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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A73CC it is the complementary color #958C33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A73CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A73CC shade: #6F73C7, #8085DA, #9197ED, #A2A9FF and #B3BBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A73CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A73CC shade: #6A73CC, #5961B9, #484FA6, #373D93 and #262B80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A73CC shade: #6A73CC, #7C6ACC, #966ACC, #B06ACC and #CA6ACC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A73CC shade: #6A73CC and #6A6ACC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A73CC shade matches the following richer shades: #6A73CC, #5A66DC, #4A59EC and #3A4CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A73CC shade: #6A73CC, #7A80BC, #8B8EAC, #9B9B9C and #ABA88B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A73CC shade: #6AA8CC, #6A8ECC, #6A74CC, #7B6ACC and #956ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A73CC shade: #3A44AA, #4C56C1, #6A73CC, #8990D6 and #A8ADE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A73CC shade: #6A73CC, #CC6AC2 and #9BCC6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A73CC shade: #6A73CC, #CC6A74 and #74CC6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A73CC shade: #6A73CC, #CC6AC2, #CCC26A and #6ACC74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A73CC shade: #6A73CC, #CC6AA5, #CCC26A and #6ACC91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

Complementary color

CMYK 0 / 6 / 66 / 42

HEX #958C33

RGB 149 140 51

HSL 54.49, 0.49%, 0.39%

LAB 57.45, -7.88, 47.08

 

CMYK 44 / 42 / 0 / 22

HEX #6F73C7

RGB 111 115 199

HSL 237.27, 0.44%, 0.61%

LAB 51.57, 20.31, -44.34

 

CMYK 41 / 39 / 0 / 15

HEX #8085DA

RGB 128 133 218

HSL 236.67, 0.55%, 0.68%

LAB 58.44, 19.36, -44.15

 

CMYK 39 / 36 / 0 / 7

HEX #9197ED

RGB 145 151 237

HSL 236.09, 0.72%, 0.75%

LAB 65.17, 18.55, -44

 

CMYK 36 / 34 / 0 / 0

HEX #A2A9FF

RGB 162 169 255

HSL 235.48, 1%, 0.82%

LAB 71.74, 17.57, -43.43

 

CMYK 30 / 27 / 0 / 0

HEX #B3BBFF

RGB 179 187 255

HSL 233.68, 1%, 0.85%

LAB 77.49, 12.2, -34.41

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 52 / 48 / 0 / 27

HEX #5961B9

RGB 89 97 185

HSL 235, 0.41%, 0.54%

LAB 44.48, 21.84, -47.65

 

CMYK 57 / 52 / 0 / 35

HEX #484FA6

RGB 72 79 166

HSL 235.53, 0.39%, 0.47%

LAB 37.34, 23.34, -47.98

 

CMYK 63 / 59 / 0 / 42

HEX #373D93

RGB 55 61 147

HSL 236.09, 0.46%, 0.4%

LAB 30.05, 25.2, -48.33

 

CMYK 70 / 66 / 0 / 50

HEX #262B80

RGB 38 43 128

HSL 236.67, 0.54%, 0.33%

LAB 22.65, 27.5, -48.63

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 39 / 48 / 0 / 20

HEX #7C6ACC

RGB 124 106 204

HSL 251.02, 0.49%, 0.61%

LAB 50.63, 30.42, -48.63

 

CMYK 26 / 48 / 0 / 20

HEX #966ACC

RGB 150 106 204

HSL 266.94, 0.49%, 0.61%

LAB 53.12, 37.26, -44.53

 

CMYK 14 / 48 / 0 / 20

HEX #B06ACC

RGB 176 106 204

HSL 282.86, 0.49%, 0.61%

LAB 55.99, 44.51, -39.81

 

CMYK 1 / 48 / 0 / 20

HEX #CA6ACC

RGB 202 106 204

HSL 298.78, 0.49%, 0.61%

LAB 59.18, 51.91, -34.57

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACC

RGB 106 106 204

HSL 240, 0.49%, 0.61%

LAB 49.17, 26.08, -51.05

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 59 / 54 / 0 / 14

HEX #5A66DC

RGB 90 102 220

HSL 234.46, 0.65%, 0.61%

LAB 48.06, 30.33, -62

 

CMYK 69 / 62 / 0 / 7

HEX #4A59EC

RGB 74 89 236

HSL 234.44, 0.81%, 0.61%

LAB 45.16, 41.2, -75.81

 

CMYK 77 / 70 / 0 / 1

HEX #3A4CFC

RGB 58 76 252

HSL 234.43, 0.97%, 0.61%

LAB 42.91, 52.61, -88.51

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 35 / 32 / 0 / 26

HEX #7A80BC

RGB 122 128 188

HSL 234.55, 0.33%, 0.61%

LAB 55.28, 12.34, -32.16

 

CMYK 19 / 17 / 0 / 33

HEX #8B8EAC

RGB 139 142 172

HSL 234.55, 0.17%, 0.61%

LAB 59.72, 5.39, -16.11

 

CMYK 1 / 1 / 0 / 39

HEX #9B9B9C

RGB 155 155 156

HSL 240, 0.01%, 0.61%

LAB 64.01, 0.2, -0.53

 

CMYK 0 / 2 / 19 / 33

HEX #ABA88B

RGB 171 168 139

HSL 54.38, 0.16%, 0.61%

LAB 68.41, -3.89, 15.4

 

CMYK 48 / 18 / 0 / 20

HEX #6AA8CC

RGB 106 168 204

HSL 202.04, 0.49%, 0.61%

LAB 66.08, -10.2, -24.55

 

CMYK 48 / 30 / 0 / 20

HEX #6A8ECC

RGB 106 142 204

HSL 217.96, 0.49%, 0.61%

LAB 58.76, 4.46, -35.88

 

CMYK 48 / 43 / 0 / 20

HEX #6A74CC

RGB 106 116 204

HSL 233.88, 0.49%, 0.61%

LAB 51.74, 19.99, -46.95

 

CMYK 40 / 48 / 0 / 20

HEX #7B6ACC

RGB 123 106 204

HSL 250.41, 0.49%, 0.61%

LAB 50.54, 30.17, -48.77

 

CMYK 27 / 48 / 0 / 20

HEX #956ACC

RGB 149 106 204

HSL 266.33, 0.49%, 0.61%

LAB 53.01, 36.99, -44.7

 

CMYK 66 / 60 / 0 / 33

HEX #3A44AA

RGB 58 68 170

HSL 234.64, 0.49%, 0.45%

LAB 33.85, 29.29, -56.06

 

CMYK 61 / 55 / 0 / 24

HEX #4C56C1

RGB 76 86 193

HSL 234.87, 0.49%, 0.53%

LAB 41.28, 28.79, -57.5

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 36 / 33 / 0 / 16

HEX #8990D6

RGB 137 144 214

HSL 234.55, 0.48%, 0.69%

LAB 61.76, 14.22, -36.66

 

CMYK 25 / 23 / 0 / 12

HEX #A8ADE1

RGB 168 173 225

HSL 234.74, 0.49%, 0.77%

LAB 71.99, 9.5, -26.71

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 0 / 48 / 5 / 20

HEX #CC6AC2

RGB 204 106 194

HSL 306.12, 0.49%, 0.61%

LAB 59.01, 50.72, -29.14

 

CMYK 24 / 0 / 48 / 20

HEX #9BCC6A

RGB 155 204 106

HSL 90, 0.49%, 0.61%

LAB 76.8, -32.58, 43.48

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 0 / 48 / 43 / 20

HEX #CC6A74

RGB 204 106 116

HSL 353.88, 0.49%, 0.61%

LAB 56.49, 39.69, 12.28

 

CMYK 43 / 0 / 48 / 20

HEX #74CC6A

RGB 116 204 106

HSL 113.88, 0.49%, 0.61%

LAB 74.79, -45.69, 40.55

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 0 / 48 / 5 / 20

HEX #CC6AC2

RGB 204 106 194

HSL 306.12, 0.49%, 0.61%

LAB 59.01, 50.72, -29.14

 

CMYK 0 / 5 / 48 / 20

HEX #CCC26A

RGB 204 194 106

HSL 53.88, 0.49%, 0.61%

LAB 77.56, -8.45, 45.21

 

CMYK 48 / 0 / 43 / 20

HEX #6ACC74

RGB 106 204 116

HSL 126.12, 0.49%, 0.61%

LAB 74.52, -47.13, 35.12

 

CMYK 48 / 44 / 0 / 20

HEX #6A73CC

RGB 106 115 204

HSL 234.49, 0.49%, 0.61%

LAB 51.48, 20.6, -47.36

 

CMYK 0 / 48 / 19 / 20

HEX #CC6AA5

RGB 204 106 165

HSL 323.88, 0.49%, 0.61%

LAB 57.91, 46.02, -14.18

 

CMYK 0 / 5 / 48 / 20

HEX #CCC26A

RGB 204 194 106

HSL 53.88, 0.49%, 0.61%

LAB 77.56, -8.45, 45.21

 

CMYK 48 / 0 / 29 / 20

HEX #6ACC91

RGB 106 204 145

HSL 143.88, 0.49%, 0.61%

LAB 75.01, -42.12, 20.71

 

Description

Color code: HEX #6A73CC | qconv.com Color code: HEX #6A73CC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 115 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 115 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 44 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 44% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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