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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEE3F it is the complementary color #9311C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEE3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEE3F shade: #71EE3A, #82FF4D, #93FF60, #A4FF73 and #B5FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEE3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEE3F shade: #6CEE3F, #5BDC2C, #4ACA19, #39B806 and #28A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEE3F shade: #6BEE3E, #9BEE3E, #CAEE3E, #EEE23E and #EEB33E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEE3F shade: #6BEE3E, #3EEE40, #3EEE70, #3EEE9F and #3EEECE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEE3F shade matches the following richer shades: #6BEE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEE3F shade: #6BEE3E, #74DD4F, #7CCC60, #84BB71 and #8CAA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEE3F shade: #CBEE3E, #9CEE3E, #6DEE3E, #3EEE3E and #3EEE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEE3F shade: #40C811, #4EEA18, #6BEE3E, #88F164 and #A5F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEE3F shade: #6CEE3F, #3EEEE2 and #EE3EB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEE3F shade: #6CEE3F, #3E6DEE and #EE3E6D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEE3F shade: #6CEE3F, #3EEEE2, #BF3EEE and #EE3E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEE3F shade: #6CEE3F, #3EC5EE, #BF3EEE and #EE673E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 74 / 7

HEX #6CEE3F

RGB 108 238 63

HSL 104.57, 0.84%, 0.59%

LAB 84.33, -65.22, 69.21

 

Complementary color

CMYK 23 / 91 / 0 / 25

HEX #9311C0

RGB 147 17 192

HSL 284.57, 0.84%, 0.41%

LAB 38.57, 70.61, -60.97

 

CMYK 53 / 0 / 76 / 7

HEX #71EE3A

RGB 113 238 58

HSL 101.67, 0.84%, 0.58%

LAB 84.47, -64.22, 71.01

 

CMYK 49 / 0 / 70 / 0

HEX #82FF4D

RGB 130 255 77

HSL 102.13, 1%, 0.65%

LAB 90.23, -64.46, 70.61

 

CMYK 42 / 0 / 62 / 0

HEX #93FF60

RGB 147 255 96

HSL 100.75, 1%, 0.69%

LAB 91.04, -58, 64.41

 

CMYK 36 / 0 / 55 / 0

HEX #A4FF73

RGB 164 255 115

HSL 99, 1%, 0.73%

LAB 91.98, -50.88, 57.59

 

CMYK 29 / 0 / 47 / 0

HEX #B5FF86

RGB 181 255 134

HSL 96.69, 1%, 0.76%

LAB 93.04, -43.2, 50.39

 

CMYK 55 / 0 / 74 / 7

HEX #6CEE3F

RGB 108 238 63

HSL 104.57, 0.84%, 0.59%

LAB 84.33, -65.22, 69.21

 

CMYK 59 / 0 / 80 / 14

HEX #5BDC2C

RGB 91 220 44

HSL 103.98, 0.72%, 0.52%

LAB 78.22, -64.34, 68.95

 

CMYK 63 / 0 / 88 / 21

HEX #4ACA19

RGB 74 202 25

HSL 103.39, 0.78%, 0.45%

LAB 72.07, -63.07, 67.75

 

CMYK 69 / 0 / 97 / 28

HEX #39B806

RGB 57 184 6

HSL 102.81, 0.94%, 0.37%

LAB 65.88, -61.28, 65.2

 

CMYK 76 / 0 / 100 / 35

HEX #28A600

RGB 40 166 0

HSL 105.54, 1%, 0.33%

LAB 59.64, -58.79, 60.82

 

CMYK 55 / 0 / 74 / 7

HEX #6BEE3E

RGB 107 238 62

HSL 104.66, 0.84%, 0.59%

LAB 84.29, -65.54, 69.49

 

CMYK 35 / 0 / 74 / 7

HEX #9BEE3E

RGB 155 238 62

HSL 88.3, 0.84%, 0.59%

LAB 86.24, -51.1, 72.06

 

CMYK 15 / 0 / 74 / 7

HEX #CAEE3E

RGB 202 238 62

HSL 72.27, 0.84%, 0.59%

LAB 88.95, -33.69, 75.6

 

CMYK 0 / 5 / 74 / 7

HEX #EEE23E

RGB 238 226 62

HSL 55.91, 0.84%, 0.59%

LAB 88.41, -13.34, 76.05

 

CMYK 0 / 25 / 74 / 7

HEX #EEB33E

RGB 238 179 62

HSL 39.89, 0.84%, 0.59%

LAB 76.54, 10.73, 64.73

 

CMYK 55 / 0 / 74 / 7

HEX #6BEE3E

RGB 107 238 62

HSL 104.66, 0.84%, 0.59%

LAB 84.29, -65.54, 69.49

 

CMYK 74 / 0 / 73 / 7

HEX #3EEE40

RGB 62 238 64

HSL 120.68, 0.84%, 0.59%

LAB 83.2, -74.45, 67.38

 

CMYK 74 / 0 / 53 / 7

HEX #3EEE70

RGB 62 238 112

HSL 137.05, 0.84%, 0.59%

LAB 83.62, -69.37, 48.19

 

CMYK 74 / 0 / 33 / 7

HEX #3EEE9F

RGB 62 238 159

HSL 153.07, 0.84%, 0.59%

LAB 84.32, -61.43, 25.95

 

CMYK 74 / 0 / 13 / 7

HEX #3EEECE

RGB 62 238 206

HSL 169.09, 0.84%, 0.59%

LAB 85.32, -50.8, 2.94

 

CMYK 55 / 0 / 74 / 7

HEX #6BEE3E

RGB 107 238 62

HSL 104.66, 0.84%, 0.59%

LAB 84.29, -65.54, 69.49

 

CMYK 55 / 0 / 74 / 7

HEX #6BEE3E

RGB 107 238 62

HSL 104.66, 0.84%, 0.59%

LAB 84.29, -65.54, 69.49

 

CMYK 48 / 0 / 64 / 13

HEX #74DD4F

RGB 116 221 79

HSL 104.37, 0.68%, 0.59%

LAB 79.61, -55.54, 58.46

 

CMYK 39 / 0 / 53 / 20

HEX #7CCC60

RGB 124 204 96

HSL 104.44, 0.51%, 0.59%

LAB 75.02, -44.45, 45.76

 

CMYK 29 / 0 / 40 / 27

HEX #84BB71

RGB 132 187 113

HSL 104.59, 0.35%, 0.59%

LAB 70.62, -31.93, 31.87

 

CMYK 18 / 0 / 24 / 33

HEX #8CAA82

RGB 140 170 130

HSL 105, 0.19%, 0.59%

LAB 66.47, -18.03, 17.3

 

CMYK 15 / 0 / 74 / 7

HEX #CBEE3E

RGB 203 238 62

HSL 71.93, 0.84%, 0.59%

LAB 89.01, -33.3, 75.69

 

CMYK 34 / 0 / 74 / 7

HEX #9CEE3E

RGB 156 238 62

HSL 87.95, 0.84%, 0.59%

LAB 86.29, -50.75, 72.13

 

CMYK 54 / 0 / 74 / 7

HEX #6DEE3E

RGB 109 238 62

HSL 103.98, 0.84%, 0.59%

LAB 84.35, -65.02, 69.58

 

CMYK 74 / 0 / 74 / 7

HEX #3EEE3E

RGB 62 238 62

HSL 120, 0.84%, 0.59%

LAB 83.19, -74.6, 68.04

 

CMYK 74 / 0 / 54 / 7

HEX #3EEE6D

RGB 62 238 109

HSL 136.02, 0.84%, 0.59%

LAB 83.59, -69.78, 49.53

 

CMYK 68 / 0 / 92 / 22

HEX #40C811

RGB 64 200 17

HSL 104.59, 0.84%, 0.43%

LAB 71.17, -64.75, 68.25

 

CMYK 67 / 0 / 90 / 8

HEX #4EEA18

RGB 78 234 24

HSL 104.57, 0.83%, 0.51%

LAB 82.13, -72.5, 76.54

 

CMYK 55 / 0 / 74 / 7

HEX #6BEE3E

RGB 107 238 62

HSL 104.66, 0.84%, 0.59%

LAB 84.29, -65.54, 69.49

 

CMYK 44 / 0 / 59 / 5

HEX #88F164

RGB 136 241 100

HSL 104.68, 0.83%, 0.67%

LAB 86.54, -55.44, 57.55

 

CMYK 32 / 0 / 43 / 4

HEX #A5F48A

RGB 165 244 138

HSL 104.72, 0.83%, 0.75%

LAB 89.18, -43.21, 43.47

 

CMYK 55 / 0 / 74 / 7

HEX #6CEE3F

RGB 108 238 63

HSL 104.57, 0.84%, 0.59%

LAB 84.33, -65.22, 69.21

 

CMYK 74 / 0 / 5 / 7

HEX #3EEEE2

RGB 62 238 226

HSL 175.91, 0.84%, 0.59%

LAB 85.84, -45.58, -6.8

 

CMYK 0 / 74 / 25 / 7

HEX #EE3EB3

RGB 238 62 179

HSL 320.11, 0.84%, 0.59%

LAB 56.96, 75.58, -23.27

 

CMYK 55 / 0 / 74 / 7

HEX #6CEE3F

RGB 108 238 63

HSL 104.57, 0.84%, 0.59%

LAB 84.33, -65.22, 69.21

 

CMYK 74 / 54 / 0 / 7

HEX #3E6DEE

RGB 62 109 238

HSL 223.98, 0.84%, 0.59%

LAB 49.66, 28.06, -69.63

 

CMYK 0 / 74 / 54 / 7

HEX #EE3E6D

RGB 238 62 109

HSL 343.98, 0.84%, 0.59%

LAB 54.79, 68.76, 14.87

 

CMYK 55 / 0 / 74 / 7

HEX #6CEE3F

RGB 108 238 63

HSL 104.57, 0.84%, 0.59%

LAB 84.33, -65.22, 69.21

 

CMYK 74 / 0 / 5 / 7

HEX #3EEEE2

RGB 62 238 226

HSL 175.91, 0.84%, 0.59%

LAB 85.84, -45.58, -6.8

 

CMYK 20 / 74 / 0 / 7

HEX #BF3EEE

RGB 191 62 238

HSL 283.98, 0.84%, 0.59%

LAB 52.61, 74.65, -64.29

 

CMYK 0 / 74 / 69 / 7

HEX #EE3E4A

RGB 238 62 74

HSL 355.91, 0.84%, 0.59%

LAB 54.15, 66.67, 34.7

 

CMYK 55 / 0 / 74 / 7

HEX #6CEE3F

RGB 108 238 63

HSL 104.57, 0.84%, 0.59%

LAB 84.33, -65.22, 69.21

 

CMYK 74 / 17 / 0 / 7

HEX #3EC5EE

RGB 62 197 238

HSL 193.98, 0.84%, 0.59%

LAB 74.27, -22.76, -30.66

 

CMYK 20 / 74 / 0 / 7

HEX #BF3EEE

RGB 191 62 238

HSL 283.98, 0.84%, 0.59%

LAB 52.61, 74.65, -64.29

 

CMYK 0 / 57 / 74 / 7

HEX #EE673E

RGB 238 103 62

HSL 13.98, 0.84%, 0.59%

LAB 60.09, 49.75, 47.97

 

Description

Color code: HEX #6CEE3F | qconv.com Color code: HEX #6CEE3F | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 238 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 238 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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