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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A4BF6 it is the complementary color #95B409. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A4BF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A4BF6 shade: #6F4BF1, #805DFF, #916FFF, #A281FF and #B393FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A4BF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A4BF6 shade: #6A4BF6, #5939E3, #4827D0, #3715BD and #2603AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A4BF6 shade: #6A4BF5, #984BF5, #C64BF5, #F34BF5 and #F54BC9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A4BF6 shade: #6A4BF5 and #4B4BF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A4BF6 shade matches the following richer shades: #6A4BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A4BF6 shade: #6A4BF5, #745BE6, #7D6AD7, #8779C7 and #9188B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A4BF6 shade: #4B8AF5, #4B5CF5, #684BF5, #954BF5 and #C24BF5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A4BF6 shade: #320BE2, #4A24F3, #6A4BF5, #8A72F7 and #AB9AF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A4BF6 shade: #6A4BF6, #F54BB7 and #73F54B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A4BF6 shade: #6A4BF6, #F5684B and #4BF568

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A4BF6 shade: #6A4BF6, #F54BB7, #D9F54B and #4BF58A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A4BF6 shade: #6A4BF6, #F54B84, #D9F54B and #4BF5BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 70 / 0 / 4

HEX #6A4BF6

RGB 106 75 246

HSL 250.88, 0.9%, 0.63%

LAB 45.29, 56.58, -81.13

 

Complementary color

CMYK 17 / 0 / 95 / 29

HEX #95B409

RGB 149 180 9

HSL 70.88, 0.9%, 0.37%

LAB 68.79, -29.77, 68.91

 

CMYK 54 / 69 / 0 / 5

HEX #6F4BF1

RGB 111 75 241

HSL 253.01, 0.86%, 0.62%

LAB 45.31, 55.89, -78.27

 

CMYK 50 / 64 / 0 / 0

HEX #805DFF

RGB 128 93 255

HSL 252.96, 1%, 0.68%

LAB 51.43, 53.05, -76.04

 

CMYK 43 / 56 / 0 / 0

HEX #916FFF

RGB 145 111 255

HSL 254.17, 1%, 0.72%

LAB 56.69, 46.45, -67.44

 

CMYK 36 / 49 / 0 / 0

HEX #A281FF

RGB 162 129 255

HSL 255.71, 1%, 0.75%

LAB 62.17, 40.24, -58.56

 

CMYK 30 / 42 / 0 / 0

HEX #B393FF

RGB 179 147 255

HSL 257.78, 1%, 0.79%

LAB 67.78, 34.49, -49.57

 

CMYK 57 / 70 / 0 / 4

HEX #6A4BF6

RGB 106 75 246

HSL 250.88, 0.9%, 0.63%

LAB 45.29, 56.58, -81.13

 

CMYK 61 / 75 / 0 / 11

HEX #5939E3

RGB 89 57 227

HSL 251.29, 0.75%, 0.56%

LAB 38.89, 58.03, -80.96

 

CMYK 65 / 81 / 0 / 18

HEX #4827D0

RGB 72 39 208

HSL 251.72, 0.68%, 0.48%

LAB 32.66, 59.14, -80.36

 

CMYK 71 / 89 / 0 / 26

HEX #3715BD

RGB 55 21 189

HSL 252.14, 0.8%, 0.41%

LAB 26.8, 59.4, -78.98

 

CMYK 78 / 98 / 0 / 33

HEX #2603AA

RGB 38 3 170

HSL 252.57, 0.97%, 0.34%

LAB 21.5, 58.27, -76.47

 

CMYK 57 / 69 / 0 / 4

HEX #6A4BF5

RGB 106 75 245

HSL 250.94, 0.89%, 0.63%

LAB 45.21, 56.29, -80.7

 

CMYK 38 / 69 / 0 / 4

HEX #984BF5

RGB 152 75 245

HSL 267.18, 0.89%, 0.63%

LAB 49.86, 63.77, -72.91

 

CMYK 19 / 69 / 0 / 4

HEX #C64BF5

RGB 198 75 245

HSL 283.41, 0.89%, 0.63%

LAB 55.72, 72.58, -63.15

 

CMYK 1 / 69 / 0 / 4

HEX #F34BF5

RGB 243 75 245

HSL 299.29, 0.89%, 0.63%

LAB 62.24, 81.84, -52.36

 

CMYK 0 / 69 / 18 / 4

HEX #F54BC9

RGB 245 75 201

HSL 315.53, 0.89%, 0.63%

LAB 60.48, 75.88, -30.37

 

CMYK 57 / 69 / 0 / 4

HEX #6A4BF5

RGB 106 75 245

HSL 250.94, 0.89%, 0.63%

LAB 45.21, 56.29, -80.7

 

CMYK 69 / 69 / 0 / 4

HEX #4B4BF5

RGB 75 75 245

HSL 240, 0.89%, 0.63%

LAB 42.94, 52.45, -84.5

 

CMYK 57 / 69 / 0 / 4

HEX #6A4BF5

RGB 106 75 245

HSL 250.94, 0.89%, 0.63%

LAB 45.21, 56.29, -80.7

 

CMYK 57 / 69 / 0 / 4

HEX #6A4BF5

RGB 106 75 245

HSL 250.94, 0.89%, 0.63%

LAB 45.21, 56.29, -80.7

 

CMYK 50 / 60 / 0 / 10

HEX #745BE6

RGB 116 91 230

HSL 250.79, 0.74%, 0.63%

LAB 48.14, 44.84, -67.44

 

CMYK 42 / 51 / 0 / 16

HEX #7D6AD7

RGB 125 106 215

HSL 250.46, 0.58%, 0.63%

LAB 51.35, 33.75, -53.74

 

CMYK 32 / 39 / 0 / 22

HEX #8779C7

RGB 135 121 199

HSL 250.77, 0.41%, 0.63%

LAB 55.02, 23.12, -38.77

 

CMYK 21 / 26 / 0 / 28

HEX #9188B8

RGB 145 136 184

HSL 251.25, 0.25%, 0.63%

LAB 59.06, 13.6, -23.9

 

CMYK 69 / 44 / 0 / 4

HEX #4B8AF5

RGB 75 138 245

HSL 217.76, 0.89%, 0.63%

LAB 58.29, 14.34, -59.58

 

CMYK 69 / 62 / 0 / 4

HEX #4B5CF5

RGB 75 92 245

HSL 234, 0.89%, 0.63%

LAB 46.64, 42.55, -78.45

 

CMYK 58 / 69 / 0 / 4

HEX #684BF5

RGB 104 75 245

HSL 250.24, 0.89%, 0.63%

LAB 45.04, 56.01, -80.99

 

CMYK 39 / 69 / 0 / 4

HEX #954BF5

RGB 149 75 245

HSL 266.12, 0.89%, 0.63%

LAB 49.51, 63.23, -73.49

 

CMYK 21 / 69 / 0 / 4

HEX #C24BF5

RGB 194 75 245

HSL 282, 0.89%, 0.63%

LAB 55.17, 71.78, -64.06

 

CMYK 78 / 95 / 0 / 11

HEX #320BE2

RGB 50 11 226

HSL 250.88, 0.91%, 0.46%

LAB 30.42, 71.09, -94.52

 

CMYK 70 / 85 / 0 / 5

HEX #4A24F3

RGB 74 36 243

HSL 251.01, 0.9%, 0.55%

LAB 36.35, 69.94, -94.29

 

CMYK 57 / 69 / 0 / 4

HEX #6A4BF5

RGB 106 75 245

HSL 250.94, 0.89%, 0.63%

LAB 45.21, 56.29, -80.7

 

CMYK 44 / 54 / 0 / 3

HEX #8A72F7

RGB 138 114 247

HSL 250.83, 0.89%, 0.71%

LAB 56.24, 41.05, -63.77

 

CMYK 31 / 38 / 0 / 2

HEX #AB9AF9

RGB 171 154 249

HSL 250.74, 0.89%, 0.79%

LAB 68.47, 26.91, -45.26

 

CMYK 57 / 70 / 0 / 4

HEX #6A4BF6

RGB 106 75 246

HSL 250.88, 0.9%, 0.63%

LAB 45.29, 56.58, -81.13

 

CMYK 0 / 69 / 25 / 4

HEX #F54BB7

RGB 245 75 183

HSL 321.88, 0.89%, 0.63%

LAB 59.77, 73.58, -21.17

 

CMYK 53 / 0 / 69 / 4

HEX #73F54B

RGB 115 245 75

HSL 105.88, 0.89%, 0.63%

LAB 86.73, -65.03, 67.55

 

CMYK 57 / 70 / 0 / 4

HEX #6A4BF6

RGB 106 75 246

HSL 250.88, 0.9%, 0.63%

LAB 45.29, 56.58, -81.13

 

CMYK 0 / 58 / 69 / 4

HEX #F5684B

RGB 245 104 75

HSL 10.24, 0.89%, 0.63%

LAB 61.5, 52.38, 43.08

 

CMYK 69 / 0 / 58 / 4

HEX #4BF568

RGB 75 245 104

HSL 130.24, 0.89%, 0.63%

LAB 85.91, -70.74, 54.59

 

CMYK 57 / 70 / 0 / 4

HEX #6A4BF6

RGB 106 75 246

HSL 250.88, 0.9%, 0.63%

LAB 45.29, 56.58, -81.13

 

CMYK 0 / 69 / 25 / 4

HEX #F54BB7

RGB 245 75 183

HSL 321.88, 0.89%, 0.63%

LAB 59.77, 73.58, -21.17

 

CMYK 11 / 0 / 69 / 4

HEX #D9F54B

RGB 217 245 75

HSL 69.88, 0.89%, 0.63%

LAB 91.94, -30.37, 74.51

 

CMYK 69 / 0 / 44 / 4

HEX #4BF58A

RGB 75 245 138

HSL 142.24, 0.89%, 0.63%

LAB 86.32, -65.91, 39.19

 

CMYK 57 / 70 / 0 / 4

HEX #6A4BF6

RGB 106 75 246

HSL 250.88, 0.9%, 0.63%

LAB 45.29, 56.58, -81.13

 

CMYK 0 / 69 / 46 / 4

HEX #F54B84

RGB 245 75 132

HSL 339.88, 0.89%, 0.63%

LAB 58.14, 68.2, 6.13

 

CMYK 11 / 0 / 69 / 4

HEX #D9F54B

RGB 217 245 75

HSL 69.88, 0.89%, 0.63%

LAB 91.94, -30.37, 74.51

 

CMYK 69 / 0 / 23 / 4

HEX #4BF5BC

RGB 75 245 188

HSL 159.88, 0.89%, 0.63%

LAB 87.21, -56.23, 15.06

 

Description

Color code: HEX #6A4BF6 | qconv.com Color code: HEX #6A4BF6 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 75 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 75 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 70 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 70% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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