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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B45AE it is the complementary color #94BA51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B45AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B45AE shade: #7045A9, #8157BC, #9269CF, #A37BE2 and #B48DF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B45AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B45AE shade: #6B45AE, #5A339B, #492188, #380F75 and #270062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B45AE shade: #6B45AF, #8845AF, #A445AF, #AF459D and #AF4580

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B45AE shade: #6B45AF, #4F45AF and #4545AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B45AE shade matches the following richer shades: #6B45AF, #6631C2, #601ED6 and #5B0AEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B45AE shade: #6B45AF, #71599B, #766D87, #7C8173 and #81945F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B45AE shade: #4559AF, #4E45AF, #6A45AF, #8645AF and #A245AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B45AE shade: #472E74, #593A91, #6B45AF, #815EBF and #987CCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B45AE shade: #6B45AE, #AF4575 and #4BAF45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B45AE shade: #6B45AE, #AF6A45 and #45AF6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B45AE shade: #6B45AE, #AF4575, #8AAF45 and #45AF7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B45AE shade: #6B45AE, #AF4555, #8AAF45 and #45AF9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 60 / 0 / 32

HEX #6B45AE

RGB 107 69 174

HSL 261.71, 0.43%, 0.48%

LAB 38.62, 39.68, -50.52

 

Complementary color

CMYK 20 / 0 / 56 / 27

HEX #94BA51

RGB 148 186 81

HSL 81.71, 0.43%, 0.52%

LAB 70.88, -29.35, 48.25

 

CMYK 34 / 59 / 0 / 34

HEX #7045A9

RGB 112 69 169

HSL 265.8, 0.42%, 0.47%

LAB 38.84, 39.54, -47.16

 

CMYK 31 / 54 / 0 / 26

HEX #8157BC

RGB 129 87 188

HSL 264.95, 0.43%, 0.54%

LAB 45.79, 38.5, -47.1

 

CMYK 29 / 49 / 0 / 19

HEX #9269CF

RGB 146 105 207

HSL 264.12, 0.52%, 0.61%

LAB 52.64, 37.49, -47.02

 

CMYK 28 / 46 / 0 / 11

HEX #A37BE2

RGB 163 123 226

HSL 263.3, 0.64%, 0.68%

LAB 59.38, 36.55, -46.94

 

CMYK 27 / 42 / 0 / 4

HEX #B48DF5

RGB 180 141 245

HSL 262.5, 0.84%, 0.76%

LAB 66.02, 35.68, -46.87

 

CMYK 39 / 60 / 0 / 32

HEX #6B45AE

RGB 107 69 174

HSL 261.71, 0.43%, 0.48%

LAB 38.62, 39.68, -50.52

 

CMYK 42 / 67 / 0 / 39

HEX #5A339B

RGB 90 51 155

HSL 262.5, 0.5%, 0.4%

LAB 31.6, 40.82, -50.56

 

CMYK 46 / 76 / 0 / 47

HEX #492188

RGB 73 33 136

HSL 263.3, 0.61%, 0.33%

LAB 24.58, 41.76, -50.36

 

CMYK 52 / 87 / 0 / 54

HEX #380F75

RGB 56 15 117

HSL 264.12, 0.77%, 0.26%

LAB 17.77, 41.95, -49.56

 

CMYK 60 / 100 / 0 / 62

HEX #270062

RGB 39 0 98

HSL 263.88, 1%, 0.19%

LAB 11.37, 40.77, -47.76

 

CMYK 39 / 61 / 0 / 31

HEX #6B45AF

RGB 107 69 175

HSL 261.51, 0.43%, 0.48%

LAB 38.69, 39.96, -51

 

CMYK 22 / 61 / 0 / 31

HEX #8845AF

RGB 136 69 175

HSL 277.92, 0.43%, 0.48%

LAB 42.13, 46.92, -45.28

 

CMYK 6 / 61 / 0 / 31

HEX #A445AF

RGB 164 69 175

HSL 293.77, 0.43%, 0.48%

LAB 45.97, 54.01, -38.95

 

CMYK 0 / 61 / 10 / 31

HEX #AF459D

RGB 175 69 157

HSL 310.19, 0.43%, 0.48%

LAB 46.72, 53.8, -27

 

CMYK 0 / 61 / 27 / 31

HEX #AF4580

RGB 175 69 128

HSL 326.6, 0.43%, 0.48%

LAB 45.54, 49.48, -11.36

 

CMYK 39 / 61 / 0 / 31

HEX #6B45AF

RGB 107 69 175

HSL 261.51, 0.43%, 0.48%

LAB 38.69, 39.96, -51

 

CMYK 55 / 61 / 0 / 31

HEX #4F45AF

RGB 79 69 175

HSL 245.66, 0.43%, 0.48%

LAB 36.01, 34.03, -55.46

 

CMYK 61 / 61 / 0 / 31

HEX #4545AF

RGB 69 69 175

HSL 240, 0.43%, 0.48%

LAB 35.24, 32.2, -56.75

 

CMYK 39 / 61 / 0 / 31

HEX #6B45AF

RGB 107 69 175

HSL 261.51, 0.43%, 0.48%

LAB 38.69, 39.96, -51

 

CMYK 47 / 75 / 0 / 24

HEX #6631C2

RGB 102 49 194

HSL 261.93, 0.6%, 0.48%

LAB 35.82, 54.5, -66.88

 

CMYK 55 / 86 / 0 / 16

HEX #601ED6

RGB 96 30 214

HSL 261.52, 0.75%, 0.48%

LAB 34.54, 66.2, -80.65

 

CMYK 61 / 96 / 0 / 8

HEX #5B0AEA

RGB 91 10 234

HSL 261.7, 0.92%, 0.48%

LAB 34.77, 74.94, -91.77

 

CMYK 39 / 61 / 0 / 31

HEX #6B45AF

RGB 107 69 175

HSL 261.51, 0.43%, 0.48%

LAB 38.69, 39.96, -51

 

CMYK 27 / 43 / 0 / 39

HEX #71599B

RGB 113 89 155

HSL 261.82, 0.27%, 0.48%

LAB 42.8, 24.35, -32.51

 

CMYK 13 / 19 / 0 / 47

HEX #766D87

RGB 118 109 135

HSL 260.77, 0.11%, 0.48%

LAB 47.67, 8.98, -13.02

 

CMYK 4 / 0 / 11 / 49

HEX #7C8173

RGB 124 129 115

HSL 81.43, 0.06%, 0.48%

LAB 53.19, -4.58, 6.95

 

CMYK 13 / 0 / 36 / 42

HEX #81945F

RGB 129 148 95

HSL 81.51, 0.22%, 0.48%

LAB 58.67, -16.22, 25.84

 

CMYK 61 / 49 / 0 / 31

HEX #4559AF

RGB 69 89 175

HSL 228.68, 0.43%, 0.48%

LAB 40.42, 19.39, -48.38

 

CMYK 55 / 61 / 0 / 31

HEX #4E45AF

RGB 78 69 175

HSL 245.09, 0.43%, 0.48%

LAB 35.93, 33.84, -55.6

 

CMYK 39 / 61 / 0 / 31

HEX #6A45AF

RGB 106 69 175

HSL 260.94, 0.43%, 0.48%

LAB 38.58, 39.73, -51.18

 

CMYK 23 / 61 / 0 / 31

HEX #8645AF

RGB 134 69 175

HSL 276.79, 0.43%, 0.48%

LAB 41.88, 46.42, -45.71

 

CMYK 7 / 61 / 0 / 31

HEX #A245AF

RGB 162 69 175

HSL 292.64, 0.43%, 0.48%

LAB 45.68, 53.5, -39.42

 

CMYK 39 / 60 / 0 / 55

HEX #472E74

RGB 71 46 116

HSL 261.43, 0.43%, 0.32%

LAB 25.43, 28.27, -36.37

 

CMYK 39 / 60 / 0 / 43

HEX #593A91

RGB 89 58 145

HSL 261.38, 0.43%, 0.4%

LAB 32.25, 33.8, -43.41

 

CMYK 39 / 61 / 0 / 31

HEX #6B45AF

RGB 107 69 175

HSL 261.51, 0.43%, 0.48%

LAB 38.69, 39.96, -51

 

CMYK 32 / 51 / 0 / 25

HEX #815EBF

RGB 129 94 191

HSL 261.65, 0.43%, 0.56%

LAB 47.54, 35.24, -46.05

 

CMYK 25 / 39 / 0 / 21

HEX #987CCA

RGB 152 124 202

HSL 261.54, 0.42%, 0.64%

LAB 57.42, 27.03, -36.6

 

CMYK 39 / 60 / 0 / 32

HEX #6B45AE

RGB 107 69 174

HSL 261.71, 0.43%, 0.48%

LAB 38.62, 39.68, -50.52

 

CMYK 0 / 61 / 33 / 31

HEX #AF4575

RGB 175 69 117

HSL 332.83, 0.43%, 0.48%

LAB 45.16, 48.05, -5.22

 

CMYK 57 / 0 / 61 / 31

HEX #4BAF45

RGB 75 175 69

HSL 116.6, 0.43%, 0.48%

LAB 63.82, -50.15, 44.76

 

CMYK 39 / 60 / 0 / 32

HEX #6B45AE

RGB 107 69 174

HSL 261.71, 0.43%, 0.48%

LAB 38.62, 39.68, -50.52

 

CMYK 0 / 39 / 61 / 31

HEX #AF6A45

RGB 175 106 69

HSL 20.94, 0.43%, 0.48%

LAB 51.67, 23.95, 32.2

 

CMYK 61 / 0 / 39 / 31

HEX #45AF6A

RGB 69 175 106

HSL 140.94, 0.43%, 0.48%

LAB 64.13, -46.11, 26.55

 

CMYK 39 / 60 / 0 / 32

HEX #6B45AE

RGB 107 69 174

HSL 261.71, 0.43%, 0.48%

LAB 38.62, 39.68, -50.52

 

CMYK 0 / 61 / 33 / 31

HEX #AF4575

RGB 175 69 117

HSL 332.83, 0.43%, 0.48%

LAB 45.16, 48.05, -5.22

 

CMYK 21 / 0 / 61 / 31

HEX #8AAF45

RGB 138 175 69

HSL 80.94, 0.43%, 0.48%

LAB 66.89, -29.09, 49.05

 

CMYK 61 / 0 / 27 / 31

HEX #45AF7F

RGB 69 175 127

HSL 152.83, 0.43%, 0.48%

LAB 64.53, -41.92, 15.73

 

CMYK 39 / 60 / 0 / 32

HEX #6B45AE

RGB 107 69 174

HSL 261.71, 0.43%, 0.48%

LAB 38.62, 39.68, -50.52

 

CMYK 0 / 61 / 51 / 31

HEX #AF4555

RGB 175 69 85

HSL 350.94, 0.43%, 0.48%

LAB 44.27, 44.62, 13.17

 

CMYK 21 / 0 / 61 / 31

HEX #8AAF45

RGB 138 175 69

HSL 80.94, 0.43%, 0.48%

LAB 66.89, -29.09, 49.05

 

CMYK 61 / 0 / 9 / 31

HEX #45AF9F

RGB 69 175 159

HSL 170.94, 0.43%, 0.48%

LAB 65.3, -34.22, -0.86

 

Description

Color code: HEX #6B45AE | qconv.com Color code: HEX #6B45AE | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 69 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 69 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 60 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 60% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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