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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6AEAA6 it is the complementary color #951559. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6AEAA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6AEAA6 shade: #6FEAA1, #80FCB4, #91FFC7, #A2FFDA and #B3FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6AEAA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6AEAA6 shade: #6AEAA6, #59D893, #48C680, #37B46D and #26A25A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6AEAA6 shade: #6BE9A6, #6BE984, #74E96B, #96E96B and #B8E96B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6AEAA6 shade: #6BE9A6, #6BE9C8, #6BE8E9, #6BC6E9 and #6BA4E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6AEAA6 shade matches the following richer shades: #6BE9A6 and #5EF7A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6AEAA6 shade: #6BE9A6, #79DCA7, #86CEA8, #94C1A9 and #A2B3AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6AEAA6 shade: #74E96B, #6BE984, #6BE9A6, #6BE9C8 and #6BE9E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6AEAA6 shade: #23DF7B, #47E491, #6BE9A6, #8FEFBC and #B3F4D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6AEAA6 shade: #6AEAA6, #6B95E9 and #E9746B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6AEAA6 shade: #6AEAA6, #A66BE9 and #E9A66B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6AEAA6 shade: #6AEAA6, #6B95E9, #E96BAF and #E9BF6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6AEAA6 shade: #6AEAA6, #6B6FE9, #E96BAF and #E9E56B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 29 / 8

HEX #6AEAA6

RGB 106 234 166

HSL 148.13, 0.75%, 0.67%

LAB 84.31, -50.78, 22.52

 

Complementary color

CMYK 0 / 86 / 40 / 42

HEX #951559

RGB 149 21 89

HSL 328.13, 0.75%, 0.33%

LAB 33.24, 54.73, -5.84

 

CMYK 53 / 0 / 31 / 8

HEX #6FEAA1

RGB 111 234 161

HSL 144.39, 0.75%, 0.68%

LAB 84.38, -50.59, 25.22

 

CMYK 49 / 0 / 29 / 1

HEX #80FCB4

RGB 128 252 180

HSL 145.16, 0.95%, 0.75%

LAB 90.55, -50.47, 24.05

 

CMYK 43 / 0 / 22 / 0

HEX #91FFC7

RGB 145 255 199

HSL 149.45, 1%, 0.78%

LAB 92.43, -43.88, 17.04

 

CMYK 36 / 0 / 15 / 0

HEX #A2FFDA

RGB 162 255 218

HSL 156.13, 1%, 0.82%

LAB 93.56, -35.59, 8.99

 

CMYK 30 / 0 / 7 / 0

HEX #B3FFED

RGB 179 255 237

HSL 165.79, 1%, 0.85%

LAB 94.83, -26.97, 1.13

 

CMYK 55 / 0 / 29 / 8

HEX #6AEAA6

RGB 106 234 166

HSL 148.13, 0.75%, 0.67%

LAB 84.31, -50.78, 22.52

 

CMYK 59 / 0 / 32 / 15

HEX #59D893

RGB 89 216 147

HSL 147.4, 0.62%, 0.6%

LAB 78.08, -50.77, 23.76

 

CMYK 64 / 0 / 35 / 22

HEX #48C680

RGB 72 198 128

HSL 146.67, 0.53%, 0.53%

LAB 71.77, -50.62, 25.11

 

CMYK 69 / 0 / 39 / 29

HEX #37B46D

RGB 55 180 109

HSL 145.92, 0.53%, 0.46%

LAB 65.4, -50.26, 26.57

 

CMYK 77 / 0 / 44 / 36

HEX #26A25A

RGB 38 162 90

HSL 145.16, 0.62%, 0.39%

LAB 58.97, -49.58, 28.16

 

CMYK 54 / 0 / 29 / 9

HEX #6BE9A6

RGB 107 233 166

HSL 148.1, 0.74%, 0.67%

LAB 84.05, -50.14, 22.16

 

CMYK 54 / 0 / 43 / 9

HEX #6BE984

RGB 107 233 132

HSL 131.9, 0.74%, 0.67%

LAB 83.48, -56.08, 38.64

 

CMYK 50 / 0 / 54 / 9

HEX #74E96B

RGB 116 233 107

HSL 115.71, 0.74%, 0.67%

LAB 83.47, -57.22, 50.64

 

CMYK 36 / 0 / 54 / 9

HEX #96E96B

RGB 150 233 107

HSL 99.52, 0.74%, 0.67%

LAB 84.91, -47.07, 52.7

 

CMYK 21 / 0 / 54 / 9

HEX #B8E96B

RGB 184 233 107

HSL 83.33, 0.74%, 0.67%

LAB 86.77, -35.17, 55.35

 

CMYK 54 / 0 / 29 / 9

HEX #6BE9A6

RGB 107 233 166

HSL 148.1, 0.74%, 0.67%

LAB 84.05, -50.14, 22.16

 

CMYK 54 / 0 / 14 / 9

HEX #6BE9C8

RGB 107 233 200

HSL 164.29, 0.74%, 0.67%

LAB 84.78, -42.89, 5.44

 

CMYK 54 / 0 / 0 / 9

HEX #6BE8E9

RGB 107 232 233

HSL 180.48, 0.74%, 0.67%

LAB 85.36, -34.29, -11.07

 

CMYK 54 / 15 / 0 / 9

HEX #6BC6E9

RGB 107 198 233

HSL 196.67, 0.74%, 0.67%

LAB 75.7, -17.56, -25.67

 

CMYK 54 / 30 / 0 / 9

HEX #6BA4E9

RGB 107 164 233

HSL 212.86, 0.74%, 0.67%

LAB 66.18, 0.87, -40.39

 

CMYK 54 / 0 / 29 / 9

HEX #6BE9A6

RGB 107 233 166

HSL 148.1, 0.74%, 0.67%

LAB 84.05, -50.14, 22.16

 

CMYK 62 / 0 / 33 / 3

HEX #5EF7A6

RGB 94 247 166

HSL 148.24, 0.91%, 0.67%

LAB 87.8, -58.42, 27.23

 

CMYK 54 / 0 / 29 / 9

HEX #6BE9A6

RGB 107 233 166

HSL 148.1, 0.74%, 0.67%

LAB 84.05, -50.14, 22.16

 

CMYK 45 / 0 / 24 / 14

HEX #79DCA7

RGB 121 220 167

HSL 147.88, 0.59%, 0.67%

LAB 80.76, -40.97, 17.16

 

CMYK 35 / 0 / 18 / 19

HEX #86CEA8

RGB 134 206 168

HSL 148.33, 0.42%, 0.67%

LAB 77.3, -30.72, 11.85

 

CMYK 23 / 0 / 12 / 24

HEX #94C1A9

RGB 148 193 169

HSL 148, 0.27%, 0.67%

LAB 74.38, -19.8, 7.25

 

CMYK 9 / 0 / 5 / 30

HEX #A2B3AA

RGB 162 179 170

HSL 148.24, 0.1%, 0.67%

LAB 71.44, -7.64, 2.58

 

CMYK 50 / 0 / 54 / 9

HEX #74E96B

RGB 116 233 107

HSL 115.71, 0.74%, 0.67%

LAB 83.47, -57.22, 50.64

 

CMYK 54 / 0 / 43 / 9

HEX #6BE984

RGB 107 233 132

HSL 131.9, 0.74%, 0.67%

LAB 83.48, -56.08, 38.64

 

CMYK 54 / 0 / 29 / 9

HEX #6BE9A6

RGB 107 233 166

HSL 148.1, 0.74%, 0.67%

LAB 84.05, -50.14, 22.16

 

CMYK 54 / 0 / 14 / 9

HEX #6BE9C8

RGB 107 233 200

HSL 164.29, 0.74%, 0.67%

LAB 84.78, -42.89, 5.44

 

CMYK 54 / 0 / 0 / 9

HEX #6BE9E9

RGB 107 233 233

HSL 180, 0.74%, 0.67%

LAB 85.65, -34.75, -10.65

 

CMYK 84 / 0 / 45 / 13

HEX #23DF7B

RGB 35 223 123

HSL 148.09, 0.75%, 0.51%

LAB 78.79, -65.68, 36.77

 

CMYK 69 / 0 / 36 / 11

HEX #47E491

RGB 71 228 145

HSL 148.28, 0.74%, 0.59%

LAB 81.22, -59.13, 28.96

 

CMYK 54 / 0 / 29 / 9

HEX #6BE9A6

RGB 107 233 166

HSL 148.1, 0.74%, 0.67%

LAB 84.05, -50.14, 22.16

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBC

RGB 143 239 188

HSL 148.13, 0.75%, 0.75%

LAB 87.58, -39.46, 15.89

 

CMYK 27 / 0 / 14 / 4

HEX #B3F4D2

RGB 179 244 210

HSL 148.62, 0.75%, 0.83%

LAB 91.21, -27.13, 9.86

 

CMYK 55 / 0 / 29 / 8

HEX #6AEAA6

RGB 106 234 166

HSL 148.13, 0.75%, 0.67%

LAB 84.31, -50.78, 22.52

 

CMYK 54 / 36 / 0 / 9

HEX #6B95E9

RGB 107 149 233

HSL 220, 0.74%, 0.67%

LAB 62.09, 9.5, -46.82

 

CMYK 0 / 50 / 54 / 9

HEX #E9746B

RGB 233 116 107

HSL 4.29, 0.74%, 0.67%

LAB 62.4, 44.41, 26.17

 

CMYK 55 / 0 / 29 / 8

HEX #6AEAA6

RGB 106 234 166

HSL 148.13, 0.75%, 0.67%

LAB 84.31, -50.78, 22.52

 

CMYK 29 / 54 / 0 / 9

HEX #A66BE9

RGB 166 107 233

HSL 268.1, 0.74%, 0.67%

LAB 56.59, 47.84, -55.27

 

CMYK 0 / 29 / 54 / 9

HEX #E9A66B

RGB 233 166 107

HSL 28.1, 0.74%, 0.67%

LAB 73.32, 18.33, 40.14

 

CMYK 55 / 0 / 29 / 8

HEX #6AEAA6

RGB 106 234 166

HSL 148.13, 0.75%, 0.67%

LAB 84.31, -50.78, 22.52

 

CMYK 54 / 36 / 0 / 9

HEX #6B95E9

RGB 107 149 233

HSL 220, 0.74%, 0.67%

LAB 62.09, 9.5, -46.82

 

CMYK 0 / 54 / 25 / 9

HEX #E96BAF

RGB 233 107 175

HSL 327.62, 0.74%, 0.67%

LAB 62.45, 56.11, -12.68

 

CMYK 0 / 18 / 54 / 9

HEX #E9BF6B

RGB 233 191 107

HSL 40, 0.74%, 0.67%

LAB 79.41, 5.12, 47.58

 

CMYK 55 / 0 / 29 / 8

HEX #6AEAA6

RGB 106 234 166

HSL 148.13, 0.75%, 0.67%

LAB 84.31, -50.78, 22.52

 

CMYK 54 / 52 / 0 / 9

HEX #6B6FE9

RGB 107 111 233

HSL 238.1, 0.74%, 0.67%

LAB 52.26, 32.23, -62.5

 

CMYK 0 / 54 / 25 / 9

HEX #E96BAF

RGB 233 107 175

HSL 327.62, 0.74%, 0.67%

LAB 62.45, 56.11, -12.68

 

CMYK 0 / 2 / 54 / 9

HEX #E9E56B

RGB 233 229 107

HSL 58.1, 0.74%, 0.67%

LAB 89.12, -14.24, 58.96

 

Description

Color code: HEX #6AEAA6 | qconv.com Color code: HEX #6AEAA6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 234 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 234 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 29 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 29% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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