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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A6EAD it is the complementary color #959152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A6EAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A6EAD shade: #6F6EA8, #8080BB, #9192CE, #A2A4E1 and #B3B6F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A6EAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A6EAD shade: #6A6EAD, #595C9A, #484A87, #373874 and #262661

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A6EAD shade: #6A6EAD, #786AAD, #8A6AAD, #9C6AAD and #AD6AAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A6EAD shade: #6A6EAD and #6A6AAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A6EAD shade matches the following richer shades: #6A6EAD, #585EC0, #454ED2, #333DE5 and #202DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A6EAD shade: #6A6EAD, #7D7F9A, #908F88, #A29F75 and #B5B063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A6EAD shade: #6A92AD, #6A81AD, #6A6FAD, #786AAD and #8A6AAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A6EAD shade: #46497F, #54599A, #6A6EAD, #8588BC and #A0A2CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A6EAD shade: #6A6EAD, #AD6AA4 and #8AAD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A6EAD shade: #6A6EAD, #AD6A6F and #6FAD6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A6EAD shade: #6A6EAD, #AD6AA4, #ADA96A and #6AAD73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A6EAD shade: #6A6EAD, #AD6A90, #ADA96A and #6AAD87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

Complementary color

CMYK 0 / 3 / 45 / 42

HEX #959152

RGB 149 145 82

HSL 56.42, 0.29%, 0.45%

LAB 59.2, -7.94, 33.84

 

CMYK 34 / 35 / 0 / 34

HEX #6F6EA8

RGB 111 110 168

HSL 241.03, 0.25%, 0.55%

LAB 48.71, 14.46, -30.93

 

CMYK 32 / 32 / 0 / 27

HEX #8080BB

RGB 128 128 187

HSL 240, 0.3%, 0.62%

LAB 55.7, 13.81, -30.91

 

CMYK 30 / 29 / 0 / 19

HEX #9192CE

RGB 145 146 206

HSL 239.02, 0.38%, 0.69%

LAB 62.54, 13.25, -30.93

 

CMYK 28 / 27 / 0 / 12

HEX #A2A4E1

RGB 162 164 225

HSL 238.1, 0.51%, 0.76%

LAB 69.23, 12.75, -30.99

 

CMYK 27 / 25 / 0 / 4

HEX #B3B6F4

RGB 179 182 244

HSL 237.23, 0.75%, 0.83%

LAB 75.81, 12.3, -31.09

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 42 / 40 / 0 / 40

HEX #595C9A

RGB 89 92 154

HSL 237.23, 0.27%, 0.48%

LAB 41.39, 15.29, -34.27

 

CMYK 47 / 45 / 0 / 47

HEX #484A87

RGB 72 74 135

HSL 238.1, 0.3%, 0.41%

LAB 34.03, 16.33, -34.5

 

CMYK 53 / 52 / 0 / 55

HEX #373874

RGB 55 56 116

HSL 239.02, 0.36%, 0.34%

LAB 26.45, 17.66, -34.81

 

CMYK 61 / 61 / 0 / 62

HEX #262661

RGB 38 38 97

HSL 240, 0.44%, 0.26%

LAB 18.63, 19.41, -35.18

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 31 / 39 / 0 / 32

HEX #786AAD

RGB 120 106 173

HSL 252.54, 0.29%, 0.55%

LAB 48.66, 20.87, -33.88

 

CMYK 20 / 39 / 0 / 32

HEX #8A6AAD

RGB 138 106 173

HSL 268.66, 0.29%, 0.55%

LAB 50.37, 26.31, -31.08

 

CMYK 10 / 39 / 0 / 32

HEX #9C6AAD

RGB 156 106 173

HSL 284.78, 0.29%, 0.55%

LAB 52.28, 31.96, -27.96

 

CMYK 0 / 39 / 1 / 32

HEX #AD6AAC

RGB 173 106 172

HSL 300.9, 0.29%, 0.55%

LAB 54.21, 37.18, -24.24

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 39 / 39 / 0 / 32

HEX #6A6AAD

RGB 106 106 173

HSL 240, 0.29%, 0.55%

LAB 47.48, 16.87, -35.81

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 54 / 51 / 0 / 25

HEX #585EC0

RGB 88 94 192

HSL 236.54, 0.45%, 0.55%

LAB 44.07, 25.76, -52.39

 

CMYK 67 / 63 / 0 / 18

HEX #454ED2

RGB 69 78 210

HSL 236.17, 0.61%, 0.55%

LAB 40.19, 38.46, -69.14

 

CMYK 78 / 73 / 0 / 10

HEX #333DE5

RGB 51 61 229

HSL 236.63, 0.77%, 0.55%

LAB 37.3, 52.96, -84.82

 

CMYK 87 / 82 / 0 / 3

HEX #202DF7

RGB 32 45 247

HSL 236.37, 0.93%, 0.55%

LAB 35.79, 65.61, -97.53

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 19 / 18 / 0 / 40

HEX #7D7F9A

RGB 125 127 154

HSL 235.86, 0.13%, 0.55%

LAB 53.89, 5.18, -14.71

 

CMYK 0 / 1 / 6 / 44

HEX #908F88

RGB 144 143 136

HSL 52.5, 0.03%, 0.55%

LAB 59.3, -0.96, 3.84

 

CMYK 0 / 2 / 28 / 36

HEX #A29F75

RGB 162 159 117

HSL 56, 0.19%, 0.55%

LAB 64.77, -5.81, 22.37

 

CMYK 0 / 3 / 45 / 29

HEX #B5B063

RGB 181 176 99

HSL 56.34, 0.36%, 0.55%

LAB 70.72, -9.24, 39.89

 

CMYK 39 / 16 / 0 / 32

HEX #6A92AD

RGB 106 146 173

HSL 204.18, 0.29%, 0.55%

LAB 58.64, -6.72, -18.53

 

CMYK 39 / 25 / 0 / 32

HEX #6A81AD

RGB 106 129 173

HSL 219.4, 0.29%, 0.55%

LAB 53.79, 3.04, -25.96

 

CMYK 39 / 36 / 0 / 32

HEX #6A6FAD

RGB 106 111 173

HSL 235.52, 0.29%, 0.55%

LAB 48.82, 13.82, -33.7

 

CMYK 31 / 39 / 0 / 32

HEX #786AAD

RGB 120 106 173

HSL 252.54, 0.29%, 0.55%

LAB 48.66, 20.87, -33.88

 

CMYK 20 / 39 / 0 / 32

HEX #8A6AAD

RGB 138 106 173

HSL 268.66, 0.29%, 0.55%

LAB 50.37, 26.31, -31.08

 

CMYK 45 / 43 / 0 / 50

HEX #46497F

RGB 70 73 127

HSL 236.84, 0.29%, 0.39%

LAB 33.13, 13.89, -30.99

 

CMYK 45 / 42 / 0 / 40

HEX #54599A

RGB 84 89 154

HSL 235.71, 0.29%, 0.47%

LAB 40.18, 15.84, -36.21

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 29 / 28 / 0 / 26

HEX #8588BC

RGB 133 136 188

HSL 236.73, 0.29%, 0.63%

LAB 58.25, 10.87, -27.49

 

CMYK 21 / 20 / 0 / 21

HEX #A0A2CA

RGB 160 162 202

HSL 237.14, 0.28%, 0.71%

LAB 67.71, 7.78, -20.66

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 0 / 39 / 5 / 32

HEX #AD6AA4

RGB 173 106 164

HSL 308.06, 0.29%, 0.55%

LAB 53.89, 35.69, -20.07

 

CMYK 20 / 0 / 39 / 32

HEX #8AAD6A

RGB 138 173 106

HSL 91.34, 0.29%, 0.55%

LAB 66.77, -23.98, 30.61

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 0 / 39 / 36 / 32

HEX #AD6A6F

RGB 173 106 111

HSL 355.52, 0.29%, 0.55%

LAB 52.22, 27.4, 8.6

 

CMYK 36 / 0 / 39 / 32

HEX #6FAD6A

RGB 111 173 106

HSL 115.52, 0.29%, 0.55%

LAB 65.21, -33.55, 28.27

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 0 / 39 / 5 / 32

HEX #AD6AA4

RGB 173 106 164

HSL 308.06, 0.29%, 0.55%

LAB 53.89, 35.69, -20.07

 

CMYK 0 / 2 / 39 / 32

HEX #ADA96A

RGB 173 169 106

HSL 56.42, 0.29%, 0.55%

LAB 68.24, -8.09, 33.02

 

CMYK 39 / 0 / 34 / 32

HEX #6AAD73

RGB 106 173 115

HSL 128.06, 0.29%, 0.55%

LAB 65.11, -33.67, 23.29

 

CMYK 39 / 36 / 0 / 32

HEX #6A6EAD

RGB 106 110 173

HSL 236.42, 0.29%, 0.55%

LAB 48.55, 14.43, -34.13

 

CMYK 0 / 39 / 17 / 32

HEX #AD6A90

RGB 173 106 144

HSL 325.97, 0.29%, 0.55%

LAB 53.17, 32.22, -9.46

 

CMYK 0 / 2 / 39 / 32

HEX #ADA96A

RGB 173 169 106

HSL 56.42, 0.29%, 0.55%

LAB 68.24, -8.09, 33.02

 

CMYK 39 / 0 / 22 / 32

HEX #6AAD87

RGB 106 173 135

HSL 145.97, 0.29%, 0.55%

LAB 65.51, -29.89, 12.92

 

Description

Color code: HEX #6A6EAD | qconv.com Color code: HEX #6A6EAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 110 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 110 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 36 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 36% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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