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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B1672 it is the complementary color #94E98D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B1672. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B1672 shade: #70166D, #812880, #923A93, #A34CA6 and #B45EB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B1672. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B1672 shade: #6B1672, #5A045F, #49004C, #380039 and #270026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B1672 shade: #6C1673, #731661, #731648, #73162F and #731616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B1672 shade: #6C1673, #531673, #3A1673, #201673 and #161673

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B1672 shade matches the following richer shades: #6C1673 and #750A7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B1672 shade: #6C1673, #632168, #592C5D, #503752 and #464247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B1672 shade: #391673, #521673, #6B1673, #731662 and #731649

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B1672 shade: #2B082E, #4C0F51, #6C1673, #8D1C96 and #AD23B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B1672 shade: #6B1672, #732016 and #167346

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B1672 shade: #6B1672, #736B16 and #16736B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B1672 shade: #6B1672, #732016, #1D7316 and #166873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B1672 shade: #6B1672, #733D16, #1D7316 and #164C73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 81 / 0 / 55

HEX #6B1672

RGB 107 22 114

HSL 295.43, 0.68%, 0.27%

LAB 26.49, 47.98, -33.1

 

Complementary color

CMYK 36 / 0 / 39 / 9

HEX #94E98D

RGB 148 233 141

HSL 115.43, 0.68%, 0.73%

LAB 85.25, -43.4, 36.78

 

CMYK 0 / 80 / 3 / 56

HEX #70166D

RGB 112 22 109

HSL 302, 0.67%, 0.26%

LAB 27.08, 48.2, -28.89

 

CMYK 0 / 69 / 1 / 49

HEX #812880

RGB 129 40 128

HSL 300.67, 0.53%, 0.33%

LAB 33.44, 49.1, -30.66

 

CMYK 1 / 61 / 0 / 42

HEX #923A93

RGB 146 58 147

HSL 299.33, 0.43%, 0.4%

LAB 39.99, 49.13, -31.84

 

CMYK 2 / 54 / 0 / 35

HEX #A34CA6

RGB 163 76 166

HSL 298, 0.37%, 0.47%

LAB 46.59, 48.74, -32.67

 

CMYK 3 / 49 / 0 / 27

HEX #B45EB9

RGB 180 94 185

HSL 296.7, 0.39%, 0.55%

LAB 53.18, 48.12, -33.29

 

CMYK 6 / 81 / 0 / 55

HEX #6B1672

RGB 107 22 114

HSL 295.43, 0.68%, 0.27%

LAB 26.49, 47.98, -33.1

 

CMYK 5 / 96 / 0 / 63

HEX #5A045F

RGB 90 4 95

HSL 296.7, 0.92%, 0.19%

LAB 20.39, 45.78, -30.66

 

CMYK 4 / 100 / 0 / 70

HEX #49004C

RGB 73 0 76

HSL 297.63, 1%, 0.15%

LAB 15.16, 40.36, -26.39

 

CMYK 2 / 100 / 0 / 78

HEX #380039

RGB 56 0 57

HSL 298.95, 1%, 0.11%

LAB 10.08, 33.66, -21.33

 

CMYK 0 / 100 / 3 / 85

HEX #270026

RGB 39 0 38

HSL 301.54, 1%, 0.08%

LAB 5.16, 24.78, -15.22

 

CMYK 6 / 81 / 0 / 55

HEX #6C1673

RGB 108 22 115

HSL 295.48, 0.68%, 0.27%

LAB 26.73, 48.38, -33.34

 

CMYK 0 / 81 / 16 / 55

HEX #731661

RGB 115 22 97

HSL 311.61, 0.68%, 0.27%

LAB 26.97, 46.96, -21.24

 

CMYK 0 / 81 / 37 / 55

HEX #731648

RGB 115 22 72

HSL 327.74, 0.68%, 0.27%

LAB 25.82, 43.56, -6.4

 

CMYK 0 / 81 / 59 / 55

HEX #73162F

RGB 115 22 47

HSL 343.87, 0.68%, 0.27%

LAB 25.03, 41.09, 9.48

 

CMYK 0 / 81 / 81 / 55

HEX #731616

RGB 115 22 22

HSL 0, 0.68%, 0.27%

LAB 24.57, 39.63, 25.57

 

CMYK 6 / 81 / 0 / 55

HEX #6C1673

RGB 108 22 115

HSL 295.48, 0.68%, 0.27%

LAB 26.73, 48.38, -33.34

 

CMYK 28 / 81 / 0 / 55

HEX #531673

RGB 83 22 115

HSL 279.35, 0.68%, 0.27%

LAB 22.48, 43.2, -40.41

 

CMYK 50 / 81 / 0 / 55

HEX #3A1673

RGB 58 22 115

HSL 263.23, 0.68%, 0.27%

LAB 18.85, 38.71, -46.49

 

CMYK 72 / 81 / 0 / 55

HEX #201673

RGB 32 22 115

HSL 246.45, 0.68%, 0.27%

LAB 16.1, 35.23, -51.11

 

CMYK 81 / 81 / 0 / 55

HEX #161673

RGB 22 22 115

HSL 240, 0.68%, 0.27%

LAB 15.39, 34.33, -52.3

 

CMYK 6 / 81 / 0 / 55

HEX #6C1673

RGB 108 22 115

HSL 295.48, 0.68%, 0.27%

LAB 26.73, 48.38, -33.34

 

CMYK 7 / 92 / 0 / 51

HEX #750A7E

RGB 117 10 126

HSL 295.34, 0.85%, 0.27%

LAB 28.13, 55, -38

 

CMYK 6 / 81 / 0 / 55

HEX #6C1673

RGB 108 22 115

HSL 295.48, 0.68%, 0.27%

LAB 26.73, 48.38, -33.34

 

CMYK 5 / 68 / 0 / 59

HEX #632168

RGB 99 33 104

HSL 295.77, 0.52%, 0.27%

LAB 25.98, 39.88, -27.55

 

CMYK 4 / 53 / 0 / 64

HEX #592C5D

RGB 89 44 93

HSL 295.1, 0.36%, 0.27%

LAB 25.91, 28.91, -20.6

 

CMYK 2 / 33 / 0 / 68

HEX #503752

RGB 80 55 82

HSL 295.56, 0.2%, 0.27%

LAB 26.87, 16.47, -12

 

CMYK 1 / 7 / 0 / 72

HEX #464247

RGB 70 66 71

HSL 288, 0.04%, 0.27%

LAB 28.52, 2.79, -2.42

 

CMYK 50 / 81 / 0 / 55

HEX #391673

RGB 57 22 115

HSL 262.58, 0.68%, 0.27%

LAB 18.72, 38.55, -46.7

 

CMYK 29 / 81 / 0 / 55

HEX #521673

RGB 82 22 115

HSL 278.71, 0.68%, 0.27%

LAB 22.32, 43.01, -40.67

 

CMYK 7 / 81 / 0 / 55

HEX #6B1673

RGB 107 22 115

HSL 294.84, 0.68%, 0.27%

LAB 26.56, 48.16, -33.63

 

CMYK 0 / 81 / 15 / 55

HEX #731662

RGB 115 22 98

HSL 310.97, 0.68%, 0.27%

LAB 27.02, 47.12, -21.81

 

CMYK 0 / 81 / 37 / 55

HEX #731649

RGB 115 22 73

HSL 327.1, 0.68%, 0.27%

LAB 25.86, 43.68, -7.02

 

CMYK 7 / 83 / 0 / 82

HEX #2B082E

RGB 43 8 46

HSL 295.26, 0.7%, 0.11%

LAB 7.99, 24.1, -16.76

 

CMYK 6 / 81 / 0 / 68

HEX #4C0F51

RGB 76 15 81

HSL 295.45, 0.69%, 0.19%

LAB 17.79, 37.04, -25.56

 

CMYK 6 / 81 / 0 / 55

HEX #6C1673

RGB 108 22 115

HSL 295.48, 0.68%, 0.27%

LAB 26.73, 48.38, -33.34

 

CMYK 6 / 81 / 0 / 41

HEX #8D1C96

RGB 141 28 150

HSL 295.57, 0.69%, 0.35%

LAB 35.39, 59.67, -41.02

 

CMYK 6 / 81 / 0 / 28

HEX #AD23B8

RGB 173 35 184

HSL 295.57, 0.68%, 0.43%

LAB 43.58, 69.79, -47.97

 

CMYK 6 / 81 / 0 / 55

HEX #6B1672

RGB 107 22 114

HSL 295.43, 0.68%, 0.27%

LAB 26.49, 47.98, -33.1

 

CMYK 0 / 72 / 81 / 55

HEX #732016

RGB 115 32 22

HSL 6.45, 0.68%, 0.27%

LAB 25.97, 35.75, 27.05

 

CMYK 81 / 0 / 39 / 55

HEX #167346

RGB 22 115 70

HSL 150.97, 0.68%, 0.27%

LAB 42.57, -37.37, 17.64

 

CMYK 6 / 81 / 0 / 55

HEX #6B1672

RGB 107 22 114

HSL 295.43, 0.68%, 0.27%

LAB 26.49, 47.98, -33.1

 

CMYK 0 / 7 / 81 / 55

HEX #736B16

RGB 115 107 22

HSL 54.84, 0.68%, 0.27%

LAB 44.54, -6.88, 45.03

 

CMYK 81 / 0 / 7 / 55

HEX #16736B

RGB 22 115 107

HSL 174.84, 0.68%, 0.27%

LAB 43.5, -27.59, -3.03

 

CMYK 6 / 81 / 0 / 55

HEX #6B1672

RGB 107 22 114

HSL 295.43, 0.68%, 0.27%

LAB 26.49, 47.98, -33.1

 

CMYK 0 / 72 / 81 / 55

HEX #732016

RGB 115 32 22

HSL 6.45, 0.68%, 0.27%

LAB 25.97, 35.75, 27.05

 

CMYK 75 / 0 / 81 / 55

HEX #1D7316

RGB 29 115 22

HSL 115.48, 0.68%, 0.27%

LAB 42.12, -43.15, 40.97

 

CMYK 81 / 10 / 0 / 55

HEX #166873

RGB 22 104 115

HSL 187.1, 0.68%, 0.27%

LAB 40.1, -19.29, -12.97

 

CMYK 6 / 81 / 0 / 55

HEX #6B1672

RGB 107 22 114

HSL 295.43, 0.68%, 0.27%

LAB 26.49, 47.98, -33.1

 

CMYK 0 / 47 / 81 / 55

HEX #733D16

RGB 115 61 22

HSL 25.16, 0.68%, 0.27%

LAB 31.9, 20.45, 33.09

 

CMYK 75 / 0 / 81 / 55

HEX #1D7316

RGB 29 115 22

HSL 115.48, 0.68%, 0.27%

LAB 42.12, -43.15, 40.97

 

CMYK 81 / 34 / 0 / 55

HEX #164C73

RGB 22 76 115

HSL 205.16, 0.68%, 0.27%

LAB 30.82, -2.63, -27.33

 

Description

Color code: HEX #6B1672 | qconv.com Color code: HEX #6B1672 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 22 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 22 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 81 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 81% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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