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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69B10F it is the complementary color #964EF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69B10F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69B10F shade: #6EB10A, #7FC31D, #90D530, #A1E743 and #B2F956

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69B10F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69B10F shade: #69B10F, #589F00, #478D00, #367B00 and #256900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69B10F shade: #69B20F, #95B20F, #B2A20F, #B2760F and #B24B0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69B10F shade: #69B20F, #3EB20F, #12B20F, #0FB238 and #0FB264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69B10F shade matches the following richer shades: #69B20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69B10F shade: #69B20F, #68A21F, #66922E, #64833E and #62734E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69B10F shade: #B2A20F, #97B20F, #6BB20F, #40B20F and #14B20F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69B10F shade: #3C6608, #538C0C, #69B20F, #80D812 and #95EC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69B10F shade: #69B10F, #0FB276 and #B20FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69B10F shade: #69B10F, #0F6BB2 and #B20F6B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69B10F shade: #69B10F, #0FB276, #560FB2 and #B20F4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69B10F shade: #69B10F, #0FB2A7, #560FB2 and #B20F1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 92 / 31

HEX #69B10F

RGB 105 177 15

HSL 86.67, 0.84%, 0.38%

LAB 65.34, -45.33, 64.28

 

Complementary color

CMYK 38 / 68 / 0 / 6

HEX #964EF0

RGB 150 78 240

HSL 266.67, 0.84%, 0.62%

LAB 49.77, 60.81, -70.27

 

CMYK 38 / 0 / 94 / 31

HEX #6EB10A

RGB 110 177 10

HSL 84.07, 0.89%, 0.37%

LAB 65.58, -43.67, 65.27

 

CMYK 35 / 0 / 85 / 24

HEX #7FC31D

RGB 127 195 29

HSL 84.58, 0.74%, 0.44%

LAB 71.98, -44.61, 67.64

 

CMYK 32 / 0 / 77 / 16

HEX #90D530

RGB 144 213 48

HSL 85.09, 0.66%, 0.51%

LAB 78.3, -45.29, 68.67

 

CMYK 30 / 0 / 71 / 9

HEX #A1E743

RGB 161 231 67

HSL 85.61, 0.77%, 0.58%

LAB 84.55, -45.79, 68.83

 

CMYK 29 / 0 / 65 / 2

HEX #B2F956

RGB 178 249 86

HSL 86.13, 0.93%, 0.66%

LAB 90.73, -46.14, 68.47

 

CMYK 41 / 0 / 92 / 31

HEX #69B10F

RGB 105 177 15

HSL 86.67, 0.84%, 0.38%

LAB 65.34, -45.33, 64.28

 

CMYK 45 / 0 / 100 / 38

HEX #589F00

RGB 88 159 0

HSL 86.79, 1%, 0.31%

LAB 58.85, -44.16, 60.84

 

CMYK 50 / 0 / 100 / 45

HEX #478D00

RGB 71 141 0

HSL 89.79, 1%, 0.28%

LAB 52.27, -42.6, 55.38

 

CMYK 56 / 0 / 100 / 52

HEX #367B00

RGB 54 123 0

HSL 93.66, 1%, 0.24%

LAB 45.57, -40.86, 49.82

 

CMYK 65 / 0 / 100 / 59

HEX #256900

RGB 37 105 0

HSL 98.86, 1%, 0.21%

LAB 38.72, -38.85, 44.16

 

CMYK 41 / 0 / 92 / 30

HEX #69B20F

RGB 105 178 15

HSL 86.87, 0.84%, 0.38%

LAB 65.65, -45.74, 64.53

 

CMYK 16 / 0 / 92 / 30

HEX #95B20F

RGB 149 178 15

HSL 70.67, 0.84%, 0.38%

LAB 68.22, -28.72, 67.68

 

CMYK 0 / 9 / 92 / 30

HEX #B2A20F

RGB 178 162 15

HSL 54.11, 0.84%, 0.38%

LAB 66.01, -7.98, 66.94

 

CMYK 0 / 34 / 92 / 30

HEX #B2760F

RGB 178 118 15

HSL 37.91, 0.84%, 0.38%

LAB 54.51, 16.12, 58.14

 

CMYK 0 / 58 / 92 / 30

HEX #B24B0F

RGB 178 75 15

HSL 22.09, 0.84%, 0.38%

LAB 44.99, 39.22, 51.07

 

CMYK 41 / 0 / 92 / 30

HEX #69B20F

RGB 105 178 15

HSL 86.87, 0.84%, 0.38%

LAB 65.65, -45.74, 64.53

 

CMYK 65 / 0 / 92 / 30

HEX #3EB20F

RGB 62 178 15

HSL 102.7, 0.84%, 0.38%

LAB 64.08, -58.07, 62.58

 

CMYK 90 / 0 / 92 / 30

HEX #12B20F

RGB 18 178 15

HSL 118.9, 0.84%, 0.38%

LAB 63.35, -64.47, 61.67

 

CMYK 92 / 0 / 69 / 30

HEX #0FB238

RGB 15 178 56

HSL 135.09, 0.84%, 0.38%

LAB 63.53, -62.03, 49.76

 

CMYK 92 / 0 / 44 / 30

HEX #0FB264

RGB 15 178 100

HSL 151.29, 0.84%, 0.38%

LAB 64.05, -55.7, 29.42

 

CMYK 41 / 0 / 92 / 30

HEX #69B20F

RGB 105 178 15

HSL 86.87, 0.84%, 0.38%

LAB 65.65, -45.74, 64.53

 

CMYK 41 / 0 / 92 / 30

HEX #69B20F

RGB 105 178 15

HSL 86.87, 0.84%, 0.38%

LAB 65.65, -45.74, 64.53

 

CMYK 36 / 0 / 81 / 36

HEX #68A21F

RGB 104 162 31

HSL 86.56, 0.68%, 0.38%

LAB 60.68, -38.79, 56.62

 

CMYK 30 / 0 / 68 / 43

HEX #66922E

RGB 102 146 46

HSL 86.4, 0.52%, 0.38%

LAB 55.66, -31.38, 46.29

 

CMYK 24 / 0 / 53 / 49

HEX #64833E

RGB 100 131 62

HSL 86.96, 0.36%, 0.38%

LAB 51.02, -23.33, 33.47

 

CMYK 15 / 0 / 32 / 55

HEX #62734E

RGB 98 115 78

HSL 87.57, 0.19%, 0.38%

LAB 46.19, -13.49, 18.45

 

CMYK 0 / 9 / 92 / 30

HEX #B2A20F

RGB 178 162 15

HSL 54.11, 0.84%, 0.38%

LAB 66.01, -7.98, 66.94

 

CMYK 15 / 0 / 92 / 30

HEX #97B20F

RGB 151 178 15

HSL 69.94, 0.84%, 0.38%

LAB 68.35, -27.88, 67.85

 

CMYK 40 / 0 / 92 / 30

HEX #6BB20F

RGB 107 178 15

HSL 86.13, 0.84%, 0.38%

LAB 65.75, -45.05, 64.65

 

CMYK 64 / 0 / 92 / 30

HEX #40B20F

RGB 64 178 15

HSL 101.96, 0.84%, 0.38%

LAB 64.13, -57.63, 62.65

 

CMYK 89 / 0 / 92 / 30

HEX #14B20F

RGB 20 178 15

HSL 118.16, 0.84%, 0.38%

LAB 63.36, -64.32, 61.69

 

CMYK 41 / 0 / 92 / 60

HEX #3C6608

RGB 60 102 8

HSL 86.81, 0.85%, 0.22%

LAB 38.69, -29.62, 42.4

 

CMYK 41 / 0 / 91 / 45

HEX #538C0C

RGB 83 140 12

HSL 86.72, 0.84%, 0.3%

LAB 52.53, -37.71, 53.72

 

CMYK 41 / 0 / 92 / 30

HEX #69B20F

RGB 105 178 15

HSL 86.87, 0.84%, 0.38%

LAB 65.65, -45.74, 64.53

 

CMYK 41 / 0 / 92 / 15

HEX #80D812

RGB 128 216 18

HSL 86.67, 0.85%, 0.46%

LAB 78.31, -53.1, 74.92

 

CMYK 37 / 0 / 83 / 7

HEX #95EC28

RGB 149 236 40

HSL 86.63, 0.84%, 0.54%

LAB 85.27, -53.34, 77.15

 

CMYK 41 / 0 / 92 / 31

HEX #69B10F

RGB 105 177 15

HSL 86.67, 0.84%, 0.38%

LAB 65.34, -45.33, 64.28

 

CMYK 92 / 0 / 34 / 30

HEX #0FB276

RGB 15 178 118

HSL 157.91, 0.84%, 0.38%

LAB 64.36, -52.07, 20.25

 

CMYK 0 / 92 / 3 / 30

HEX #B20FAC

RGB 178 15 172

HSL 302.21, 0.84%, 0.38%

LAB 42.44, 72.59, -42.64

 

CMYK 41 / 0 / 92 / 31

HEX #69B10F

RGB 105 177 15

HSL 86.67, 0.84%, 0.38%

LAB 65.34, -45.33, 64.28

 

CMYK 92 / 40 / 0 / 30

HEX #0F6BB2

RGB 15 107 178

HSL 206.13, 0.84%, 0.38%

LAB 43.99, 2.24, -44.52

 

CMYK 0 / 92 / 40 / 30

HEX #B20F6B

RGB 178 15 107

HSL 326.13, 0.84%, 0.38%

LAB 39.36, 64.55, -7.6

 

CMYK 41 / 0 / 92 / 31

HEX #69B10F

RGB 105 177 15

HSL 86.67, 0.84%, 0.38%

LAB 65.34, -45.33, 64.28

 

CMYK 92 / 0 / 34 / 30

HEX #0FB276

RGB 15 178 118

HSL 157.91, 0.84%, 0.38%

LAB 64.36, -52.07, 20.25

 

CMYK 52 / 92 / 0 / 30

HEX #560FB2

RGB 86 15 178

HSL 266.13, 0.84%, 0.38%

LAB 28.21, 60.6, -70.01

 

CMYK 0 / 92 / 58 / 30

HEX #B20F4B

RGB 178 15 75

HSL 337.91, 0.84%, 0.38%

LAB 38.4, 61.92, 11.43

 

CMYK 41 / 0 / 92 / 31

HEX #69B10F

RGB 105 177 15

HSL 86.67, 0.84%, 0.38%

LAB 65.34, -45.33, 64.28

 

CMYK 92 / 0 / 6 / 30

HEX #0FB2A7

RGB 15 178 167

HSL 175.95, 0.84%, 0.38%

LAB 65.54, -39.47, -5.06

 

CMYK 52 / 92 / 0 / 30

HEX #560FB2

RGB 86 15 178

HSL 266.13, 0.84%, 0.38%

LAB 28.21, 60.6, -70.01

 

CMYK 0 / 92 / 85 / 30

HEX #B20F1A

RGB 178 15 26

HSL 355.95, 0.84%, 0.38%

LAB 37.63, 59.74, 40.61

 

Description

Color code: HEX #69B10F | qconv.com Color code: HEX #69B10F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 177 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 177 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 92 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 92% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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