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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69BCA9 it is the complementary color #964356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69BCA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69BCA9 shade: #6EBCA4, #7FCEB7, #90E0CA, #A1F2DD and #B2FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69BCA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69BCA9 shade: #69BCA9, #58AA96, #479883, #368670 and #25745D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69BCA9 shade: #67BBA7, #67BB91, #67BB7B, #6ABB67 and #81BB67

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69BCA9 shade: #67BBA7, #67B7BB, #67A1BB, #678ABB and #6774BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69BCA9 shade matches the following richer shades: #67BBA7, #55CCB1, #44DEBB and #32F0C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69BCA9 shade: #67BBA7, #79A99E, #8B9794, #9C858B and #AE7481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69BCA9 shade: #67BB7B, #67BB91, #67BBA7, #67B8BB and #67A2BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69BCA9 shade: #408F7D, #4DAC96, #67BBA7, #84C7B8 and #A0D4C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69BCA9 shade: #69BCA9, #676ABB and #BB8667

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69BCA9 shade: #69BCA9, #A767BB and #BBA767

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69BCA9 shade: #69BCA9, #676ABB, #BB677B and #BBB867

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69BCA9 shade: #69BCA9, #7D67BB, #BB677B and #A4BB67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 10 / 26

HEX #69BCA9

RGB 105 188 169

HSL 166.27, 0.38%, 0.57%

LAB 70.76, -29.89, 1.74

 

Complementary color

CMYK 0 / 55 / 43 / 41

HEX #964356

RGB 150 67 86

HSL 346.27, 0.38%, 0.43%

LAB 39.87, 36.79, 5.78

 

CMYK 41 / 0 / 13 / 26

HEX #6EBCA4

RGB 110 188 164

HSL 161.54, 0.37%, 0.58%

LAB 70.84, -29.73, 4.63

 

CMYK 38 / 0 / 11 / 19

HEX #7FCEB7

RGB 127 206 183

HSL 162.53, 0.45%, 0.65%

LAB 77.32, -29.54, 3.8

 

CMYK 36 / 0 / 10 / 12

HEX #90E0CA

RGB 144 224 202

HSL 163.5, 0.56%, 0.72%

LAB 83.71, -29.35, 3.02

 

CMYK 33 / 0 / 9 / 5

HEX #A1F2DD

RGB 161 242 221

HSL 164.44, 0.76%, 0.79%

LAB 90, -29.17, 2.29

 

CMYK 30 / 0 / 6 / 0

HEX #B2FFF0

RGB 178 255 240

HSL 168.31, 1%, 0.85%

LAB 94.86, -26.62, -0.38

 

CMYK 44 / 0 / 10 / 26

HEX #69BCA9

RGB 105 188 169

HSL 166.27, 0.38%, 0.57%

LAB 70.76, -29.89, 1.74

 

CMYK 48 / 0 / 12 / 33

HEX #58AA96

RGB 88 170 150

HSL 165.37, 0.33%, 0.51%

LAB 64.18, -30, 2.6

 

CMYK 53 / 0 / 14 / 40

HEX #479883

RGB 71 152 131

HSL 164.44, 0.36%, 0.44%

LAB 57.5, -30.07, 3.54

 

CMYK 60 / 0 / 16 / 47

HEX #368670

RGB 54 134 112

HSL 163.5, 0.43%, 0.37%

LAB 50.69, -30.04, 4.59

 

CMYK 68 / 0 / 20 / 55

HEX #25745D

RGB 37 116 93

HSL 162.53, 0.52%, 0.3%

LAB 43.76, -29.83, 5.78

 

CMYK 45 / 0 / 11 / 27

HEX #67BBA7

RGB 103 187 167

HSL 165.71, 0.38%, 0.57%

LAB 70.33, -30.38, 2.2

 

CMYK 45 / 0 / 22 / 27

HEX #67BB91

RGB 103 187 145

HSL 150, 0.38%, 0.57%

LAB 69.8, -35.27, 13.46

 

CMYK 45 / 0 / 34 / 27

HEX #67BB7B

RGB 103 187 123

HSL 134.29, 0.38%, 0.57%

LAB 69.37, -39.52, 24.69

 

CMYK 43 / 0 / 45 / 27

HEX #6ABB67

RGB 106 187 103

HSL 117.86, 0.38%, 0.57%

LAB 69.17, -41.87, 34.9

 

CMYK 31 / 0 / 45 / 27

HEX #81BB67

RGB 129 187 103

HSL 101.43, 0.38%, 0.57%

LAB 70.31, -34.36, 36.58

 

CMYK 45 / 0 / 11 / 27

HEX #67BBA7

RGB 103 187 167

HSL 165.71, 0.38%, 0.57%

LAB 70.33, -30.38, 2.2

 

CMYK 45 / 2 / 0 / 27

HEX #67B7BB

RGB 103 183 187

HSL 182.86, 0.38%, 0.57%

LAB 69.71, -23.44, -9.69

 

CMYK 45 / 14 / 0 / 27

HEX #67A1BB

RGB 103 161 187

HSL 198.57, 0.38%, 0.57%

LAB 63.31, -11.93, -19.33

 

CMYK 45 / 26 / 0 / 27

HEX #678ABB

RGB 103 138 187

HSL 215, 0.38%, 0.57%

LAB 56.73, 1, -29.44

 

CMYK 45 / 38 / 0 / 27

HEX #6774BB

RGB 103 116 187

HSL 230.71, 0.38%, 0.57%

LAB 50.64, 14.1, -38.96

 

CMYK 45 / 0 / 11 / 27

HEX #67BBA7

RGB 103 187 167

HSL 165.71, 0.38%, 0.57%

LAB 70.33, -30.38, 2.2

 

CMYK 58 / 0 / 13 / 20

HEX #55CCB1

RGB 85 204 177

HSL 166.39, 0.54%, 0.57%

LAB 75.01, -39.88, 3.48

 

CMYK 69 / 0 / 16 / 13

HEX #44DEBB

RGB 68 222 187

HSL 166.36, 0.7%, 0.57%

LAB 80.21, -48.07, 5.59

 

CMYK 79 / 0 / 18 / 6

HEX #32F0C4

RGB 50 240 196

HSL 166.11, 0.86%, 0.57%

LAB 85.5, -55.32, 8.41

 

CMYK 45 / 0 / 11 / 27

HEX #67BBA7

RGB 103 187 167

HSL 165.71, 0.38%, 0.57%

LAB 70.33, -30.38, 2.2

 

CMYK 28 / 0 / 7 / 34

HEX #79A99E

RGB 121 169 158

HSL 166.25, 0.22%, 0.57%

LAB 65.68, -18.4, 0.51

 

CMYK 8 / 0 / 2 / 41

HEX #8B9794

RGB 139 151 148

HSL 165, 0.05%, 0.57%

LAB 61.45, -4.9, 0.09

 

CMYK 0 / 15 / 11 / 39

HEX #9C858B

RGB 156 133 139

HSL 344.35, 0.1%, 0.57%

LAB 57.76, 9.78, 0.02

 

CMYK 0 / 33 / 26 / 32

HEX #AE7481

RGB 174 116 129

HSL 346.55, 0.26%, 0.57%

LAB 55.15, 24.68, 2.25

 

CMYK 45 / 0 / 34 / 27

HEX #67BB7B

RGB 103 187 123

HSL 134.29, 0.38%, 0.57%

LAB 69.37, -39.52, 24.69

 

CMYK 45 / 0 / 22 / 27

HEX #67BB91

RGB 103 187 145

HSL 150, 0.38%, 0.57%

LAB 69.8, -35.27, 13.46

 

CMYK 45 / 0 / 11 / 27

HEX #67BBA7

RGB 103 187 167

HSL 165.71, 0.38%, 0.57%

LAB 70.33, -30.38, 2.2

 

CMYK 45 / 2 / 0 / 27

HEX #67B8BB

RGB 103 184 187

HSL 182.14, 0.38%, 0.57%

LAB 70, -23.94, -9.25

 

CMYK 45 / 13 / 0 / 27

HEX #67A2BB

RGB 103 162 187

HSL 197.86, 0.38%, 0.57%

LAB 63.6, -12.47, -18.89

 

CMYK 55 / 0 / 13 / 44

HEX #408F7D

RGB 64 143 125

HSL 166.33, 0.38%, 0.41%

LAB 54.25, -28.84, 2.25

 

CMYK 55 / 0 / 13 / 33

HEX #4DAC96

RGB 77 172 150

HSL 166.11, 0.38%, 0.49%

LAB 64.39, -33.5, 2.85

 

CMYK 45 / 0 / 11 / 27

HEX #67BBA7

RGB 103 187 167

HSL 165.71, 0.38%, 0.57%

LAB 70.33, -30.38, 2.2

 

CMYK 34 / 0 / 8 / 22

HEX #84C7B8

RGB 132 199 184

HSL 166.57, 0.37%, 0.65%

LAB 75.58, -24.52, 0.76

 

CMYK 25 / 0 / 6 / 17

HEX #A0D4C8

RGB 160 212 200

HSL 166.15, 0.38%, 0.73%

LAB 81.14, -19.26, 0.46

 

CMYK 44 / 0 / 10 / 26

HEX #69BCA9

RGB 105 188 169

HSL 166.27, 0.38%, 0.57%

LAB 70.76, -29.89, 1.74

 

CMYK 45 / 43 / 0 / 27

HEX #676ABB

RGB 103 106 187

HSL 237.86, 0.38%, 0.57%

LAB 47.98, 20.21, -43.17

 

CMYK 0 / 28 / 45 / 27

HEX #BB8667

RGB 187 134 103

HSL 22.14, 0.38%, 0.57%

LAB 60.42, 16.49, 24.72

 

CMYK 44 / 0 / 10 / 26

HEX #69BCA9

RGB 105 188 169

HSL 166.27, 0.38%, 0.57%

LAB 70.76, -29.89, 1.74

 

CMYK 11 / 45 / 0 / 27

HEX #A767BB

RGB 167 103 187

HSL 285.71, 0.38%, 0.57%

LAB 53.5, 39.95, -34.06

 

CMYK 0 / 11 / 45 / 27

HEX #BBA767

RGB 187 167 103

HSL 45.71, 0.38%, 0.57%

LAB 68.88, -1.58, 35.66

 

CMYK 44 / 0 / 10 / 26

HEX #69BCA9

RGB 105 188 169

HSL 166.27, 0.38%, 0.57%

LAB 70.76, -29.89, 1.74

 

CMYK 45 / 43 / 0 / 27

HEX #676ABB

RGB 103 106 187

HSL 237.86, 0.38%, 0.57%

LAB 47.98, 20.21, -43.17

 

CMYK 0 / 45 / 34 / 27

HEX #BB677B

RGB 187 103 123

HSL 345.71, 0.38%, 0.57%

LAB 53.7, 35.85, 3.89

 

CMYK 0 / 2 / 45 / 27

HEX #BBB867

RGB 187 184 103

HSL 57.86, 0.38%, 0.57%

LAB 73.43, -10.53, 41.33

 

CMYK 44 / 0 / 10 / 26

HEX #69BCA9

RGB 105 188 169

HSL 166.27, 0.38%, 0.57%

LAB 70.76, -29.89, 1.74

 

CMYK 33 / 45 / 0 / 27

HEX #7D67BB

RGB 125 103 187

HSL 255.71, 0.38%, 0.57%

LAB 49.07, 27.82, -41.34

 

CMYK 0 / 45 / 34 / 27

HEX #BB677B

RGB 187 103 123

HSL 345.71, 0.38%, 0.57%

LAB 53.7, 35.85, 3.89

 

CMYK 12 / 0 / 45 / 27

HEX #A4BB67

RGB 164 187 103

HSL 76.43, 0.38%, 0.57%

LAB 72.5, -21.3, 39.8

 

Description

Color code: HEX #69BCA9 | qconv.com Color code: HEX #69BCA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 188 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 188 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 10 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 10% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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