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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CBBE5 it is the complementary color #93441A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CBBE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CBBE5 shade: #71BBE0, #82CDF3, #93DFFF, #A4F1FF and #B5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CBBE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CBBE5 shade: #6CBBE5, #5BA9D2, #4A97BF, #3985AC and #287399

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CBBE5 shade: #6BBAE4, #6B9AE4, #6B79E4, #7E6BE4 and #9F6BE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CBBE5 shade: #6BBAE4, #6B9AE4, #6B79E4 and #6B6BE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CBBE5 shade matches the following richer shades: #6BBAE4 and #5DBFF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CBBE5 shade: #6BBAE4, #79B6D6, #87B2C8, #95ADBA and #A3A9AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CBBE5 shade: #6BE4CC, #6BDCE4, #6BBCE4, #6B9CE4 and #6B7BE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CBBE5 shade: #269AD7, #48AADE, #6BBAE4, #8ECBEB and #B1DBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CBBE5 shade: #6CBBE5, #AC6BE4 and #E4DC6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CBBE5 shade: #6CBBE5, #E46BBC and #BCE46B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CBBE5 shade: #6CBBE5, #AC6BE4, #E4946B and #A4E46B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CBBE5 shade: #6CBBE5, #D06BE4, #E4946B and #7FE46B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 18 / 0 / 10

HEX #6CBBE5

RGB 108 187 229

HSL 200.83, 0.7%, 0.66%

LAB 72.49, -12.75, -28.43

 

Complementary color

CMYK 0 / 54 / 82 / 42

HEX #93441A

RGB 147 68 26

HSL 20.83, 0.7%, 0.34%

LAB 38.57, 30.62, 39.34

 

CMYK 50 / 17 / 0 / 12

HEX #71BBE0

RGB 113 187 224

HSL 200, 0.64%, 0.66%

LAB 72.52, -13.08, -25.64

 

CMYK 47 / 16 / 0 / 5

HEX #82CDF3

RGB 130 205 243

HSL 200.18, 0.82%, 0.73%

LAB 78.97, -13.37, -25.95

 

CMYK 42 / 13 / 0 / 0

HEX #93DFFF

RGB 147 223 255

HSL 197.78, 1%, 0.79%

LAB 85.1, -15.43, -22.92

 

CMYK 36 / 5 / 0 / 0

HEX #A4F1FF

RGB 164 241 255

HSL 189.23, 1%, 0.82%

LAB 90.79, -20.21, -14.25

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 53 / 18 / 0 / 10

HEX #6CBBE5

RGB 108 187 229

HSL 200.83, 0.7%, 0.66%

LAB 72.49, -12.75, -28.43

 

CMYK 57 / 20 / 0 / 18

HEX #5BA9D2

RGB 91 169 210

HSL 200.67, 0.57%, 0.59%

LAB 65.95, -12.27, -28.14

 

CMYK 61 / 21 / 0 / 25

HEX #4A97BF

RGB 74 151 191

HSL 200.51, 0.48%, 0.52%

LAB 59.3, -11.66, -27.84

 

CMYK 67 / 23 / 0 / 33

HEX #3985AC

RGB 57 133 172

HSL 200.35, 0.5%, 0.45%

LAB 52.53, -10.85, -27.53

 

CMYK 74 / 25 / 0 / 40

HEX #287399

RGB 40 115 153

HSL 200.18, 0.59%, 0.38%

LAB 45.65, -9.75, -27.18

 

CMYK 53 / 18 / 0 / 11

HEX #6BBAE4

RGB 107 186 228

HSL 200.83, 0.69%, 0.66%

LAB 72.12, -12.72, -28.44

 

CMYK 53 / 32 / 0 / 11

HEX #6B9AE4

RGB 107 154 228

HSL 216.69, 0.69%, 0.66%

LAB 63.21, 5.04, -42.29

 

CMYK 53 / 47 / 0 / 11

HEX #6B79E4

RGB 107 121 228

HSL 233.06, 0.69%, 0.66%

LAB 54.45, 24.63, -56.18

 

CMYK 45 / 53 / 0 / 11

HEX #7E6BE4

RGB 126 107 228

HSL 249.42, 0.69%, 0.66%

LAB 52.46, 37.09, -59.3

 

CMYK 30 / 53 / 0 / 11

HEX #9F6BE4

RGB 159 107 228

HSL 265.79, 0.69%, 0.66%

LAB 55.57, 44.9, -54.14

 

CMYK 53 / 18 / 0 / 11

HEX #6BBAE4

RGB 107 186 228

HSL 200.83, 0.69%, 0.66%

LAB 72.12, -12.72, -28.44

 

CMYK 53 / 32 / 0 / 11

HEX #6B9AE4

RGB 107 154 228

HSL 216.69, 0.69%, 0.66%

LAB 63.21, 5.04, -42.29

 

CMYK 53 / 47 / 0 / 11

HEX #6B79E4

RGB 107 121 228

HSL 233.06, 0.69%, 0.66%

LAB 54.45, 24.63, -56.18

 

CMYK 53 / 53 / 0 / 11

HEX #6B6BE4

RGB 107 107 228

HSL 240, 0.69%, 0.66%

LAB 50.97, 33.08, -61.77

 

CMYK 53 / 18 / 0 / 11

HEX #6BBAE4

RGB 107 186 228

HSL 200.83, 0.69%, 0.66%

LAB 72.12, -12.72, -28.44

 

CMYK 62 / 21 / 0 / 5

HEX #5DBFF3

RGB 93 191 243

HSL 200.8, 0.86%, 0.66%

LAB 73.58, -13.57, -34.36

 

CMYK 53 / 18 / 0 / 11

HEX #6BBAE4

RGB 107 186 228

HSL 200.83, 0.69%, 0.66%

LAB 72.12, -12.72, -28.44

 

CMYK 43 / 15 / 0 / 16

HEX #79B6D6

RGB 121 182 214

HSL 200.65, 0.53%, 0.66%

LAB 71.13, -11.3, -22.28

 

CMYK 33 / 11 / 0 / 22

HEX #87B2C8

RGB 135 178 200

HSL 200.31, 0.37%, 0.66%

LAB 70.29, -9.05, -15.81

 

CMYK 20 / 7 / 0 / 27

HEX #95ADBA

RGB 149 173 186

HSL 201.08, 0.21%, 0.66%

LAB 69.34, -5.42, -9.42

 

CMYK 5 / 2 / 0 / 33

HEX #A3A9AC

RGB 163 169 172

HSL 200, 0.05%, 0.66%

LAB 68.85, -1.53, -2.29

 

CMYK 53 / 0 / 11 / 11

HEX #6BE4CC

RGB 107 228 204

HSL 168.1, 0.69%, 0.66%

LAB 83.43, -39.72, 1.38

 

CMYK 53 / 4 / 0 / 11

HEX #6BDCE4

RGB 107 220 228

HSL 183.97, 0.69%, 0.66%

LAB 81.79, -29.92, -13.77

 

CMYK 53 / 18 / 0 / 11

HEX #6BBCE4

RGB 107 188 228

HSL 199.83, 0.69%, 0.66%

LAB 72.69, -13.78, -27.57

 

CMYK 53 / 32 / 0 / 11

HEX #6B9CE4

RGB 107 156 228

HSL 215.7, 0.69%, 0.66%

LAB 63.76, 3.89, -41.43

 

CMYK 53 / 46 / 0 / 11

HEX #6B7BE4

RGB 107 123 228

HSL 232.07, 0.69%, 0.66%

LAB 54.96, 23.42, -55.36

 

CMYK 82 / 28 / 0 / 16

HEX #269AD7

RGB 38 154 215

HSL 200.68, 0.7%, 0.5%

LAB 60.27, -10.04, -39.85

 

CMYK 68 / 23 / 0 / 13

HEX #48AADE

RGB 72 170 222

HSL 200.8, 0.69%, 0.58%

LAB 66.06, -12.4, -34.63

 

CMYK 53 / 18 / 0 / 11

HEX #6BBAE4

RGB 107 186 228

HSL 200.83, 0.69%, 0.66%

LAB 72.12, -12.72, -28.44

 

CMYK 40 / 14 / 0 / 8

HEX #8ECBEB

RGB 142 203 235

HSL 200.65, 0.7%, 0.74%

LAB 78.73, -11.51, -21.98

 

CMYK 27 / 9 / 0 / 5

HEX #B1DBF1

RGB 177 219 241

HSL 200.63, 0.7%, 0.82%

LAB 85.18, -8.78, -15.24

 

CMYK 53 / 18 / 0 / 10

HEX #6CBBE5

RGB 108 187 229

HSL 200.83, 0.7%, 0.66%

LAB 72.49, -12.75, -28.43

 

CMYK 25 / 53 / 0 / 11

HEX #AC6BE4

RGB 172 107 228

HSL 272.23, 0.69%, 0.66%

LAB 56.97, 48.17, -51.83

 

CMYK 0 / 4 / 53 / 11

HEX #E4DC6B

RGB 228 220 107

HSL 56.03, 0.69%, 0.66%

LAB 86.38, -11.78, 55.69

 

CMYK 53 / 18 / 0 / 10

HEX #6CBBE5

RGB 108 187 229

HSL 200.83, 0.7%, 0.66%

LAB 72.49, -12.75, -28.43

 

CMYK 0 / 53 / 18 / 11

HEX #E46BBC

RGB 228 107 188

HSL 319.83, 0.69%, 0.66%

LAB 62.2, 56.42, -20.54

 

CMYK 18 / 0 / 53 / 11

HEX #BCE46B

RGB 188 228 107

HSL 79.83, 0.69%, 0.66%

LAB 85.62, -31.38, 54.08

 

CMYK 53 / 18 / 0 / 10

HEX #6CBBE5

RGB 108 187 229

HSL 200.83, 0.7%, 0.66%

LAB 72.49, -12.75, -28.43

 

CMYK 25 / 53 / 0 / 11

HEX #AC6BE4

RGB 172 107 228

HSL 272.23, 0.69%, 0.66%

LAB 56.97, 48.17, -51.83

 

CMYK 0 / 35 / 53 / 11

HEX #E4946B

RGB 228 148 107

HSL 20.33, 0.69%, 0.66%

LAB 68.56, 25.91, 34.03

 

CMYK 28 / 0 / 53 / 11

HEX #A4E46B

RGB 164 228 107

HSL 91.74, 0.69%, 0.66%

LAB 84.19, -40.15, 52.04

 

CMYK 53 / 18 / 0 / 10

HEX #6CBBE5

RGB 108 187 229

HSL 200.83, 0.7%, 0.66%

LAB 72.49, -12.75, -28.43

 

CMYK 9 / 53 / 0 / 11

HEX #D06BE4

RGB 208 107 228

HSL 290.08, 0.69%, 0.66%

LAB 61.24, 57.54, -44.78

 

CMYK 0 / 35 / 53 / 11

HEX #E4946B

RGB 228 148 107

HSL 20.33, 0.69%, 0.66%

LAB 68.56, 25.91, 34.03

 

CMYK 44 / 0 / 53 / 11

HEX #7FE46B

RGB 127 228 107

HSL 110.08, 0.69%, 0.66%

LAB 82.41, -52.17, 49.48

 

Description

Color code: HEX #6CBBE5 | qconv.com Color code: HEX #6CBBE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 187 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 187 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 18 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 18% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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