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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6B0DB8 it is the complementary color #94F247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6B0DB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6B0DB8 shade: #700DB3, #811FC6, #9231D9, #A343EC and #B455FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6B0DB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6B0DB8 shade: #6B0DB8, #5A00A5, #490092, #38007F and #27006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6B0DB8 shade: #6C0CB9, #9A0CB9, #B90CAA, #B90C7B and #B90C4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6B0DB8 shade: #6C0CB9, #3D0CB9, #0E0CB9 and #0C0CB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6B0DB8 shade matches the following richer shades: #6C0CB9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6B0DB8 shade: #6C0CB9, #6A1DA9, #682D99, #673D89 and #654D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6B0DB8 shade: #0C0CB9, #3B0CB9, #690CB9, #970CB9 and #B90CAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6B0DB8 shade: #3F076C, #550A93, #6C0CB9, #820FE0 and #9629F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6B0DB8 shade: #6B0DB8, #B90C3B and #0CB924

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6B0DB8 shade: #6B0DB8, #B9690C and #0CB969

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6B0DB8 shade: #6B0DB8, #B90C3B, #5DB90C and #0CB98B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6B0DB8 shade: #6B0DB8, #B9120C, #5DB90C and #0CB4B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 93 / 0 / 28

HEX #6B0DB8

RGB 107 13 184

HSL 272.98, 0.87%, 0.39%

LAB 31.52, 64.53, -68.02

 

Complementary color

CMYK 39 / 0 / 71 / 5

HEX #94F247

RGB 148 242 71

HSL 92.98, 0.87%, 0.61%

LAB 87.12, -54.5, 69.8

 

CMYK 37 / 93 / 0 / 30

HEX #700DB3

RGB 112 13 179

HSL 275.78, 0.86%, 0.38%

LAB 31.78, 64.04, -64.6

 

CMYK 35 / 84 / 0 / 22

HEX #811FC6

RGB 129 31 198

HSL 275.21, 0.73%, 0.45%

LAB 37.34, 66.16, -66.6

 

CMYK 33 / 77 / 0 / 15

HEX #9231D9

RGB 146 49 217

HSL 274.64, 0.69%, 0.52%

LAB 43.24, 67.05, -67.87

 

CMYK 31 / 72 / 0 / 7

HEX #A343EC

RGB 163 67 236

HSL 274.08, 0.82%, 0.59%

LAB 49.32, 67.18, -68.67

 

CMYK 29 / 67 / 0 / 0

HEX #B455FF

RGB 180 85 255

HSL 273.53, 1%, 0.67%

LAB 55.5, 66.87, -69.17

 

CMYK 42 / 93 / 0 / 28

HEX #6B0DB8

RGB 107 13 184

HSL 272.98, 0.87%, 0.39%

LAB 31.52, 64.53, -68.02

 

CMYK 45 / 100 / 0 / 35

HEX #5A00A5

RGB 90 0 165

HSL 272.73, 1%, 0.32%

LAB 26.42, 60.88, -65.11

 

CMYK 50 / 100 / 0 / 43

HEX #490092

RGB 73 0 146

HSL 270, 1%, 0.29%

LAB 21.91, 55.11, -60.97

 

CMYK 56 / 100 / 0 / 50

HEX #38007F

RGB 56 0 127

HSL 266.46, 1%, 0.25%

LAB 17.33, 49.26, -56.69

 

CMYK 64 / 100 / 0 / 58

HEX #27006C

RGB 39 0 108

HSL 261.67, 1%, 0.21%

LAB 12.7, 43.34, -52.17

 

CMYK 42 / 94 / 0 / 27

HEX #6C0CB9

RGB 108 12 185

HSL 273.29, 0.88%, 0.39%

LAB 31.7, 65.03, -68.31

 

CMYK 17 / 94 / 0 / 27

HEX #9A0CB9

RGB 154 12 185

HSL 289.25, 0.88%, 0.39%

LAB 38.96, 71.09, -56.16

 

CMYK 0 / 94 / 8 / 27

HEX #B90CAA

RGB 185 12 170

HSL 305.2, 0.88%, 0.39%

LAB 43.48, 73.91, -39.72

 

CMYK 0 / 94 / 34 / 27

HEX #B90C7B

RGB 185 12 123

HSL 321.5, 0.88%, 0.39%

LAB 41.23, 68.1, -14.65

 

CMYK 0 / 94 / 58 / 27

HEX #B90C4D

RGB 185 12 77

HSL 337.46, 0.88%, 0.39%

LAB 39.77, 64.16, 12.27

 

CMYK 42 / 94 / 0 / 27

HEX #6C0CB9

RGB 108 12 185

HSL 273.29, 0.88%, 0.39%

LAB 31.7, 65.03, -68.31

 

CMYK 67 / 94 / 0 / 27

HEX #3D0CB9

RGB 61 12 185

HSL 256.99, 0.88%, 0.39%

LAB 26.03, 61.09, -77.87

 

CMYK 92 / 94 / 0 / 27

HEX #0E0CB9

RGB 14 12 185

HSL 240.69, 0.88%, 0.39%

LAB 23.2, 59.52, -82.66

 

CMYK 94 / 94 / 0 / 27

HEX #0C0CB9

RGB 12 12 185

HSL 240, 0.88%, 0.39%

LAB 23.15, 59.49, -82.75

 

CMYK 42 / 94 / 0 / 27

HEX #6C0CB9

RGB 108 12 185

HSL 273.29, 0.88%, 0.39%

LAB 31.7, 65.03, -68.31

 

CMYK 42 / 94 / 0 / 27

HEX #6C0CB9

RGB 108 12 185

HSL 273.29, 0.88%, 0.39%

LAB 31.7, 65.03, -68.31

 

CMYK 37 / 83 / 0 / 34

HEX #6A1DA9

RGB 106 29 169

HSL 273, 0.71%, 0.39%

LAB 31.36, 57.01, -59.32

 

CMYK 32 / 71 / 0 / 40

HEX #682D99

RGB 104 45 153

HSL 272.78, 0.55%, 0.39%

LAB 32.08, 46.34, -48.48

 

CMYK 25 / 55 / 0 / 46

HEX #673D89

RGB 103 61 137

HSL 273.16, 0.38%, 0.39%

LAB 34.04, 33.59, -35.53

 

CMYK 17 / 36 / 0 / 53

HEX #654D79

RGB 101 77 121

HSL 272.73, 0.22%, 0.39%

LAB 36.85, 19.31, -21.25

 

CMYK 94 / 94 / 0 / 27

HEX #0C0CB9

RGB 12 12 185

HSL 240, 0.88%, 0.39%

LAB 23.15, 59.49, -82.75

 

CMYK 68 / 94 / 0 / 27

HEX #3B0CB9

RGB 59 12 185

HSL 256.3, 0.88%, 0.39%

LAB 25.85, 60.98, -78.18

 

CMYK 43 / 94 / 0 / 27

HEX #690CB9

RGB 105 12 185

HSL 272.25, 0.88%, 0.39%

LAB 31.28, 64.7, -69.03

 

CMYK 18 / 94 / 0 / 27

HEX #970CB9

RGB 151 12 185

HSL 288.21, 0.88%, 0.39%

LAB 38.45, 70.64, -57

 

CMYK 0 / 94 / 6 / 27

HEX #B90CAE

RGB 185 12 174

HSL 303.82, 0.88%, 0.39%

LAB 43.7, 74.48, -41.74

 

CMYK 42 / 94 / 0 / 58

HEX #3F076C

RGB 63 7 108

HSL 273.27, 0.88%, 0.23%

LAB 16.95, 43.22, -45.03

 

CMYK 42 / 93 / 0 / 42

HEX #550A93

RGB 85 10 147

HSL 272.85, 0.87%, 0.31%

LAB 24.5, 54.36, -57.28

 

CMYK 42 / 94 / 0 / 27

HEX #6C0CB9

RGB 108 12 185

HSL 273.29, 0.88%, 0.39%

LAB 31.7, 65.03, -68.31

 

CMYK 42 / 93 / 0 / 12

HEX #820FE0

RGB 130 15 224

HSL 273.01, 0.87%, 0.47%

LAB 38.67, 75.16, -79.45

 

CMYK 38 / 83 / 0 / 6

HEX #9629F0

RGB 150 41 240

HSL 272.86, 0.87%, 0.55%

LAB 44.75, 75.15, -78.46

 

CMYK 42 / 93 / 0 / 28

HEX #6B0DB8

RGB 107 13 184

HSL 272.98, 0.87%, 0.39%

LAB 31.52, 64.53, -68.02

 

CMYK 0 / 94 / 68 / 27

HEX #B90C3B

RGB 185 12 59

HSL 343.7, 0.88%, 0.39%

LAB 39.4, 63.14, 23.25

 

CMYK 94 / 0 / 81 / 27

HEX #0CB924

RGB 12 185 36

HSL 128.32, 0.88%, 0.39%

LAB 65.67, -65.87, 58.95

 

CMYK 42 / 93 / 0 / 28

HEX #6B0DB8

RGB 107 13 184

HSL 272.98, 0.87%, 0.39%

LAB 31.52, 64.53, -68.02

 

CMYK 0 / 43 / 94 / 27

HEX #B9690C

RGB 185 105 12

HSL 32.25, 0.88%, 0.39%

LAB 52.34, 26.34, 57.62

 

CMYK 94 / 0 / 43 / 27

HEX #0CB969

RGB 12 185 105

HSL 152.25, 0.88%, 0.39%

LAB 66.36, -57.37, 29.82

 

CMYK 42 / 93 / 0 / 28

HEX #6B0DB8

RGB 107 13 184

HSL 272.98, 0.87%, 0.39%

LAB 31.52, 64.53, -68.02

 

CMYK 0 / 94 / 68 / 27

HEX #B90C3B

RGB 185 12 59

HSL 343.7, 0.88%, 0.39%

LAB 39.4, 63.14, 23.25

 

CMYK 50 / 0 / 94 / 27

HEX #5DB90C

RGB 93 185 12

HSL 91.91, 0.88%, 0.39%

LAB 67.32, -52.45, 66.11

 

CMYK 94 / 0 / 25 / 27

HEX #0CB98B

RGB 12 185 139

HSL 164.05, 0.88%, 0.39%

LAB 67.01, -50.04, 12.5

 

CMYK 42 / 93 / 0 / 28

HEX #6B0DB8

RGB 107 13 184

HSL 272.98, 0.87%, 0.39%

LAB 31.52, 64.53, -68.02

 

CMYK 0 / 90 / 94 / 27

HEX #B9120C

RGB 185 18 12

HSL 2.08, 0.88%, 0.39%

LAB 39.2, 60.91, 48.79

 

CMYK 50 / 0 / 94 / 27

HEX #5DB90C

RGB 93 185 12

HSL 91.91, 0.88%, 0.39%

LAB 67.32, -52.45, 66.11

 

CMYK 94 / 3 / 0 / 27

HEX #0CB4B9

RGB 12 180 185

HSL 181.73, 0.88%, 0.39%

LAB 66.69, -35.09, -13.32

 

Description

Color code: HEX #6B0DB8 | qconv.com Color code: HEX #6B0DB8 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 13 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 13 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 93 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 93% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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