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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A8C09 it is the complementary color #9573F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A8C09. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A8C09 shade: #6F8C04, #809E17, #91B02A, #A2C23D and #B3D450

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A8C09. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A8C09 shade: #6A8C09, #597A00, #486800, #375600 and #264400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A8C09 shade: #698B08, #8B8908, #8B6608, #8B4308 and #8B2008

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A8C09 shade: #698B08, #468B08, #238B08, #088B11 and #088B34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A8C09 shade matches the following richer shades: #698B08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A8C09 shade: #698B08, #637F14, #5D7320, #57672C and #525B38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A8C09 shade: #8B6608, #8B8808, #6A8B08, #478B08 and #258B08

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A8C09 shade: #2E3D03, #4B6406, #698B08, #86B10B and #A3D80D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A8C09 shade: #6A8C09, #088B43 and #77088B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A8C09 shade: #6A8C09, #086A8B and #8B086A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A8C09 shade: #6A8C09, #088B43, #29088B and #8B0850

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A8C09 shade: #6A8C09, #088B6A, #29088B and #8B0829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 94 / 45

HEX #6A8C09

RGB 106 140 9

HSL 75.57, 0.88%, 0.29%

LAB 53.86, -28.69, 55.87

 

Complementary color

CMYK 39 / 53 / 0 / 4

HEX #9573F6

RGB 149 115 246

HSL 255.57, 0.88%, 0.71%

LAB 57.37, 42.67, -61.35

 

CMYK 21 / 0 / 97 / 45

HEX #6F8C04

RGB 111 140 4

HSL 72.79, 0.94%, 0.28%

LAB 54.18, -26.68, 57.12

 

CMYK 19 / 0 / 85 / 38

HEX #809E17

RGB 128 158 23

HSL 73.33, 0.75%, 0.35%

LAB 60.87, -27.73, 59.49

 

CMYK 18 / 0 / 76 / 31

HEX #91B02A

RGB 145 176 42

HSL 73.88, 0.61%, 0.43%

LAB 67.45, -28.54, 60.39

 

CMYK 16 / 0 / 69 / 24

HEX #A2C23D

RGB 162 194 61

HSL 74.44, 0.52%, 0.5%

LAB 73.93, -29.15, 60.35

 

CMYK 16 / 0 / 62 / 17

HEX #B3D450

RGB 179 212 80

HSL 75, 0.61%, 0.57%

LAB 80.32, -29.61, 59.78

 

CMYK 24 / 0 / 94 / 45

HEX #6A8C09

RGB 106 140 9

HSL 75.57, 0.88%, 0.29%

LAB 53.86, -28.69, 55.87

 

CMYK 27 / 0 / 100 / 52

HEX #597A00

RGB 89 122 0

HSL 76.23, 1%, 0.24%

LAB 47.03, -27.44, 51.73

 

CMYK 31 / 0 / 100 / 59

HEX #486800

RGB 72 104 0

HSL 78.46, 1%, 0.2%

LAB 40.05, -25.95, 45.92

 

CMYK 36 / 0 / 100 / 66

HEX #375600

RGB 55 86 0

HSL 81.63, 1%, 0.17%

LAB 32.85, -24.42, 39.93

 

CMYK 44 / 0 / 100 / 73

HEX #264400

RGB 38 68 0

HSL 86.47, 1%, 0.13%

LAB 25.4, -22.82, 33.4

 

CMYK 24 / 0 / 94 / 45

HEX #698B08

RGB 105 139 8

HSL 75.57, 0.89%, 0.29%

LAB 53.48, -28.66, 55.71

 

CMYK 0 / 1 / 94 / 45

HEX #8B8908

RGB 139 137 8

HSL 59.08, 0.89%, 0.29%

LAB 55.48, -12.52, 58.4

 

CMYK 0 / 27 / 94 / 45

HEX #8B6608

RGB 139 102 8

HSL 43.05, 0.89%, 0.29%

LAB 45.65, 7.11, 50.9

 

CMYK 0 / 52 / 94 / 45

HEX #8B4308

RGB 139 67 8

HSL 27.02, 0.89%, 0.29%

LAB 36.97, 27.3, 44.49

 

CMYK 0 / 77 / 94 / 45

HEX #8B2008

RGB 139 32 8

HSL 10.99, 0.89%, 0.29%

LAB 30.73, 43.74, 40.1

 

CMYK 24 / 0 / 94 / 45

HEX #698B08

RGB 105 139 8

HSL 75.57, 0.89%, 0.29%

LAB 53.48, -28.66, 55.71

 

CMYK 50 / 0 / 94 / 45

HEX #468B08

RGB 70 139 8

HSL 91.6, 0.89%, 0.29%

LAB 51.59, -41.9, 53.4

 

CMYK 75 / 0 / 94 / 45

HEX #238B08

RGB 35 139 8

HSL 107.63, 0.89%, 0.29%

LAB 50.5, -50.83, 52.04

 

CMYK 94 / 0 / 88 / 45

HEX #088B11

RGB 8 139 17

HSL 124.12, 0.89%, 0.29%

LAB 50.17, -53.69, 49.8

 

CMYK 94 / 0 / 63 / 45

HEX #088B34

RGB 8 139 52

HSL 140.15, 0.89%, 0.29%

LAB 50.41, -50.58, 36.96

 

CMYK 24 / 0 / 94 / 45

HEX #698B08

RGB 105 139 8

HSL 75.57, 0.89%, 0.29%

LAB 53.48, -28.66, 55.71

 

CMYK 24 / 0 / 94 / 45

HEX #698B08

RGB 105 139 8

HSL 75.57, 0.89%, 0.29%

LAB 53.48, -28.66, 55.71

 

CMYK 22 / 0 / 84 / 50

HEX #637F14

RGB 99 127 20

HSL 75.7, 0.73%, 0.29%

LAB 49.35, -25, 49.48

 

CMYK 19 / 0 / 72 / 55

HEX #5D7320

RGB 93 115 32

HSL 75.9, 0.56%, 0.29%

LAB 45.21, -20.88, 41.18

 

CMYK 16 / 0 / 57 / 60

HEX #57672C

RGB 87 103 44

HSL 76.27, 0.4%, 0.29%

LAB 41.07, -16.13, 30.85

 

CMYK 10 / 0 / 38 / 64

HEX #525B38

RGB 82 91 56

HSL 75.43, 0.24%, 0.29%

LAB 37.04, -10.11, 19.04

 

CMYK 0 / 27 / 94 / 45

HEX #8B6608

RGB 139 102 8

HSL 43.05, 0.89%, 0.29%

LAB 45.65, 7.11, 50.9

 

CMYK 0 / 2 / 94 / 45

HEX #8B8808

RGB 139 136 8

HSL 58.63, 0.89%, 0.29%

LAB 55.19, -11.98, 58.17

 

CMYK 24 / 0 / 94 / 45

HEX #6A8B08

RGB 106 139 8

HSL 75.11, 0.89%, 0.29%

LAB 53.54, -28.24, 55.79

 

CMYK 49 / 0 / 94 / 45

HEX #478B08

RGB 71 139 8

HSL 91.15, 0.89%, 0.29%

LAB 51.64, -41.57, 53.45

 

CMYK 73 / 0 / 94 / 45

HEX #258B08

RGB 37 139 8

HSL 106.72, 0.89%, 0.29%

LAB 50.54, -50.47, 52.09

 

CMYK 25 / 0 / 95 / 76

HEX #2E3D03

RGB 46 61 3

HSL 75.52, 0.91%, 0.13%

LAB 23.42, -15.28, 30.43

 

CMYK 25 / 0 / 94 / 61

HEX #4B6406

RGB 75 100 6

HSL 75.96, 0.89%, 0.21%

LAB 38.94, -22.42, 43.51

 

CMYK 24 / 0 / 94 / 45

HEX #698B08

RGB 105 139 8

HSL 75.57, 0.89%, 0.29%

LAB 53.48, -28.66, 55.71

 

CMYK 24 / 0 / 94 / 31

HEX #86B10B

RGB 134 177 11

HSL 75.54, 0.88%, 0.37%

LAB 66.93, -34.49, 66.79

 

CMYK 25 / 0 / 94 / 15

HEX #A3D80D

RGB 163 216 13

HSL 75.67, 0.89%, 0.45%

LAB 80.14, -40.53, 77.76

 

CMYK 24 / 0 / 94 / 45

HEX #6A8C09

RGB 106 140 9

HSL 75.57, 0.88%, 0.29%

LAB 53.86, -28.69, 55.87

 

CMYK 94 / 0 / 52 / 45

HEX #088B43

RGB 8 139 67

HSL 147.02, 0.89%, 0.29%

LAB 50.6, -48.32, 29.62

 

CMYK 14 / 94 / 0 / 45

HEX #77088B

RGB 119 8 139

HSL 290.84, 0.89%, 0.29%

LAB 29.31, 57.98, -44.22

 

CMYK 24 / 0 / 94 / 45

HEX #6A8C09

RGB 106 140 9

HSL 75.57, 0.88%, 0.29%

LAB 53.86, -28.69, 55.87

 

CMYK 94 / 24 / 0 / 45

HEX #086A8B

RGB 8 106 139

HSL 195.11, 0.89%, 0.29%

LAB 41.57, -12.78, -25.24

 

CMYK 0 / 94 / 24 / 45

HEX #8B086A

RGB 139 8 106

HSL 315.11, 0.89%, 0.29%

LAB 31.12, 56.7, -20.24

 

CMYK 24 / 0 / 94 / 45

HEX #6A8C09

RGB 106 140 9

HSL 75.57, 0.88%, 0.29%

LAB 53.86, -28.69, 55.87

 

CMYK 94 / 0 / 52 / 45

HEX #088B43

RGB 8 139 67

HSL 147.02, 0.89%, 0.29%

LAB 50.6, -48.32, 29.62

 

CMYK 71 / 94 / 0 / 45

HEX #29088B

RGB 41 8 139

HSL 255.11, 0.89%, 0.29%

LAB 17.96, 48.89, -63.28

 

CMYK 0 / 94 / 42 / 45

HEX #8B0850

RGB 139 8 80

HSL 327.02, 0.89%, 0.29%

LAB 30.01, 53.76, -4.96

 

CMYK 24 / 0 / 94 / 45

HEX #6A8C09

RGB 106 140 9

HSL 75.57, 0.88%, 0.29%

LAB 53.86, -28.69, 55.87

 

CMYK 94 / 0 / 24 / 45

HEX #088B6A

RGB 8 139 106

HSL 164.89, 0.89%, 0.29%

LAB 51.33, -39.86, 8.86

 

CMYK 71 / 94 / 0 / 45

HEX #29088B

RGB 41 8 139

HSL 255.11, 0.89%, 0.29%

LAB 17.96, 48.89, -63.28

 

CMYK 0 / 94 / 71 / 45

HEX #8B0829

RGB 139 8 41

HSL 344.89, 0.89%, 0.29%

LAB 28.96, 50.86, 19.67

 

Description

Color code: HEX #6A8C09 | qconv.com Color code: HEX #6A8C09 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 140 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 140 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 94 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 94% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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