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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B4DE7 it is the complementary color #94B218. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B4DE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B4DE7 shade: #704DE2, #815FF5, #9271FF, #A383FF and #B495FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B4DE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B4DE7 shade: #6B4DE7, #5A3BD4, #4929C1, #3817AE and #27059B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B4DE7 shade: #694BE6, #934BE6, #BD4BE6, #E64BE5 and #E64BBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B4DE7 shade: #694BE6 and #4B4BE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B4DE7 shade matches the following richer shades: #694BE6 and #5F3AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B4DE7 shade: #694BE6, #735BD6, #7D6CC5, #877CB5 and #918DA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B4DE7 shade: #4B81E6, #4B58E6, #674BE6, #914BE6 and #BA4BE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B4DE7 shade: #3B1AC4, #4B27E1, #694BE6, #876FEB and #A694F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B4DE7 shade: #6B4DE7, #E64BAB and #6DE64B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B4DE7 shade: #6B4DE7, #E6674B and #4BE667

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B4DE7 shade: #6B4DE7, #E64BAB, #CAE64B and #4BE686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B4DE7 shade: #6B4DE7, #E64B7C, #CAE64B and #4BE6B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 67 / 0 / 9

HEX #6B4DE7

RGB 107 77 231

HSL 251.69, 0.76%, 0.6%

LAB 44.52, 51.34, -73.93

 

Complementary color

CMYK 17 / 0 / 87 / 30

HEX #94B218

RGB 148 178 24

HSL 71.69, 0.76%, 0.4%

LAB 68.17, -28.93, 65.98

 

CMYK 50 / 66 / 0 / 11

HEX #704DE2

RGB 112 77 226

HSL 254.09, 0.72%, 0.59%

LAB 44.58, 50.74, -70.98

 

CMYK 47 / 61 / 0 / 4

HEX #815FF5

RGB 129 95 245

HSL 253.6, 0.88%, 0.67%

LAB 51.2, 49.35, -70.84

 

CMYK 43 / 56 / 0 / 0

HEX #9271FF

RGB 146 113 255

HSL 253.94, 1%, 0.72%

LAB 57.21, 45.55, -66.59

 

CMYK 36 / 49 / 0 / 0

HEX #A383FF

RGB 163 131 255

HSL 255.48, 1%, 0.76%

LAB 62.71, 39.36, -57.7

 

CMYK 29 / 42 / 0 / 0

HEX #B495FF

RGB 180 149 255

HSL 257.55, 1%, 0.79%

LAB 68.33, 33.64, -48.7

 

CMYK 54 / 67 / 0 / 9

HEX #6B4DE7

RGB 107 77 231

HSL 251.69, 0.76%, 0.6%

LAB 44.52, 51.34, -73.93

 

CMYK 58 / 72 / 0 / 17

HEX #5A3BD4

RGB 90 59 212

HSL 252.16, 0.64%, 0.53%

LAB 37.94, 52.83, -73.92

 

CMYK 62 / 79 / 0 / 24

HEX #4929C1

RGB 73 41 193

HSL 252.63, 0.65%, 0.46%

LAB 31.47, 54.1, -73.56

 

CMYK 68 / 87 / 0 / 32

HEX #3817AE

RGB 56 23 174

HSL 253.11, 0.77%, 0.39%

LAB 25.29, 54.7, -72.54

 

CMYK 75 / 97 / 0 / 39

HEX #27059B

RGB 39 5 155

HSL 253.6, 0.94%, 0.31%

LAB 19.67, 53.91, -70.38

 

CMYK 54 / 67 / 0 / 10

HEX #694BE6

RGB 105 75 230

HSL 251.61, 0.76%, 0.6%

LAB 43.87, 51.81, -74.44

 

CMYK 36 / 67 / 0 / 10

HEX #934BE6

RGB 147 75 230

HSL 267.87, 0.76%, 0.6%

LAB 48.19, 59.25, -67.21

 

CMYK 18 / 67 / 0 / 10

HEX #BD4BE6

RGB 189 75 230

HSL 284.13, 0.76%, 0.6%

LAB 53.56, 67.81, -58.28

 

CMYK 0 / 67 / 0 / 10

HEX #E64BE5

RGB 230 75 229

HSL 300.39, 0.76%, 0.6%

LAB 59.45, 76.52, -47.98

 

CMYK 0 / 67 / 18 / 10

HEX #E64BBC

RGB 230 75 188

HSL 316.26, 0.76%, 0.6%

LAB 57.55, 70.44, -27.67

 

CMYK 54 / 67 / 0 / 10

HEX #694BE6

RGB 105 75 230

HSL 251.61, 0.76%, 0.6%

LAB 43.87, 51.81, -74.44

 

CMYK 67 / 67 / 0 / 10

HEX #4B4BE6

RGB 75 75 230

HSL 240, 0.76%, 0.6%

LAB 41.6, 47.64, -78.25

 

CMYK 54 / 67 / 0 / 10

HEX #694BE6

RGB 105 75 230

HSL 251.61, 0.76%, 0.6%

LAB 43.87, 51.81, -74.44

 

CMYK 62 / 77 / 0 / 3

HEX #5F3AF7

RGB 95 58 247

HSL 251.75, 0.92%, 0.6%

LAB 41.49, 63.86, -87.97

 

CMYK 54 / 67 / 0 / 10

HEX #694BE6

RGB 105 75 230

HSL 251.61, 0.76%, 0.6%

LAB 43.87, 51.81, -74.44

 

CMYK 46 / 57 / 0 / 16

HEX #735BD6

RGB 115 91 214

HSL 251.71, 0.6%, 0.6%

LAB 46.95, 40.01, -60.29

 

CMYK 37 / 45 / 0 / 23

HEX #7D6CC5

RGB 125 108 197

HSL 251.46, 0.43%, 0.6%

LAB 50.82, 27.55, -44.31

 

CMYK 25 / 31 / 0 / 29

HEX #877CB5

RGB 135 124 181

HSL 251.58, 0.28%, 0.6%

LAB 54.97, 16.74, -28.56

 

CMYK 12 / 14 / 0 / 36

HEX #918DA4

RGB 145 141 164

HSL 250.43, 0.11%, 0.6%

LAB 59.66, 6.18, -11.59

 

CMYK 67 / 44 / 0 / 10

HEX #4B81E6

RGB 75 129 230

HSL 219.1, 0.76%, 0.6%

LAB 54.98, 14.56, -56.55

 

CMYK 67 / 62 / 0 / 10

HEX #4B58E6

RGB 75 88 230

HSL 234.97, 0.76%, 0.6%

LAB 44.5, 39.92, -73.49

 

CMYK 55 / 67 / 0 / 10

HEX #674BE6

RGB 103 75 230

HSL 250.84, 0.76%, 0.6%

LAB 43.7, 51.5, -74.73

 

CMYK 37 / 67 / 0 / 10

HEX #914BE6

RGB 145 75 230

HSL 267.1, 0.76%, 0.6%

LAB 47.96, 58.87, -67.59

 

CMYK 19 / 67 / 0 / 10

HEX #BA4BE6

RGB 186 75 230

HSL 282.97, 0.76%, 0.6%

LAB 53.15, 67.18, -58.96

 

CMYK 70 / 87 / 0 / 23

HEX #3B1AC4

RGB 59 26 196

HSL 251.65, 0.77%, 0.44%

LAB 28.52, 59.88, -80.24

 

CMYK 67 / 83 / 0 / 12

HEX #4B27E1

RGB 75 39 225

HSL 251.61, 0.76%, 0.52%

LAB 34.77, 64.08, -86.67

 

CMYK 54 / 67 / 0 / 10

HEX #694BE6

RGB 105 75 230

HSL 251.61, 0.76%, 0.6%

LAB 43.87, 51.81, -74.44

 

CMYK 43 / 53 / 0 / 8

HEX #876FEB

RGB 135 111 235

HSL 251.61, 0.76%, 0.68%

LAB 54.57, 38.76, -59.79

 

CMYK 31 / 38 / 0 / 6

HEX #A694F0

RGB 166 148 240

HSL 251.74, 0.75%, 0.76%

LAB 66.2, 26.68, -43.93

 

CMYK 54 / 67 / 0 / 9

HEX #6B4DE7

RGB 107 77 231

HSL 251.69, 0.76%, 0.6%

LAB 44.52, 51.34, -73.93

 

CMYK 0 / 67 / 26 / 10

HEX #E64BAB

RGB 230 75 171

HSL 322.84, 0.76%, 0.6%

LAB 56.88, 68.22, -18.86

 

CMYK 53 / 0 / 67 / 10

HEX #6DE64B

RGB 109 230 75

HSL 106.84, 0.76%, 0.6%

LAB 82.03, -61.2, 62.57

 

CMYK 54 / 67 / 0 / 9

HEX #6B4DE7

RGB 107 77 231

HSL 251.69, 0.76%, 0.6%

LAB 44.52, 51.34, -73.93

 

CMYK 0 / 55 / 67 / 10

HEX #E6674B

RGB 230 103 75

HSL 10.84, 0.76%, 0.6%

LAB 59, 47.47, 39.59

 

CMYK 67 / 0 / 55 / 10

HEX #4BE667

RGB 75 230 103

HSL 130.84, 0.76%, 0.6%

LAB 81.33, -65.82, 49.64

 

CMYK 54 / 67 / 0 / 9

HEX #6B4DE7

RGB 107 77 231

HSL 251.69, 0.76%, 0.6%

LAB 44.52, 51.34, -73.93

 

CMYK 0 / 67 / 26 / 10

HEX #E64BAB

RGB 230 75 171

HSL 322.84, 0.76%, 0.6%

LAB 56.88, 68.22, -18.86

 

CMYK 12 / 0 / 67 / 10

HEX #CAE64B

RGB 202 230 75

HSL 70.84, 0.76%, 0.6%

LAB 86.83, -29.31, 69.05

 

CMYK 67 / 0 / 42 / 10

HEX #4BE686

RGB 75 230 134

HSL 142.84, 0.76%, 0.6%

LAB 81.74, -61.19, 35.22

 

CMYK 54 / 67 / 0 / 9

HEX #6B4DE7

RGB 107 77 231

HSL 251.69, 0.76%, 0.6%

LAB 44.52, 51.34, -73.93

 

CMYK 0 / 67 / 46 / 10

HEX #E64B7C

RGB 230 75 124

HSL 341.03, 0.76%, 0.6%

LAB 55.39, 63.15, 6.58

 

CMYK 12 / 0 / 67 / 10

HEX #CAE64B

RGB 202 230 75

HSL 70.84, 0.76%, 0.6%

LAB 86.83, -29.31, 69.05

 

CMYK 67 / 0 / 21 / 10

HEX #4BE6B5

RGB 75 230 181

HSL 161.03, 0.76%, 0.6%

LAB 82.61, -51.78, 12.2

 

Description

Color code: HEX #6B4DE7 | qconv.com Color code: HEX #6B4DE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 77 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 77 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 67 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 67% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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