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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6CB20E it is the complementary color #934DF1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6CB20E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6CB20E shade: #71B209, #82C41C, #93D62F, #A4E842 and #B5FA55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6CB20E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6CB20E shade: #6CB20E, #5BA000, #4A8E00, #397C00 and #286A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6CB20E shade: #6CB30E, #99B30E, #B3A00E, #B3740E and #B3470E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6CB20E shade: #6CB30E, #40B30E, #14B30E, #0EB335 and #0EB361

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6CB20E shade matches the following richer shades: #6CB30E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6CB20E shade: #6CB30E, #6AA31E, #68932D, #66843D and #63744D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6CB20E shade: #B3A00E, #9AB30E, #6EB30E, #42B30E and #16B30E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6CB20E shade: #3E6608, #558D0B, #6CB30E, #84D911 and #98ED26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6CB20E shade: #6CB20E, #0EB374 and #B30EB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6CB20E shade: #6CB20E, #0E6EB3 and #B30E6E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6CB20E shade: #6CB20E, #0EB374, #530EB3 and #B30E4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6CB20E shade: #6CB20E, #0EB3A5, #530EB3 and #B30E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 92 / 30

HEX #6CB20E

RGB 108 178 14

HSL 85.61, 0.85%, 0.38%

LAB 65.8, -44.72, 64.86

 

Complementary color

CMYK 39 / 68 / 0 / 5

HEX #934DF1

RGB 147 77 241

HSL 265.61, 0.85%, 0.62%

LAB 49.33, 60.97, -71.56

 

CMYK 37 / 0 / 95 / 30

HEX #71B209

RGB 113 178 9

HSL 83.08, 0.9%, 0.37%

LAB 66.04, -43.03, 65.82

 

CMYK 34 / 0 / 86 / 23

HEX #82C41C

RGB 130 196 28

HSL 83.57, 0.75%, 0.44%

LAB 72.43, -43.98, 68.31

 

CMYK 31 / 0 / 78 / 16

HEX #93D62F

RGB 147 214 47

HSL 84.07, 0.67%, 0.51%

LAB 78.75, -44.68, 69.43

 

CMYK 29 / 0 / 72 / 9

HEX #A4E842

RGB 164 232 66

HSL 84.58, 0.78%, 0.58%

LAB 85, -45.2, 69.67

 

CMYK 28 / 0 / 66 / 2

HEX #B5FA55

RGB 181 250 85

HSL 85.09, 0.94%, 0.66%

LAB 91.17, -45.57, 69.36

 

CMYK 39 / 0 / 92 / 30

HEX #6CB20E

RGB 108 178 14

HSL 85.61, 0.85%, 0.38%

LAB 65.8, -44.72, 64.86

 

CMYK 43 / 0 / 100 / 37

HEX #5BA000

RGB 91 160 0

HSL 85.88, 1%, 0.31%

LAB 59.31, -43.54, 61.26

 

CMYK 48 / 0 / 100 / 44

HEX #4A8E00

RGB 74 142 0

HSL 88.73, 1%, 0.28%

LAB 52.73, -42.01, 55.79

 

CMYK 54 / 0 / 100 / 51

HEX #397C00

RGB 57 124 0

HSL 92.42, 1%, 0.24%

LAB 46.02, -40.33, 50.23

 

CMYK 62 / 0 / 100 / 58

HEX #286A00

RGB 40 106 0

HSL 97.36, 1%, 0.21%

LAB 39.17, -38.4, 44.57

 

CMYK 40 / 0 / 92 / 30

HEX #6CB30E

RGB 108 179 14

HSL 85.82, 0.85%, 0.38%

LAB 66.11, -45.13, 65.12

 

CMYK 15 / 0 / 92 / 30

HEX #99B30E

RGB 153 179 14

HSL 69.45, 0.85%, 0.38%

LAB 68.78, -27.54, 68.39

 

CMYK 0 / 11 / 92 / 30

HEX #B3A00E

RGB 179 160 14

HSL 53.09, 0.85%, 0.38%

LAB 65.56, -6.49, 66.79

 

CMYK 0 / 35 / 92 / 30

HEX #B3740E

RGB 179 116 14

HSL 37.09, 0.85%, 0.38%

LAB 54.14, 17.67, 58.14

 

CMYK 0 / 60 / 92 / 30

HEX #B3470E

RGB 179 71 14

HSL 20.73, 0.85%, 0.38%

LAB 44.41, 41.53, 51.04

 

CMYK 40 / 0 / 92 / 30

HEX #6CB30E

RGB 108 179 14

HSL 85.82, 0.85%, 0.38%

LAB 66.11, -45.13, 65.12

 

CMYK 64 / 0 / 92 / 30

HEX #40B30E

RGB 64 179 14

HSL 101.82, 0.85%, 0.38%

LAB 64.45, -57.99, 63.07

 

CMYK 89 / 0 / 92 / 30

HEX #14B30E

RGB 20 179 14

HSL 117.82, 0.85%, 0.38%

LAB 63.69, -64.63, 62.12

 

CMYK 92 / 0 / 70 / 30

HEX #0EB335

RGB 14 179 53

HSL 134.18, 0.85%, 0.38%

LAB 63.83, -62.68, 51.28

 

CMYK 92 / 0 / 46 / 30

HEX #0EB361

RGB 14 179 97

HSL 150.18, 0.85%, 0.38%

LAB 64.32, -56.65, 31.33

 

CMYK 40 / 0 / 92 / 30

HEX #6CB30E

RGB 108 179 14

HSL 85.82, 0.85%, 0.38%

LAB 66.11, -45.13, 65.12

 

CMYK 40 / 0 / 92 / 30

HEX #6CB30E

RGB 108 179 14

HSL 85.82, 0.85%, 0.38%

LAB 66.11, -45.13, 65.12

 

CMYK 35 / 0 / 82 / 36

HEX #6AA31E

RGB 106 163 30

HSL 85.71, 0.69%, 0.38%

LAB 61.09, -38.53, 57.33

 

CMYK 29 / 0 / 69 / 42

HEX #68932D

RGB 104 147 45

HSL 85.29, 0.53%, 0.38%

LAB 56.09, -31.15, 47.18

 

CMYK 23 / 0 / 54 / 48

HEX #66843D

RGB 102 132 61

HSL 85.35, 0.37%, 0.38%

LAB 51.46, -23.14, 34.53

 

CMYK 15 / 0 / 34 / 55

HEX #63744D

RGB 99 116 77

HSL 86.15, 0.2%, 0.38%

LAB 46.55, -13.79, 19.53

 

CMYK 0 / 11 / 92 / 30

HEX #B3A00E

RGB 179 160 14

HSL 53.09, 0.85%, 0.38%

LAB 65.56, -6.49, 66.79

 

CMYK 14 / 0 / 92 / 30

HEX #9AB30E

RGB 154 179 14

HSL 69.09, 0.85%, 0.38%

LAB 68.85, -27.12, 68.48

 

CMYK 39 / 0 / 92 / 30

HEX #6EB30E

RGB 110 179 14

HSL 85.09, 0.85%, 0.38%

LAB 66.2, -44.43, 65.24

 

CMYK 63 / 0 / 92 / 30

HEX #42B30E

RGB 66 179 14

HSL 101.09, 0.85%, 0.38%

LAB 64.51, -57.53, 63.14

 

CMYK 88 / 0 / 92 / 30

HEX #16B30E

RGB 22 179 14

HSL 117.09, 0.85%, 0.38%

LAB 63.71, -64.47, 62.15

 

CMYK 39 / 0 / 92 / 60

HEX #3E6608

RGB 62 102 8

HSL 85.53, 0.85%, 0.22%

LAB 38.8, -28.83, 42.54

 

CMYK 40 / 0 / 92 / 45

HEX #558D0B

RGB 85 141 11

HSL 85.85, 0.86%, 0.3%

LAB 52.96, -37.43, 54.29

 

CMYK 40 / 0 / 92 / 30

HEX #6CB30E

RGB 108 179 14

HSL 85.82, 0.85%, 0.38%

LAB 66.11, -45.13, 65.12

 

CMYK 39 / 0 / 92 / 15

HEX #84D911

RGB 132 217 17

HSL 85.5, 0.85%, 0.46%

LAB 78.79, -52.17, 75.52

 

CMYK 36 / 0 / 84 / 7

HEX #98ED26

RGB 152 237 38

HSL 85.63, 0.85%, 0.54%

LAB 85.7, -52.79, 78.03

 

CMYK 39 / 0 / 92 / 30

HEX #6CB20E

RGB 108 178 14

HSL 85.61, 0.85%, 0.38%

LAB 65.8, -44.72, 64.86

 

CMYK 92 / 0 / 35 / 30

HEX #0EB374

RGB 14 179 116

HSL 157.09, 0.85%, 0.38%

LAB 64.64, -52.92, 21.71

 

CMYK 0 / 92 / 2 / 30

HEX #B30EB0

RGB 179 14 176

HSL 301.09, 0.85%, 0.38%

LAB 42.81, 73.49, -44.41

 

CMYK 39 / 0 / 92 / 30

HEX #6CB20E

RGB 108 178 14

HSL 85.61, 0.85%, 0.38%

LAB 65.8, -44.72, 64.86

 

CMYK 92 / 39 / 0 / 30

HEX #0E6EB3

RGB 14 110 179

HSL 205.09, 0.85%, 0.38%

LAB 44.94, 0.71, -43.59

 

CMYK 0 / 92 / 39 / 30

HEX #B30E6E

RGB 179 14 110

HSL 325.09, 0.85%, 0.38%

LAB 39.62, 65.2, -9.08

 

CMYK 39 / 0 / 92 / 30

HEX #6CB20E

RGB 108 178 14

HSL 85.61, 0.85%, 0.38%

LAB 65.8, -44.72, 64.86

 

CMYK 92 / 0 / 35 / 30

HEX #0EB374

RGB 14 179 116

HSL 157.09, 0.85%, 0.38%

LAB 64.64, -52.92, 21.71

 

CMYK 54 / 92 / 0 / 30

HEX #530EB3

RGB 83 14 179

HSL 265.09, 0.85%, 0.38%

LAB 27.87, 60.78, -71.18

 

CMYK 0 / 92 / 57 / 30

HEX #B30E4D

RGB 179 14 77

HSL 337.09, 0.85%, 0.38%

LAB 38.61, 62.44, 10.47

 

CMYK 39 / 0 / 92 / 30

HEX #6CB20E

RGB 108 178 14

HSL 85.61, 0.85%, 0.38%

LAB 65.8, -44.72, 64.86

 

CMYK 92 / 0 / 8 / 30

HEX #0EB3A5

RGB 14 179 165

HSL 174.91, 0.85%, 0.38%

LAB 65.79, -40.54, -3.58

 

CMYK 54 / 92 / 0 / 30

HEX #530EB3

RGB 83 14 179

HSL 265.09, 0.85%, 0.38%

LAB 27.87, 60.78, -71.18

 

CMYK 0 / 92 / 84 / 30

HEX #B30E1C

RGB 179 14 28

HSL 354.91, 0.85%, 0.38%

LAB 37.81, 60.2, 39.78

 

Description

Color code: HEX #6CB20E | qconv.com Color code: HEX #6CB20E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 108 red, 178 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
108 178 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 92 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 92% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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