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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #699B40 it is the complementary color #9664BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #699B40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #699B40 shade: #6E9B3B, #7FAD4E, #90BF61, #A1D174 and #B2E387

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #699B40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #699B40 shade: #699B40, #58892D, #47771A, #366507 and #255300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #699B40 shade: #699B3F, #819B3F, #9A9B3F, #9B833F and #9B6A3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #699B40 shade: #699B3F, #509B3F, #3F9B47, #3F9B60 and #3F9B79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #699B40 shade matches the following richer shades: #699B3F, #67AD2D, #65BF1C and #63D00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #699B40 shade: #699B3F, #6A8951, #6C7863, #6E6674 and #705486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #699B40 shade: #9B9B3F, #839B3F, #6A9B3F, #529B3F and #3F9B45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #699B40 shade: #416127, #557E33, #699B3F, #7DB64D and #92C26B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #699B40 shade: #699B40, #3F9B83 and #9B3F8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #699B40 shade: #699B40, #3F6A9B and #9B3F6A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #699B40 shade: #699B40, #3F9B83, #703F9B and #9B3F58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #699B40 shade: #699B40, #3F989B, #703F9B and #9B423F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

Complementary color

CMYK 21 / 48 / 0 / 25

HEX #9664BF

RGB 150 100 191

HSL 272.97, 0.42%, 0.57%

LAB 51.11, 37.55, -40.26

 

CMYK 29 / 0 / 62 / 39

HEX #6E9B3B

RGB 110 155 59

HSL 88.13, 0.45%, 0.42%

LAB 59.04, -31.41, 44.36

 

CMYK 27 / 0 / 55 / 32

HEX #7FAD4E

RGB 127 173 78

HSL 89.05, 0.38%, 0.49%

LAB 65.71, -31.53, 43.33

 

CMYK 25 / 0 / 49 / 25

HEX #90BF61

RGB 144 191 97

HSL 90, 0.42%, 0.56%

LAB 72.26, -31.57, 42.19

 

CMYK 23 / 0 / 44 / 18

HEX #A1D174

RGB 161 209 116

HSL 90.97, 0.5%, 0.64%

LAB 78.72, -31.55, 41.02

 

CMYK 22 / 0 / 41 / 11

HEX #B2E387

RGB 178 227 135

HSL 91.96, 0.62%, 0.71%

LAB 85.07, -31.49, 39.86

 

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

CMYK 36 / 0 / 67 / 46

HEX #58892D

RGB 88 137 45

HSL 91.96, 0.51%, 0.36%

LAB 52.01, -32.64, 42.6

 

CMYK 40 / 0 / 78 / 53

HEX #47771A

RGB 71 119 26

HSL 90.97, 0.64%, 0.28%

LAB 45.09, -32.25, 42.96

 

CMYK 47 / 0 / 93 / 60

HEX #366507

RGB 54 101 7

HSL 90, 0.87%, 0.21%

LAB 38.03, -31.49, 41.98

 

CMYK 55 / 0 / 100 / 67

HEX #255300

RGB 37 83 0

HSL 93.25, 1%, 0.16%

LAB 30.83, -30.05, 37.95

 

CMYK 32 / 0 / 59 / 39

HEX #699B3F

RGB 105 155 63

HSL 92.61, 0.42%, 0.43%

LAB 58.79, -32.91, 42.14

 

CMYK 17 / 0 / 59 / 39

HEX #819B3F

RGB 129 155 63

HSL 76.96, 0.42%, 0.43%

LAB 60.31, -23.46, 44.27

 

CMYK 1 / 0 / 59 / 39

HEX #9A9B3F

RGB 154 155 63

HSL 60.65, 0.42%, 0.43%

LAB 62.23, -12.85, 46.94

 

CMYK 0 / 15 / 59 / 39

HEX #9B833F

RGB 155 131 63

HSL 44.35, 0.42%, 0.43%

LAB 55.64, 0.63, 39.54

 

CMYK 0 / 32 / 59 / 39

HEX #9B6A3F

RGB 155 106 63

HSL 28.04, 0.42%, 0.43%

LAB 49.05, 14.85, 31.75

 

CMYK 32 / 0 / 59 / 39

HEX #699B3F

RGB 105 155 63

HSL 92.61, 0.42%, 0.43%

LAB 58.79, -32.91, 42.14

 

CMYK 48 / 0 / 59 / 39

HEX #509B3F

RGB 80 155 63

HSL 108.91, 0.42%, 0.43%

LAB 57.57, -41.44, 40.41

 

CMYK 59 / 0 / 54 / 39

HEX #3F9B47

RGB 63 155 71

HSL 125.22, 0.42%, 0.43%

LAB 57.03, -45.14, 35.7

 

CMYK 59 / 0 / 38 / 39

HEX #3F9B60

RGB 63 155 96

HSL 141.52, 0.42%, 0.43%

LAB 57.41, -41.02, 23

 

CMYK 59 / 0 / 22 / 39

HEX #3F9B79

RGB 63 155 121

HSL 157.83, 0.42%, 0.43%

LAB 57.92, -35.7, 9.78

 

CMYK 32 / 0 / 59 / 39

HEX #699B3F

RGB 105 155 63

HSL 92.61, 0.42%, 0.43%

LAB 58.79, -32.91, 42.14

 

CMYK 40 / 0 / 74 / 32

HEX #67AD2D

RGB 103 173 45

HSL 92.81, 0.59%, 0.43%

LAB 64.13, -43.06, 55.31

 

CMYK 47 / 0 / 85 / 25

HEX #65BF1C

RGB 101 191 28

HSL 93.13, 0.74%, 0.43%

LAB 69.55, -51.81, 65.28

 

CMYK 52 / 0 / 95 / 18

HEX #63D00A

RGB 99 208 10

HSL 93.03, 0.91%, 0.43%

LAB 74.69, -59.18, 72.43

 

CMYK 32 / 0 / 59 / 39

HEX #699B3F

RGB 105 155 63

HSL 92.61, 0.42%, 0.43%

LAB 58.79, -32.91, 42.14

 

CMYK 23 / 0 / 41 / 46

HEX #6A8951

RGB 106 137 81

HSL 93.21, 0.26%, 0.43%

LAB 53.55, -21.55, 26.53

 

CMYK 10 / 0 / 18 / 53

HEX #6C7863

RGB 108 120 99

HSL 94.29, 0.1%, 0.43%

LAB 48.91, -8.67, 10.05

 

CMYK 5 / 12 / 0 / 55

HEX #6E6674

RGB 110 102 116

HSL 274.29, 0.06%, 0.43%

LAB 44.35, 6.03, -6.7

 

CMYK 16 / 37 / 0 / 47

HEX #705486

RGB 112 84 134

HSL 273.6, 0.23%, 0.43%

LAB 40.42, 21.84, -23.58

 

CMYK 0 / 0 / 59 / 39

HEX #9B9B3F

RGB 155 155 63

HSL 60, 0.42%, 0.43%

LAB 62.31, -12.42, 47.06

 

CMYK 15 / 0 / 59 / 39

HEX #839B3F

RGB 131 155 63

HSL 75.65, 0.42%, 0.43%

LAB 60.45, -22.63, 44.47

 

CMYK 32 / 0 / 59 / 39

HEX #6A9B3F

RGB 106 155 63

HSL 91.96, 0.42%, 0.43%

LAB 58.85, -32.54, 42.22

 

CMYK 47 / 0 / 59 / 39

HEX #529B3F

RGB 82 155 63

HSL 107.61, 0.42%, 0.43%

LAB 57.65, -40.82, 40.53

 

CMYK 59 / 0 / 55 / 39

HEX #3F9B45

RGB 63 155 69

HSL 123.91, 0.42%, 0.43%

LAB 57.01, -45.41, 36.67

 

CMYK 33 / 0 / 60 / 62

HEX #416127

RGB 65 97 39

HSL 93.1, 0.43%, 0.27%

LAB 37.52, -22.9, 28.95

 

CMYK 33 / 0 / 60 / 51

HEX #557E33

RGB 85 126 51

HSL 92.8, 0.42%, 0.35%

LAB 48.38, -28.02, 35.7

 

CMYK 32 / 0 / 59 / 39

HEX #699B3F

RGB 105 155 63

HSL 92.61, 0.42%, 0.43%

LAB 58.79, -32.91, 42.14

 

CMYK 31 / 0 / 58 / 29

HEX #7DB64D

RGB 125 182 77

HSL 92.57, 0.42%, 0.51%

LAB 68.28, -36.53, 46.76

 

CMYK 25 / 0 / 45 / 24

HEX #92C26B

RGB 146 194 107

HSL 93.1, 0.42%, 0.59%

LAB 73.39, -31.05, 38.63

 

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

CMYK 59 / 0 / 15 / 39

HEX #3F9B83

RGB 63 155 131

HSL 164.35, 0.42%, 0.43%

LAB 58.17, -33.26, 4.47

 

CMYK 0 / 59 / 8 / 39

HEX #9B3F8F

RGB 155 63 143

HSL 307.83, 0.42%, 0.43%

LAB 42.01, 48.6, -26.15

 

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

CMYK 59 / 32 / 0 / 39

HEX #3F6A9B

RGB 63 106 155

HSL 211.96, 0.42%, 0.43%

LAB 43.85, 0.45, -31.12

 

CMYK 0 / 59 / 32 / 39

HEX #9B3F6A

RGB 155 63 106

HSL 331.96, 0.42%, 0.43%

LAB 40.51, 42.98, -5.68

 

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

CMYK 59 / 0 / 15 / 39

HEX #3F9B83

RGB 63 155 131

HSL 164.35, 0.42%, 0.43%

LAB 58.17, -33.26, 4.47

 

CMYK 28 / 59 / 0 / 39

HEX #703F9B

RGB 112 63 155

HSL 271.96, 0.42%, 0.43%

LAB 36.68, 39.33, -42.23

 

CMYK 0 / 59 / 43 / 39

HEX #9B3F58

RGB 155 63 88

HSL 343.7, 0.42%, 0.43%

LAB 39.96, 40.81, 4.77

 

CMYK 32 / 0 / 59 / 39

HEX #699B40

RGB 105 155 64

HSL 92.97, 0.42%, 0.43%

LAB 58.8, -32.81, 41.68

 

CMYK 59 / 2 / 0 / 39

HEX #3F989B

RGB 63 152 155

HSL 181.96, 0.42%, 0.43%

LAB 57.92, -25.28, -9.54

 

CMYK 28 / 59 / 0 / 39

HEX #703F9B

RGB 112 63 155

HSL 271.96, 0.42%, 0.43%

LAB 36.68, 39.33, -42.23

 

CMYK 0 / 57 / 59 / 39

HEX #9B423F

RGB 155 66 63

HSL 1.96, 0.42%, 0.43%

LAB 39.96, 36.96, 20.34

 

Description

Color code: HEX #699B40 | qconv.com Color code: HEX #699B40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 155 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 155 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 59 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 59% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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