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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CC0AA it is the complementary color #933F55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CC0AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CC0AA shade: #71C0A5, #82D2B8, #93E4CB, #A4F6DE and #B5FFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CC0AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CC0AA shade: #6CC0AA, #5BAE97, #4A9C84, #398A71 and #28785E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CC0AA shade: #6CC0AA, #6CC093, #6CC07D, #72C06C and #89C06C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CC0AA shade: #6CC0AA, #6CBFC0, #6CA9C0, #6C92C0 and #6C7BC0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CC0AA shade matches the following richer shades: #6CC0AA, #5BD1B2, #4AE2BA and #39F3C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CC0AA shade: #6CC0AA, #7DAFA2, #8E9E9A, #9F8D92 and #B07C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CC0AA shade: #6CC07D, #6CC093, #6CC0A9, #6CC0C0 and #6CA9C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CC0AA shade: #419881, #4FB399, #6CC0AA, #89CCBB and #A6D9CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CC0AA shade: #6CC0AA, #6C72C0 and #C0886C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CC0AA shade: #6CC0AA, #A96CC0 and #C0A96C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CC0AA shade: #6CC0AA, #6C72C0, #C06C82 and #C0BA6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CC0AA shade: #6CC0AA, #806CC0, #C06C82 and #ACC06C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

Complementary color

CMYK 0 / 57 / 42 / 42

HEX #933F55

RGB 147 63 85

HSL 344.29, 0.4%, 0.41%

LAB 38.58, 37.64, 4.5

 

CMYK 41 / 0 / 14 / 25

HEX #71C0A5

RGB 113 192 165

HSL 159.49, 0.39%, 0.6%

LAB 72.18, -30.62, 6.02

 

CMYK 38 / 0 / 12 / 18

HEX #82D2B8

RGB 130 210 184

HSL 160.5, 0.47%, 0.67%

LAB 78.64, -30.42, 5.18

 

CMYK 36 / 0 / 11 / 11

HEX #93E4CB

RGB 147 228 203

HSL 161.48, 0.6%, 0.74%

LAB 85, -30.22, 4.38

 

CMYK 33 / 0 / 10 / 4

HEX #A4F6DE

RGB 164 246 222

HSL 162.44, 0.82%, 0.8%

LAB 91.27, -30.02, 3.63

 

CMYK 29 / 0 / 5 / 0

HEX #B5FFF1

RGB 181 255 241

HSL 168.65, 1%, 0.85%

LAB 95.03, -25.57, -0.62

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 48 / 0 / 13 / 32

HEX #5BAE97

RGB 91 174 151

HSL 163.37, 0.34%, 0.52%

LAB 65.54, -30.94, 4.02

 

CMYK 53 / 0 / 15 / 39

HEX #4A9C84

RGB 74 156 132

HSL 162.44, 0.36%, 0.45%

LAB 58.88, -31.04, 4.98

 

CMYK 59 / 0 / 18 / 46

HEX #398A71

RGB 57 138 113

HSL 161.48, 0.42%, 0.38%

LAB 52.11, -31.04, 6.05

 

CMYK 67 / 0 / 22 / 53

HEX #28785E

RGB 40 120 94

HSL 160.5, 0.5%, 0.31%

LAB 45.21, -30.89, 7.26

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 44 / 0 / 23 / 25

HEX #6CC093

RGB 108 192 147

HSL 147.86, 0.4%, 0.59%

LAB 71.55, -35.81, 14.86

 

CMYK 44 / 0 / 35 / 25

HEX #6CC07D

RGB 108 192 125

HSL 132.14, 0.4%, 0.59%

LAB 71.12, -39.95, 26.03

 

CMYK 41 / 0 / 44 / 25

HEX #72C06C

RGB 114 192 108

HSL 115.71, 0.4%, 0.59%

LAB 71.12, -40.86, 34.9

 

CMYK 29 / 0 / 44 / 25

HEX #89C06C

RGB 137 192 108

HSL 99.29, 0.4%, 0.59%

LAB 72.3, -33.21, 36.64

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 44 / 1 / 0 / 25

HEX #6CBFC0

RGB 108 191 192

HSL 180.71, 0.4%, 0.59%

LAB 72.4, -24.95, -8.4

 

CMYK 44 / 12 / 0 / 25

HEX #6CA9C0

RGB 108 169 192

HSL 196.43, 0.4%, 0.59%

LAB 66.04, -13.6, -17.96

 

CMYK 44 / 24 / 0 / 25

HEX #6C92C0

RGB 108 146 192

HSL 212.86, 0.4%, 0.59%

LAB 59.48, -0.87, -27.99

 

CMYK 44 / 36 / 0 / 25

HEX #6C7BC0

RGB 108 123 192

HSL 229.29, 0.4%, 0.59%

LAB 53.12, 12.64, -37.9

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 56 / 0 / 15 / 18

HEX #5BD1B2

RGB 91 209 178

HSL 164.24, 0.56%, 0.59%

LAB 76.7, -40.69, 5.41

 

CMYK 67 / 0 / 18 / 11

HEX #4AE2BA

RGB 74 226 186

HSL 164.21, 0.72%, 0.59%

LAB 81.51, -49.12, 8

 

CMYK 77 / 0 / 20 / 5

HEX #39F3C2

RGB 57 243 194

HSL 164.19, 0.89%, 0.59%

LAB 86.44, -56.3, 10.81

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 29 / 0 / 7 / 31

HEX #7DAFA2

RGB 125 175 162

HSL 164.4, 0.24%, 0.59%

LAB 67.75, -19.38, 1.33

 

CMYK 10 / 0 / 3 / 38

HEX #8E9E9A

RGB 142 158 154

HSL 165, 0.08%, 0.59%

LAB 63.78, -6.46, 0.15

 

CMYK 0 / 11 / 8 / 38

HEX #9F8D92

RGB 159 141 146

HSL 343.33, 0.09%, 0.59%

LAB 60.33, 7.62, -0.19

 

CMYK 0 / 30 / 22 / 31

HEX #B07C8A

RGB 176 124 138

HSL 343.85, 0.25%, 0.59%

LAB 57.54, 22.31, 0.53

 

CMYK 44 / 0 / 35 / 25

HEX #6CC07D

RGB 108 192 125

HSL 132.14, 0.4%, 0.59%

LAB 71.12, -39.95, 26.03

 

CMYK 44 / 0 / 23 / 25

HEX #6CC093

RGB 108 192 147

HSL 147.86, 0.4%, 0.59%

LAB 71.55, -35.81, 14.86

 

CMYK 44 / 0 / 12 / 25

HEX #6CC0A9

RGB 108 192 169

HSL 163.57, 0.4%, 0.59%

LAB 72.06, -31.04, 3.65

 

CMYK 44 / 0 / 0 / 25

HEX #6CC0C0

RGB 108 192 192

HSL 180, 0.4%, 0.59%

LAB 72.69, -25.45, -7.97

 

CMYK 44 / 12 / 0 / 25

HEX #6CA9C0

RGB 108 169 192

HSL 196.43, 0.4%, 0.59%

LAB 66.04, -13.6, -17.96

 

CMYK 57 / 0 / 15 / 40

HEX #419881

RGB 65 152 129

HSL 164.14, 0.4%, 0.43%

LAB 57.24, -31.93, 4.28

 

CMYK 56 / 0 / 15 / 30

HEX #4FB399

RGB 79 179 153

HSL 164.4, 0.4%, 0.51%

LAB 66.67, -35.59, 4.5

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 33 / 0 / 8 / 20

HEX #89CCBB

RGB 137 204 187

HSL 164.78, 0.4%, 0.67%

LAB 77.34, -24.89, 1.73

 

CMYK 24 / 0 / 6 / 15

HEX #A6D9CB

RGB 166 217 203

HSL 163.53, 0.4%, 0.75%

LAB 82.94, -19.31, 1.52

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 44 / 41 / 0 / 25

HEX #6C72C0

RGB 108 114 192

HSL 235.71, 0.4%, 0.59%

LAB 50.72, 18.08, -41.69

 

CMYK 0 / 29 / 44 / 25

HEX #C0886C

RGB 192 136 108

HSL 20, 0.4%, 0.59%

LAB 61.57, 17.97, 23.55

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 12 / 44 / 0 / 25

HEX #A96CC0

RGB 169 108 192

HSL 283.57, 0.4%, 0.59%

LAB 55.04, 38.86, -34.51

 

CMYK 0 / 12 / 44 / 25

HEX #C0A96C

RGB 192 169 108

HSL 43.57, 0.4%, 0.59%

LAB 69.94, -0.06, 34.48

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 44 / 41 / 0 / 25

HEX #6C72C0

RGB 108 114 192

HSL 235.71, 0.4%, 0.59%

LAB 50.72, 18.08, -41.69

 

CMYK 0 / 44 / 32 / 25

HEX #C06C82

RGB 192 108 130

HSL 344.29, 0.4%, 0.59%

LAB 55.63, 35.91, 2.64

 

CMYK 0 / 3 / 44 / 25

HEX #C0BA6C

RGB 192 186 108

HSL 55.71, 0.4%, 0.59%

LAB 74.45, -9.02, 40.17

 

CMYK 44 / 0 / 11 / 25

HEX #6CC0AA

RGB 108 192 170

HSL 164.29, 0.4%, 0.59%

LAB 72.09, -30.81, 3.14

 

CMYK 33 / 44 / 0 / 25

HEX #806CC0

RGB 128 108 192

HSL 254.29, 0.4%, 0.59%

LAB 50.83, 27.01, -41.42

 

CMYK 0 / 44 / 32 / 25

HEX #C06C82

RGB 192 108 130

HSL 344.29, 0.4%, 0.59%

LAB 55.63, 35.91, 2.64

 

CMYK 10 / 0 / 44 / 25

HEX #ACC06C

RGB 172 192 108

HSL 74.29, 0.4%, 0.59%

LAB 74.54, -20.09, 39.95

 

Description

Color code: HEX #6CC0AA | qconv.com Color code: HEX #6CC0AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 192 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 192 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 11 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 11% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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