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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CECF3 it is the complementary color #93130C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CECF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CECF3 shade: #71ECEE, #82FEFF, #93FFFF, #A4FFFF and #B5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CECF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CECF3 shade: #6CECF3, #5BDAE0, #4AC8CD, #39B6BA and #28A4A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CECF3 shade: #6CECF3, #6CC7F3, #6CA3F3, #6C7FF3 and #7E6CF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CECF3 shade: #6CECF3, #6CC7F3, #6CA3F3, #6C7FF3 and #6C6CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CECF3 shade matches the following richer shades: #6CECF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CECF3 shade: #6CECF3, #79E0E6, #86D5D9, #93C9CC and #9FBEBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CECF3 shade: #6CF3B2, #6CF3D6, #6CECF3, #6CC8F3 and #6CA4F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CECF3 shade: #20E2EC, #46E7F0, #6CECF3, #92F1F6 and #B9F6F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CECF3 shade: #6CECF3, #8E6CF3 and #F3C46C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CECF3 shade: #6CECF3, #F36CEC and #ECF36C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CECF3 shade: #6CECF3, #8E6CF3, #F3736C and #D1F36C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CECF3 shade: #6CECF3, #B66CF3, #F3736C and #A9F36C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

Complementary color

CMYK 0 / 87 / 92 / 42

HEX #93130C

RGB 147 19 12

HSL 3.11, 0.85%, 0.31%

LAB 31.1, 50.09, 39.47

 

CMYK 53 / 1 / 0 / 7

HEX #71ECEE

RGB 113 236 238

HSL 180.96, 0.79%, 0.69%

LAB 86.84, -33.7, -11.49

 

CMYK 49 / 0 / 0 / 0

HEX #82FEFF

RGB 130 254 255

HSL 180.48, 1%, 0.75%

LAB 92.95, -34.35, -11.18

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 59 / 3 / 0 / 12

HEX #5BDAE0

RGB 91 218 224

HSL 182.71, 0.68%, 0.62%

LAB 80.6, -33.01, -13.48

 

CMYK 64 / 2 / 0 / 20

HEX #4AC8CD

RGB 74 200 205

HSL 182.29, 0.57%, 0.55%

LAB 74.3, -32.56, -12.75

 

CMYK 69 / 2 / 0 / 27

HEX #39B6BA

RGB 57 182 186

HSL 181.86, 0.53%, 0.48%

LAB 67.93, -31.94, -11.96

 

CMYK 76 / 2 / 0 / 35

HEX #28A4A7

RGB 40 164 167

HSL 181.42, 0.61%, 0.41%

LAB 61.47, -31.07, -11.08

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 56 / 18 / 0 / 5

HEX #6CC7F3

RGB 108 199 243

HSL 199.56, 0.85%, 0.69%

LAB 76.38, -14.99, -30

 

CMYK 56 / 33 / 0 / 5

HEX #6CA3F3

RGB 108 163 243

HSL 215.56, 0.85%, 0.69%

LAB 66.41, 4.74, -45.51

 

CMYK 56 / 48 / 0 / 5

HEX #6C7FF3

RGB 108 127 243

HSL 231.56, 0.85%, 0.69%

LAB 56.92, 25.95, -60.58

 

CMYK 48 / 56 / 0 / 5

HEX #7E6CF3

RGB 126 108 243

HSL 248, 0.85%, 0.69%

LAB 53.63, 40.83, -65.8

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 56 / 18 / 0 / 5

HEX #6CC7F3

RGB 108 199 243

HSL 199.56, 0.85%, 0.69%

LAB 76.38, -14.99, -30

 

CMYK 56 / 33 / 0 / 5

HEX #6CA3F3

RGB 108 163 243

HSL 215.56, 0.85%, 0.69%

LAB 66.41, 4.74, -45.51

 

CMYK 56 / 48 / 0 / 5

HEX #6C7FF3

RGB 108 127 243

HSL 231.56, 0.85%, 0.69%

LAB 56.92, 25.95, -60.58

 

CMYK 56 / 56 / 0 / 5

HEX #6C6CF3

RGB 108 108 243

HSL 240, 0.85%, 0.69%

LAB 52.27, 37.34, -68.07

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 47 / 3 / 0 / 10

HEX #79E0E6

RGB 121 224 230

HSL 183.3, 0.69%, 0.69%

LAB 83.49, -28.4, -12.24

 

CMYK 38 / 2 / 0 / 15

HEX #86D5D9

RGB 134 213 217

HSL 182.89, 0.52%, 0.69%

LAB 80.55, -23.19, -9.64

 

CMYK 28 / 1 / 0 / 20

HEX #93C9CC

RGB 147 201 204

HSL 183.16, 0.36%, 0.69%

LAB 77.48, -16.68, -7.16

 

CMYK 17 / 1 / 0 / 25

HEX #9FBEBF

RGB 159 190 191

HSL 181.88, 0.2%, 0.69%

LAB 74.8, -10.19, -4

 

CMYK 56 / 0 / 27 / 5

HEX #6CF3B2

RGB 108 243 178

HSL 151.11, 0.85%, 0.69%

LAB 87.24, -51.68, 20.39

 

CMYK 56 / 0 / 12 / 5

HEX #6CF3D6

RGB 108 243 214

HSL 167.11, 0.85%, 0.69%

LAB 88.04, -43.81, 2.83

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 56 / 18 / 0 / 5

HEX #6CC8F3

RGB 108 200 243

HSL 199.11, 0.85%, 0.69%

LAB 76.66, -15.51, -29.57

 

CMYK 56 / 33 / 0 / 5

HEX #6CA4F3

RGB 108 164 243

HSL 215.11, 0.85%, 0.69%

LAB 66.68, 4.16, -45.08

 

CMYK 86 / 4 / 0 / 7

HEX #20E2EC

RGB 32 226 236

HSL 182.94, 0.84%, 0.53%

LAB 82.25, -39.84, -17.48

 

CMYK 71 / 4 / 0 / 6

HEX #46E7F0

RGB 70 231 240

HSL 183.18, 0.85%, 0.61%

LAB 84.35, -37.64, -16.38

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 41 / 2 / 0 / 4

HEX #92F1F6

RGB 146 241 246

HSL 183, 0.85%, 0.77%

LAB 89.71, -26.86, -11.26

 

CMYK 26 / 1 / 0 / 2

HEX #B9F6F9

RGB 185 246 249

HSL 182.81, 0.84%, 0.85%

LAB 93.04, -18.35, -7.66

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 42 / 56 / 0 / 5

HEX #8E6CF3

RGB 142 108 243

HSL 255.11, 0.85%, 0.69%

LAB 55.02, 44.23, -63.5

 

CMYK 0 / 19 / 56 / 5

HEX #F3C46C

RGB 243 196 108

HSL 39.11, 0.85%, 0.69%

LAB 81.63, 6.69, 49.97

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 0 / 56 / 3 / 5

HEX #F36CEC

RGB 243 108 236

HSL 303.11, 0.85%, 0.69%

LAB 66.39, 67.64, -40.82

 

CMYK 3 / 0 / 56 / 5

HEX #ECF36C

RGB 236 243 108

HSL 63.11, 0.85%, 0.69%

LAB 93.02, -19.79, 63.01

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 42 / 56 / 0 / 5

HEX #8E6CF3

RGB 142 108 243

HSL 255.11, 0.85%, 0.69%

LAB 55.02, 44.23, -63.5

 

CMYK 0 / 53 / 56 / 5

HEX #F3736C

RGB 243 115 108

HSL 3.11, 0.85%, 0.69%

LAB 63.67, 48.58, 27.54

 

CMYK 14 / 0 / 56 / 5

HEX #D1F36C

RGB 209 243 108

HSL 75.11, 0.85%, 0.69%

LAB 91.12, -30.3, 60.34

 

CMYK 56 / 3 / 0 / 5

HEX #6CECF3

RGB 108 236 243

HSL 183.11, 0.85%, 0.69%

LAB 86.82, -33.34, -14.15

 

CMYK 25 / 56 / 0 / 5

HEX #B66CF3

RGB 182 108 243

HSL 272.89, 0.85%, 0.69%

LAB 59.1, 53.55, -56.72

 

CMYK 0 / 53 / 56 / 5

HEX #F3736C

RGB 243 115 108

HSL 3.11, 0.85%, 0.69%

LAB 63.67, 48.58, 27.54

 

CMYK 30 / 0 / 56 / 5

HEX #A9F36C

RGB 169 243 108

HSL 92.89, 0.85%, 0.69%

LAB 88.74, -44.86, 56.98

 

Description

Color code: HEX #6CECF3 | qconv.com Color code: HEX #6CECF3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 236 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 236 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 3 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 3% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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