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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A3128 it is the complementary color #95CED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A3128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A3128 shade: #6F3123, #804336, #915549, #A2675C and #B3796F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A3128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A3128 shade: #6A3128, #591F15, #480D02, #370000 and #260000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A3128 shade: #6B3128 and #6B2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A3128 shade: #6B3128, #6B4328, #6B5528, #6B6728 and #5C6B28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A3128 shade matches the following richer shades: #6B3128, #77291C, #832010 and #8F1704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A3128 shade: #6B3128, #5F3A34, #534340, #474B4C and #3B5458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A3128 shade: #6B2843, #6B2831, #6B3128, #6B4328 and #6B5528

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A3128 shade: #2F1511, #4D231D, #6B3128, #893F34 and #A74D3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A3128 shade: #6A3128, #556B28 and #283A6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A3128 shade: #6A3128, #286B31 and #31286B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A3128 shade: #6A3128, #556B28, #28626B and #3E286B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A3128 shade: #6A3128, #416B28, #28626B and #52286B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 62 / 58

HEX #6A3128

RGB 106 49 40

HSL 8.18, 0.45%, 0.29%

LAB 27.88, 24.59, 17.62

 

Complementary color

CMYK 31 / 4 / 0 / 16

HEX #95CED7

RGB 149 206 215

HSL 188.18, 0.45%, 0.71%

LAB 79.29, -16.11, -10.37

 

CMYK 0 / 56 / 68 / 56

HEX #6F3123

RGB 111 49 35

HSL 11.05, 0.52%, 0.29%

LAB 28.64, 26.33, 21.91

 

CMYK 0 / 48 / 58 / 50

HEX #804336

RGB 128 67 54

HSL 10.54, 0.41%, 0.36%

LAB 35.73, 24.85, 19.58

 

CMYK 0 / 41 / 50 / 43

HEX #915549

RGB 145 85 73

HSL 10, 0.33%, 0.43%

LAB 42.76, 23.54, 17.68

 

CMYK 0 / 36 / 43 / 36

HEX #A2675C

RGB 162 103 92

HSL 9.43, 0.28%, 0.5%

LAB 49.68, 22.39, 16.08

 

CMYK 0 / 32 / 38 / 30

HEX #B3796F

RGB 179 121 111

HSL 8.82, 0.31%, 0.57%

LAB 56.49, 21.4, 14.7

 

CMYK 0 / 54 / 62 / 58

HEX #6A3128

RGB 106 49 40

HSL 8.18, 0.45%, 0.29%

LAB 27.88, 24.59, 17.62

 

CMYK 0 / 65 / 76 / 65

HEX #591F15

RGB 89 31 21

HSL 8.82, 0.62%, 0.22%

LAB 20.67, 26.07, 20.39

 

CMYK 0 / 82 / 97 / 72

HEX #480D02

RGB 72 13 2

HSL 9.43, 0.95%, 0.15%

LAB 13.65, 27.12, 20.23

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 100 / 100 / 85

HEX #260000

RGB 38 0 0

HSL 0, 1%, 0.07%

LAB 3.72, 16.7, 5.88

 

CMYK 0 / 54 / 63 / 58

HEX #6B3128

RGB 107 49 40

HSL 8.06, 0.46%, 0.29%

LAB 28.05, 25.02, 17.87

 

CMYK 0 / 63 / 63 / 58

HEX #6B2828

RGB 107 40 40

HSL 0, 0.46%, 0.29%

LAB 26.15, 29.94, 15.42

 

CMYK 0 / 54 / 63 / 58

HEX #6B3128

RGB 107 49 40

HSL 8.06, 0.46%, 0.29%

LAB 28.05, 25.02, 17.87

 

CMYK 0 / 37 / 63 / 58

HEX #6B4328

RGB 107 67 40

HSL 24.18, 0.46%, 0.29%

LAB 32.47, 14.28, 23.36

 

CMYK 0 / 21 / 63 / 58

HEX #6B5528

RGB 107 85 40

HSL 40.3, 0.46%, 0.29%

LAB 37.44, 3.28, 29.26

 

CMYK 0 / 4 / 63 / 58

HEX #6B6728

RGB 107 103 40

HSL 56.42, 0.46%, 0.29%

LAB 42.73, -7.32, 35.24

 

CMYK 14 / 0 / 63 / 58

HEX #5C6B28

RGB 92 107 40

HSL 73.43, 0.46%, 0.29%

LAB 42.68, -16.46, 34.82

 

CMYK 0 / 54 / 63 / 58

HEX #6B3128

RGB 107 49 40

HSL 8.06, 0.46%, 0.29%

LAB 28.05, 25.02, 17.87

 

CMYK 0 / 66 / 76 / 53

HEX #77291C

RGB 119 41 28

HSL 8.57, 0.62%, 0.29%

LAB 28.36, 33.36, 26.26

 

CMYK 0 / 76 / 88 / 49

HEX #832010

RGB 131 32 16

HSL 8.35, 0.78%, 0.29%

LAB 29.15, 41.2, 34.57

 

CMYK 0 / 84 / 97 / 44

HEX #8F1704

RGB 143 23 4

HSL 8.2, 0.95%, 0.29%

LAB 30.55, 47.78, 41.97

 

CMYK 0 / 54 / 63 / 58

HEX #6B3128

RGB 107 49 40

HSL 8.06, 0.46%, 0.29%

LAB 28.05, 25.02, 17.87

 

CMYK 0 / 39 / 45 / 63

HEX #5F3A34

RGB 95 58 52

HSL 8.37, 0.29%, 0.29%

LAB 28.66, 15.59, 10.58

 

CMYK 0 / 19 / 23 / 67

HEX #534340

RGB 83 67 64

HSL 9.47, 0.13%, 0.29%

LAB 29.97, 6.32, 4.4

 

CMYK 7 / 1 / 0 / 70

HEX #474B4C

RGB 71 75 76

HSL 192, 0.03%, 0.29%

LAB 31.56, -1.4, -1.16

 

CMYK 33 / 5 / 0 / 65

HEX #3B5458

RGB 59 84 88

HSL 188.28, 0.2%, 0.29%

LAB 33.93, -8.31, -5.38

 

CMYK 0 / 63 / 37 / 58

HEX #6B2843

RGB 107 40 67

HSL 335.82, 0.46%, 0.29%

LAB 26.87, 32.81, -1.64

 

CMYK 0 / 63 / 54 / 58

HEX #6B2831

RGB 107 40 49

HSL 351.94, 0.46%, 0.29%

LAB 26.35, 30.75, 9.69

 

CMYK 0 / 54 / 63 / 58

HEX #6B3128

RGB 107 49 40

HSL 8.06, 0.46%, 0.29%

LAB 28.05, 25.02, 17.87

 

CMYK 0 / 37 / 63 / 58

HEX #6B4328

RGB 107 67 40

HSL 24.18, 0.46%, 0.29%

LAB 32.47, 14.28, 23.36

 

CMYK 0 / 21 / 63 / 58

HEX #6B5528

RGB 107 85 40

HSL 40.3, 0.46%, 0.29%

LAB 37.44, 3.28, 29.26

 

CMYK 0 / 55 / 64 / 82

HEX #2F1511

RGB 47 21 17

HSL 8, 0.47%, 0.13%

LAB 10.42, 12.7, 8.28

 

CMYK 0 / 55 / 62 / 70

HEX #4D231D

RGB 77 35 29

HSL 7.5, 0.45%, 0.21%

LAB 19.51, 19.15, 13.16

 

CMYK 0 / 54 / 63 / 58

HEX #6B3128

RGB 107 49 40

HSL 8.06, 0.46%, 0.29%

LAB 28.05, 25.02, 17.87

 

CMYK 0 / 54 / 62 / 46

HEX #893F34

RGB 137 63 52

HSL 7.76, 0.45%, 0.37%

LAB 36.22, 30.64, 21.71

 

CMYK 0 / 54 / 62 / 35

HEX #A74D3F

RGB 167 77 63

HSL 8.08, 0.45%, 0.45%

LAB 44.06, 35.94, 25.98

 

CMYK 0 / 54 / 62 / 58

HEX #6A3128

RGB 106 49 40

HSL 8.18, 0.45%, 0.29%

LAB 27.88, 24.59, 17.62

 

CMYK 21 / 0 / 63 / 58

HEX #556B28

RGB 85 107 40

HSL 79.7, 0.46%, 0.29%

LAB 42.15, -19.55, 34.09

 

CMYK 63 / 46 / 0 / 58

HEX #283A6B

RGB 40 58 107

HSL 223.88, 0.46%, 0.29%

LAB 25.38, 9.52, -30.84

 

CMYK 0 / 54 / 62 / 58

HEX #6A3128

RGB 106 49 40

HSL 8.18, 0.45%, 0.29%

LAB 27.88, 24.59, 17.62

 

CMYK 63 / 0 / 54 / 58

HEX #286B31

RGB 40 107 49

HSL 128.06, 0.46%, 0.29%

LAB 39.9, -34.52, 26.15

 

CMYK 54 / 63 / 0 / 58

HEX #31286B

RGB 49 40 107

HSL 248.06, 0.46%, 0.29%

LAB 20.95, 23.98, -37.92

 

CMYK 0 / 54 / 62 / 58

HEX #6A3128

RGB 106 49 40

HSL 8.18, 0.45%, 0.29%

LAB 27.88, 24.59, 17.62

 

CMYK 21 / 0 / 63 / 58

HEX #556B28

RGB 85 107 40

HSL 79.7, 0.46%, 0.29%

LAB 42.15, -19.55, 34.09

 

CMYK 63 / 8 / 0 / 58

HEX #28626B

RGB 40 98 107

HSL 188.06, 0.46%, 0.29%

LAB 38.28, -15.81, -10.77

 

CMYK 42 / 63 / 0 / 58

HEX #3E286B

RGB 62 40 107

HSL 259.7, 0.46%, 0.29%

LAB 22.31, 27.06, -35.65

 

CMYK 0 / 54 / 62 / 58

HEX #6A3128

RGB 106 49 40

HSL 8.18, 0.45%, 0.29%

LAB 27.88, 24.59, 17.62

 

CMYK 39 / 0 / 63 / 58

HEX #416B28

RGB 65 107 40

HSL 97.61, 0.46%, 0.29%

LAB 40.88, -27.72, 32.31

 

CMYK 63 / 8 / 0 / 58

HEX #28626B

RGB 40 98 107

HSL 188.06, 0.46%, 0.29%

LAB 38.28, -15.81, -10.77

 

CMYK 23 / 63 / 0 / 58

HEX #52286B

RGB 82 40 107

HSL 277.61, 0.46%, 0.29%

LAB 24.87, 32.35, -31.41

 

Description

Color code: HEX #6A3128 | qconv.com Color code: HEX #6A3128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 49 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 49 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 62 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 62% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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