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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6A0FE2 it is the complementary color #95F01D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6A0FE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6A0FE2 shade: #6F0FDD, #8021F0, #9133FF, #A245FF and #B357FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6A0FE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6A0FE2 shade: #6A0FE2, #5900CF, #4800BC, #3700A9 and #260096

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6A0FE2 shade: #690EE1, #A20EE1, #DB0EE1, #E10EAE and #E10E75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6A0FE2 shade: #690EE1, #300EE1 and #0E0EE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6A0FE2 shade matches the following richer shades: #690EE1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6A0FE2 shade: #690EE1, #6C21CD, #6E35BA, #7148A7 and #745B93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6A0FE2 shade: #0E26E1, #2E0EE1, #660EE1, #9E0EE1 and #D60EE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6A0FE2 shade: #450993, #570BBA, #690EE1, #7E27F1 and #954EF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6A0FE2 shade: #6A0FE2, #E10E5F and #0EE111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6A0FE2 shade: #6A0FE2, #E1660E and #0EE166

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6A0FE2 shade: #6A0FE2, #E10E5F, #89E10E and #0EE190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6A0FE2 shade: #6A0FE2, #E10E1F, #89E10E and #0EE1CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 93 / 0 / 11

HEX #6A0FE2

RGB 106 15 226

HSL 265.88, 0.88%, 0.47%

LAB 35.78, 73.4, -85.46

 

Complementary color

CMYK 38 / 0 / 88 / 6

HEX #95F01D

RGB 149 240 29

HSL 85.88, 0.88%, 0.53%

LAB 86.4, -55.26, 80.31

 

CMYK 50 / 93 / 0 / 13

HEX #6F0FDD

RGB 111 15 221

HSL 267.96, 0.87%, 0.46%

LAB 35.87, 72.7, -82.43

 

CMYK 47 / 86 / 0 / 6

HEX #8021F0

RGB 128 33 240

HSL 267.54, 0.87%, 0.54%

LAB 41.17, 74.7, -84.45

 

CMYK 43 / 80 / 0 / 0

HEX #9133FF

RGB 145 51 255

HSL 267.65, 1%, 0.6%

LAB 46.46, 74.64, -84.09

 

CMYK 36 / 73 / 0 / 0

HEX #A245FF

RGB 162 69 255

HSL 270, 1%, 0.64%

LAB 50.87, 70.41, -76.79

 

CMYK 30 / 66 / 0 / 0

HEX #B357FF

RGB 179 87 255

HSL 272.86, 1%, 0.67%

LAB 55.71, 65.77, -68.85

 

CMYK 53 / 93 / 0 / 11

HEX #6A0FE2

RGB 106 15 226

HSL 265.88, 0.88%, 0.47%

LAB 35.78, 73.4, -85.46

 

CMYK 57 / 100 / 0 / 19

HEX #5900CF

RGB 89 0 207

HSL 265.8, 1%, 0.41%

LAB 30.95, 70.12, -82.57

 

CMYK 62 / 100 / 0 / 26

HEX #4800BC

RGB 72 0 188

HSL 262.98, 1%, 0.37%

LAB 26.76, 64.77, -78.41

 

CMYK 67 / 100 / 0 / 34

HEX #3700A9

RGB 55 0 169

HSL 259.53, 1%, 0.33%

LAB 22.57, 59.39, -74.04

 

CMYK 75 / 100 / 0 / 41

HEX #260096

RGB 38 0 150

HSL 255.2, 1%, 0.29%

LAB 18.43, 54.01, -69.36

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 28 / 94 / 0 / 12

HEX #A20EE1

RGB 162 14 225

HSL 282.09, 0.88%, 0.47%

LAB 43.41, 79.18, -72.07

 

CMYK 3 / 94 / 0 / 12

HEX #DB0EE1

RGB 219 14 225

HSL 298.29, 0.88%, 0.47%

LAB 52.74, 87.42, -56.52

 

CMYK 0 / 94 / 23 / 12

HEX #E10EAE

RGB 225 14 174

HSL 314.5, 0.88%, 0.47%

LAB 51.13, 81.73, -29.55

 

CMYK 0 / 94 / 48 / 12

HEX #E10E75

RGB 225 14 117

HSL 330.71, 0.88%, 0.47%

LAB 49.01, 76.15, 1.49

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 79 / 94 / 0 / 12

HEX #300EE1

RGB 48 14 225

HSL 249.67, 0.88%, 0.47%

LAB 30.35, 70.22, -94.07

 

CMYK 94 / 94 / 0 / 12

HEX #0E0EE1

RGB 14 14 225

HSL 240, 0.88%, 0.47%

LAB 29.01, 69.58, -96.33

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 47 / 84 / 0 / 20

HEX #6C21CD

RGB 108 33 205

HSL 266.16, 0.72%, 0.47%

LAB 35.37, 64.37, -74.02

 

CMYK 41 / 72 / 0 / 27

HEX #6E35BA

RGB 110 53 186

HSL 265.71, 0.56%, 0.47%

LAB 36.76, 51.9, -60.62

 

CMYK 32 / 57 / 0 / 35

HEX #7148A7

RGB 113 72 167

HSL 265.89, 0.4%, 0.47%

LAB 39.47, 37.56, -44.95

 

CMYK 21 / 38 / 0 / 42

HEX #745B93

RGB 116 91 147

HSL 266.79, 0.24%, 0.47%

LAB 43.21, 22.05, -27.05

 

CMYK 94 / 83 / 0 / 12

HEX #0E26E1

RGB 14 38 225

HSL 233.18, 0.88%, 0.47%

LAB 31.61, 61.71, -91.99

 

CMYK 80 / 94 / 0 / 12

HEX #2E0EE1

RGB 46 14 225

HSL 249.1, 0.88%, 0.47%

LAB 30.23, 70.16, -94.27

 

CMYK 55 / 94 / 0 / 12

HEX #660EE1

RGB 102 14 225

HSL 265.02, 0.88%, 0.47%

LAB 35.15, 73.03, -85.95

 

CMYK 30 / 94 / 0 / 12

HEX #9E0EE1

RGB 158 14 225

HSL 280.95, 0.88%, 0.47%

LAB 42.79, 78.67, -73.1

 

CMYK 5 / 94 / 0 / 12

HEX #D60EE1

RGB 214 14 225

HSL 296.87, 0.88%, 0.47%

LAB 51.89, 86.63, -57.93

 

CMYK 53 / 94 / 0 / 42

HEX #450993

RGB 69 9 147

HSL 266.09, 0.88%, 0.31%

LAB 22.19, 52.86, -61.16

 

CMYK 53 / 94 / 0 / 27

HEX #570BBA

RGB 87 11 186

HSL 266.06, 0.89%, 0.39%

LAB 28.93, 63.38, -73.57

 

CMYK 53 / 94 / 0 / 12

HEX #690EE1

RGB 105 14 225

HSL 265.88, 0.88%, 0.47%

LAB 35.51, 73.26, -85.35

 

CMYK 48 / 84 / 0 / 5

HEX #7E27F1

RGB 126 39 241

HSL 265.84, 0.88%, 0.55%

LAB 41.59, 73, -84.32

 

CMYK 39 / 68 / 0 / 5

HEX #954EF3

RGB 149 78 243

HSL 265.82, 0.87%, 0.63%

LAB 49.87, 61.35, -71.79

 

CMYK 53 / 93 / 0 / 11

HEX #6A0FE2

RGB 106 15 226

HSL 265.88, 0.88%, 0.47%

LAB 35.78, 73.4, -85.46

 

CMYK 0 / 94 / 58 / 12

HEX #E10E5F

RGB 225 14 95

HSL 336.97, 0.88%, 0.47%

LAB 48.45, 74.61, 14.22

 

CMYK 94 / 0 / 92 / 12

HEX #0EE111

RGB 14 225 17

HSL 120.85, 0.88%, 0.47%

LAB 78.45, -77.6, 74.09

 

CMYK 53 / 93 / 0 / 11

HEX #6A0FE2

RGB 106 15 226

HSL 265.88, 0.88%, 0.47%

LAB 35.78, 73.4, -85.46

 

CMYK 0 / 55 / 94 / 12

HEX #E1660E

RGB 225 102 14

HSL 25.02, 0.88%, 0.47%

LAB 57.6, 44.13, 63.58

 

CMYK 94 / 0 / 55 / 12

HEX #0EE166

RGB 14 225 102

HSL 145.02, 0.88%, 0.47%

LAB 78.99, -70.87, 47.1

 

CMYK 53 / 93 / 0 / 11

HEX #6A0FE2

RGB 106 15 226

HSL 265.88, 0.88%, 0.47%

LAB 35.78, 73.4, -85.46

 

CMYK 0 / 94 / 58 / 12

HEX #E10E5F

RGB 225 14 95

HSL 336.97, 0.88%, 0.47%

LAB 48.45, 74.61, 14.22

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 94 / 0 / 36 / 12

HEX #0EE190

RGB 14 225 144

HSL 156.97, 0.88%, 0.47%

LAB 79.59, -63.68, 27.17

 

CMYK 53 / 93 / 0 / 11

HEX #6A0FE2

RGB 106 15 226

HSL 265.88, 0.88%, 0.47%

LAB 35.78, 73.4, -85.46

 

CMYK 0 / 94 / 86 / 12

HEX #E10E1F

RGB 225 14 31

HSL 355.17, 0.88%, 0.47%

LAB 47.52, 72.05, 50.43

 

CMYK 39 / 0 / 94 / 12

HEX #89E10E

RGB 137 225 14

HSL 85.02, 0.88%, 0.47%

LAB 81.4, -53.7, 78.08

 

CMYK 94 / 0 / 8 / 12

HEX #0EE1CF

RGB 14 225 207

HSL 174.88, 0.88%, 0.47%

LAB 80.99, -48.52, -3.98

 

Description

Color code: HEX #6A0FE2 | qconv.com Color code: HEX #6A0FE2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 106 red, 15 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
106 15 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 93 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 93% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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