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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CE370 it is the complementary color #931C8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CE370. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CE370 shade: #71E36B, #82F57E, #93FF91, #A4FFA4 and #B5FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CE370. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CE370 shade: #6CE370, #5BD15D, #4ABF4A, #39AD37 and #289B24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CE370 shade: #6DE371, #89E36D, #A8E36D, #C8E36D and #E3DD6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CE370 shade: #6DE371, #6DE391, #6DE3B0, #6DE3D0 and #6DD6E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CE370 shade matches the following richer shades: #6DE371 and #5FF164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CE370 shade: #6DE371, #7BD57E, #89C78B, #97B998 and #A5ABA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CE370 shade: #A8E36D, #88E36D, #6DE371, #6DE390 and #6DE3B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CE370 shade: #28D52E, #4ADC4F, #6DE371, #90E993 and #B2F0B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CE370 shade: #6CE370, #6DC7E3 and #E36D98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CE370 shade: #6CE370, #716DE3 and #E3716D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CE370 shade: #6CE370, #6DC7E3, #E36DDF and #E3886D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CE370 shade: #6CE370, #6DA4E3, #E36DDF and #E3AC6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 51 / 11

HEX #6CE370

RGB 108 227 112

HSL 122.02, 0.68%, 0.66%

LAB 81.45, -56.37, 45.81

 

Complementary color

CMYK 0 / 81 / 3 / 42

HEX #931C8F

RGB 147 28 143

HSL 302.02, 0.68%, 0.34%

LAB 36.02, 59.73, -35.67

 

CMYK 50 / 0 / 53 / 11

HEX #71E36B

RGB 113 227 107

HSL 117, 0.68%, 0.65%

LAB 81.57, -55.7, 48.34

 

CMYK 47 / 0 / 49 / 4

HEX #82F57E

RGB 130 245 126

HSL 117.98, 0.86%, 0.73%

LAB 87.75, -55.73, 47.11

 

CMYK 42 / 0 / 43 / 0

HEX #93FF91

RGB 147 255 145

HSL 118.91, 1%, 0.78%

LAB 91.58, -52.42, 42.97

 

CMYK 36 / 0 / 36 / 0

HEX #A4FFA4

RGB 164 255 164

HSL 120, 1%, 0.82%

LAB 92.62, -44.63, 35.14

 

CMYK 29 / 0 / 28 / 0

HEX #B5FFB7

RGB 181 255 183

HSL 121.62, 1%, 0.85%

LAB 93.78, -36.41, 27.32

 

CMYK 52 / 0 / 51 / 11

HEX #6CE370

RGB 108 227 112

HSL 122.02, 0.68%, 0.66%

LAB 81.45, -56.37, 45.81

 

CMYK 56 / 0 / 56 / 18

HEX #5BD15D

RGB 91 209 93

HSL 121.02, 0.56%, 0.59%

LAB 75.21, -56.2, 47.08

 

CMYK 61 / 0 / 61 / 25

HEX #4ABF4A

RGB 74 191 74

HSL 120, 0.48%, 0.52%

LAB 68.9, -55.79, 48.28

 

CMYK 67 / 0 / 68 / 32

HEX #39AD37

RGB 57 173 55

HSL 118.98, 0.52%, 0.45%

LAB 62.54, -55.04, 49.29

 

CMYK 74 / 0 / 77 / 39

HEX #289B24

RGB 40 155 36

HSL 117.98, 0.62%, 0.37%

LAB 56.11, -53.76, 49.84

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 40 / 0 / 52 / 11

HEX #89E36D

RGB 137 227 109

HSL 105.76, 0.68%, 0.66%

LAB 82.57, -48.49, 48.85

 

CMYK 26 / 0 / 52 / 11

HEX #A8E36D

RGB 168 227 109

HSL 90, 0.68%, 0.66%

LAB 84.16, -38.07, 51.12

 

CMYK 12 / 0 / 52 / 11

HEX #C8E36D

RGB 200 227 109

HSL 73.73, 0.68%, 0.66%

LAB 86.17, -26.13, 54

 

CMYK 0 / 3 / 52 / 11

HEX #E3DD6D

RGB 227 221 109

HSL 56.95, 0.68%, 0.66%

LAB 86.58, -12.52, 54.98

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 52 / 0 / 36 / 11

HEX #6DE391

RGB 109 227 145

HSL 138.31, 0.68%, 0.66%

LAB 81.97, -51.08, 30.14

 

CMYK 52 / 0 / 22 / 11

HEX #6DE3B0

RGB 109 227 176

HSL 154.07, 0.68%, 0.66%

LAB 82.55, -45.13, 14.88

 

CMYK 52 / 0 / 8 / 11

HEX #6DE3D0

RGB 109 227 208

HSL 170.34, 0.68%, 0.66%

LAB 83.31, -37.89, -0.9

 

CMYK 52 / 6 / 0 / 11

HEX #6DD6E3

RGB 109 214 227

HSL 186.61, 0.68%, 0.66%

LAB 80.12, -26.87, -15.74

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 61 / 0 / 59 / 5

HEX #5FF164

RGB 95 241 100

HSL 122.05, 0.84%, 0.66%

LAB 85.13, -66.04, 55.57

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 42 / 0 / 41 / 16

HEX #7BD57E

RGB 123 213 126

HSL 122, 0.52%, 0.66%

LAB 78.06, -44.56, 34.76

 

CMYK 31 / 0 / 30 / 22

HEX #89C78B

RGB 137 199 139

HSL 121.94, 0.36%, 0.66%

LAB 74.84, -31.82, 23.89

 

CMYK 18 / 0 / 18 / 27

HEX #97B998

RGB 151 185 152

HSL 121.76, 0.2%, 0.66%

LAB 71.92, -17.96, 13.01

 

CMYK 4 / 0 / 4 / 33

HEX #A5ABA5

RGB 165 171 165

HSL 120, 0.03%, 0.66%

LAB 69.36, -3.26, 2.34

 

CMYK 26 / 0 / 52 / 11

HEX #A8E36D

RGB 168 227 109

HSL 90, 0.68%, 0.66%

LAB 84.16, -38.07, 51.12

 

CMYK 40 / 0 / 52 / 11

HEX #88E36D

RGB 136 227 109

HSL 106.27, 0.68%, 0.66%

LAB 82.53, -48.8, 48.78

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 52 / 0 / 37 / 11

HEX #6DE390

RGB 109 227 144

HSL 137.8, 0.68%, 0.66%

LAB 81.95, -51.25, 30.63

 

CMYK 52 / 0 / 22 / 11

HEX #6DE3B0

RGB 109 227 176

HSL 154.07, 0.68%, 0.66%

LAB 82.55, -45.13, 14.88

 

CMYK 81 / 0 / 78 / 16

HEX #28D52E

RGB 40 213 46

HSL 122.08, 0.68%, 0.5%

LAB 74.97, -71.08, 64.94

 

CMYK 66 / 0 / 64 / 14

HEX #4ADC4F

RGB 74 220 79

HSL 122.05, 0.68%, 0.58%

LAB 78, -65.38, 56.32

 

CMYK 52 / 0 / 50 / 11

HEX #6DE371

RGB 109 227 113

HSL 122.03, 0.68%, 0.66%

LAB 81.5, -55.98, 45.4

 

CMYK 38 / 0 / 37 / 9

HEX #90E993

RGB 144 233 147

HSL 122.02, 0.67%, 0.74%

LAB 85.16, -43.72, 33.62

 

CMYK 26 / 0 / 25 / 6

HEX #B2F0B4

RGB 178 240 180

HSL 121.94, 0.67%, 0.82%

LAB 89.43, -30.93, 22.86

 

CMYK 52 / 0 / 51 / 11

HEX #6CE370

RGB 108 227 112

HSL 122.02, 0.68%, 0.66%

LAB 81.45, -56.37, 45.81

 

CMYK 52 / 12 / 0 / 11

HEX #6DC7E3

RGB 109 199 227

HSL 194.24, 0.68%, 0.66%

LAB 75.85, -19.36, -22.2

 

CMYK 0 / 52 / 33 / 11

HEX #E36D98

RGB 227 109 152

HSL 338.14, 0.68%, 0.66%

LAB 61.25, 50.31, -1.35

 

CMYK 52 / 0 / 51 / 11

HEX #6CE370

RGB 108 227 112

HSL 122.02, 0.68%, 0.66%

LAB 81.45, -56.37, 45.81

 

CMYK 50 / 52 / 0 / 11

HEX #716DE3

RGB 113 109 227

HSL 242.03, 0.68%, 0.66%

LAB 51.83, 32.8, -59.8

 

CMYK 0 / 50 / 52 / 11

HEX #E3716D

RGB 227 113 109

HSL 2.03, 0.68%, 0.66%

LAB 61, 43.88, 23.02

 

CMYK 52 / 0 / 51 / 11

HEX #6CE370

RGB 108 227 112

HSL 122.02, 0.68%, 0.66%

LAB 81.45, -56.37, 45.81

 

CMYK 52 / 12 / 0 / 11

HEX #6DC7E3

RGB 109 199 227

HSL 194.24, 0.68%, 0.66%

LAB 75.85, -19.36, -22.2

 

CMYK 0 / 52 / 2 / 11

HEX #E36DDF

RGB 227 109 223

HSL 302.03, 0.68%, 0.66%

LAB 63.83, 60.77, -37.76

 

CMYK 0 / 40 / 52 / 11

HEX #E3886D

RGB 227 136 109

HSL 13.73, 0.68%, 0.66%

LAB 65.78, 32.05, 29.33

 

CMYK 52 / 0 / 51 / 11

HEX #6CE370

RGB 108 227 112

HSL 122.02, 0.68%, 0.66%

LAB 81.45, -56.37, 45.81

 

CMYK 52 / 28 / 0 / 11

HEX #6DA4E3

RGB 109 164 227

HSL 212.03, 0.68%, 0.66%

LAB 66.02, -0.53, -37.34

 

CMYK 0 / 52 / 2 / 11

HEX #E36DDF

RGB 227 109 223

HSL 302.03, 0.68%, 0.66%

LAB 63.83, 60.77, -37.76

 

CMYK 0 / 24 / 52 / 11

HEX #E3AC6D

RGB 227 172 109

HSL 32.03, 0.68%, 0.66%

LAB 74.15, 12.86, 40

 

Description

Color code: HEX #6CE370 | qconv.com Color code: HEX #6CE370 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 227 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 227 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 51 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 51% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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