%

LAB 31.35, 1.7, 18.38

 

CMYK 0 / 8 / 25 / 71

HEX #4B4538

RGB 75 69 56

HSL 41.05, 0.15%, 0.26%

LAB 29.51, 0.06, 8.78

 

CMYK 3 / 3 / 0 / 74

HEX #414143

RGB 65 65 67

HSL 240, 0.02%, 0.26%

LAB 27.6, 0.45, -1.22

 

CMYK 0 / 69 / 78 / 58

HEX #6C2218

RGB 108 34 24

HSL 7.14, 0.64%, 0.26%

LAB 24.95, 32.3, 24.33

 

CMYK 0 / 48 / 78 / 58

HEX #6C3818

RGB 108 56 24

HSL 22.86, 0.64%, 0.26%

LAB 29.62, 20.3, 29.37

 

CMYK 0 / 28 / 78 / 58

HEX #6C4E18

RGB 108 78 24

HSL 38.57, 0.64%, 0.26%

LAB 35.41, 6.94, 35.29

 

CMYK 0 / 6 / 78 / 58

HEX #6C6518

RGB 108 101 24

HSL 55, 0.64%, 0.26%

LAB 42.09, -6.73, 41.78

 

CMYK 15 / 0 / 78 / 58

HEX #5C6C18

RGB 92 108 24

HSL 71.43, 0.64%, 0.26%

LAB 42.86, -18.14, 42.02

 

CMYK 0 / 28 / 78 / 84

HEX #281D09

RGB 40 29 9

HSL 38.71, 0.63%, 0.1%

LAB 11.62, 2.46, 13.64

 

CMYK 0 / 27 / 78 / 71

HEX #4A3610

RGB 74 54 16

HSL 39.31, 0.64%, 0.18%

LAB 24.1, 4.43, 26.38

 

CMYK 0 / 28 / 78 / 58

HEX #6C4E18

RGB 108 78 24

HSL 38.57, 0.64%, 0.26%

LAB 35.41, 6.94, 35.29

 

CMYK 0 / 27 / 77 / 45

HEX #8D6720

RGB 141 103 32

HSL 39.08, 0.63%, 0.34%

LAB 46.27, 8.23, 43.74

 

CMYK 0 / 27 / 78 / 31

HEX #AF7F27

RGB 175 127 39

HSL 38.82, 0.64%, 0.42%

LAB 56.52, 10.44, 52.08

 

CMYK 0 / 27 / 78 / 58

HEX #6B4E18

RGB 107 78 24

HSL 39.04, 0.63%, 0.26%

LAB 35.28, 6.45, 35.13

 

CMYK 66 / 0 / 78 / 58

HEX #256C18

RGB 37 108 24

HSL 110.71, 0.64%, 0.26%

LAB 39.89, -38.65, 38.1

 

CMYK 58 / 78 / 0 / 58

HEX #2D186C

RGB 45 24 108

HSL 255, 0.64%, 0.26%

LAB 16.96, 33.51, -45.1

 

CMYK 0 / 27 / 78 / 58

HEX #6B4E18

RGB 107 78 24

HSL 39.04, 0.63%, 0.26%

LAB 35.28, 6.45, 35.13

 

CMYK 78 / 0 / 28 / 58

HEX #186C4E

RGB 24 108 78

HSL 158.57, 0.64%, 0.26%

LAB 40.36, -32.21, 9.9

 

CMYK 28 / 78 / 0 / 58

HEX #4E186C

RGB 78 24 108

HSL 278.57, 0.64%, 0.26%

LAB 21.42, 39.73, -37.65

 

CMYK 0 / 27 / 78 / 58

HEX #6B4E18

RGB 107 78 24

HSL 39.04, 0.63%, 0.26%

LAB 35.28, 6.45, 35.13

 

CMYK 66 / 0 / 78 / 58

HEX #256C18

RGB 37 108 24

HSL 110.71, 0.64%, 0.26%

LAB 39.89, -38.65, 38.1

 

CMYK 78 / 51 / 0 / 58

HEX #18356C

RGB 24 53 108

HSL 219.29, 0.64%, 0.26%

LAB 23.08, 10.5, -35.21

 

CMYK 12 / 78 / 0 / 58

HEX #5F186C

RGB 95 24 108

HSL 290.71, 0.64%, 0.26%

LAB 24.22, 43.47, -32.98

 

CMYK 0 / 27 / 78 / 58

HEX #6B4E18

RGB 107 78 24

HSL 39.04, 0.63%, 0.26%

LAB 35.28, 6.45, 35.13

 

CMYK 78 / 0 / 66 / 58

HEX #186C25

RGB 24 108 37

HSL 129.29, 0.64%, 0.26%

LAB 39.67, -40.06, 32.01

 

CMYK 78 / 51 / 0 / 58

HEX #18356C

RGB 24 53 108

HSL 219.29, 0.64%, 0.26%

LAB 23.08, 10.5, -35.21

 

CMYK 0 / 78 / 12 / 58

HEX #6C185F

RGB 108 24 95

HSL 309.29, 0.64%, 0.26%

LAB 25.77, 44.24, -21.91

 

Description

Color code: HEX #6B4E18 | qconv.com Color code: HEX #6B4E18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 78 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 78 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 78 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 78% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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