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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #69AB1A it is the complementary color #9654E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #69AB1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #69AB1A shade: #6EAB15, #7FBD28, #90CF3B, #A1E14E and #B2F361

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #69AB1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #69AB1A shade: #69AB1A, #589907, #478700, #367500 and #256300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #69AB1A shade: #6AAD19, #91AD19, #ADA019, #AD7819 and #AD5119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #69AB1A shade: #6AAD19, #42AD19, #1AAD19, #19AD40 and #19AD68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #69AB1A shade matches the following richer shades: #6AAD19 and #6BBD09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #69AB1A shade: #6AAD19, #689C29, #678C3A, #657C4A and #646C5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #69AB1A shade: #ADA019, #92AD19, #6AAD19, #43AD19 and #1CAD19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #69AB1A shade: #3E650F, #548914, #6AAD19, #80D01F and #94E138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #69AB1A shade: #69AB1A, #19AD79 and #AD19A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #69AB1A shade: #69AB1A, #196AAD and #AD196A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #69AB1A shade: #69AB1A, #19AD79, #5C19AD and #AD194D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #69AB1A shade: #69AB1A, #19ADA5, #5C19AD and #AD1921

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 85 / 33

HEX #69AB1A

RGB 105 171 26

HSL 87.31, 0.74%, 0.39%

LAB 63.51, -42.5, 60.52

 

Complementary color

CMYK 34 / 63 / 0 / 10

HEX #9654E5

RGB 150 84 229

HSL 267.31, 0.74%, 0.61%

LAB 50.08, 55.21, -63.58

 

CMYK 36 / 0 / 88 / 33

HEX #6EAB15

RGB 110 171 21

HSL 84.4, 0.78%, 0.38%

LAB 63.75, -40.86, 61.95

 

CMYK 33 / 0 / 79 / 26

HEX #7FBD28

RGB 127 189 40

HSL 84.97, 0.65%, 0.45%

LAB 70.22, -41.6, 63.2

 

CMYK 30 / 0 / 71 / 19

HEX #90CF3B

RGB 144 207 59

HSL 85.54, 0.61%, 0.52%

LAB 76.6, -42.12, 63.41

 

CMYK 28 / 0 / 65 / 12

HEX #A1E14E

RGB 161 225 78

HSL 86.12, 0.71%, 0.59%

LAB 82.9, -42.47, 63.03

 

CMYK 27 / 0 / 60 / 5

HEX #B2F361

RGB 178 243 97

HSL 86.71, 0.86%, 0.67%

LAB 89.12, -42.7, 62.3

 

CMYK 39 / 0 / 85 / 33

HEX #69AB1A

RGB 105 171 26

HSL 87.31, 0.74%, 0.39%

LAB 63.51, -42.5, 60.52

 

CMYK 42 / 0 / 95 / 40

HEX #589907

RGB 88 153 7

HSL 86.71, 0.91%, 0.31%

LAB 56.95, -41.54, 58.27

 

CMYK 47 / 0 / 100 / 47

HEX #478700

RGB 71 135 0

HSL 88.44, 1%, 0.26%

LAB 50.3, -40.17, 53.83

 

CMYK 54 / 0 / 100 / 54

HEX #367500

RGB 54 117 0

HSL 92.31, 1%, 0.23%

LAB 43.52, -38.49, 48.21

 

CMYK 63 / 0 / 100 / 61

HEX #256300

RGB 37 99 0

HSL 97.58, 1%, 0.19%

LAB 36.59, -36.56, 42.48

 

CMYK 39 / 0 / 86 / 32

HEX #6AAD19

RGB 106 173 25

HSL 87.16, 0.75%, 0.39%

LAB 64.18, -43.02, 61.36

 

CMYK 16 / 0 / 86 / 32

HEX #91AD19

RGB 145 173 25

HSL 71.35, 0.75%, 0.39%

LAB 66.5, -27.76, 64.27

 

CMYK 0 / 8 / 86 / 32

HEX #ADA019

RGB 173 160 25

HSL 54.73, 0.75%, 0.39%

LAB 65.04, -8.95, 63.95

 

CMYK 0 / 31 / 86 / 32

HEX #AD7819

RGB 173 120 25

HSL 38.51, 0.75%, 0.39%

LAB 54.44, 12.98, 55.13

 

CMYK 0 / 53 / 86 / 32

HEX #AD5119

RGB 173 81 25

HSL 22.7, 0.75%, 0.39%

LAB 45.41, 34.41, 47.48

 

CMYK 39 / 0 / 86 / 32

HEX #6AAD19

RGB 106 173 25

HSL 87.16, 0.75%, 0.39%

LAB 64.18, -43.02, 61.36

 

CMYK 62 / 0 / 86 / 32

HEX #42AD19

RGB 66 173 25

HSL 103.38, 0.75%, 0.39%

LAB 62.61, -55.1, 59.37

 

CMYK 85 / 0 / 86 / 32

HEX #1AAD19

RGB 26 173 25

HSL 119.59, 0.75%, 0.39%

LAB 61.81, -61.94, 58.36

 

CMYK 86 / 0 / 63 / 32

HEX #19AD40

RGB 25 173 64

HSL 135.81, 0.75%, 0.39%

LAB 62.05, -58.81, 44.72

 

CMYK 86 / 0 / 40 / 32

HEX #19AD68

RGB 25 173 104

HSL 152.03, 0.75%, 0.39%

LAB 62.59, -52.44, 25.41

 

CMYK 39 / 0 / 86 / 32

HEX #6AAD19

RGB 106 173 25

HSL 87.16, 0.75%, 0.39%

LAB 64.18, -43.02, 61.36

 

CMYK 43 / 0 / 95 / 26

HEX #6BBD09

RGB 107 189 9

HSL 87.33, 0.91%, 0.39%

LAB 69.14, -49.6, 68.19

 

CMYK 39 / 0 / 86 / 32

HEX #6AAD19

RGB 106 173 25

HSL 87.16, 0.75%, 0.39%

LAB 64.18, -43.02, 61.36

 

CMYK 33 / 0 / 74 / 39

HEX #689C29

RGB 104 156 41

HSL 87.13, 0.58%, 0.39%

LAB 58.86, -35.57, 51.57

 

CMYK 26 / 0 / 59 / 45

HEX #678C3A

RGB 103 140 58

HSL 87.07, 0.41%, 0.39%

LAB 53.97, -27.04, 38.98

 

CMYK 19 / 0 / 40 / 51

HEX #657C4A

RGB 101 124 74

HSL 87.6, 0.25%, 0.39%

LAB 49.1, -17.75, 24.6

 

CMYK 7 / 0 / 17 / 58

HEX #646C5A

RGB 100 108 90

HSL 86.67, 0.09%, 0.39%

LAB 44.48, -6.67, 9.05

 

CMYK 0 / 8 / 86 / 32

HEX #ADA019

RGB 173 160 25

HSL 54.73, 0.75%, 0.39%

LAB 65.04, -8.95, 63.95

 

CMYK 16 / 0 / 86 / 32

HEX #92AD19

RGB 146 173 25

HSL 70.95, 0.75%, 0.39%

LAB 66.57, -27.34, 64.36

 

CMYK 39 / 0 / 86 / 32

HEX #6AAD19

RGB 106 173 25

HSL 87.16, 0.75%, 0.39%

LAB 64.18, -43.02, 61.36

 

CMYK 61 / 0 / 86 / 32

HEX #43AD19

RGB 67 173 25

HSL 102.97, 0.75%, 0.39%

LAB 62.63, -54.85, 59.41

 

CMYK 84 / 0 / 86 / 32

HEX #1CAD19

RGB 28 173 25

HSL 118.78, 0.75%, 0.39%

LAB 61.83, -61.73, 58.39

 

CMYK 39 / 0 / 85 / 60

HEX #3E650F

RGB 62 101 15

HSL 87.21, 0.74%, 0.23%

LAB 38.49, -28.06, 40.33

 

CMYK 39 / 0 / 85 / 46

HEX #548914

RGB 84 137 20

HSL 87.18, 0.75%, 0.31%

LAB 51.64, -35.75, 51.16

 

CMYK 39 / 0 / 86 / 32

HEX #6AAD19

RGB 106 173 25

HSL 87.16, 0.75%, 0.39%

LAB 64.18, -43.02, 61.36

 

CMYK 38 / 0 / 85 / 18

HEX #80D01F

RGB 128 208 31

HSL 87.12, 0.74%, 0.47%

LAB 75.95, -49.56, 70.65

 

CMYK 34 / 0 / 75 / 12

HEX #94E138

RGB 148 225 56

HSL 87.34, 0.74%, 0.55%

LAB 82.07, -48.49, 69.84

 

CMYK 39 / 0 / 85 / 33

HEX #69AB1A

RGB 105 171 26

HSL 87.31, 0.74%, 0.39%

LAB 63.51, -42.5, 60.52

 

CMYK 86 / 0 / 30 / 32

HEX #19AD79

RGB 25 173 121

HSL 158.92, 0.75%, 0.39%

LAB 62.91, -48.81, 16.63

 

CMYK 0 / 86 / 5 / 32

HEX #AD19A5

RGB 173 25 165

HSL 303.24, 0.75%, 0.39%

LAB 41.68, 69.02, -39.72

 

CMYK 39 / 0 / 85 / 33

HEX #69AB1A

RGB 105 171 26

HSL 87.31, 0.74%, 0.39%

LAB 63.51, -42.5, 60.52

 

CMYK 86 / 39 / 0 / 32

HEX #196AAD

RGB 25 106 173

HSL 207.16, 0.75%, 0.39%

LAB 43.55, 1.56, -42.28

 

CMYK 0 / 86 / 39 / 32

HEX #AD196A

RGB 173 25 106

HSL 327.16, 0.75%, 0.39%

LAB 38.93, 61.52, -7.71

 

CMYK 39 / 0 / 85 / 33

HEX #69AB1A

RGB 105 171 26

HSL 87.31, 0.74%, 0.39%

LAB 63.51, -42.5, 60.52

 

CMYK 86 / 0 / 30 / 32

HEX #19AD79

RGB 25 173 121

HSL 158.92, 0.75%, 0.39%

LAB 62.91, -48.81, 16.63

 

CMYK 47 / 86 / 0 / 32

HEX #5C19AD

RGB 92 25 173

HSL 267.16, 0.75%, 0.39%

LAB 29.38, 57.32, -65.05

 

CMYK 0 / 86 / 55 / 32

HEX #AD194D

RGB 173 25 77

HSL 338.92, 0.75%, 0.39%

LAB 38.05, 58.98, 9.5

 

CMYK 39 / 0 / 85 / 33

HEX #69AB1A

RGB 105 171 26

HSL 87.31, 0.74%, 0.39%

LAB 63.51, -42.5, 60.52

 

CMYK 86 / 0 / 5 / 32

HEX #19ADA5

RGB 25 173 165

HSL 176.76, 0.75%, 0.39%

LAB 64.01, -37.23, -6.2

 

CMYK 47 / 86 / 0 / 32

HEX #5C19AD

RGB 92 25 173

HSL 267.16, 0.75%, 0.39%

LAB 29.38, 57.32, -65.05

 

CMYK 0 / 86 / 81 / 32

HEX #AD1921

RGB 173 25 33

HSL 356.76, 0.75%, 0.39%

LAB 37.28, 56.71, 36.03

 

Description

Color code: HEX #69AB1A | qconv.com Color code: HEX #69AB1A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 171 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 171 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 85 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 85% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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