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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A32E0 it is the complementary color #95CD1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A32E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A32E0 shade: #6F32DB, #8044EE, #9156FF, #A268FF and #B37AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A32E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A32E0 shade: #6A32E0, #5920CD, #480EBA, #3700A7 and #260094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A32E0 shade: #6A32E0, #9932E0, #C832E0, #E032C9 and #E0329A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A32E0 shade: #6A32E0, #3B32E0 and #3232E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A32E0 shade matches the following richer shades: #6A32E0 and #641FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A32E0 shade: #6A32E0, #7145CD, #7858BA, #7F6BA7 and #857E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A32E0 shade: #3258E0, #3B32E0, #6932E0, #9832E0 and #C632E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A32E0 shade: #4719A7, #561ECB, #6A32E0, #8456E5 and #9E7AEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A32E0 shade: #6A32E0, #E03286 and #41E032

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A32E0 shade: #6A32E0, #E06932 and #32E069

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A32E0 shade: #6A32E0, #E03286, #A9E032 and #32E08C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A32E0 shade: #6A32E0, #E03252, #A9E032 and #32E0C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

Complementary color

CMYK 27 / 0 / 85 / 20

HEX #95CD1F

RGB 149 205 31

HSL 79.31, 0.74%, 0.46%

LAB 76.16, -40.68, 71.27

 

CMYK 49 / 77 / 0 / 14

HEX #6F32DB

RGB 111 50 219

HSL 261.66, 0.7%, 0.53%

LAB 39.2, 61.84, -75.8

 

CMYK 46 / 71 / 0 / 7

HEX #8044EE

RGB 128 68 238

HSL 261.18, 0.83%, 0.6%

LAB 45.49, 61.19, -76.22

 

CMYK 43 / 66 / 0 / 0

HEX #9156FF

RGB 145 86 255

HSL 260.95, 1%, 0.67%

LAB 51.72, 59.73, -75.49

 

CMYK 36 / 59 / 0 / 0

HEX #A268FF

RGB 162 104 255

HSL 263.05, 1%, 0.7%

LAB 56.88, 53.87, -67.05

 

CMYK 30 / 52 / 0 / 0

HEX #B37AFF

RGB 179 122 255

HSL 265.71, 1%, 0.74%

LAB 62.27, 48.23, -58.31

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 57 / 84 / 0 / 20

HEX #5920CD

RGB 89 32 205

HSL 259.77, 0.73%, 0.46%

LAB 33.06, 62.62, -77.91

 

CMYK 61 / 92 / 0 / 27

HEX #480EBA

RGB 72 14 186

HSL 260.23, 0.86%, 0.39%

LAB 27.4, 61.6, -76.16

 

CMYK 67 / 100 / 0 / 35

HEX #3700A7

RGB 55 0 167

HSL 259.76, 1%, 0.33%

LAB 22.31, 58.91, -73.27

 

CMYK 74 / 100 / 0 / 42

HEX #260094

RGB 38 0 148

HSL 255.41, 1%, 0.29%

LAB 18.14, 53.5, -68.59

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 32 / 78 / 0 / 12

HEX #9932E0

RGB 153 50 224

HSL 275.52, 0.74%, 0.54%

LAB 44.85, 69.34, -69.2

 

CMYK 11 / 78 / 0 / 12

HEX #C832E0

RGB 200 50 224

HSL 291.72, 0.74%, 0.54%

LAB 51.77, 77.56, -57.67

 

CMYK 0 / 78 / 10 / 12

HEX #E032C9

RGB 224 50 201

HSL 307.93, 0.74%, 0.54%

LAB 54.39, 78.7, -40.14

 

CMYK 0 / 78 / 31 / 12

HEX #E0329A

RGB 224 50 154

HSL 324.14, 0.74%, 0.54%

LAB 52.36, 72.78, -15.85

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 74 / 78 / 0 / 12

HEX #3B32E0

RGB 59 50 224

HSL 243.1, 0.74%, 0.54%

LAB 35.19, 57.71, -85.43

 

CMYK 78 / 78 / 0 / 12

HEX #3232E0

RGB 50 50 224

HSL 240, 0.74%, 0.54%

LAB 34.68, 57.1, -86.28

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 59 / 87 / 0 / 5

HEX #641FF3

RGB 100 31 243

HSL 259.53, 0.9%, 0.54%

LAB 38.13, 73.32, -91.26

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 45 / 66 / 0 / 20

HEX #7145CD

RGB 113 69 205

HSL 259.41, 0.58%, 0.54%

LAB 41.49, 49.37, -63.98

 

CMYK 35 / 53 / 0 / 27

HEX #7858BA

RGB 120 88 186

HSL 259.59, 0.42%, 0.54%

LAB 44.97, 35.1, -47.31

 

CMYK 24 / 36 / 0 / 35

HEX #7F6BA7

RGB 127 107 167

HSL 260, 0.25%, 0.54%

LAB 49.27, 20.85, -29.36

 

CMYK 10 / 15 / 0 / 42

HEX #857E94

RGB 133 126 148

HSL 259.09, 0.09%, 0.54%

LAB 54.08, 7.15, -10.87

 

CMYK 78 / 61 / 0 / 12

HEX #3258E0

RGB 50 88 224

HSL 226.9, 0.74%, 0.54%

LAB 42.82, 34.96, -72.89

 

CMYK 74 / 78 / 0 / 12

HEX #3B32E0

RGB 59 50 224

HSL 243.1, 0.74%, 0.54%

LAB 35.19, 57.71, -85.43

 

CMYK 53 / 78 / 0 / 12

HEX #6932E0

RGB 105 50 224

HSL 258.97, 0.74%, 0.54%

LAB 39.01, 62.34, -78.99

 

CMYK 32 / 78 / 0 / 12

HEX #9832E0

RGB 152 50 224

HSL 275.17, 0.74%, 0.54%

LAB 44.71, 69.18, -69.43

 

CMYK 12 / 78 / 0 / 12

HEX #C632E0

RGB 198 50 224

HSL 291.03, 0.74%, 0.54%

LAB 51.46, 77.19, -58.19

 

CMYK 57 / 85 / 0 / 35

HEX #4719A7

RGB 71 25 167

HSL 259.44, 0.74%, 0.38%

LAB 26.23, 53.4, -66.71

 

CMYK 58 / 85 / 0 / 20

HEX #561ECB

RGB 86 30 203

HSL 259.42, 0.74%, 0.46%

LAB 32.3, 62.5, -78.01

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 42 / 62 / 0 / 10

HEX #8456E5

RGB 132 86 229

HSL 259.3, 0.73%, 0.62%

LAB 48.53, 50.47, -66.17

 

CMYK 33 / 48 / 0 / 8

HEX #9E7AEB

RGB 158 122 235

HSL 259.12, 0.74%, 0.7%

LAB 59.15, 38.04, -52.36

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 0 / 78 / 40 / 12

HEX #E03286

RGB 224 50 134

HSL 331.03, 0.74%, 0.54%

LAB 51.67, 70.71, -4.94

 

CMYK 71 / 0 / 78 / 12

HEX #41E032

RGB 65 224 50

HSL 114.83, 0.74%, 0.54%

LAB 78.85, -70.64, 67.59

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 0 / 53 / 78 / 12

HEX #E06932

RGB 224 105 50

HSL 18.97, 0.74%, 0.54%

LAB 58.21, 43.13, 51.19

 

CMYK 78 / 0 / 53 / 12

HEX #32E069

RGB 50 224 105

HSL 138.97, 0.74%, 0.54%

LAB 79.05, -67.29, 45.85

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 0 / 78 / 40 / 12

HEX #E03286

RGB 224 50 134

HSL 331.03, 0.74%, 0.54%

LAB 51.67, 70.71, -4.94

 

CMYK 25 / 0 / 78 / 12

HEX #A9E032

RGB 169 224 50

HSL 78.97, 0.74%, 0.54%

LAB 82.9, -40.7, 72.84

 

CMYK 78 / 0 / 38 / 12

HEX #32E08C

RGB 50 224 140

HSL 151.03, 0.74%, 0.54%

LAB 79.55, -61.47, 29.22

 

CMYK 53 / 78 / 0 / 12

HEX #6A32E0

RGB 106 50 224

HSL 259.31, 0.74%, 0.54%

LAB 39.12, 62.47, -78.82

 

CMYK 0 / 78 / 63 / 12

HEX #E03252

RGB 224 50 82

HSL 348.97, 0.74%, 0.54%

LAB 50.38, 66.73, 24.7

 

CMYK 25 / 0 / 78 / 12

HEX #A9E032

RGB 169 224 50

HSL 78.97, 0.74%, 0.54%

LAB 82.9, -40.7, 72.84

 

CMYK 78 / 0 / 14 / 12

HEX #32E0C0

RGB 50 224 192

HSL 168.97, 0.74%, 0.54%

LAB 80.62, -49.81, 3.5

 

Description

Color code: HEX #6A32E0 | qconv.com Color code: HEX #6A32E0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 50 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 50 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 78 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 78% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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