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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A2463 it is the complementary color #95DB9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A2463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A2463 shade: #6F245E, #803671, #914884, #A25A97 and #B36CAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A2463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A2463 shade: #6A2463, #591250, #48003D, #37002A and #260017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A2463 shade: #6A2463, #6A2450, #6A243D, #6A242A and #6A2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A2463 shade: #6A2463, #5E246A, #4B246A, #38246A and #25246A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A2463 shade matches the following richer shades: #6A2463, #75186C, #810D75 and #8D017F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A2463 shade: #6A2463, #5E2F5A, #533B50, #474747 and #3C523E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A2463 shade: #4C246A, #5E246A, #6A2463, #6A2450 and #6A243E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A2463 shade: #2C0F29, #4B1946, #6A2463, #892E80 and #A7399C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A2463 shade: #6A2463, #6A3924 and #246A55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A2463 shade: #6A2463, #636A24 and #24636A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A2463 shade: #6A2463, #6A3924, #246A2B and #24556A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A2463 shade: #6A2463, #6A4E24, #246A2B and #24406A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

Complementary color

CMYK 32 / 0 / 29 / 14

HEX #95DB9C

RGB 149 219 156

HSL 126, 0.49%, 0.72%

LAB 81.54, -34.44, 24.19

 

CMYK 0 / 68 / 15 / 56

HEX #6F245E

RGB 111 36 94

HSL 313.6, 0.51%, 0.29%

LAB 27.98, 40.07, -17.76

 

CMYK 0 / 58 / 12 / 50

HEX #803671

RGB 128 54 113

HSL 312.16, 0.41%, 0.36%

LAB 34.84, 39.79, -19.08

 

CMYK 0 / 50 / 9 / 43

HEX #914884

RGB 145 72 132

HSL 310.68, 0.34%, 0.43%

LAB 41.72, 39.18, -20.02

 

CMYK 0 / 44 / 7 / 36

HEX #A25A97

RGB 162 90 151

HSL 309.17, 0.29%, 0.49%

LAB 48.55, 38.44, -20.75

 

CMYK 0 / 40 / 5 / 30

HEX #B36CAA

RGB 179 108 170

HSL 307.61, 0.32%, 0.56%

LAB 55.29, 37.66, -21.35

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 80 / 10 / 65

HEX #591250

RGB 89 18 80

HSL 307.61, 0.66%, 0.21%

LAB 20.58, 39, -20.31

 

CMYK 0 / 100 / 15 / 72

HEX #48003D

RGB 72 0 61

HSL 309.17, 1%, 0.14%

LAB 13.91, 37.65, -17.88

 

CMYK 0 / 100 / 24 / 78

HEX #37002A

RGB 55 0 42

HSL 314.18, 1%, 0.11%

LAB 8.82, 30.91, -12.29

 

CMYK 0 / 100 / 39 / 85

HEX #260017

RGB 38 0 23

HSL 323.68, 1%, 0.07%

LAB 4.28, 20.44, -4.8

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 66 / 25 / 58

HEX #6A2450

RGB 106 36 80

HSL 322.29, 0.49%, 0.28%

LAB 26.46, 36.3, -10.95

 

CMYK 0 / 66 / 42 / 58

HEX #6A243D

RGB 106 36 61

HSL 338.57, 0.49%, 0.28%

LAB 25.75, 33.7, 0.73

 

CMYK 0 / 66 / 60 / 58

HEX #6A242A

RGB 106 36 42

HSL 354.86, 0.49%, 0.28%

LAB 25.24, 31.76, 12.86

 

CMYK 0 / 66 / 66 / 58

HEX #6A2424

RGB 106 36 36

HSL 0, 0.49%, 0.28%

LAB 25.12, 31.28, 16.71

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 11 / 66 / 0 / 58

HEX #5E246A

RGB 94 36 106

HSL 289.71, 0.49%, 0.28%

LAB 25.81, 37.52, -29.16

 

CMYK 29 / 66 / 0 / 58

HEX #4B246A

RGB 75 36 106

HSL 273.43, 0.49%, 0.28%

LAB 22.99, 32.49, -33.83

 

CMYK 47 / 66 / 0 / 58

HEX #38246A

RGB 56 36 106

HSL 257.14, 0.49%, 0.28%

LAB 20.61, 27.83, -37.79

 

CMYK 65 / 66 / 0 / 58

HEX #25246A

RGB 37 36 106

HSL 240.86, 0.49%, 0.28%

LAB 18.78, 23.93, -40.85

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 79 / 8 / 54

HEX #75186C

RGB 117 24 108

HSL 305.81, 0.66%, 0.28%

LAB 28.16, 48.56, -26.47

 

CMYK 0 / 90 / 9 / 49

HEX #810D75

RGB 129 13 117

HSL 306.21, 0.82%, 0.28%

LAB 30.01, 55.33, -29.17

 

CMYK 0 / 99 / 10 / 45

HEX #8D017F

RGB 141 1 127

HSL 306, 0.99%, 0.28%

LAB 32.3, 60.98, -31.71

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 50 / 4 / 63

HEX #5E2F5A

RGB 94 47 90

HSL 305.11, 0.33%, 0.28%

LAB 27.16, 28.21, -16.63

 

CMYK 0 / 29 / 4 / 67

HEX #533B50

RGB 83 59 80

HSL 307.5, 0.17%, 0.28%

LAB 28.24, 14.62, -8.58

 

CMYK 0 / 0 / 0 / 72

HEX #474747

RGB 71 71 71

HSL 0, 0%, 0.28%

LAB 30.16, 0, -0

 

CMYK 27 / 0 / 24 / 68

HEX #3C523E

RGB 60 82 62

HSL 125.45, 0.15%, 0.28%

LAB 32.58, -13.09, 9.06

 

CMYK 28 / 66 / 0 / 58

HEX #4C246A

RGB 76 36 106

HSL 274.29, 0.49%, 0.28%

LAB 23.13, 32.74, -33.6

 

CMYK 11 / 66 / 0 / 58

HEX #5E246A

RGB 94 36 106

HSL 289.71, 0.49%, 0.28%

LAB 25.81, 37.52, -29.16

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 66 / 25 / 58

HEX #6A2450

RGB 106 36 80

HSL 322.29, 0.49%, 0.28%

LAB 26.46, 36.3, -10.95

 

CMYK 0 / 66 / 42 / 58

HEX #6A243E

RGB 106 36 62

HSL 337.71, 0.49%, 0.28%

LAB 25.78, 33.82, 0.1

 

CMYK 0 / 66 / 7 / 83

HEX #2C0F29

RGB 44 15 41

HSL 306.21, 0.49%, 0.12%

LAB 9.3, 19.36, -10.97

 

CMYK 0 / 67 / 7 / 71

HEX #4B1946

RGB 75 25 70

HSL 306, 0.5%, 0.2%

LAB 18.51, 30.16, -16.91

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 66 / 7 / 46

HEX #892E80

RGB 137 46 128

HSL 305.93, 0.5%, 0.36%

LAB 35.66, 48.68, -27.09

 

CMYK 0 / 66 / 7 / 35

HEX #A7399C

RGB 167 57 156

HSL 306, 0.49%, 0.44%

LAB 43.57, 56.61, -31.41

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 46 / 66 / 58

HEX #6A3924

RGB 106 57 36

HSL 18, 0.49%, 0.28%

LAB 29.71, 19.57, 22.4

 

CMYK 66 / 0 / 20 / 58

HEX #246A55

RGB 36 106 85

HSL 162, 0.49%, 0.28%

LAB 40.15, -27.35, 5.42

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 7 / 0 / 66 / 58

HEX #636A24

RGB 99 106 36

HSL 66, 0.49%, 0.28%

LAB 42.9, -13.05, 37.14

 

CMYK 66 / 7 / 0 / 58

HEX #24636A

RGB 36 99 106

HSL 186, 0.49%, 0.28%

LAB 38.44, -17.48, -9.93

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 46 / 66 / 58

HEX #6A3924

RGB 106 57 36

HSL 18, 0.49%, 0.28%

LAB 29.71, 19.57, 22.4

 

CMYK 66 / 0 / 59 / 58

HEX #246A2B

RGB 36 106 43

HSL 126, 0.49%, 0.28%

LAB 39.34, -35.99, 28.66

 

CMYK 66 / 20 / 0 / 58

HEX #24556A

RGB 36 85 106

HSL 198, 0.49%, 0.28%

LAB 33.8, -9.38, -17.01

 

CMYK 0 / 66 / 7 / 58

HEX #6A2463

RGB 106 36 99

HSL 306, 0.49%, 0.28%

LAB 27.37, 39.48, -22.03

 

CMYK 0 / 26 / 66 / 58

HEX #6A4E24

RGB 106 78 36

HSL 36, 0.49%, 0.28%

LAB 35.28, 6.74, 28.94

 

CMYK 66 / 0 / 59 / 58

HEX #246A2B

RGB 36 106 43

HSL 126, 0.49%, 0.28%

LAB 39.34, -35.99, 28.66

 

CMYK 66 / 40 / 0 / 58

HEX #24406A

RGB 36 64 106

HSL 216, 0.49%, 0.28%

LAB 26.97, 4.15, -27.68

 

Description

Color code: HEX #6A2463 | qconv.com Color code: HEX #6A2463 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 36 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 36 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 7 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 7% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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