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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A2271 it is the complementary color #95DD8E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A2271. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A2271 shade: #6F226C, #80347F, #914692, #A258A5 and #B36AB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A2271. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A2271 shade: #6A2271, #59105E, #48004B, #370038 and #260025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A2271 shade: #6A2271, #712263, #71224D, #712238 and #712222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A2271 shade: #6A2271, #552271, #3F2271, #2A2271 and #222271

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A2271 shade matches the following richer shades: #6A2271, #74167D and #7E0A89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A2271 shade: #6A2271, #602D65, #573959, #4D454D and #435142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A2271 shade: #3F2271, #542271, #692271, #712264 and #71224F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A2271 shade: #2F0F32, #4D1852, #6A2271, #882B91 and #A634B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A2271 shade: #6A2271, #712A22 and #227149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A2271 shade: #6A2271, #716922 and #227169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A2271 shade: #6A2271, #712A22, #2A7122 and #226971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A2271 shade: #6A2271, #714122, #2A7122 and #225171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

Complementary color

CMYK 33 / 0 / 36 / 13

HEX #95DD8E

RGB 149 221 142

HSL 114.68, 0.54%, 0.71%

LAB 81.87, -37.61, 31.85

 

CMYK 0 / 69 / 3 / 56

HEX #6F226C

RGB 111 34 108

HSL 302.34, 0.53%, 0.28%

LAB 28.4, 43.37, -26.17

 

CMYK 0 / 59 / 1 / 50

HEX #80347F

RGB 128 52 127

HSL 300.79, 0.42%, 0.35%

LAB 35.16, 43.3, -27.35

 

CMYK 1 / 52 / 0 / 43

HEX #914692

RGB 145 70 146

HSL 299.21, 0.35%, 0.42%

LAB 41.96, 42.8, -28.15

 

CMYK 2 / 47 / 0 / 35

HEX #A258A5

RGB 162 88 165

HSL 297.66, 0.3%, 0.5%

LAB 48.73, 42.11, -28.74

 

CMYK 3 / 42 / 0 / 28

HEX #B36AB8

RGB 179 106 184

HSL 296.15, 0.35%, 0.57%

LAB 55.43, 41.36, -29.21

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 5 / 83 / 0 / 63

HEX #59105E

RGB 89 16 94

HSL 296.15, 0.71%, 0.22%

LAB 21.22, 42.2, -28.68

 

CMYK 4 / 100 / 0 / 71

HEX #48004B

RGB 72 0 75

HSL 297.6, 1%, 0.15%

LAB 14.88, 40, -26.17

 

CMYK 2 / 100 / 0 / 78

HEX #370038

RGB 55 0 56

HSL 298.93, 1%, 0.11%

LAB 9.78, 33.28, -21.1

 

CMYK 0 / 100 / 3 / 85

HEX #260025

RGB 38 0 37

HSL 301.58, 1%, 0.07%

LAB 4.93, 24.02, -14.83

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 0 / 70 / 12 / 56

HEX #712263

RGB 113 34 99

HSL 310.63, 0.54%, 0.29%

LAB 28.26, 42.34, -20.55

 

CMYK 0 / 70 / 32 / 56

HEX #71224D

RGB 113 34 77

HSL 327.34, 0.54%, 0.29%

LAB 27.27, 39.01, -7.61

 

CMYK 0 / 70 / 50 / 56

HEX #712238

RGB 113 34 56

HSL 343.29, 0.54%, 0.29%

LAB 26.56, 36.53, 5.45

 

CMYK 0 / 70 / 70 / 56

HEX #712222

RGB 113 34 34

HSL 0, 0.54%, 0.29%

LAB 26.07, 34.74, 19.5

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 25 / 70 / 0 / 56

HEX #552271

RGB 85 34 113

HSL 278.73, 0.54%, 0.29%

LAB 24.54, 37.8, -35.78

 

CMYK 44 / 70 / 0 / 56

HEX #3F2271

RGB 63 34 113

HSL 262.03, 0.54%, 0.29%

LAB 21.55, 32.72, -40.75

 

CMYK 63 / 70 / 0 / 56

HEX #2A2271

RGB 42 34 113

HSL 246.08, 0.54%, 0.29%

LAB 19.34, 28.64, -44.45

 

CMYK 70 / 70 / 0 / 56

HEX #222271

RGB 34 34 113

HSL 240, 0.54%, 0.29%

LAB 18.7, 27.38, -45.53

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 7 / 82 / 0 / 51

HEX #74167D

RGB 116 22 125

HSL 294.76, 0.7%, 0.29%

LAB 28.82, 51.88, -36.28

 

CMYK 8 / 93 / 0 / 46

HEX #7E0A89

RGB 126 10 137

HSL 294.8, 0.86%, 0.29%

LAB 30.54, 58.5, -40.93

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 5 / 55 / 0 / 60

HEX #602D65

RGB 96 45 101

HSL 294.64, 0.38%, 0.29%

LAB 27.58, 32.28, -23.11

 

CMYK 2 / 36 / 0 / 65

HEX #573959

RGB 87 57 89

HSL 296.25, 0.22%, 0.29%

LAB 28.57, 19.4, -13.88

 

CMYK 0 / 10 / 0 / 70

HEX #4D454D

RGB 77 69 77

HSL 300, 0.05%, 0.29%

LAB 30.33, 5.08, -3.57

 

CMYK 17 / 0 / 19 / 68

HEX #435142

RGB 67 81 66

HSL 116, 0.1%, 0.29%

LAB 32.86, -8.88, 7.01

 

CMYK 44 / 70 / 0 / 56

HEX #3F2271

RGB 63 34 113

HSL 262.03, 0.54%, 0.29%

LAB 21.55, 32.72, -40.75

 

CMYK 26 / 70 / 0 / 56

HEX #542271

RGB 84 34 113

HSL 277.97, 0.54%, 0.29%

LAB 24.39, 37.55, -36.03

 

CMYK 7 / 70 / 0 / 56

HEX #692271

RGB 105 34 113

HSL 293.92, 0.54%, 0.29%

LAB 27.68, 42.77, -30.58

 

CMYK 0 / 70 / 12 / 56

HEX #712264

RGB 113 34 100

HSL 309.87, 0.54%, 0.29%

LAB 28.31, 42.51, -21.12

 

CMYK 0 / 70 / 30 / 56

HEX #71224F

RGB 113 34 79

HSL 325.82, 0.54%, 0.29%

LAB 27.35, 39.28, -8.82

 

CMYK 6 / 70 / 0 / 80

HEX #2F0F32

RGB 47 15 50

HSL 294.86, 0.54%, 0.13%

LAB 10.38, 22.43, -15.87

 

CMYK 6 / 71 / 0 / 68

HEX #4D1852

RGB 77 24 82

HSL 294.83, 0.55%, 0.21%

LAB 19.39, 33.67, -23.68

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 6 / 70 / 0 / 43

HEX #882B91

RGB 136 43 145

HSL 294.71, 0.54%, 0.37%

LAB 36, 52.69, -37.04

 

CMYK 6 / 71 / 0 / 31

HEX #A634B1

RGB 166 52 177

HSL 294.72, 0.55%, 0.45%

LAB 43.85, 61.9, -43.46

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 0 / 63 / 70 / 56

HEX #712A22

RGB 113 42 34

HSL 6.08, 0.54%, 0.29%

LAB 27.52, 30.85, 21.28

 

CMYK 70 / 0 / 35 / 56

HEX #227149

RGB 34 113 73

HSL 149.62, 0.54%, 0.29%

LAB 42.2, -33.89, 15.44

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 0 / 7 / 70 / 56

HEX #716922

RGB 113 105 34

HSL 53.92, 0.54%, 0.29%

LAB 43.84, -6.06, 39.45

 

CMYK 70 / 0 / 7 / 56

HEX #227169

RGB 34 113 105

HSL 173.92, 0.54%, 0.29%

LAB 43.02, -25.53, -2.51

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 0 / 63 / 70 / 56

HEX #712A22

RGB 113 42 34

HSL 6.08, 0.54%, 0.29%

LAB 27.52, 30.85, 21.28

 

CMYK 63 / 0 / 70 / 56

HEX #2A7122

RGB 42 113 34

HSL 113.92, 0.54%, 0.29%

LAB 41.87, -38.4, 35.99

 

CMYK 70 / 7 / 0 / 56

HEX #226971

RGB 34 105 113

HSL 186.08, 0.54%, 0.29%

LAB 40.63, -18.83, -10.92

 

CMYK 6 / 70 / 0 / 56

HEX #6A2271

RGB 106 34 113

HSL 294.68, 0.54%, 0.29%

LAB 27.85, 43.02, -30.3

 

CMYK 0 / 42 / 70 / 56

HEX #714122

RGB 113 65 34

HSL 23.54, 0.54%, 0.29%

LAB 32.72, 17.82, 27.38

 

CMYK 63 / 0 / 70 / 56

HEX #2A7122

RGB 42 113 34

HSL 113.92, 0.54%, 0.29%

LAB 41.87, -38.4, 35.99

 

CMYK 70 / 28 / 0 / 56

HEX #225171

RGB 34 81 113

HSL 204.3, 0.54%, 0.29%

LAB 32.74, -4.75, -23.04

 

Description

Color code: HEX #6A2271 | qconv.com Color code: HEX #6A2271 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 34 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 34 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 70 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 70% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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