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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CC629 it is the complementary color #9339D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CC629. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CC629 shade: #71C624, #82D837, #93EA4A, #A4FC5D and #B5FF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CC629. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CC629 shade: #6CC629, #5BB416, #4AA203, #399000 and #287E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CC629 shade: #6CC628, #96C628, #C1C628, #C6A128 and #C67628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CC629 shade: #6CC628, #41C628, #28C63A, #28C665 and #28C68F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CC629 shade matches the following richer shades: #6CC628, #69DA15 and #66ED01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CC629 shade: #6CC628, #6FB33C, #71A04F, #748C62 and #777976

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CC629 shade: #C1C628, #97C628, #6DC628, #43C628 and #28C638

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CC629 shade: #47821A, #59A421, #6CC628, #81D840 and #98DF63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CC629 shade: #6CC629, #28C6A2 and #C628AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CC629 shade: #6CC629, #286DC6 and #C6286D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CC629 shade: #6CC629, #28C6A2, #8228C6 and #C6284D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CC629 shade: #6CC629, #28BCC6, #8228C6 and #C63328

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 79 / 22

HEX #6CC629

RGB 108 198 41

HSL 94.39, 0.66%, 0.47%

LAB 72.05, -51.75, 64.28

 

Complementary color

CMYK 31 / 73 / 0 / 16

HEX #9339D6

RGB 147 57 214

HSL 274.39, 0.66%, 0.53%

LAB 44.21, 63.51, -64.56

 

CMYK 43 / 0 / 82 / 22

HEX #71C624

RGB 113 198 36

HSL 91.48, 0.69%, 0.46%

LAB 72.25, -50.38, 65.92

 

CMYK 40 / 0 / 75 / 15

HEX #82D837

RGB 130 216 55

HSL 92.05, 0.67%, 0.53%

LAB 78.54, -51, 66.46

 

CMYK 37 / 0 / 68 / 8

HEX #93EA4A

RGB 147 234 74

HSL 92.63, 0.79%, 0.6%

LAB 84.76, -51.41, 66.29

 

CMYK 35 / 0 / 63 / 1

HEX #A4FC5D

RGB 164 252 93

HSL 93.21, 0.96%, 0.68%

LAB 90.92, -51.66, 65.71

 

CMYK 29 / 0 / 56 / 0

HEX #B5FF70

RGB 181 255 112

HSL 91.05, 1%, 0.72%

LAB 92.8, -45.5, 60.08

 

CMYK 45 / 0 / 79 / 22

HEX #6CC629

RGB 108 198 41

HSL 94.39, 0.66%, 0.47%

LAB 72.05, -51.75, 64.28

 

CMYK 49 / 0 / 88 / 29

HEX #5BB416

RGB 91 180 22

HSL 93.8, 0.78%, 0.4%

LAB 65.69, -50.9, 63.06

 

CMYK 54 / 0 / 98 / 36

HEX #4AA203

RGB 74 162 3

HSL 93.21, 0.96%, 0.32%

LAB 59.25, -49.68, 60.47

 

CMYK 60 / 0 / 100 / 44

HEX #399000

RGB 57 144 0

HSL 96.25, 1%, 0.28%

LAB 52.75, -47.88, 55.53

 

CMYK 68 / 0 / 100 / 51

HEX #287E00

RGB 40 126 0

HSL 100.95, 1%, 0.25%

LAB 46.14, -45.7, 50.08

 

CMYK 45 / 0 / 80 / 22

HEX #6CC628

RGB 108 198 40

HSL 94.18, 0.66%, 0.47%

LAB 72.05, -51.8, 64.56

 

CMYK 24 / 0 / 80 / 22

HEX #96C628

RGB 150 198 40

HSL 78.23, 0.66%, 0.47%

LAB 74.21, -36.85, 67.33

 

CMYK 3 / 0 / 80 / 22

HEX #C1C628

RGB 193 198 40

HSL 61.9, 0.66%, 0.47%

LAB 77.21, -19.21, 71.14

 

CMYK 0 / 19 / 80 / 22

HEX #C6A128

RGB 198 161 40

HSL 45.95, 0.66%, 0.47%

LAB 67.76, 2.12, 62.96

 

CMYK 0 / 40 / 80 / 22

HEX #C67628

RGB 198 118 40

HSL 29.62, 0.66%, 0.47%

LAB 57.19, 25.53, 53.32

 

CMYK 45 / 0 / 80 / 22

HEX #6CC628

RGB 108 198 40

HSL 94.18, 0.66%, 0.47%

LAB 72.05, -51.8, 64.56

 

CMYK 67 / 0 / 80 / 22

HEX #41C628

RGB 65 198 40

HSL 110.51, 0.66%, 0.47%

LAB 70.64, -62.97, 62.74

 

CMYK 80 / 0 / 71 / 22

HEX #28C63A

RGB 40 198 58

HSL 126.84, 0.66%, 0.47%

LAB 70.28, -65.67, 56.19

 

CMYK 80 / 0 / 49 / 22

HEX #28C665

RGB 40 198 101

HSL 143.16, 0.66%, 0.47%

LAB 70.72, -60.33, 37.47

 

CMYK 80 / 0 / 28 / 22

HEX #28C68F

RGB 40 198 143

HSL 159.11, 0.66%, 0.47%

LAB 71.43, -52.18, 16.57

 

CMYK 45 / 0 / 80 / 22

HEX #6CC628

RGB 108 198 40

HSL 94.18, 0.66%, 0.47%

LAB 72.05, -51.8, 64.56

 

CMYK 52 / 0 / 90 / 15

HEX #69DA15

RGB 105 218 21

HSL 94.42, 0.82%, 0.47%

LAB 77.99, -60.85, 73.84

 

CMYK 57 / 0 / 100 / 7

HEX #66ED01

RGB 102 237 1

HSL 94.32, 0.99%, 0.47%

LAB 83.65, -68.54, 80.45

 

CMYK 45 / 0 / 80 / 22

HEX #6CC628

RGB 108 198 40

HSL 94.18, 0.66%, 0.47%

LAB 72.05, -51.8, 64.56

 

CMYK 38 / 0 / 66 / 30

HEX #6FB33C

RGB 111 179 60

HSL 94.29, 0.5%, 0.47%

LAB 66.48, -41.73, 52.04

 

CMYK 29 / 0 / 51 / 37

HEX #71A04F

RGB 113 160 79

HSL 94.81, 0.34%, 0.47%

LAB 60.97, -30.51, 36.98

 

CMYK 17 / 0 / 30 / 45

HEX #748C62

RGB 116 140 98

HSL 94.29, 0.18%, 0.47%

LAB 55.43, -16.65, 19.7

 

CMYK 2 / 0 / 2 / 53

HEX #777976

RGB 119 121 118

HSL 100, 0.01%, 0.47%

LAB 50.58, -1.35, 1.37

 

CMYK 3 / 0 / 80 / 22

HEX #C1C628

RGB 193 198 40

HSL 61.9, 0.66%, 0.47%

LAB 77.21, -19.21, 71.14

 

CMYK 24 / 0 / 80 / 22

HEX #97C628

RGB 151 198 40

HSL 77.85, 0.66%, 0.47%

LAB 74.27, -36.46, 67.41

 

CMYK 45 / 0 / 80 / 22

HEX #6DC628

RGB 109 198 40

HSL 93.8, 0.66%, 0.47%

LAB 72.09, -51.49, 64.62

 

CMYK 66 / 0 / 80 / 22

HEX #43C628

RGB 67 198 40

HSL 109.75, 0.66%, 0.47%

LAB 70.69, -62.56, 62.81

 

CMYK 80 / 0 / 72 / 22

HEX #28C638

RGB 40 198 56

HSL 126.08, 0.66%, 0.47%

LAB 70.26, -65.84, 56.92

 

CMYK 45 / 0 / 80 / 49

HEX #47821A

RGB 71 130 26

HSL 94.04, 0.67%, 0.31%

LAB 48.73, -37.09, 46.46

 

CMYK 46 / 0 / 80 / 36

HEX #59A421

RGB 89 164 33

HSL 94.35, 0.66%, 0.39%

LAB 60.59, -44.77, 55.68

 

CMYK 45 / 0 / 80 / 22

HEX #6CC628

RGB 108 198 40

HSL 94.18, 0.66%, 0.47%

LAB 72.05, -51.8, 64.56

 

CMYK 40 / 0 / 70 / 15

HEX #81D840

RGB 129 216 64

HSL 94.34, 0.66%, 0.55%

LAB 78.55, -50.75, 63.33

 

CMYK 32 / 0 / 56 / 13

HEX #98DF63

RGB 152 223 99

HSL 94.35, 0.66%, 0.63%

LAB 82.03, -42.95, 52.98

 

CMYK 45 / 0 / 79 / 22

HEX #6CC629

RGB 108 198 41

HSL 94.39, 0.66%, 0.47%

LAB 72.05, -51.75, 64.28

 

CMYK 80 / 0 / 18 / 22

HEX #28C6A2

RGB 40 198 162

HSL 166.33, 0.66%, 0.47%

LAB 71.86, -47.63, 6.92

 

CMYK 0 / 80 / 13 / 22

HEX #C628AC

RGB 198 40 172

HSL 309.87, 0.66%, 0.47%

LAB 47.63, 71.74, -34.2

 

CMYK 45 / 0 / 79 / 22

HEX #6CC629

RGB 108 198 41

HSL 94.39, 0.66%, 0.47%

LAB 72.05, -51.75, 64.28

 

CMYK 80 / 45 / 0 / 22

HEX #286DC6

RGB 40 109 198

HSL 213.8, 0.66%, 0.47%

LAB 46.27, 10.75, -52.45

 

CMYK 0 / 80 / 45 / 22

HEX #C6286D

RGB 198 40 109

HSL 333.8, 0.66%, 0.47%

LAB 45.12, 64.46, 0.11

 

CMYK 45 / 0 / 79 / 22

HEX #6CC629

RGB 108 198 41

HSL 94.39, 0.66%, 0.47%

LAB 72.05, -51.75, 64.28

 

CMYK 80 / 0 / 18 / 22

HEX #28C6A2

RGB 40 198 162

HSL 166.33, 0.66%, 0.47%

LAB 71.86, -47.63, 6.92

 

CMYK 34 / 80 / 0 / 22

HEX #8228C6

RGB 130 40 198

HSL 274.18, 0.66%, 0.47%

LAB 38.45, 63.49, -64.79

 

CMYK 0 / 80 / 61 / 22

HEX #C6284D

RGB 198 40 77

HSL 345.95, 0.66%, 0.47%

LAB 44.32, 62.01, 18.87

 

CMYK 45 / 0 / 79 / 22

HEX #6CC629

RGB 108 198 41

HSL 94.39, 0.66%, 0.47%

LAB 72.05, -51.75, 64.28

 

CMYK 80 / 5 / 0 / 22

HEX #28BCC6

RGB 40 188 198

HSL 183.8, 0.66%, 0.47%

LAB 69.82, -33.11, -15.74

 

CMYK 34 / 80 / 0 / 22

HEX #8228C6

RGB 130 40 198

HSL 274.18, 0.66%, 0.47%

LAB 38.45, 63.49, -64.79

 

CMYK 0 / 74 / 80 / 22

HEX #C63328

RGB 198 51 40

HSL 4.18, 0.66%, 0.47%

LAB 44.98, 56.9, 41.54

 

Description

Color code: HEX #6CC629 | qconv.com Color code: HEX #6CC629 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 198 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 198 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 79% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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