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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69ECAE it is the complementary color #961351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69ECAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69ECAE shade: #6EECA9, #7FFEBC, #90FFCF, #A1FFE2 and #B2FFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69ECAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69ECAE shade: #69ECAE, #58DA9B, #47C888, #36B675 and #25A462

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69ECAE shade: #69ECAE, #69EC8A, #6AEC69, #8EEC69 and #B1EC69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69ECAE shade: #69ECAE, #69ECD1, #69E3EC, #69C0EC and #699DEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69ECAE shade matches the following richer shades: #69ECAE and #5BFAAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69ECAE shade: #69ECAE, #76DEAD, #84D1AC, #92C3AC and #9FB6AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69ECAE shade: #6BEC69, #69EC8A, #69ECAD, #69ECD0 and #69E5EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69ECAE shade: #1FE386, #44E79A, #69ECAE, #8DF1C2 and #B2F5D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69ECAE shade: #69ECAE, #698EEC and #EC7869

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69ECAE shade: #69ECAE, #AD69EC and #ECAD69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69ECAE shade: #69ECAE, #698EEC, #EC69A8 and #ECC769

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69ECAE shade: #69ECAE, #6B69EC, #EC69A8 and #EAEC69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

Complementary color

CMYK 0 / 87 / 46 / 41

HEX #961351

RGB 150 19 81

HSL 331.6, 0.78%, 0.33%

LAB 33.01, 54.64, -0.93

 

CMYK 53 / 0 / 28 / 7

HEX #6EECA9

RGB 110 236 169

HSL 148.1, 0.77%, 0.68%

LAB 85.08, -50.13, 22.06

 

CMYK 50 / 0 / 26 / 0

HEX #7FFEBC

RGB 127 254 188

HSL 148.82, 0.98%, 0.75%

LAB 91.25, -50.02, 20.92

 

CMYK 44 / 0 / 19 / 0

HEX #90FFCF

RGB 144 255 207

HSL 154.05, 1%, 0.78%

LAB 92.55, -42.54, 13.11

 

CMYK 37 / 0 / 11 / 0

HEX #A1FFE2

RGB 161 255 226

HSL 161.49, 1%, 0.82%

LAB 93.71, -34.2, 5.07

 

CMYK 30 / 0 / 4 / 0

HEX #B2FFF5

RGB 178 255 245

HSL 172.21, 1%, 0.85%

LAB 94.98, -25.55, -2.78

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 60 / 0 / 29 / 15

HEX #58DA9B

RGB 88 218 155

HSL 150.92, 0.64%, 0.6%

LAB 78.8, -50.2, 20.57

 

CMYK 65 / 0 / 32 / 22

HEX #47C888

RGB 71 200 136

HSL 150.23, 0.54%, 0.53%

LAB 72.51, -50.03, 21.88

 

CMYK 70 / 0 / 36 / 29

HEX #36B675

RGB 54 182 117

HSL 149.53, 0.54%, 0.46%

LAB 66.16, -49.65, 23.31

 

CMYK 77 / 0 / 40 / 36

HEX #25A462

RGB 37 164 98

HSL 148.82, 0.63%, 0.39%

LAB 59.73, -48.96, 24.88

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 56 / 0 / 42 / 7

HEX #69EC8A

RGB 105 236 138

HSL 135.11, 0.78%, 0.67%

LAB 84.4, -56.77, 36.84

 

CMYK 55 / 0 / 56 / 7

HEX #6AEC69

RGB 106 236 105

HSL 119.54, 0.78%, 0.67%

LAB 84, -61.14, 52.11

 

CMYK 40 / 0 / 56 / 7

HEX #8EEC69

RGB 142 236 105

HSL 103.05, 0.78%, 0.67%

LAB 85.38, -51.09, 54.07

 

CMYK 25 / 0 / 56 / 7

HEX #B1EC69

RGB 177 236 105

HSL 87.02, 0.78%, 0.67%

LAB 87.17, -39.27, 56.61

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 56 / 0 / 11 / 7

HEX #69ECD1

RGB 105 236 209

HSL 167.63, 0.78%, 0.67%

LAB 85.8, -42.5, 2.2

 

CMYK 56 / 4 / 0 / 7

HEX #69E3EC

RGB 105 227 236

HSL 184.12, 0.78%, 0.67%

LAB 83.96, -31.51, -14.76

 

CMYK 56 / 19 / 0 / 7

HEX #69C0EC

RGB 105 192 236

HSL 200.15, 0.78%, 0.67%

LAB 74.04, -13.96, -29.84

 

CMYK 56 / 33 / 0 / 7

HEX #699DEC

RGB 105 157 236

HSL 216.18, 0.78%, 0.67%

LAB 64.3, 5.38, -44.99

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 64 / 0 / 30 / 2

HEX #5BFAAF

RGB 91 250 175

HSL 151.7, 0.94%, 0.67%

LAB 88.78, -58.38, 23.97

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 47 / 0 / 22 / 13

HEX #76DEAD

RGB 118 222 173

HSL 151.73, 0.61%, 0.67%

LAB 81.35, -41.42, 14.82

 

CMYK 37 / 0 / 18 / 18

HEX #84D1AC

RGB 132 209 172

HSL 151.17, 0.46%, 0.67%

LAB 78.16, -31.91, 10.92

 

CMYK 25 / 0 / 12 / 24

HEX #92C3AC

RGB 146 195 172

HSL 151.84, 0.29%, 0.67%

LAB 74.9, -20.85, 6.36

 

CMYK 13 / 0 / 6 / 29

HEX #9FB6AB

RGB 159 182 171

HSL 151.3, 0.14%, 0.67%

LAB 72.07, -10.07, 2.93

 

CMYK 55 / 0 / 56 / 7

HEX #6BEC69

RGB 107 236 105

HSL 119.08, 0.78%, 0.67%

LAB 84.04, -60.89, 52.15

 

CMYK 56 / 0 / 42 / 7

HEX #69EC8A

RGB 105 236 138

HSL 135.11, 0.78%, 0.67%

LAB 84.4, -56.77, 36.84

 

CMYK 56 / 0 / 27 / 7

HEX #69ECAD

RGB 105 236 173

HSL 151.15, 0.78%, 0.67%

LAB 85, -50.44, 19.85

 

CMYK 56 / 0 / 12 / 7

HEX #69ECD0

RGB 105 236 208

HSL 167.18, 0.78%, 0.67%

LAB 85.78, -42.74, 2.68

 

CMYK 56 / 3 / 0 / 7

HEX #69E5EC

RGB 105 229 236

HSL 183.21, 0.78%, 0.67%

LAB 84.53, -32.46, -13.9

 

CMYK 86 / 0 / 41 / 11

HEX #1FE386

RGB 31 227 134

HSL 151.53, 0.78%, 0.51%

LAB 80.15, -65.39, 33.03

 

CMYK 71 / 0 / 33 / 9

HEX #44E79A

RGB 68 231 154

HSL 151.66, 0.77%, 0.59%

LAB 82.22, -58.98, 25.69

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 41 / 0 / 20 / 5

HEX #8DF1C2

RGB 141 241 194

HSL 151.8, 0.78%, 0.75%

LAB 88.19, -39.71, 13.63

 

CMYK 27 / 0 / 13 / 4

HEX #B2F5D5

RGB 178 245 213

HSL 151.34, 0.77%, 0.83%

LAB 91.49, -27.33, 8.71

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 56 / 40 / 0 / 7

HEX #698EEC

RGB 105 142 236

HSL 223.05, 0.78%, 0.67%

LAB 60.25, 14.15, -51.39

 

CMYK 0 / 49 / 56 / 7

HEX #EC7869

RGB 236 120 105

HSL 6.87, 0.78%, 0.67%

LAB 63.58, 43.36, 28.91

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 27 / 56 / 0 / 7

HEX #AD69EC

RGB 173 105 236

HSL 271.15, 0.78%, 0.67%

LAB 57.12, 51.31, -56.06

 

CMYK 0 / 27 / 56 / 7

HEX #ECAD69

RGB 236 173 105

HSL 31.15, 0.78%, 0.67%

LAB 75.29, 15.67, 43.65

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 56 / 40 / 0 / 7

HEX #698EEC

RGB 105 142 236

HSL 223.05, 0.78%, 0.67%

LAB 60.25, 14.15, -51.39

 

CMYK 0 / 56 / 29 / 7

HEX #EC69A8

RGB 236 105 168

HSL 331.15, 0.78%, 0.67%

LAB 62.31, 57.05, -8.85

 

CMYK 0 / 16 / 56 / 7

HEX #ECC769

RGB 236 199 105

HSL 43.05, 0.78%, 0.67%

LAB 81.67, 2.02, 51.31

 

CMYK 56 / 0 / 26 / 7

HEX #69ECAE

RGB 105 236 174

HSL 151.6, 0.78%, 0.67%

LAB 85.02, -50.24, 19.36

 

CMYK 55 / 56 / 0 / 7

HEX #6B69EC

RGB 107 105 236

HSL 240.92, 0.78%, 0.67%

LAB 51.02, 36.76, -66.19

 

CMYK 0 / 56 / 29 / 7

HEX #EC69A8

RGB 236 105 168

HSL 331.15, 0.78%, 0.67%

LAB 62.31, 57.05, -8.85

 

CMYK 1 / 0 / 56 / 7

HEX #EAEC69

RGB 234 236 105

HSL 60.92, 0.78%, 0.67%

LAB 91.01, -17.42, 62.01

 

Description

Color code: HEX #69ECAE | qconv.com Color code: HEX #69ECAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 236 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 236 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 26 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 26% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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