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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEC68 it is the complementary color #931397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEC68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEC68 shade: #71EC63, #82FE76, #93FF89, #A4FF9C and #B5FFAF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEC68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEC68 shade: #6CEC68, #5BDA55, #4AC842, #39B62F and #28A41C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEC68 shade: #6DEC69, #90EC69, #B3EC69, #D7EC69 and #ECDE69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEC68 shade: #6DEC69, #69EC88, #69ECAC, #69ECCF and #69E6EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEC68 shade matches the following richer shades: #6DEC69 and #60FA5B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEC68 shade: #6DEC69, #79DE76, #86D184, #93C392 and #A0B69F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEC68 shade: #B3EC69, #90EC69, #6DEC69, #69EC87 and #69ECAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEC68 shade: #25E31F, #49E744, #6DEC69, #90F18D and #B4F5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEC68 shade: #6CEC68, #69D6EC and #EC69A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEC68 shade: #6CEC68, #696DEC and #EC696D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEC68 shade: #6CEC68, #69D6EC, #E869EC and #EC7F69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEC68 shade: #6CEC68, #69AFEC, #E869EC and #ECA669

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 56 / 7

HEX #6CEC68

RGB 108 236 104

HSL 118.18, 0.78%, 0.67%

LAB 84.06, -60.77, 52.64

 

Complementary color

CMYK 3 / 87 / 0 / 41

HEX #931397

RGB 147 19 151

HSL 298.18, 0.78%, 0.33%

LAB 35.8, 63.08, -40.92

 

CMYK 52 / 0 / 58 / 7

HEX #71EC63

RGB 113 236 99

HSL 113.87, 0.78%, 0.66%

LAB 84.17, -60.06, 55.04

 

CMYK 49 / 0 / 54 / 0

HEX #82FE76

RGB 130 254 118

HSL 114.71, 0.99%, 0.73%

LAB 90.29, -60.21, 53.9

 

CMYK 42 / 0 / 46 / 0

HEX #93FF89

RGB 147 255 137

HSL 114.92, 1%, 0.77%

LAB 91.47, -53.5, 46.67

 

CMYK 36 / 0 / 39 / 0

HEX #A4FF9C

RGB 164 255 156

HSL 115.15, 1%, 0.81%

LAB 92.49, -45.82, 38.93

 

CMYK 29 / 0 / 31 / 0

HEX #B5FFAF

RGB 181 255 175

HSL 115.5, 1%, 0.84%

LAB 93.64, -37.67, 31.16

 

CMYK 54 / 0 / 56 / 7

HEX #6CEC68

RGB 108 236 104

HSL 118.18, 0.78%, 0.67%

LAB 84.06, -60.77, 52.64

 

CMYK 58 / 0 / 61 / 15

HEX #5BDA55

RGB 91 218 85

HSL 117.29, 0.64%, 0.59%

LAB 77.89, -60.42, 53.78

 

CMYK 63 / 0 / 67 / 22

HEX #4AC842

RGB 74 200 66

HSL 116.42, 0.55%, 0.52%

LAB 71.66, -59.81, 54.73

 

CMYK 69 / 0 / 74 / 29

HEX #39B62F

RGB 57 182 47

HSL 115.56, 0.59%, 0.45%

LAB 65.38, -58.8, 55.32

 

CMYK 76 / 0 / 83 / 36

HEX #28A41C

RGB 40 164 28

HSL 114.71, 0.71%, 0.38%

LAB 59.05, -57.2, 55.16

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 39 / 0 / 56 / 7

HEX #90EC69

RGB 144 236 105

HSL 102.14, 0.78%, 0.67%

LAB 85.47, -50.46, 54.2

 

CMYK 24 / 0 / 56 / 7

HEX #B3EC69

RGB 179 236 105

HSL 86.11, 0.78%, 0.67%

LAB 87.29, -38.54, 56.78

 

CMYK 9 / 0 / 56 / 7

HEX #D7EC69

RGB 215 236 105

HSL 69.62, 0.78%, 0.67%

LAB 89.61, -24.93, 60.04

 

CMYK 0 / 6 / 56 / 7

HEX #ECDE69

RGB 236 222 105

HSL 53.59, 0.78%, 0.67%

LAB 87.53, -9.7, 58.11

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 56 / 0 / 42 / 7

HEX #69EC88

RGB 105 236 136

HSL 134.2, 0.78%, 0.67%

LAB 84.37, -57.09, 37.8

 

CMYK 56 / 0 / 27 / 7

HEX #69ECAC

RGB 105 236 172

HSL 150.69, 0.78%, 0.67%

LAB 84.98, -50.64, 20.34

 

CMYK 56 / 0 / 12 / 7

HEX #69ECCF

RGB 105 236 207

HSL 166.72, 0.78%, 0.67%

LAB 85.76, -42.98, 3.17

 

CMYK 56 / 3 / 0 / 7

HEX #69E6EC

RGB 105 230 236

HSL 182.75, 0.78%, 0.67%

LAB 84.82, -32.93, -13.48

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 62 / 0 / 64 / 2

HEX #60FA5B

RGB 96 250 91

HSL 118.11, 0.94%, 0.67%

LAB 87.78, -69.86, 62.35

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 45 / 0 / 47 / 13

HEX #79DE76

RGB 121 222 118

HSL 118.27, 0.61%, 0.67%

LAB 80.52, -50.06, 41.87

 

CMYK 36 / 0 / 37 / 18

HEX #86D184

RGB 134 209 132

HSL 118.44, 0.46%, 0.67%

LAB 77.48, -38.52, 31.04

 

CMYK 25 / 0 / 25 / 24

HEX #93C392

RGB 147 195 146

HSL 118.78, 0.29%, 0.67%

LAB 74.39, -25.39, 19.64

 

CMYK 12 / 0 / 13 / 29

HEX #A0B69F

RGB 160 182 159

HSL 117.39, 0.14%, 0.67%

LAB 71.85, -11.99, 9.17

 

CMYK 24 / 0 / 56 / 7

HEX #B3EC69

RGB 179 236 105

HSL 86.11, 0.78%, 0.67%

LAB 87.29, -38.54, 56.78

 

CMYK 39 / 0 / 56 / 7

HEX #90EC69

RGB 144 236 105

HSL 102.14, 0.78%, 0.67%

LAB 85.47, -50.46, 54.2

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 56 / 0 / 43 / 7

HEX #69EC87

RGB 105 236 135

HSL 133.74, 0.78%, 0.67%

LAB 84.35, -57.25, 38.27

 

CMYK 56 / 0 / 28 / 7

HEX #69ECAA

RGB 105 236 170

HSL 149.77, 0.78%, 0.67%

LAB 84.94, -51.04, 21.32

 

CMYK 84 / 0 / 86 / 11

HEX #25E31F

RGB 37 227 31

HSL 118.16, 0.78%, 0.51%

LAB 79.29, -76.15, 72.59

 

CMYK 68 / 0 / 71 / 9

HEX #49E744

RGB 73 231 68

HSL 118.16, 0.77%, 0.59%

LAB 81.28, -70.17, 64.1

 

CMYK 54 / 0 / 56 / 7

HEX #6DEC69

RGB 109 236 105

HSL 118.17, 0.78%, 0.67%

LAB 84.1, -60.4, 52.25

 

CMYK 40 / 0 / 41 / 5

HEX #90F18D

RGB 144 241 141

HSL 118.2, 0.78%, 0.75%

LAB 87.37, -48.04, 39.49

 

CMYK 27 / 0 / 27 / 4

HEX #B4F5B2

RGB 180 245 178

HSL 118.21, 0.77%, 0.83%

LAB 90.88, -32.95, 25.89

 

CMYK 54 / 0 / 56 / 7

HEX #6CEC68

RGB 108 236 104

HSL 118.18, 0.78%, 0.67%

LAB 84.06, -60.77, 52.64

 

CMYK 56 / 9 / 0 / 7

HEX #69D6EC

RGB 105 214 236

HSL 190.08, 0.78%, 0.67%

LAB 80.27, -25.2, -20.33

 

CMYK 0 / 56 / 31 / 7

HEX #EC69A2

RGB 236 105 162

HSL 333.89, 0.78%, 0.67%

LAB 62.12, 56.3, -5.68

 

CMYK 54 / 0 / 56 / 7

HEX #6CEC68

RGB 108 236 104

HSL 118.18, 0.78%, 0.67%

LAB 84.06, -60.77, 52.64

 

CMYK 56 / 54 / 0 / 7

HEX #696DEC

RGB 105 109 236

HSL 238.17, 0.78%, 0.67%

LAB 51.83, 33.99, -64.88

 

CMYK 0 / 56 / 54 / 7

HEX #EC696D

RGB 236 105 109

HSL 358.17, 0.78%, 0.67%

LAB 60.82, 50.95, 23.01

 

CMYK 54 / 0 / 56 / 7

HEX #6CEC68

RGB 108 236 104

HSL 118.18, 0.78%, 0.67%

LAB 84.06, -60.77, 52.64

 

CMYK 56 / 9 / 0 / 7

HEX #69D6EC

RGB 105 214 236

HSL 190.08, 0.78%, 0.67%

LAB 80.27, -25.2, -20.33

 

CMYK 2 / 56 / 0 / 7

HEX #E869EC

RGB 232 105 236

HSL 298.17, 0.78%, 0.67%

LAB 64.42, 66.14, -44.03

 

CMYK 0 / 46 / 56 / 7

HEX #EC7F69

RGB 236 127 105

HSL 10.08, 0.78%, 0.67%

LAB 64.99, 39.84, 30.74

 

CMYK 54 / 0 / 56 / 7

HEX #6CEC68

RGB 108 236 104

HSL 118.18, 0.78%, 0.67%

LAB 84.06, -60.77, 52.64

 

CMYK 56 / 26 / 0 / 7

HEX #69AFEC

RGB 105 175 236

HSL 207.94, 0.78%, 0.67%

LAB 69.27, -4.79, -37.22

 

CMYK 2 / 56 / 0 / 7

HEX #E869EC

RGB 232 105 236

HSL 298.17, 0.78%, 0.67%

LAB 64.42, 66.14, -44.03

 

CMYK 0 / 30 / 56 / 7

HEX #ECA669

RGB 236 166 105

HSL 27.94, 0.78%, 0.67%

LAB 73.63, 19.39, 41.62

 

Description

Color code: HEX #6CEC68 | qconv.com Color code: HEX #6CEC68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 236 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 236 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 56 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 56% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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