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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A60BC it is the complementary color #959F43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A60BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A60BC shade: #6F60B7, #8072CA, #9184DD, #A296F0 and #B3A8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A60BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A60BC shade: #6A60BC, #594EA9, #483C96, #372A83 and #261870

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A60BC shade: #6A60BC, #8360BC, #9C60BC, #B560BC and #BC60AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A60BC shade: #6A60BC and #6060BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A60BC shade matches the following richer shades: #6A60BC, #5C4ECE, #4E3CE1 and #402AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A60BC shade: #6A60BC, #7972AA, #878598, #959786 and #A3A974

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A60BC shade: #6088BC, #6070BC, #6960BC, #8260BC and #9B60BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A60BC shade: #443B8F, #5248AC, #6A60BC, #867DC8 and #A19AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A60BC shade: #6A60BC, #BC60A1 and #7CBC60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A60BC shade: #6A60BC, #BC6960 and #60BC69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A60BC shade: #6A60BC, #BC60A1, #B3BC60 and #60BC7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A60BC shade: #6A60BC, #BC6085, #B3BC60 and #60BC98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

Complementary color

CMYK 6 / 0 / 58 / 38

HEX #959F43

RGB 149 159 67

HSL 66.52, 0.41%, 0.44%

LAB 63, -16.77, 45.83

 

CMYK 39 / 48 / 0 / 28

HEX #6F60B7

RGB 111 96 183

HSL 250.34, 0.38%, 0.55%

LAB 45.86, 27.18, -44.19

 

CMYK 37 / 44 / 0 / 21

HEX #8072CA

RGB 128 114 202

HSL 249.55, 0.45%, 0.62%

LAB 52.83, 26.15, -43.98

 

CMYK 34 / 40 / 0 / 13

HEX #9184DD

RGB 145 132 221

HSL 248.76, 0.57%, 0.69%

LAB 59.66, 25.25, -43.82

 

CMYK 33 / 38 / 0 / 6

HEX #A296F0

RGB 162 150 240

HSL 248, 0.75%, 0.76%

LAB 66.36, 24.45, -43.71

 

CMYK 30 / 34 / 0 / 0

HEX #B3A8FF

RGB 179 168 255

HSL 247.59, 1%, 0.83%

LAB 72.77, 22.74, -41.74

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 47 / 54 / 0 / 34

HEX #594EA9

RGB 89 78 169

HSL 247.25, 0.37%, 0.48%

LAB 38.62, 28.68, -47.64

 

CMYK 52 / 60 / 0 / 41

HEX #483C96

RGB 72 60 150

HSL 248, 0.43%, 0.41%

LAB 31.37, 30.21, -47.96

 

CMYK 58 / 68 / 0 / 49

HEX #372A83

RGB 55 42 131

HSL 248.76, 0.51%, 0.34%

LAB 24.02, 31.97, -48.22

 

CMYK 66 / 79 / 0 / 56

HEX #261870

RGB 38 24 112

HSL 249.55, 0.65%, 0.27%

LAB 16.68, 33.8, -48.2

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 30 / 49 / 0 / 26

HEX #8360BC

RGB 131 96 188

HSL 262.83, 0.41%, 0.56%

LAB 48.03, 33.84, -43.52

 

CMYK 17 / 49 / 0 / 26

HEX #9C60BC

RGB 156 96 188

HSL 279.13, 0.41%, 0.56%

LAB 50.76, 40.79, -39.02

 

CMYK 4 / 49 / 0 / 26

HEX #B560BC

RGB 181 96 188

HSL 295.43, 0.41%, 0.56%

LAB 53.84, 47.96, -33.98

 

CMYK 0 / 49 / 9 / 26

HEX #BC60AB

RGB 188 96 171

HSL 311.09, 0.41%, 0.56%

LAB 54.02, 46.99, -23.78

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 49 / 49 / 0 / 26

HEX #6060BC

RGB 96 96 188

HSL 240, 0.41%, 0.56%

LAB 44.92, 25, -48.67

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 55 / 62 / 0 / 19

HEX #5C4ECE

RGB 92 78 206

HSL 246.56, 0.57%, 0.56%

LAB 41.5, 40.76, -64.63

 

CMYK 65 / 73 / 0 / 12

HEX #4E3CE1

RGB 78 60 225

HSL 246.55, 0.73%, 0.56%

LAB 38.35, 54.69, -80.73

 

CMYK 74 / 83 / 0 / 5

HEX #402AF3

RGB 64 42 243

HSL 246.57, 0.89%, 0.56%

LAB 36.4, 67.11, -94.22

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 29 / 33 / 0 / 33

HEX #7972AA

RGB 121 114 170

HSL 247.5, 0.25%, 0.56%

LAB 50.69, 15.57, -28.95

 

CMYK 11 / 13 / 0 / 40

HEX #878598

RGB 135 133 152

HSL 246.32, 0.08%, 0.56%

LAB 56.28, 4.68, -9.87

 

CMYK 1 / 0 / 11 / 41

HEX #959786

RGB 149 151 134

HSL 67.06, 0.08%, 0.56%

LAB 61.86, -3.87, 8.71

 

CMYK 4 / 0 / 31 / 34

HEX #A3A974

RGB 163 169 116

HSL 66.79, 0.24%, 0.56%

LAB 67.59, -10.88, 26.7

 

CMYK 49 / 28 / 0 / 26

HEX #6088BC

RGB 96 136 188

HSL 213.91, 0.41%, 0.56%

LAB 55.81, 0.7, -31.47

 

CMYK 49 / 40 / 0 / 26

HEX #6070BC

RGB 96 112 188

HSL 229.57, 0.41%, 0.56%

LAB 49.14, 15.11, -41.95

 

CMYK 44 / 49 / 0 / 26

HEX #6960BC

RGB 105 96 188

HSL 245.87, 0.41%, 0.56%

LAB 45.63, 27.13, -47.48

 

CMYK 31 / 49 / 0 / 26

HEX #8260BC

RGB 130 96 188

HSL 262.17, 0.41%, 0.56%

LAB 47.93, 33.57, -43.68

 

CMYK 18 / 49 / 0 / 26

HEX #9B60BC

RGB 155 96 188

HSL 278.48, 0.41%, 0.56%

LAB 50.65, 40.51, -39.21

 

CMYK 52 / 59 / 0 / 44

HEX #443B8F

RGB 68 59 143

HSL 246.43, 0.42%, 0.4%

LAB 30.25, 27.73, -45.5

 

CMYK 52 / 58 / 0 / 33

HEX #5248AC

RGB 82 72 172

HSL 246, 0.41%, 0.48%

LAB 36.76, 31.81, -52.46

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 33 / 38 / 0 / 22

HEX #867DC8

RGB 134 125 200

HSL 247.2, 0.41%, 0.64%

LAB 55.99, 20.75, -37.82

 

CMYK 24 / 28 / 0 / 16

HEX #A19AD5

RGB 161 154 213

HSL 247.12, 0.41%, 0.72%

LAB 66.13, 15.18, -29.17

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 0 / 49 / 14 / 26

HEX #BC60A1

RGB 188 96 161

HSL 317.61, 0.41%, 0.56%

LAB 53.63, 45.34, -18.55

 

CMYK 34 / 0 / 49 / 26

HEX #7CBC60

RGB 124 188 96

HSL 101.74, 0.41%, 0.56%

LAB 70.24, -37.44, 39.95

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 0 / 44 / 49 / 26

HEX #BC6960

RGB 188 105 96

HSL 5.87, 0.41%, 0.56%

LAB 53.64, 32.12, 19.68

 

CMYK 49 / 0 / 44 / 26

HEX #60BC69

RGB 96 188 105

HSL 125.87, 0.41%, 0.56%

LAB 69.09, -44.9, 33.69

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 0 / 49 / 14 / 26

HEX #BC60A1

RGB 188 96 161

HSL 317.61, 0.41%, 0.56%

LAB 53.63, 45.34, -18.55

 

CMYK 5 / 0 / 49 / 26

HEX #B3BC60

RGB 179 188 96

HSL 65.87, 0.41%, 0.56%

LAB 73.8, -16.53, 45.1

 

CMYK 49 / 0 / 34 / 26

HEX #60BC7C

RGB 96 188 124

HSL 138.26, 0.41%, 0.56%

LAB 69.4, -41.7, 24.17

 

CMYK 44 / 49 / 0 / 26

HEX #6A60BC

RGB 106 96 188

HSL 246.52, 0.41%, 0.56%

LAB 45.72, 27.37, -47.35

 

CMYK 0 / 49 / 29 / 26

HEX #BC6085

RGB 188 96 133

HSL 335.87, 0.41%, 0.56%

LAB 52.68, 41.19, -3.5

 

CMYK 5 / 0 / 49 / 26

HEX #B3BC60

RGB 179 188 96

HSL 65.87, 0.41%, 0.56%

LAB 73.8, -16.53, 45.1

 

CMYK 49 / 0 / 19 / 26

HEX #60BC98

RGB 96 188 152

HSL 156.52, 0.41%, 0.56%

LAB 69.98, -36.04, 9.86

 

Description

Color code: HEX #6A60BC | qconv.com Color code: HEX #6A60BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 96 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 96 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 49 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 49% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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