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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A3DA5 it is the complementary color #95C25A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A3DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A3DA5 shade: #6F3DA0, #804FB3, #9161C6, #A273D9 and #B385EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A3DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A3DA5 shade: #6A3DA5, #592B92, #48197F, #37076C and #260059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A3DA5 shade: #693CA3, #853CA3, #A03CA3, #A33C8A and #A33C6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A3DA5 shade: #693CA3, #4D3CA3 and #3C3CA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A3DA5 shade matches the following richer shades: #693CA3, #662AB5, #6418C8 and #6106DA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A3DA5 shade: #693CA3, #6B4E91, #6E607F, #70736D and #73855B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A3DA5 shade: #3C48A3, #4C3CA3, #673CA3, #833CA3 and #9E3CA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A3DA5 shade: #422667, #553185, #693CA3, #7D4CBD and #936AC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A3DA5 shade: #6A3DA5, #A33C64 and #3CA33E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A3DA5 shade: #6A3DA5, #A3673C and #3CA367

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A3DA5 shade: #6A3DA5, #A33C64, #78A33C and #3CA37C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A3DA5 shade: #6A3DA5, #A33C45, #78A33C and #3CA39B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 63 / 0 / 35

HEX #6A3DA5

RGB 106 61 165

HSL 265.96, 0.46%, 0.44%

LAB 36.21, 41.53, -49.04

 

Complementary color

CMYK 23 / 0 / 54 / 24

HEX #95C25A

RGB 149 194 90

HSL 85.96, 0.46%, 0.56%

LAB 73.36, -31.86, 46.95

 

CMYK 31 / 62 / 0 / 37

HEX #6F3DA0

RGB 111 61 160

HSL 270.3, 0.45%, 0.43%

LAB 36.47, 41.42, -45.59

 

CMYK 28 / 56 / 0 / 30

HEX #804FB3

RGB 128 79 179

HSL 269.4, 0.4%, 0.51%

LAB 43.41, 40.48, -45.65

 

CMYK 27 / 51 / 0 / 22

HEX #9161C6

RGB 145 97 198

HSL 268.51, 0.47%, 0.58%

LAB 50.27, 39.53, -45.64

 

CMYK 25 / 47 / 0 / 15

HEX #A273D9

RGB 162 115 217

HSL 267.65, 0.57%, 0.65%

LAB 57.03, 38.6, -45.62

 

CMYK 24 / 44 / 0 / 7

HEX #B385EC

RGB 179 133 236

HSL 266.8, 0.73%, 0.72%

LAB 63.68, 37.73, -45.6

 

CMYK 36 / 63 / 0 / 35

HEX #6A3DA5

RGB 106 61 165

HSL 265.96, 0.46%, 0.44%

LAB 36.21, 41.53, -49.04

 

CMYK 39 / 71 / 0 / 43

HEX #592B92

RGB 89 43 146

HSL 266.8, 0.54%, 0.37%

LAB 29.23, 42.44, -48.9

 

CMYK 43 / 80 / 0 / 50

HEX #48197F

RGB 72 25 127

HSL 267.65, 0.67%, 0.3%

LAB 22.32, 42.91, -48.4

 

CMYK 49 / 94 / 0 / 58

HEX #37076C

RGB 55 7 108

HSL 268.51, 0.88%, 0.23%

LAB 15.73, 42.19, -47.08

 

CMYK 57 / 100 / 0 / 65

HEX #260059

RGB 38 0 89

HSL 265.62, 1%, 0.17%

LAB 10.06, 38.39, -43.88

 

CMYK 36 / 63 / 0 / 36

HEX #693CA3

RGB 105 60 163

HSL 266.21, 0.46%, 0.44%

LAB 35.75, 41.32, -48.59

 

CMYK 18 / 63 / 0 / 36

HEX #853CA3

RGB 133 60 163

HSL 282.52, 0.46%, 0.44%

LAB 39.35, 48.03, -42.62

 

CMYK 2 / 63 / 0 / 36

HEX #A03CA3

RGB 160 60 163

HSL 298.25, 0.46%, 0.44%

LAB 43.29, 54.79, -36.12

 

CMYK 0 / 63 / 15 / 36

HEX #A33C8A

RGB 163 60 138

HSL 314.56, 0.46%, 0.44%

LAB 42.54, 51.41, -22.19

 

CMYK 0 / 63 / 32 / 36

HEX #A33C6F

RGB 163 60 111

HSL 330.29, 0.46%, 0.44%

LAB 41.48, 47.59, -7.21

 

CMYK 36 / 63 / 0 / 36

HEX #693CA3

RGB 105 60 163

HSL 266.21, 0.46%, 0.44%

LAB 35.75, 41.32, -48.59

 

CMYK 53 / 63 / 0 / 36

HEX #4D3CA3

RGB 77 60 163

HSL 249.9, 0.46%, 0.44%

LAB 32.82, 35.34, -53.48

 

CMYK 63 / 63 / 0 / 36

HEX #3C3CA3

RGB 60 60 163

HSL 240, 0.46%, 0.44%

LAB 31.43, 32.3, -55.79

 

CMYK 36 / 63 / 0 / 36

HEX #693CA3

RGB 105 60 163

HSL 266.21, 0.46%, 0.44%

LAB 35.75, 41.32, -48.59

 

CMYK 44 / 77 / 0 / 29

HEX #662AB5

RGB 102 42 181

HSL 265.9, 0.62%, 0.44%

LAB 33.6, 54.28, -62.85

 

CMYK 50 / 88 / 0 / 22

HEX #6418C8

RGB 100 24 200

HSL 265.91, 0.79%, 0.44%

LAB 32.99, 64.96, -75.06

 

CMYK 56 / 97 / 0 / 15

HEX #6106DA

RGB 97 6 218

HSL 265.75, 0.95%, 0.44%

LAB 33.42, 72.23, -84.81

 

CMYK 36 / 63 / 0 / 36

HEX #693CA3

RGB 105 60 163

HSL 266.21, 0.46%, 0.44%

LAB 35.75, 41.32, -48.59

 

CMYK 26 / 46 / 0 / 43

HEX #6B4E91

RGB 107 78 145

HSL 265.97, 0.3%, 0.44%

LAB 38.93, 26.65, -32.63

 

CMYK 13 / 24 / 0 / 50

HEX #6E607F

RGB 110 96 127

HSL 267.1, 0.14%, 0.44%

LAB 43.08, 12.16, -15.26

 

CMYK 3 / 0 / 5 / 55

HEX #70736D

RGB 112 115 109

HSL 90, 0.03%, 0.44%

LAB 48.02, -2.35, 2.91

 

CMYK 14 / 0 / 32 / 48

HEX #73855B

RGB 115 133 91

HSL 85.71, 0.19%, 0.44%

LAB 53.14, -14.41, 20.55

 

CMYK 63 / 56 / 0 / 36

HEX #3C48A3

RGB 60 72 163

HSL 233.01, 0.46%, 0.44%

LAB 34.48, 24.54, -50.85

 

CMYK 53 / 63 / 0 / 36

HEX #4C3CA3

RGB 76 60 163

HSL 249.32, 0.46%, 0.44%

LAB 32.73, 35.15, -53.63

 

CMYK 37 / 63 / 0 / 36

HEX #673CA3

RGB 103 60 163

HSL 265.05, 0.46%, 0.44%

LAB 35.52, 40.87, -48.98

 

CMYK 20 / 63 / 0 / 36

HEX #833CA3

RGB 131 60 163

HSL 281.36, 0.46%, 0.44%

LAB 39.07, 47.53, -43.07

 

CMYK 3 / 63 / 0 / 36

HEX #9E3CA3

RGB 158 60 163

HSL 297.09, 0.46%, 0.44%

LAB 42.98, 54.28, -36.62

 

CMYK 36 / 63 / 0 / 60

HEX #422667

RGB 66 38 103

HSL 265.85, 0.46%, 0.28%

LAB 22.03, 28.15, -33.49

 

CMYK 36 / 63 / 0 / 48

HEX #553185

RGB 85 49 133

HSL 265.71, 0.46%, 0.36%

LAB 28.96, 34.77, -41.31

 

CMYK 36 / 63 / 0 / 36

HEX #693CA3

RGB 105 60 163

HSL 266.21, 0.46%, 0.44%

LAB 35.75, 41.32, -48.59

 

CMYK 34 / 60 / 0 / 26

HEX #7D4CBD

RGB 125 76 189

HSL 266.02, 0.46%, 0.52%

LAB 43.07, 43.92, -52.07

 

CMYK 27 / 47 / 0 / 22

HEX #936AC8

RGB 147 106 200

HSL 266.17, 0.46%, 0.6%

LAB 52.6, 35.46, -43.08

 

CMYK 36 / 63 / 0 / 35

HEX #6A3DA5

RGB 106 61 165

HSL 265.96, 0.46%, 0.44%

LAB 36.21, 41.53, -49.04

 

CMYK 0 / 63 / 39 / 36

HEX #A33C64

RGB 163 60 100

HSL 336.7, 0.46%, 0.44%

LAB 41.12, 46.26, -0.9

 

CMYK 63 / 0 / 62 / 36

HEX #3CA33E

RGB 60 163 62

HSL 121.17, 0.46%, 0.44%

LAB 59.44, -50.06, 42.84

 

CMYK 36 / 63 / 0 / 35

HEX #6A3DA5

RGB 106 61 165

HSL 265.96, 0.46%, 0.44%

LAB 36.21, 41.53, -49.04

 

CMYK 0 / 37 / 63 / 36

HEX #A3673C

RGB 163 103 60

HSL 25.05, 0.46%, 0.44%

LAB 49.27, 19.83, 33.89

 

CMYK 63 / 0 / 37 / 36

HEX #3CA367

RGB 60 163 103

HSL 145.05, 0.46%, 0.44%

LAB 60.01, -43.68, 22.63

 

CMYK 36 / 63 / 0 / 35

HEX #6A3DA5

RGB 106 61 165

HSL 265.96, 0.46%, 0.44%

LAB 36.21, 41.53, -49.04

 

CMYK 0 / 63 / 39 / 36

HEX #A33C64

RGB 163 60 100

HSL 336.7, 0.46%, 0.44%

LAB 41.12, 46.26, -0.9

 

CMYK 26 / 0 / 63 / 36

HEX #78A33C

RGB 120 163 60

HSL 85.05, 0.46%, 0.44%

LAB 62.09, -31.22, 47.45

 

CMYK 63 / 0 / 24 / 36

HEX #3CA37C

RGB 60 163 124

HSL 157.28, 0.46%, 0.44%

LAB 60.44, -39.19, 11.63

 

CMYK 36 / 63 / 0 / 35

HEX #6A3DA5

RGB 106 61 165

HSL 265.96, 0.46%, 0.44%

LAB 36.21, 41.53, -49.04

 

CMYK 0 / 63 / 58 / 36

HEX #A33C45

RGB 163 60 69

HSL 354.76, 0.46%, 0.44%

LAB 40.32, 43.25, 17.37

 

CMYK 26 / 0 / 63 / 36

HEX #78A33C

RGB 120 163 60

HSL 85.05, 0.46%, 0.44%

LAB 62.09, -31.22, 47.45

 

CMYK 63 / 0 / 5 / 36

HEX #3CA39B

RGB 60 163 155

HSL 175.34, 0.46%, 0.44%

LAB 61.24, -31.25, -4.62

 

Description

Color code: HEX #6A3DA5 | qconv.com Color code: HEX #6A3DA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 61 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 61 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 63 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 63% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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