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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CD07D it is the complementary color #932F82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CD07D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CD07D shade: #71D078, #82E28B, #93F49E, #A4FFB1 and #B5FFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CD07D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CD07D shade: #6CD07D, #5BBE6A, #4AAC57, #399A44 and #288831

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CD07D shade: #6BD07C, #75D06B, #90D06B, #ACD06B and #C7D06B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CD07D shade: #6BD07C, #6BD098, #6BD0B3, #6BD0CE and #6BB7D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CD07D shade matches the following richer shades: #6BD07C, #5CE072 and #4CEF68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CD07D shade: #6BD07C, #7BC087, #8BB191, #9AA19B and #AA91A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CD07D shade: #90D06B, #75D06B, #6BD07C, #6BD097 and #6BD0B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CD07D shade: #38B14C, #4CC661, #6BD07C, #8BDA98 and #AAE4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CD07D shade: #6CD07D, #6BABD0 and #D06B83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CD07D shade: #6CD07D, #7C6BD0 and #D07C6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CD07D shade: #6CD07D, #6BABD0, #D06BBF and #D0906B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CD07D shade: #6CD07D, #6B8DD0, #D06BBF and #D0AE6B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 40 / 18

HEX #6CD07D

RGB 108 208 125

HSL 130.2, 0.52%, 0.62%

LAB 75.93, -46.84, 32.39

 

Complementary color

CMYK 0 / 68 / 12 / 42

HEX #932F82

RGB 147 47 130

HSL 310.2, 0.52%, 0.38%

LAB 37.57, 51.25, -25.21

 

CMYK 46 / 0 / 42 / 18

HEX #71D078

RGB 113 208 120

HSL 124.42, 0.5%, 0.63%

LAB 76.06, -46.24, 35.13

 

CMYK 42 / 0 / 38 / 11

HEX #82E28B

RGB 130 226 139

HSL 125.63, 0.62%, 0.7%

LAB 82.38, -46.07, 33.89

 

CMYK 40 / 0 / 35 / 4

HEX #93F49E

RGB 147 244 158

HSL 126.8, 0.82%, 0.77%

LAB 88.63, -45.86, 32.7

 

CMYK 36 / 0 / 31 / 0

HEX #A4FFB1

RGB 164 255 177

HSL 128.57, 1%, 0.82%

LAB 92.83, -42.57, 28.92

 

CMYK 29 / 0 / 23 / 0

HEX #B5FFC4

RGB 181 255 196

HSL 132.16, 1%, 0.85%

LAB 94.02, -34.23, 21.05

 

CMYK 48 / 0 / 40 / 18

HEX #6CD07D

RGB 108 208 125

HSL 130.2, 0.52%, 0.62%

LAB 75.93, -46.84, 32.39

 

CMYK 52 / 0 / 44 / 25

HEX #5BBE6A

RGB 91 190 106

HSL 129.09, 0.43%, 0.55%

LAB 69.53, -46.92, 33.71

 

CMYK 57 / 0 / 49 / 33

HEX #4AAC57

RGB 74 172 87

HSL 127.96, 0.4%, 0.48%

LAB 63.05, -46.87, 35.09

 

CMYK 63 / 0 / 56 / 40

HEX #399A44

RGB 57 154 68

HSL 126.8, 0.46%, 0.41%

LAB 56.48, -46.59, 36.5

 

CMYK 71 / 0 / 64 / 47

HEX #288831

RGB 40 136 49

HSL 125.63, 0.55%, 0.35%

LAB 49.84, -45.91, 37.85

 

CMYK 49 / 0 / 40 / 18

HEX #6BD07C

RGB 107 208 124

HSL 130.1, 0.52%, 0.62%

LAB 75.88, -47.27, 32.83

 

CMYK 44 / 0 / 49 / 18

HEX #75D06B

RGB 117 208 107

HSL 114.06, 0.52%, 0.62%

LAB 76.04, -46.93, 41.62

 

CMYK 31 / 0 / 49 / 18

HEX #90D06B

RGB 144 208 107

HSL 98.02, 0.52%, 0.62%

LAB 77.34, -38.21, 43.52

 

CMYK 17 / 0 / 49 / 18

HEX #ACD06B

RGB 172 208 107

HSL 81.39, 0.52%, 0.62%

LAB 79.01, -28.01, 45.94

 

CMYK 4 / 0 / 49 / 18

HEX #C7D06B

RGB 199 208 107

HSL 65.35, 0.52%, 0.62%

LAB 80.91, -17.46, 48.68

 

CMYK 49 / 0 / 40 / 18

HEX #6BD07C

RGB 107 208 124

HSL 130.1, 0.52%, 0.62%

LAB 75.88, -47.27, 32.83

 

CMYK 49 / 0 / 27 / 18

HEX #6BD098

RGB 107 208 152

HSL 146.73, 0.52%, 0.62%

LAB 76.38, -42.25, 18.9

 

CMYK 49 / 0 / 14 / 18

HEX #6BD0B3

RGB 107 208 179

HSL 162.77, 0.52%, 0.62%

LAB 76.98, -36.48, 5.34

 

CMYK 49 / 0 / 1 / 18

HEX #6BD0CE

RGB 107 208 206

HSL 178.81, 0.52%, 0.62%

LAB 77.69, -29.91, -8.12

 

CMYK 49 / 12 / 0 / 18

HEX #6BB7D0

RGB 107 183 208

HSL 194.85, 0.52%, 0.62%

LAB 70.56, -16.83, -19.92

 

CMYK 49 / 0 / 40 / 18

HEX #6BD07C

RGB 107 208 124

HSL 130.1, 0.52%, 0.62%

LAB 75.88, -47.27, 32.83

 

CMYK 59 / 0 / 49 / 12

HEX #5CE072

RGB 92 224 114

HSL 130, 0.68%, 0.62%

LAB 80.07, -58.78, 43.03

 

CMYK 68 / 0 / 56 / 6

HEX #4CEF68

RGB 76 239 104

HSL 130.31, 0.84%, 0.62%

LAB 84.11, -68.57, 52.48

 

CMYK 49 / 0 / 40 / 18

HEX #6BD07C

RGB 107 208 124

HSL 130.1, 0.52%, 0.62%

LAB 75.88, -47.27, 32.83

 

CMYK 36 / 0 / 30 / 25

HEX #7BC087

RGB 123 192 135

HSL 130.43, 0.35%, 0.62%

LAB 72, -33.7, 22.03

 

CMYK 21 / 0 / 18 / 31

HEX #8BB191

RGB 139 177 145

HSL 129.47, 0.2%, 0.62%

LAB 68.74, -19.29, 12.23

 

CMYK 4 / 0 / 4 / 37

HEX #9AA19B

RGB 154 161 155

HSL 128.57, 0.04%, 0.62%

LAB 65.54, -3.65, 2.25

 

CMYK 0 / 15 / 2 / 33

HEX #AA91A6

RGB 170 145 166

HSL 309.6, 0.13%, 0.62%

LAB 62.97, 13.1, -7.56

 

CMYK 31 / 0 / 49 / 18

HEX #90D06B

RGB 144 208 107

HSL 98.02, 0.52%, 0.62%

LAB 77.34, -38.21, 43.52

 

CMYK 44 / 0 / 49 / 18

HEX #75D06B

RGB 117 208 107

HSL 114.06, 0.52%, 0.62%

LAB 76.04, -46.93, 41.62

 

CMYK 49 / 0 / 40 / 18

HEX #6BD07C

RGB 107 208 124

HSL 130.1, 0.52%, 0.62%

LAB 75.88, -47.27, 32.83

 

CMYK 49 / 0 / 27 / 18

HEX #6BD097

RGB 107 208 151

HSL 146.14, 0.52%, 0.62%

LAB 76.36, -42.45, 19.4

 

CMYK 49 / 0 / 14 / 18

HEX #6BD0B2

RGB 107 208 178

HSL 162.18, 0.52%, 0.62%

LAB 76.95, -36.71, 5.84

 

CMYK 68 / 0 / 57 / 31

HEX #38B14C

RGB 56 177 76

HSL 129.92, 0.52%, 0.46%

LAB 64, -54.26, 41.55

 

CMYK 62 / 0 / 51 / 22

HEX #4CC661

RGB 76 198 97

HSL 130.33, 0.52%, 0.54%

LAB 71.41, -55, 40.47

 

CMYK 49 / 0 / 40 / 18

HEX #6BD07C

RGB 107 208 124

HSL 130.1, 0.52%, 0.62%

LAB 75.88, -47.27, 32.83

 

CMYK 36 / 0 / 30 / 15

HEX #8BDA98

RGB 139 218 152

HSL 129.87, 0.52%, 0.7%

LAB 80.68, -37.76, 25.02

 

CMYK 25 / 0 / 21 / 11

HEX #AAE4B4

RGB 170 228 180

HSL 130.34, 0.52%, 0.78%

LAB 85.67, -27.83, 17.57

 

CMYK 48 / 0 / 40 / 18

HEX #6CD07D

RGB 108 208 125

HSL 130.2, 0.52%, 0.62%

LAB 75.93, -46.84, 32.39

 

CMYK 49 / 18 / 0 / 18

HEX #6BABD0

RGB 107 171 208

HSL 201.98, 0.52%, 0.62%

LAB 67.13, -10.45, -25.15

 

CMYK 0 / 49 / 37 / 18

HEX #D06B83

RGB 208 107 131

HSL 345.74, 0.52%, 0.62%

LAB 57.62, 42.3, 5.22

 

CMYK 48 / 0 / 40 / 18

HEX #6CD07D

RGB 108 208 125

HSL 130.2, 0.52%, 0.62%

LAB 75.93, -46.84, 32.39

 

CMYK 40 / 49 / 0 / 18

HEX #7C6BD0

RGB 124 107 208

HSL 250.1, 0.52%, 0.62%

LAB 51.1, 30.95, -50.17

 

CMYK 0 / 40 / 49 / 18

HEX #D07C6B

RGB 208 124 107

HSL 10.1, 0.52%, 0.62%

LAB 60.68, 30.82, 23.27

 

CMYK 48 / 0 / 40 / 18

HEX #6CD07D

RGB 108 208 125

HSL 130.2, 0.52%, 0.62%

LAB 75.93, -46.84, 32.39

 

CMYK 49 / 18 / 0 / 18

HEX #6BABD0

RGB 107 171 208

HSL 201.98, 0.52%, 0.62%

LAB 67.13, -10.45, -25.15

 

CMYK 0 / 49 / 8 / 18

HEX #D06BBF

RGB 208 107 191

HSL 310.1, 0.52%, 0.62%

LAB 59.6, 50.9, -26.47

 

CMYK 0 / 31 / 49 / 18

HEX #D0906B

RGB 208 144 107

HSL 21.98, 0.52%, 0.62%

LAB 65.29, 20, 29.35

 

CMYK 48 / 0 / 40 / 18

HEX #6CD07D

RGB 108 208 125

HSL 130.2, 0.52%, 0.62%

LAB 75.93, -46.84, 32.39

 

CMYK 49 / 32 / 0 / 18

HEX #6B8DD0

RGB 107 141 208

HSL 219.8, 0.52%, 0.62%

LAB 58.72, 6.49, -38.19

 

CMYK 0 / 49 / 8 / 18

HEX #D06BBF

RGB 208 107 191

HSL 310.1, 0.52%, 0.62%

LAB 59.6, 50.9, -26.47

 

CMYK 0 / 16 / 49 / 18

HEX #D0AE6B

RGB 208 174 107

HSL 39.8, 0.52%, 0.62%

LAB 72.72, 3.78, 38.83

 

Description

Color code: HEX #6CD07D | qconv.com Color code: HEX #6CD07D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 208 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 208 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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