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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69CD90 it is the complementary color #96326F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69CD90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69CD90 shade: #6ECD8B, #7FDF9E, #90F1B1, #A1FFC4 and #B2FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69CD90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69CD90 shade: #69CD90, #58BB7D, #47A96A, #369757 and #258544

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69CD90 shade: #69CD90, #69CD75, #78CD69, #93CD69 and #AECD69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69CD90 shade: #69CD90, #69CDAB, #69CDC6, #69B9CD and #699ECD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69CD90 shade matches the following richer shades: #69CD90, #59DD8D, #49ED89 and #39FD85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69CD90 shade: #69CD90, #79BD94, #8AAD97, #9A9D9B and #AA8C9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69CD90 shade: #78CD69, #69CD75, #69CD8F, #69CDAA and #69CDC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69CD90 shade: #39AB65, #4AC279, #69CD90, #88D7A7 and #A7E1BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69CD90 shade: #69CD90, #6993CD and #CD696B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69CD90 shade: #69CD90, #8F69CD and #CD8F69

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69CD90 shade: #69CD90, #6993CD, #CD69A7 and #CDA369

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69CD90 shade: #69CD90, #6975CD, #CD69A7 and #CDC169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

Complementary color

CMYK 0 / 67 / 26 / 41

HEX #96326F

RGB 150 50 111

HSL 323.4, 0.5%, 0.39%

LAB 37.69, 48.01, -13.15

 

CMYK 46 / 0 / 32 / 20

HEX #6ECD8B

RGB 110 205 139

HSL 138.32, 0.49%, 0.62%

LAB 75.35, -42.62, 24.37

 

CMYK 43 / 0 / 29 / 13

HEX #7FDF9E

RGB 127 223 158

HSL 139.38, 0.6%, 0.69%

LAB 81.71, -42.4, 23.21

 

CMYK 40 / 0 / 27 / 5

HEX #90F1B1

RGB 144 241 177

HSL 140.41, 0.78%, 0.75%

LAB 87.98, -42.15, 22.13

 

CMYK 37 / 0 / 23 / 0

HEX #A1FFC4

RGB 161 255 196

HSL 142.34, 1%, 0.82%

LAB 93.05, -40.12, 19.55

 

CMYK 30 / 0 / 16 / 0

HEX #B2FFD7

RGB 178 255 215

HSL 148.83, 1%, 0.85%

LAB 94.27, -31.66, 11.64

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 53 / 0 / 33 / 27

HEX #58BB7D

RGB 88 187 125

HSL 142.42, 0.42%, 0.54%

LAB 68.82, -43.14, 22.8

 

CMYK 58 / 0 / 37 / 34

HEX #47A96A

RGB 71 169 106

HSL 141.43, 0.41%, 0.47%

LAB 62.3, -43.17, 24.13

 

CMYK 64 / 0 / 42 / 41

HEX #369757

RGB 54 151 87

HSL 140.41, 0.47%, 0.4%

LAB 55.69, -43.03, 25.58

 

CMYK 72 / 0 / 49 / 48

HEX #258544

RGB 37 133 68

HSL 139.38, 0.56%, 0.33%

LAB 48.99, -42.57, 27.16

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 49 / 0 / 43 / 20

HEX #69CD75

RGB 105 205 117

HSL 127.2, 0.5%, 0.61%

LAB 74.79, -47.67, 34.96

 

CMYK 41 / 0 / 49 / 20

HEX #78CD69

RGB 120 205 105

HSL 111, 0.5%, 0.61%

LAB 75.25, -45.02, 41.65

 

CMYK 28 / 0 / 49 / 20

HEX #93CD69

RGB 147 205 105

HSL 94.8, 0.5%, 0.61%

LAB 76.61, -36.04, 43.63

 

CMYK 15 / 0 / 49 / 20

HEX #AECD69

RGB 174 205 105

HSL 78.6, 0.5%, 0.61%

LAB 78.28, -26.02, 46.04

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 49 / 0 / 17 / 20

HEX #69CDAB

RGB 105 205 171

HSL 159.6, 0.5%, 0.61%

LAB 75.83, -37.4, 7.97

 

CMYK 49 / 0 / 3 / 20

HEX #69CDC6

RGB 105 205 198

HSL 175.8, 0.5%, 0.61%

LAB 76.52, -30.95, -5.55

 

CMYK 49 / 10 / 0 / 20

HEX #69B9CD

RGB 105 185 205

HSL 192, 0.5%, 0.61%

LAB 70.95, -19.16, -17.7

 

CMYK 49 / 23 / 0 / 20

HEX #699ECD

RGB 105 158 205

HSL 208.2, 0.5%, 0.61%

LAB 63.23, -4.63, -29.5

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 60 / 0 / 36 / 13

HEX #59DD8D

RGB 89 221 141

HSL 143.64, 0.66%, 0.61%

LAB 79.48, -53.9, 28.76

 

CMYK 69 / 0 / 42 / 7

HEX #49ED89

RGB 73 237 137

HSL 143.41, 0.82%, 0.61%

LAB 83.86, -63.54, 36.48

 

CMYK 77 / 0 / 47 / 1

HEX #39FD85

RGB 57 253 133

HSL 143.27, 0.98%, 0.61%

LAB 88.36, -71.89, 44.13

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 36 / 0 / 22 / 26

HEX #79BD94

RGB 121 189 148

HSL 143.82, 0.34%, 0.61%

LAB 71.28, -30.46, 14.03

 

CMYK 20 / 0 / 13 / 32

HEX #8AAD97

RGB 138 173 151

HSL 142.29, 0.18%, 0.61%

LAB 67.67, -16.43, 7.4

 

CMYK 2 / 0 / 1 / 38

HEX #9A9D9B

RGB 154 157 155

HSL 140, 0.02%, 0.61%

LAB 64.44, -1.46, 0.66

 

CMYK 0 / 18 / 7 / 33

HEX #AA8C9E

RGB 170 140 158

HSL 324, 0.15%, 0.61%

LAB 61.46, 14.43, -5.26

 

CMYK 41 / 0 / 49 / 20

HEX #78CD69

RGB 120 205 105

HSL 111, 0.5%, 0.61%

LAB 75.25, -45.02, 41.65

 

CMYK 49 / 0 / 43 / 20

HEX #69CD75

RGB 105 205 117

HSL 127.2, 0.5%, 0.61%

LAB 74.79, -47.67, 34.96

 

CMYK 49 / 0 / 30 / 20

HEX #69CD8F

RGB 105 205 143

HSL 142.8, 0.5%, 0.61%

LAB 75.23, -43.19, 22.07

 

CMYK 49 / 0 / 17 / 20

HEX #69CDAA

RGB 105 205 170

HSL 159, 0.5%, 0.61%

LAB 75.8, -37.62, 8.48

 

CMYK 49 / 0 / 4 / 20

HEX #69CDC4

RGB 105 205 196

HSL 174.6, 0.5%, 0.61%

LAB 76.47, -31.45, -4.56

 

CMYK 67 / 0 / 41 / 33

HEX #39AB65

RGB 57 171 101

HSL 143.16, 0.5%, 0.45%

LAB 62.45, -47.88, 26.93

 

CMYK 62 / 0 / 38 / 24

HEX #4AC279

RGB 74 194 121

HSL 143.5, 0.5%, 0.53%

LAB 70.47, -49.95, 27.05

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 37 / 0 / 22 / 16

HEX #88D7A7

RGB 136 215 167

HSL 143.54, 0.5%, 0.69%

LAB 79.97, -34.55, 16.15

 

CMYK 26 / 0 / 16 / 12

HEX #A7E1BE

RGB 167 225 190

HSL 143.79, 0.49%, 0.77%

LAB 84.89, -25.51, 11.2

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 49 / 28 / 0 / 20

HEX #6993CD

RGB 105 147 205

HSL 214.8, 0.5%, 0.61%

LAB 60.14, 1.62, -34.3

 

CMYK 0 / 49 / 48 / 20

HEX #CD696B

RGB 205 105 107

HSL 358.8, 0.5%, 0.61%

LAB 56.23, 39.66, 17.19

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 30 / 49 / 0 / 20

HEX #8F69CD

RGB 143 105 205

HSL 262.8, 0.5%, 0.61%

LAB 52.23, 36.19, -46.55

 

CMYK 0 / 30 / 49 / 20

HEX #CD8F69

RGB 205 143 105

HSL 22.8, 0.5%, 0.61%

LAB 64.68, 19.13, 29.58

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 49 / 28 / 0 / 20

HEX #6993CD

RGB 105 147 205

HSL 214.8, 0.5%, 0.61%

LAB 60.14, 1.62, -34.3

 

CMYK 0 / 49 / 19 / 20

HEX #CD69A7

RGB 205 105 167

HSL 322.8, 0.5%, 0.61%

LAB 57.92, 47.15, -15.31

 

CMYK 0 / 20 / 49 / 20

HEX #CDA369

RGB 205 163 105

HSL 34.8, 0.5%, 0.61%

LAB 69.61, 8.25, 35.89

 

CMYK 49 / 0 / 30 / 20

HEX #69CD90

RGB 105 205 144

HSL 143.4, 0.5%, 0.61%

LAB 75.25, -43, 21.57

 

CMYK 49 / 43 / 0 / 20

HEX #6975CD

RGB 105 117 205

HSL 232.8, 0.5%, 0.61%

LAB 51.99, 19.46, -47.13

 

CMYK 0 / 49 / 19 / 20

HEX #CD69A7

RGB 205 105 167

HSL 322.8, 0.5%, 0.61%

LAB 57.92, 47.15, -15.31

 

CMYK 0 / 6 / 49 / 20

HEX #CDC169

RGB 205 193 105

HSL 52.8, 0.5%, 0.61%

LAB 77.36, -7.61, 45.49

 

Description

Color code: HEX #69CD90 | qconv.com Color code: HEX #69CD90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 205 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 205 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 30 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 30% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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