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Color name
HEX #69DF20

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69DF20 it is the complementary color #9620DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69DF20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69DF20 shade: #6EDF1B, #7FF12E, #90FF41, #A1FF54 and #B2FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69DF20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69DF20 shade: #69DF20, #58CD0D, #47BB00, #36A900 and #259700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69DF20 shade: #68DF1F, #9CDF1F, #D0DF1F, #DFBA1F and #DF861F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69DF20 shade: #68DF1F, #35DF1F, #1FDF3D, #1FDF71 and #1FDFA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69DF20 shade matches the following richer shades: #68DF1F and #64F30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69DF20 shade: #68DF1F, #6DCA34, #72B549, #77A15D and #7C8C72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69DF20 shade: #CFDF1F, #9CDF1F, #69DF1F, #36DF1F and #1FDF3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69DF20 shade: #469615, #57BB1A, #68DF1F, #81E443 and #99E968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69DF20 shade: #69DF20, #1FDFBC and #DF1FB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69DF20 shade: #69DF20, #1F69DF and #DF1F69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69DF20 shade: #69DF20, #1FDFBC, #951FDF and #DF1F42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69DF20 shade: #69DF20, #1FC8DF, #951FDF and #DF361F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 86 / 13

HEX #69DF20

RGB 105 223 32

HSL 97.07, 0.75%, 0.5%

LAB 79.55, -62.3, 73.19

 

Complementary color

CMYK 33 / 86 / 0 / 13

HEX #9620DF

RGB 150 32 223

HSL 277.07, 0.75%, 0.5%

LAB 42.53, 74.01, -72.44

 

CMYK 51 / 0 / 88 / 13

HEX #6EDF1B

RGB 110 223 27

HSL 94.59, 0.78%, 0.49%

LAB 79.71, -61.07, 74.37

 

CMYK 47 / 0 / 81 / 5

HEX #7FF12E

RGB 127 241 46

HSL 95.08, 0.87%, 0.56%

LAB 85.82, -61.99, 75.84

 

CMYK 44 / 0 / 75 / 0

HEX #90FF41

RGB 144 255 65

HSL 95.05, 1%, 0.63%

LAB 90.7, -61.16, 75.27

 

CMYK 37 / 0 / 67 / 0

HEX #A1FF54

RGB 161 255 84

HSL 92.98, 1%, 0.66%

LAB 91.57, -54.56, 69.84

 

CMYK 30 / 0 / 60 / 0

HEX #B2FF67

RGB 178 255 103

HSL 90.39, 1%, 0.7%

LAB 92.56, -47.35, 63.62

 

CMYK 53 / 0 / 86 / 13

HEX #69DF20

RGB 105 223 32

HSL 97.07, 0.75%, 0.5%

LAB 79.55, -62.3, 73.19

 

CMYK 57 / 0 / 94 / 20

HEX #58CD0D

RGB 88 205 13

HSL 96.56, 0.88%, 0.43%

LAB 73.39, -61.04, 70.89

 

CMYK 62 / 0 / 100 / 27

HEX #47BB00

RGB 71 187 0

HSL 97.22, 1%, 0.37%

LAB 67.19, -59.35, 67.13

 

CMYK 68 / 0 / 100 / 34

HEX #36A900

RGB 54 169 0

HSL 100.83, 1%, 0.33%

LAB 60.92, -57.17, 61.97

 

CMYK 75 / 0 / 100 / 41

HEX #259700

RGB 37 151 0

HSL 105.3, 1%, 0.3%

LAB 54.58, -54.59, 56.77

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 30 / 0 / 86 / 13

HEX #9CDF1F

RGB 156 223 31

HSL 80.94, 0.76%, 0.5%

LAB 81.81, -45.81, 76.22

 

CMYK 7 / 0 / 86 / 13

HEX #D0DF1F

RGB 208 223 31

HSL 64.69, 0.76%, 0.5%

LAB 85.14, -25.32, 80.35

 

CMYK 0 / 17 / 86 / 13

HEX #DFBA1F

RGB 223 186 31

HSL 48.44, 0.76%, 0.5%

LAB 76.62, -0.4, 73.95

 

CMYK 0 / 40 / 86 / 13

HEX #DF861F

RGB 223 134 31

HSL 32.19, 0.76%, 0.5%

LAB 64.03, 27.24, 63.74

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 76 / 0 / 86 / 13

HEX #35DF1F

RGB 53 223 31

HSL 113.13, 0.76%, 0.5%

LAB 78.25, -73.13, 71.76

 

CMYK 86 / 0 / 73 / 13

HEX #1FDF3D

RGB 31 223 61

HSL 129.38, 0.76%, 0.5%

LAB 78.11, -73.78, 63.13

 

CMYK 86 / 0 / 49 / 13

HEX #1FDF71

RGB 31 223 113

HSL 145.63, 0.76%, 0.5%

LAB 78.61, -67.63, 41.45

 

CMYK 86 / 0 / 26 / 13

HEX #1FDFA5

RGB 31 223 165

HSL 161.88, 0.76%, 0.5%

LAB 79.49, -57.55, 16.12

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 59 / 0 / 95 / 5

HEX #64F30B

RGB 100 243 11

HSL 96.98, 0.91%, 0.5%

LAB 85.42, -70.87, 81.02

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 46 / 0 / 74 / 21

HEX #6DCA34

RGB 109 202 52

HSL 97.2, 0.59%, 0.5%

LAB 73.38, -52.37, 62.09

 

CMYK 37 / 0 / 60 / 29

HEX #72B549

RGB 114 181 73

HSL 97.22, 0.43%, 0.5%

LAB 67.36, -40.37, 47.39

 

CMYK 26 / 0 / 42 / 37

HEX #77A15D

RGB 119 161 93

HSL 97.06, 0.27%, 0.5%

LAB 61.83, -26.95, 30.87

 

CMYK 11 / 0 / 19 / 45

HEX #7C8C72

RGB 124 140 114

HSL 96.92, 0.1%, 0.5%

LAB 56.34, -10.87, 11.98

 

CMYK 7 / 0 / 86 / 13

HEX #CFDF1F

RGB 207 223 31

HSL 65, 0.76%, 0.5%

LAB 85.07, -25.74, 80.26

 

CMYK 30 / 0 / 86 / 13

HEX #9CDF1F

RGB 156 223 31

HSL 80.94, 0.76%, 0.5%

LAB 81.81, -45.81, 76.22

 

CMYK 53 / 0 / 86 / 13

HEX #69DF1F

RGB 105 223 31

HSL 96.88, 0.76%, 0.5%

LAB 79.54, -62.33, 73.39

 

CMYK 76 / 0 / 86 / 13

HEX #36DF1F

RGB 54 223 31

HSL 112.81, 0.76%, 0.5%

LAB 78.26, -72.99, 71.78

 

CMYK 86 / 0 / 73 / 13

HEX #1FDF3C

RGB 31 223 60

HSL 129.06, 0.76%, 0.5%

LAB 78.11, -73.86, 63.47

 

CMYK 53 / 0 / 86 / 41

HEX #469615

RGB 70 150 21

HSL 97.21, 0.75%, 0.34%

LAB 55.25, -45.78, 53.86

 

CMYK 53 / 0 / 86 / 27

HEX #57BB1A

RGB 87 187 26

HSL 97.27, 0.76%, 0.42%

LAB 67.76, -54.55, 63.95

 

CMYK 53 / 0 / 86 / 13

HEX #68DF1F

RGB 104 223 31

HSL 97.19, 0.76%, 0.5%

LAB 79.51, -62.6, 73.35

 

CMYK 43 / 0 / 71 / 11

HEX #81E443

RGB 129 228 67

HSL 96.89, 0.75%, 0.58%

LAB 82.14, -55.3, 65.9

 

CMYK 34 / 0 / 55 / 9

HEX #99E968

RGB 153 233 104

HSL 97.21, 0.75%, 0.66%

LAB 85.02, -46.39, 54.23

 

CMYK 53 / 0 / 86 / 13

HEX #69DF20

RGB 105 223 32

HSL 97.07, 0.75%, 0.5%

LAB 79.55, -62.3, 73.19

 

CMYK 86 / 0 / 16 / 13

HEX #1FDFBC

RGB 31 223 188

HSL 169.06, 0.76%, 0.5%

LAB 80.01, -51.97, 4.7

 

CMYK 0 / 86 / 19 / 13

HEX #DF1FB5

RGB 223 31 181

HSL 313.13, 0.76%, 0.5%

LAB 51.84, 79.95, -32.56

 

CMYK 53 / 0 / 86 / 13

HEX #69DF20

RGB 105 223 32

HSL 97.07, 0.75%, 0.5%

LAB 79.55, -62.3, 73.19

 

CMYK 86 / 53 / 0 / 13

HEX #1F69DF

RGB 31 105 223

HSL 216.88, 0.76%, 0.5%

LAB 46.61, 22.16, -66.18

 

CMYK 0 / 86 / 53 / 13

HEX #DF1F69

RGB 223 31 105

HSL 336.88, 0.76%, 0.5%

LAB 49.12, 72.42, 8.94

 

CMYK 53 / 0 / 86 / 13

HEX #69DF20

RGB 105 223 32

HSL 97.07, 0.75%, 0.5%

LAB 79.55, -62.3, 73.19

 

CMYK 86 / 0 / 16 / 13

HEX #1FDFBC

RGB 31 223 188

HSL 169.06, 0.76%, 0.5%

LAB 80.01, -51.97, 4.7

 

CMYK 33 / 86 / 0 / 13

HEX #951FDF

RGB 149 31 223

HSL 276.88, 0.76%, 0.5%

LAB 42.3, 74.11, -72.81

 

CMYK 0 / 86 / 70 / 13

HEX #DF1F42

RGB 223 31 66

HSL 349.06, 0.76%, 0.5%

LAB 48.34, 70.17, 31.71

 

CMYK 53 / 0 / 86 / 13

HEX #69DF20

RGB 105 223 32

HSL 97.07, 0.75%, 0.5%

LAB 79.55, -62.3, 73.19

 

CMYK 86 / 10 / 0 / 13

HEX #1FC8DF

RGB 31 200 223

HSL 187.19, 0.76%, 0.5%

LAB 74.14, -31.75, -22.8

 

CMYK 33 / 86 / 0 / 13

HEX #951FDF

RGB 149 31 223

HSL 276.88, 0.76%, 0.5%

LAB 42.3, 74.11, -72.81

 

CMYK 0 / 76 / 86 / 13

HEX #DF361F

RGB 223 54 31

HSL 7.19, 0.76%, 0.5%

LAB 50.01, 63.31, 52.3

 

Description

Color code: HEX #69DF20 | qconv.com Color code: HEX #69DF20 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 223 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 223 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 86 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 86% 13% C M Y K

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Provide designers and agencies with accurate color values.

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