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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AEB79 it is the complementary color #951486. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AEB79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AEB79 shade: #6FEB74, #80FD87, #91FF9A, #A2FFAD and #B3FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AEB79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AEB79 shade: #6AEB79, #59D966, #48C753, #37B540 and #26A32D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AEB79 shade: #6AEA79, #7EEA6A, #A1EA6A, #C3EA6A and #E5EA6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AEB79 shade: #6AEA79, #6AEA9C, #6AEABE, #6AEAE1 and #6AD1EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AEB79 shade matches the following richer shades: #6AEA79 and #5DF86F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AEB79 shade: #6AEA79, #78DD84, #86CF8E, #93C199 and #A1B4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AEB79 shade: #A2EA6A, #80EA6A, #6AEA77, #6AEA99 and #6AEABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AEB79 shade: #22E038, #46E559, #6AEA79, #8FEF9A and #B3F4BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AEB79 shade: #6AEB79, #6AC4EA and #EA6A91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AEB79 shade: #6AEB79, #776AEA and #EA776A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AEB79 shade: #6AEB79, #6AC4EA, #EA6ADE and #EA916A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AEB79 shade: #6AEB79, #6A9EEA, #EA6ADE and #EAB76A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

Complementary color

CMYK 0 / 87 / 10 / 42

HEX #951486

RGB 149 20 134

HSL 306.98, 0.76%, 0.33%

LAB 35.22, 60.63, -31.35

 

CMYK 53 / 0 / 51 / 8

HEX #6FEB74

RGB 111 235 116

HSL 122.42, 0.76%, 0.68%

LAB 84, -58.15, 47.05

 

CMYK 49 / 0 / 47 / 1

HEX #80FD87

RGB 128 253 135

HSL 123.36, 0.97%, 0.75%

LAB 90.13, -58.19, 45.78

 

CMYK 43 / 0 / 40 / 0

HEX #91FF9A

RGB 145 255 154

HSL 124.91, 1%, 0.78%

LAB 91.63, -51.67, 38.62

 

CMYK 36 / 0 / 32 / 0

HEX #A2FFAD

RGB 162 255 173

HSL 127.1, 1%, 0.82%

LAB 92.67, -43.82, 30.7

 

CMYK 30 / 0 / 25 / 0

HEX #B3FFC0

RGB 179 255 192

HSL 130.26, 1%, 0.85%

LAB 93.84, -35.53, 22.82

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

CMYK 59 / 0 / 53 / 15

HEX #59D966

RGB 89 217 102

HSL 126.09, 0.63%, 0.6%

LAB 77.7, -58.5, 45.83

 

CMYK 64 / 0 / 58 / 22

HEX #48C753

RGB 72 199 83

HSL 125.2, 0.53%, 0.53%

LAB 71.45, -58.06, 47.13

 

CMYK 70 / 0 / 65 / 29

HEX #37B540

RGB 55 181 64

HSL 124.29, 0.53%, 0.46%

LAB 65.14, -57.28, 48.32

 

CMYK 77 / 0 / 72 / 36

HEX #26A32D

RGB 38 163 45

HSL 123.36, 0.62%, 0.39%

LAB 58.78, -55.98, 49.21

 

CMYK 55 / 0 / 48 / 8

HEX #6AEA79

RGB 106 234 121

HSL 127.03, 0.75%, 0.67%

LAB 83.59, -58.32, 44.14

 

CMYK 46 / 0 / 55 / 8

HEX #7EEA6A

RGB 126 234 106

HSL 110.63, 0.75%, 0.67%

LAB 84.13, -54.96, 51.98

 

CMYK 31 / 0 / 55 / 8

HEX #A1EA6A

RGB 161 234 106

HSL 94.22, 0.75%, 0.67%

LAB 85.74, -43.92, 54.27

 

CMYK 17 / 0 / 55 / 8

HEX #C3EA6A

RGB 195 234 106

HSL 78.28, 0.75%, 0.67%

LAB 87.72, -31.61, 57.08

 

CMYK 2 / 0 / 55 / 8

HEX #E5EA6A

RGB 229 234 106

HSL 62.34, 0.75%, 0.67%

LAB 90.11, -18.36, 60.45

 

CMYK 55 / 0 / 48 / 8

HEX #6AEA79

RGB 106 234 121

HSL 127.03, 0.75%, 0.67%

LAB 83.59, -58.32, 44.14

 

CMYK 55 / 0 / 33 / 8

HEX #6AEA9C

RGB 106 234 156

HSL 143.44, 0.75%, 0.67%

LAB 84.13, -52.67, 27.41

 

CMYK 55 / 0 / 19 / 8

HEX #6AEABE

RGB 106 234 190

HSL 159.38, 0.75%, 0.67%

LAB 84.81, -45.79, 10.72

 

CMYK 55 / 0 / 4 / 8

HEX #6AEAE1

RGB 106 234 225

HSL 175.78, 0.75%, 0.67%

LAB 85.68, -37.47, -6.4

 

CMYK 55 / 11 / 0 / 8

HEX #6AD1EA

RGB 106 209 234

HSL 191.72, 0.75%, 0.67%

LAB 78.81, -23.08, -21.46

 

CMYK 55 / 0 / 48 / 8

HEX #6AEA79

RGB 106 234 121

HSL 127.03, 0.75%, 0.67%

LAB 83.59, -58.32, 44.14

 

CMYK 63 / 0 / 55 / 3

HEX #5DF86F

RGB 93 248 111

HSL 126.97, 0.92%, 0.67%

LAB 87.3, -67.6, 53.21

 

CMYK 55 / 0 / 48 / 8

HEX #6AEA79

RGB 106 234 121

HSL 127.03, 0.75%, 0.67%

LAB 83.59, -58.32, 44.14

 

CMYK 46 / 0 / 40 / 13

HEX #78DD84

RGB 120 221 132

HSL 127.13, 0.6%, 0.67%

LAB 80.39, -47.88, 34.74

 

CMYK 35 / 0 / 31 / 19

HEX #86CF8E

RGB 134 207 142

HSL 126.58, 0.43%, 0.67%

LAB 77.07, -35.99, 25.3

 

CMYK 24 / 0 / 21 / 24

HEX #93C199

RGB 147 193 153

HSL 127.83, 0.27%, 0.67%

LAB 73.96, -23.17, 15.29

 

CMYK 11 / 0 / 9 / 29

HEX #A1B4A3

RGB 161 180 163

HSL 126.32, 0.11%, 0.67%

LAB 71.46, -9.85, 6.44

 

CMYK 31 / 0 / 55 / 8

HEX #A2EA6A

RGB 162 234 106

HSL 93.75, 0.75%, 0.67%

LAB 85.79, -43.57, 54.34

 

CMYK 45 / 0 / 55 / 8

HEX #80EA6A

RGB 128 234 106

HSL 109.69, 0.75%, 0.67%

LAB 84.21, -54.39, 52.1

 

CMYK 55 / 0 / 49 / 8

HEX #6AEA77

RGB 106 234 119

HSL 126.09, 0.75%, 0.67%

LAB 83.57, -58.6, 45.07

 

CMYK 55 / 0 / 35 / 8

HEX #6AEA99

RGB 106 234 153

HSL 142.03, 0.75%, 0.67%

LAB 84.07, -53.21, 28.87

 

CMYK 55 / 0 / 20 / 8

HEX #6AEABB

RGB 106 234 187

HSL 157.97, 0.75%, 0.67%

LAB 84.74, -46.45, 12.2

 

CMYK 85 / 0 / 75 / 12

HEX #22E038

RGB 34 224 56

HSL 126.95, 0.75%, 0.51%

LAB 78.42, -74.2, 65.15

 

CMYK 69 / 0 / 61 / 10

HEX #46E559

RGB 70 229 89

HSL 127.17, 0.75%, 0.59%

LAB 80.77, -68.03, 55.18

 

CMYK 55 / 0 / 48 / 8

HEX #6AEA79

RGB 106 234 121

HSL 127.03, 0.75%, 0.67%

LAB 83.59, -58.32, 44.14

 

CMYK 40 / 0 / 36 / 6

HEX #8FEF9A

RGB 143 239 154

HSL 126.88, 0.75%, 0.75%

LAB 86.95, -45.51, 32.45

 

CMYK 27 / 0 / 23 / 4

HEX #B3F4BB

RGB 179 244 187

HSL 127.38, 0.75%, 0.83%

LAB 90.72, -31.3, 21.05

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

CMYK 55 / 16 / 0 / 8

HEX #6AC4EA

RGB 106 196 234

HSL 197.81, 0.75%, 0.67%

LAB 75.13, -16.44, -27.08

 

CMYK 0 / 55 / 38 / 8

HEX #EA6A91

RGB 234 106 145

HSL 341.72, 0.75%, 0.67%

LAB 61.52, 53.23, 3.2

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

CMYK 49 / 55 / 0 / 8

HEX #776AEA

RGB 119 106 234

HSL 246.09, 0.75%, 0.67%

LAB 52.03, 37.92, -63.39

 

CMYK 0 / 49 / 55 / 8

HEX #EA776A

RGB 234 119 106

HSL 6.09, 0.75%, 0.67%

LAB 63.12, 43.2, 27.7

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

CMYK 55 / 16 / 0 / 8

HEX #6AC4EA

RGB 106 196 234

HSL 197.81, 0.75%, 0.67%

LAB 75.13, -16.44, -27.08

 

CMYK 0 / 55 / 5 / 8

HEX #EA6ADE

RGB 234 106 222

HSL 305.63, 0.75%, 0.67%

LAB 64.22, 63.87, -36.52

 

CMYK 0 / 38 / 55 / 8

HEX #EA916A

RGB 234 145 106

HSL 18.28, 0.75%, 0.67%

LAB 68.59, 29.8, 34.76

 

CMYK 55 / 0 / 49 / 8

HEX #6AEB79

RGB 106 235 121

HSL 126.98, 0.76%, 0.67%

LAB 83.89, -58.7, 44.51

 

CMYK 55 / 32 / 0 / 8

HEX #6A9EEA

RGB 106 158 234

HSL 215.63, 0.75%, 0.67%

LAB 64.53, 4.39, -43.53

 

CMYK 0 / 55 / 5 / 8

HEX #EA6ADE

RGB 234 106 222

HSL 305.63, 0.75%, 0.67%

LAB 64.22, 63.87, -36.52

 

CMYK 0 / 22 / 55 / 8

HEX #EAB76A

RGB 234 183 106

HSL 36.09, 0.75%, 0.67%

LAB 77.52, 9.65, 45.81

 

Description

Color code: HEX #6AEB79 | qconv.com Color code: HEX #6AEB79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 235 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 235 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 49 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 49% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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