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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CB3D9 it is the complementary color #934C26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CB3D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CB3D9 shade: #71B3D4, #82C5E7, #93D7FA, #A4E9FF and #B5FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CB3D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CB3D9 shade: #6CB3D9, #5BA1C6, #4A8FB3, #397DA0 and #286B8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CB3D9 shade: #6DB3D9, #6D96D9, #6D79D9, #7E6DD9 and #9B6DD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CB3D9 shade: #6DB3D9, #6D96D9, #6D79D9 and #6D6DD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CB3D9 shade matches the following richer shades: #6DB3D9, #5EB8E8 and #4FBCF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CB3D9 shade: #6DB3D9, #7BAFCA, #8AAABB, #99A6AC and #A8A19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CB3D9 shade: #6DD9C3, #6DD2D9, #6DB5D9, #6D98D9 and #6D7BD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CB3D9 shade: #318FC1, #4CA2D0, #6DB3D9, #8DC4E1 and #AED5EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CB3D9 shade: #6CB3D9, #A66DD9 and #D9D26D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CB3D9 shade: #6CB3D9, #D96DB5 and #B5D96D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CB3D9 shade: #6CB3D9, #A66DD9, #D9916D and #9FD96D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CB3D9 shade: #6CB3D9, #C76DD9, #D9916D and #7FD96D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 18 / 0 / 15

HEX #6CB3D9

RGB 108 179 217

HSL 200.92, 0.59%, 0.64%

LAB 69.78, -11.95, -26.03

 

Complementary color

CMYK 0 / 48 / 74 / 42

HEX #934C26

RGB 147 76 38

HSL 20.92, 0.59%, 0.36%

LAB 40.43, 26.77, 35.15

 

CMYK 47 / 16 / 0 / 17

HEX #71B3D4

RGB 113 179 212

HSL 200, 0.54%, 0.64%

LAB 69.83, -12.2, -23.2

 

CMYK 44 / 15 / 0 / 9

HEX #82C5E7

RGB 130 197 231

HSL 200.2, 0.68%, 0.71%

LAB 76.34, -12.43, -23.52

 

CMYK 41 / 14 / 0 / 2

HEX #93D7FA

RGB 147 215 250

HSL 200.39, 0.91%, 0.78%

LAB 82.76, -12.62, -23.83

 

CMYK 36 / 9 / 0 / 0

HEX #A4E9FF

RGB 164 233 255

HSL 194.51, 1%, 0.82%

LAB 88.63, -16.22, -17.49

 

CMYK 29 / 2 / 0 / 0

HEX #B5FBFF

RGB 181 251 255

HSL 183.24, 1%, 0.85%

LAB 94.33, -20.6, -8.89

 

CMYK 50 / 18 / 0 / 15

HEX #6CB3D9

RGB 108 179 217

HSL 200.92, 0.59%, 0.64%

LAB 69.78, -11.95, -26.03

 

CMYK 54 / 19 / 0 / 22

HEX #5BA1C6

RGB 91 161 198

HSL 200.75, 0.48%, 0.57%

LAB 63.17, -11.54, -25.74

 

CMYK 59 / 20 / 0 / 30

HEX #4A8FB3

RGB 74 143 179

HSL 200.57, 0.42%, 0.5%

LAB 56.44, -11.02, -25.45

 

CMYK 64 / 22 / 0 / 37

HEX #397DA0

RGB 57 125 160

HSL 200.39, 0.47%, 0.43%

LAB 49.59, -10.32, -25.13

 

CMYK 72 / 24 / 0 / 45

HEX #286B8D

RGB 40 107 141

HSL 200.2, 0.56%, 0.35%

LAB 42.6, -9.35, -24.79

 

CMYK 50 / 18 / 0 / 15

HEX #6DB3D9

RGB 109 179 217

HSL 201.11, 0.59%, 0.64%

LAB 69.83, -11.72, -25.96

 

CMYK 50 / 31 / 0 / 15

HEX #6D96D9

RGB 109 150 217

HSL 217.22, 0.59%, 0.64%

LAB 61.72, 4.45, -38.52

 

CMYK 50 / 44 / 0 / 15

HEX #6D79D9

RGB 109 121 217

HSL 233.33, 0.59%, 0.64%

LAB 53.96, 21.64, -50.78

 

CMYK 42 / 50 / 0 / 15

HEX #7E6DD9

RGB 126 109 217

HSL 249.44, 0.59%, 0.64%

LAB 52.27, 32.79, -53.4

 

CMYK 29 / 50 / 0 / 15

HEX #9B6DD9

RGB 155 109 217

HSL 265.56, 0.59%, 0.64%

LAB 54.99, 40.08, -48.91

 

CMYK 50 / 18 / 0 / 15

HEX #6DB3D9

RGB 109 179 217

HSL 201.11, 0.59%, 0.64%

LAB 69.83, -11.72, -25.96

 

CMYK 50 / 31 / 0 / 15

HEX #6D96D9

RGB 109 150 217

HSL 217.22, 0.59%, 0.64%

LAB 61.72, 4.45, -38.52

 

CMYK 50 / 44 / 0 / 15

HEX #6D79D9

RGB 109 121 217

HSL 233.33, 0.59%, 0.64%

LAB 53.96, 21.64, -50.78

 

CMYK 50 / 50 / 0 / 15

HEX #6D6DD9

RGB 109 109 217

HSL 240, 0.59%, 0.64%

LAB 50.92, 28.9, -55.64

 

CMYK 50 / 18 / 0 / 15

HEX #6DB3D9

RGB 109 179 217

HSL 201.11, 0.59%, 0.64%

LAB 69.83, -11.72, -25.96

 

CMYK 59 / 21 / 0 / 9

HEX #5EB8E8

RGB 94 184 232

HSL 200.87, 0.75%, 0.64%

LAB 71.21, -13.05, -32.07

 

CMYK 68 / 24 / 0 / 3

HEX #4FBCF7

RGB 79 188 247

HSL 201.07, 0.91%, 0.64%

LAB 72.46, -12.95, -38.3

 

CMYK 50 / 18 / 0 / 15

HEX #6DB3D9

RGB 109 179 217

HSL 201.11, 0.59%, 0.64%

LAB 69.83, -11.72, -25.96

 

CMYK 39 / 13 / 0 / 21

HEX #7BAFCA

RGB 123 175 202

HSL 200.51, 0.43%, 0.64%

LAB 68.85, -10.24, -19.15

 

CMYK 26 / 9 / 0 / 27

HEX #8AAABB

RGB 138 170 187

HSL 200.82, 0.26%, 0.64%

LAB 67.83, -7, -12.31

 

CMYK 11 / 3 / 0 / 33

HEX #99A6AC

RGB 153 166 172

HSL 198.95, 0.1%, 0.64%

LAB 67.29, -3.33, -4.67

 

CMYK 0 / 4 / 7 / 34

HEX #A8A19D

RGB 168 161 157

HSL 21.82, 0.06%, 0.64%

LAB 66.71, 1.8, 2.97

 

CMYK 50 / 0 / 10 / 15

HEX #6DD9C3

RGB 109 217 195

HSL 167.78, 0.59%, 0.64%

LAB 80.08, -36.42, 1.28

 

CMYK 50 / 3 / 0 / 15

HEX #6DD2D9

RGB 109 210 217

HSL 183.89, 0.59%, 0.64%

LAB 78.67, -27.58, -12.57

 

CMYK 50 / 17 / 0 / 15

HEX #6DB5D9

RGB 109 181 217

HSL 200, 0.59%, 0.64%

LAB 70.39, -12.79, -25.09

 

CMYK 50 / 30 / 0 / 15

HEX #6D98D9

RGB 109 152 217

HSL 216.11, 0.59%, 0.64%

LAB 62.27, 3.29, -37.66

 

CMYK 50 / 43 / 0 / 15

HEX #6D7BD9

RGB 109 123 217

HSL 232.22, 0.59%, 0.64%

LAB 54.48, 20.44, -49.95

 

CMYK 75 / 26 / 0 / 24

HEX #318FC1

RGB 49 143 193

HSL 200.83, 0.6%, 0.47%

LAB 56.24, -10.46, -33.79

 

CMYK 63 / 22 / 0 / 18

HEX #4CA2D0

RGB 76 162 208

HSL 200.91, 0.58%, 0.56%

LAB 63.29, -11.91, -31.18

 

CMYK 50 / 18 / 0 / 15

HEX #6DB3D9

RGB 109 179 217

HSL 201.11, 0.59%, 0.64%

LAB 69.83, -11.72, -25.96

 

CMYK 37 / 13 / 0 / 12

HEX #8DC4E1

RGB 141 196 225

HSL 200.71, 0.58%, 0.72%

LAB 76.42, -10.67, -20.11

 

CMYK 26 / 9 / 0 / 8

HEX #AED5EA

RGB 174 213 234

HSL 201, 0.59%, 0.8%

LAB 83.19, -8.14, -14.53

 

CMYK 50 / 18 / 0 / 15

HEX #6CB3D9

RGB 108 179 217

HSL 200.92, 0.59%, 0.64%

LAB 69.78, -11.95, -26.03

 

CMYK 24 / 50 / 0 / 15

HEX #A66DD9

RGB 166 109 217

HSL 271.67, 0.59%, 0.64%

LAB 56.14, 43, -47

 

CMYK 0 / 3 / 50 / 15

HEX #D9D26D

RGB 217 210 109

HSL 56.11, 0.59%, 0.64%

LAB 82.89, -11.04, 50.43

 

CMYK 50 / 18 / 0 / 15

HEX #6CB3D9

RGB 108 179 217

HSL 200.92, 0.59%, 0.64%

LAB 69.78, -11.95, -26.03

 

CMYK 0 / 50 / 17 / 15

HEX #D96DB5

RGB 217 109 181

HSL 320, 0.59%, 0.64%

LAB 60.8, 51.07, -18.82

 

CMYK 17 / 0 / 50 / 15

HEX #B5D96D

RGB 181 217 109

HSL 80, 0.59%, 0.64%

LAB 82.14, -28.66, 48.9

 

CMYK 50 / 18 / 0 / 15

HEX #6CB3D9

RGB 108 179 217

HSL 200.92, 0.59%, 0.64%

LAB 69.78, -11.95, -26.03

 

CMYK 24 / 50 / 0 / 15

HEX #A66DD9

RGB 166 109 217

HSL 271.67, 0.59%, 0.64%

LAB 56.14, 43, -47

 

CMYK 0 / 33 / 50 / 15

HEX #D9916D

RGB 217 145 109

HSL 20, 0.59%, 0.64%

LAB 66.6, 23.28, 30.17

 

CMYK 27 / 0 / 50 / 15

HEX #9FD96D

RGB 159 217 109

HSL 92.22, 0.59%, 0.64%

LAB 80.79, -36.77, 46.96

 

CMYK 50 / 18 / 0 / 15

HEX #6CB3D9

RGB 108 179 217

HSL 200.92, 0.59%, 0.64%

LAB 69.78, -11.95, -26.03

 

CMYK 8 / 50 / 0 / 15

HEX #C76DD9

RGB 199 109 217

HSL 290, 0.59%, 0.64%

LAB 59.97, 52.01, -40.71

 

CMYK 0 / 33 / 50 / 15

HEX #D9916D

RGB 217 145 109

HSL 20, 0.59%, 0.64%

LAB 66.6, 23.28, 30.17

 

CMYK 41 / 0 / 50 / 15

HEX #7FD96D

RGB 127 217 109

HSL 110, 0.59%, 0.64%

LAB 79.18, -47.41, 44.62

 

Description

Color code: HEX #6CB3D9 | qconv.com Color code: HEX #6CB3D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 179 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 179 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 18 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 18% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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