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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CEB5B it is the complementary color #9314A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CEB5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CEB5B shade: #71EB56, #82FD69, #93FF7C, #A4FF8F and #B5FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CEB5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CEB5B shade: #6CEB5B, #5BD948, #4AC735, #39B522 and #28A30F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CEB5B shade: #6CEA5B, #93EA5B, #B9EA5B, #E0EA5B and #EACE5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CEB5B shade: #6CEA5B, #5BEA71, #5BEA97, #5BEABE and #5BEAE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CEB5B shade matches the following richer shades: #6CEA5B and #61F94C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CEB5B shade: #6CEA5B, #77DB6A, #83CD79, #8EBE88 and #99AF97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CEB5B shade: #BBEA5B, #94EA5B, #6EEA5B, #5BEA6E and #5BEA94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CEB5B shade: #31D91A, #4BE636, #6CEA5B, #8DEF80 and #AEF3A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CEB5B shade: #6CEB5B, #5BE1EA and #EA5BA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CEB5B shade: #6CEB5B, #5B6EEA and #EA5B6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CEB5B shade: #6CEB5B, #5BE1EA, #D75BEA and #EA655B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CEB5B shade: #6CEB5B, #5BB6EA, #D75BEA and #EA905B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 61 / 8

HEX #6CEB5B

RGB 108 235 91

HSL 112.92, 0.78%, 0.64%

LAB 83.63, -61.81, 57.83

 

Complementary color

CMYK 10 / 88 / 0 / 36

HEX #9314A4

RGB 147 20 164

HSL 292.92, 0.78%, 0.36%

LAB 36.71, 65.06, -47.33

 

CMYK 52 / 0 / 63 / 8

HEX #71EB56

RGB 113 235 86

HSL 109.13, 0.79%, 0.63%

LAB 83.76, -61, 60.1

 

CMYK 49 / 0 / 58 / 1

HEX #82FD69

RGB 130 253 105

HSL 109.86, 0.97%, 0.7%

LAB 89.87, -61.27, 59.14

 

CMYK 42 / 0 / 51 / 0

HEX #93FF7C

RGB 147 255 124

HSL 109.47, 1%, 0.74%

LAB 91.31, -55.12, 52.55

 

CMYK 36 / 0 / 44 / 0

HEX #A4FF8F

RGB 164 255 143

HSL 108.75, 1%, 0.78%

LAB 92.31, -47.61, 45.01

 

CMYK 29 / 0 / 36 / 0

HEX #B5FFA2

RGB 181 255 162

HSL 107.74, 1%, 0.82%

LAB 93.43, -39.6, 37.36

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5B

RGB 108 235 91

HSL 112.92, 0.78%, 0.64%

LAB 83.63, -61.81, 57.83

 

CMYK 58 / 0 / 67 / 15

HEX #5BD948

RGB 91 217 72

HSL 112.14, 0.66%, 0.57%

LAB 77.47, -61.34, 58.71

 

CMYK 63 / 0 / 73 / 22

HEX #4AC735

RGB 74 199 53

HSL 111.37, 0.58%, 0.49%

LAB 71.26, -60.55, 59.24

 

CMYK 69 / 0 / 81 / 29

HEX #39B522

RGB 57 181 34

HSL 110.61, 0.68%, 0.42%

LAB 64.99, -59.32, 59.11

 

CMYK 75 / 0 / 91 / 36

HEX #28A30F

RGB 40 163 15

HSL 109.86, 0.83%, 0.35%

LAB 58.68, -57.46, 57.8

 

CMYK 54 / 0 / 61 / 8

HEX #6CEA5B

RGB 108 234 91

HSL 112.87, 0.77%, 0.64%

LAB 83.33, -61.45, 57.49

 

CMYK 37 / 0 / 61 / 8

HEX #93EA5B

RGB 147 234 91

HSL 96.5, 0.77%, 0.64%

LAB 84.9, -50.04, 59.68

 

CMYK 21 / 0 / 61 / 8

HEX #B9EA5B

RGB 185 234 91

HSL 80.56, 0.77%, 0.64%

LAB 86.96, -36.63, 62.53

 

CMYK 4 / 0 / 61 / 8

HEX #E0EA5B

RGB 224 234 91

HSL 64.2, 0.77%, 0.64%

LAB 89.6, -21.43, 66.17

 

CMYK 0 / 12 / 61 / 8

HEX #EACE5B

RGB 234 206 91

HSL 48.25, 0.77%, 0.64%

LAB 83.12, -3.41, 59.35

 

CMYK 54 / 0 / 61 / 8

HEX #6CEA5B

RGB 108 234 91

HSL 112.87, 0.77%, 0.64%

LAB 83.33, -61.45, 57.49

 

CMYK 61 / 0 / 52 / 8

HEX #5BEA71

RGB 91 234 113

HSL 129.23, 0.77%, 0.64%

LAB 83.05, -62.8, 47.17

 

CMYK 61 / 0 / 35 / 8

HEX #5BEA97

RGB 91 234 151

HSL 145.17, 0.77%, 0.64%

LAB 83.6, -56.75, 29.18

 

CMYK 61 / 0 / 19 / 8

HEX #5BEABE

RGB 91 234 190

HSL 161.54, 0.77%, 0.64%

LAB 84.37, -48.72, 10.05

 

CMYK 61 / 0 / 2 / 8

HEX #5BEAE5

RGB 91 234 229

HSL 177.9, 0.77%, 0.64%

LAB 85.37, -39.08, -9.01

 

CMYK 54 / 0 / 61 / 8

HEX #6CEA5B

RGB 108 234 91

HSL 112.87, 0.77%, 0.64%

LAB 83.33, -61.45, 57.49

 

CMYK 61 / 0 / 69 / 2

HEX #61F94C

RGB 97 249 76

HSL 112.72, 0.94%, 0.64%

LAB 87.39, -70.63, 67.71

 

CMYK 54 / 0 / 61 / 8

HEX #6CEA5B

RGB 108 234 91

HSL 112.87, 0.77%, 0.64%

LAB 83.33, -61.45, 57.49

 

CMYK 46 / 0 / 52 / 14

HEX #77DB6A

RGB 119 219 106

HSL 113.1, 0.61%, 0.64%

LAB 79.4, -50.99, 46.24

 

CMYK 36 / 0 / 41 / 20

HEX #83CD79

RGB 131 205 121

HSL 112.86, 0.46%, 0.64%

LAB 75.99, -39.34, 34.7

 

CMYK 25 / 0 / 28 / 25

HEX #8EBE88

RGB 142 190 136

HSL 113.33, 0.29%, 0.64%

LAB 72.47, -26.34, 22.3

 

CMYK 13 / 0 / 14 / 31

HEX #99AF97

RGB 153 175 151

HSL 115, 0.13%, 0.64%

LAB 69.23, -12.26, 9.76

 

CMYK 20 / 0 / 61 / 8

HEX #BBEA5B

RGB 187 234 91

HSL 79.72, 0.77%, 0.64%

LAB 87.08, -35.88, 62.7

 

CMYK 37 / 0 / 61 / 8

HEX #94EA5B

RGB 148 234 91

HSL 96.08, 0.77%, 0.64%

LAB 84.94, -49.71, 59.74

 

CMYK 53 / 0 / 61 / 8

HEX #6EEA5B

RGB 110 234 91

HSL 112.03, 0.77%, 0.64%

LAB 83.4, -60.93, 57.59

 

CMYK 61 / 0 / 53 / 8

HEX #5BEA6E

RGB 91 234 110

HSL 127.97, 0.77%, 0.64%

LAB 83.02, -63.2, 48.53

 

CMYK 61 / 0 / 37 / 8

HEX #5BEA94

RGB 91 234 148

HSL 143.92, 0.77%, 0.64%

LAB 83.55, -57.29, 30.64

 

CMYK 77 / 0 / 88 / 15

HEX #31D91A

RGB 49 217 26

HSL 112.77, 0.79%, 0.48%

LAB 76.29, -72.1, 71

 

CMYK 67 / 0 / 77 / 10

HEX #4BE636

RGB 75 230 54

HSL 112.84, 0.78%, 0.56%

LAB 80.94, -70.49, 68.46

 

CMYK 54 / 0 / 61 / 8

HEX #6CEA5B

RGB 108 234 91

HSL 112.87, 0.77%, 0.64%

LAB 83.33, -61.45, 57.49

 

CMYK 41 / 0 / 46 / 6

HEX #8DEF80

RGB 141 239 128

HSL 112.97, 0.78%, 0.72%

LAB 86.48, -49.89, 44.67

 

CMYK 28 / 0 / 32 / 5

HEX #AEF3A5

RGB 174 243 165

HSL 113.08, 0.76%, 0.8%

LAB 89.77, -36.01, 30.94

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5B

RGB 108 235 91

HSL 112.92, 0.78%, 0.64%

LAB 83.63, -61.81, 57.83

 

CMYK 61 / 4 / 0 / 8

HEX #5BE1EA

RGB 91 225 234

HSL 183.78, 0.77%, 0.64%

LAB 82.92, -33.56, -15.31

 

CMYK 0 / 61 / 29 / 8

HEX #EA5BA7

RGB 234 91 167

HSL 328.11, 0.77%, 0.64%

LAB 59.68, 62.49, -12.24

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5B

RGB 108 235 91

HSL 112.92, 0.78%, 0.64%

LAB 83.63, -61.81, 57.83

 

CMYK 61 / 53 / 0 / 8

HEX #5B6EEA

RGB 91 110 234

HSL 232.03, 0.77%, 0.64%

LAB 51.06, 30.22, -65.06

 

CMYK 0 / 61 / 53 / 8

HEX #EA5B6E

RGB 234 91 110

HSL 352.03, 0.77%, 0.64%

LAB 58.13, 56.67, 18.75

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5B

RGB 108 235 91

HSL 112.92, 0.78%, 0.64%

LAB 83.63, -61.81, 57.83

 

CMYK 61 / 4 / 0 / 8

HEX #5BE1EA

RGB 91 225 234

HSL 183.78, 0.77%, 0.64%

LAB 82.92, -33.56, -15.31

 

CMYK 8 / 61 / 0 / 8

HEX #D75BEA

RGB 215 91 234

HSL 292.03, 0.77%, 0.64%

LAB 59.77, 67.71, -50.4

 

CMYK 0 / 57 / 61 / 8

HEX #EA655B

RGB 234 101 91

HSL 4.2, 0.77%, 0.64%

LAB 59.48, 50.8, 31.45

 

CMYK 54 / 0 / 61 / 8

HEX #6CEB5B

RGB 108 235 91

HSL 112.92, 0.78%, 0.64%

LAB 83.63, -61.81, 57.83

 

CMYK 61 / 22 / 0 / 8

HEX #5BB6EA

RGB 91 182 234

HSL 201.82, 0.77%, 0.64%

LAB 70.61, -11.91, -34.09

 

CMYK 8 / 61 / 0 / 8

HEX #D75BEA

RGB 215 91 234

HSL 292.03, 0.77%, 0.64%

LAB 59.77, 67.71, -50.4

 

CMYK 0 / 38 / 61 / 8

HEX #EA905B

RGB 234 144 91

HSL 22.24, 0.77%, 0.64%

LAB 68.16, 29.2, 42.15

 

Description

Color code: HEX #6CEB5B | qconv.com Color code: HEX #6CEB5B | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 235 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 235 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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