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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #698118 it is the complementary color #967EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #698118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #698118 shade: #6E8113, #7F9326, #90A539, #A1B74C and #B2C95F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #698118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #698118 shade: #698118, #586F05, #475D00, #364B00 and #253900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #698118 shade: #698117, #817C17, #816017, #814417 and #812717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #698118 shade: #698117, #4C8117, #308117, #17811B and #178138

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #698118 shade matches the following richer shades: #698117 and #6F8D0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #698118 shade: #698117, #627424, #5B6830, #545C3C and #4E4F49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #698118 shade: #815F17, #817C17, #6A8117, #4E8117 and #328117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #698118 shade: #303B0A, #4C5E11, #698117, #85A41E and #A1C724

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #698118 shade: #698118, #178143 and #6D1781

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #698118 shade: #698118, #176A81 and #81176A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #698118 shade: #698118, #178143, #2E1781 and #811755

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #698118 shade: #698118, #178163, #2E1781 and #811735

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 81 / 49

HEX #698118

RGB 105 129 24

HSL 73.71, 0.69%, 0.3%

LAB 50.42, -23.23, 49.4

 

Complementary color

CMYK 35 / 45 / 0 / 9

HEX #967EE7

RGB 150 126 231

HSL 253.71, 0.69%, 0.7%

LAB 59.14, 32.67, -50.19

 

CMYK 15 / 0 / 85 / 49

HEX #6E8113

RGB 110 129 19

HSL 70.36, 0.74%, 0.29%

LAB 50.76, -21.22, 51.29

 

CMYK 14 / 0 / 74 / 42

HEX #7F9326

RGB 127 147 38

HSL 71.01, 0.59%, 0.36%

LAB 57.58, -22.07, 51.91

 

CMYK 13 / 0 / 65 / 35

HEX #90A539

RGB 144 165 57

HSL 71.67, 0.49%, 0.44%

LAB 64.27, -22.69, 51.56

 

CMYK 12 / 0 / 58 / 28

HEX #A1B74C

RGB 161 183 76

HSL 72.34, 0.43%, 0.51%

LAB 70.85, -23.15, 50.75

 

CMYK 11 / 0 / 53 / 21

HEX #B2C95F

RGB 178 201 95

HSL 73.02, 0.5%, 0.58%

LAB 77.32, -23.49, 49.73

 

CMYK 19 / 0 / 81 / 49

HEX #698118

RGB 105 129 24

HSL 73.71, 0.69%, 0.3%

LAB 50.42, -23.23, 49.4

 

CMYK 21 / 0 / 95 / 56

HEX #586F05

RGB 88 111 5

HSL 73.02, 0.91%, 0.23%

LAB 43.44, -22.26, 47.78

 

CMYK 24 / 0 / 100 / 64

HEX #475D00

RGB 71 93 0

HSL 74.19, 1%, 0.18%

LAB 36.31, -20.85, 43.04

 

CMYK 28 / 0 / 100 / 71

HEX #364B00

RGB 54 75 0

HSL 76.8, 1%, 0.15%

LAB 28.94, -19.27, 36.89

 

CMYK 35 / 0 / 100 / 78

HEX #253900

RGB 37 57 0

HSL 81.05, 1%, 0.11%

LAB 21.28, -17.64, 29.2

 

CMYK 19 / 0 / 82 / 49

HEX #698117

RGB 105 129 23

HSL 73.58, 0.7%, 0.3%

LAB 50.41, -23.27, 49.7

 

CMYK 0 / 4 / 82 / 49

HEX #817C17

RGB 129 124 23

HSL 57.17, 0.7%, 0.3%

LAB 50.86, -9.72, 50.84

 

CMYK 0 / 26 / 82 / 49

HEX #816017

RGB 129 96 23

HSL 41.32, 0.7%, 0.3%

LAB 42.91, 6.27, 43.73

 

CMYK 0 / 47 / 82 / 49

HEX #814417

RGB 129 68 23

HSL 25.47, 0.7%, 0.3%

LAB 35.72, 22.75, 37.05

 

CMYK 0 / 70 / 82 / 49

HEX #812717

RGB 129 39 23

HSL 9.06, 0.7%, 0.3%

LAB 29.86, 37.84, 31.34

 

CMYK 19 / 0 / 82 / 49

HEX #698117

RGB 105 129 23

HSL 73.58, 0.7%, 0.3%

LAB 50.41, -23.27, 49.7

 

CMYK 41 / 0 / 82 / 49

HEX #4C8117

RGB 76 129 23

HSL 90, 0.7%, 0.3%

LAB 48.63, -35.04, 47.42

 

CMYK 63 / 0 / 82 / 49

HEX #308117

RGB 48 129 23

HSL 105.85, 0.7%, 0.3%

LAB 47.48, -43.86, 45.93

 

CMYK 82 / 0 / 79 / 49

HEX #17811B

RGB 23 129 27

HSL 122.26, 0.7%, 0.3%

LAB 46.92, -48.5, 43.86

 

CMYK 82 / 0 / 57 / 49

HEX #178138

RGB 23 129 56

HSL 138.68, 0.7%, 0.3%

LAB 47.19, -45.19, 31.23

 

CMYK 19 / 0 / 82 / 49

HEX #698117

RGB 105 129 23

HSL 73.58, 0.7%, 0.3%

LAB 50.41, -23.27, 49.7

 

CMYK 21 / 0 / 92 / 45

HEX #6F8D0B

RGB 111 141 11

HSL 73.85, 0.86%, 0.3%

LAB 54.5, -27.02, 56.2

 

CMYK 19 / 0 / 82 / 49

HEX #698117

RGB 105 129 23

HSL 73.58, 0.7%, 0.3%

LAB 50.41, -23.27, 49.7

 

CMYK 16 / 0 / 69 / 55

HEX #627424

RGB 98 116 36

HSL 73.5, 0.53%, 0.3%

LAB 45.93, -18.91, 40.32

 

CMYK 13 / 0 / 54 / 59

HEX #5B6830

RGB 91 104 48

HSL 73.93, 0.37%, 0.3%

LAB 41.75, -14.47, 29.6

 

CMYK 9 / 0 / 35 / 64

HEX #545C3C

RGB 84 92 60

HSL 75, 0.21%, 0.3%

LAB 37.6, -9.21, 17.41

 

CMYK 1 / 0 / 8 / 69

HEX #4E4F49

RGB 78 79 73

HSL 70, 0.04%, 0.3%

LAB 33.33, -1.67, 3.4

 

CMYK 0 / 26 / 82 / 49

HEX #815F17

RGB 129 95 23

HSL 40.75, 0.7%, 0.3%

LAB 42.63, 6.86, 43.48

 

CMYK 0 / 4 / 82 / 49

HEX #817C17

RGB 129 124 23

HSL 57.17, 0.7%, 0.3%

LAB 50.86, -9.72, 50.84

 

CMYK 18 / 0 / 82 / 49

HEX #6A8117

RGB 106 129 23

HSL 73.02, 0.7%, 0.3%

LAB 50.48, -22.83, 49.79

 

CMYK 40 / 0 / 82 / 49

HEX #4E8117

RGB 78 129 23

HSL 88.87, 0.7%, 0.3%

LAB 48.74, -34.3, 47.56

 

CMYK 61 / 0 / 82 / 49

HEX #328117

RGB 50 129 23

HSL 104.72, 0.7%, 0.3%

LAB 47.55, -43.34, 46.02

 

CMYK 19 / 0 / 83 / 77

HEX #303B0A

RGB 48 59 10

HSL 73.47, 0.71%, 0.14%

LAB 22.92, -12.67, 27.13

 

CMYK 19 / 0 / 82 / 63

HEX #4C5E11

RGB 76 94 17

HSL 74.03, 0.69%, 0.22%

LAB 37.08, -18.38, 38.69

 

CMYK 19 / 0 / 82 / 49

HEX #698117

RGB 105 129 23

HSL 73.58, 0.7%, 0.3%

LAB 50.41, -23.27, 49.7

 

CMYK 19 / 0 / 82 / 36

HEX #85A41E

RGB 133 164 30

HSL 73.88, 0.69%, 0.38%

LAB 63.04, -28.28, 59.69

 

CMYK 19 / 0 / 82 / 22

HEX #A1C724

RGB 161 199 36

HSL 73.99, 0.69%, 0.46%

LAB 75.17, -33.1, 69.52

 

CMYK 19 / 0 / 81 / 49

HEX #698118

RGB 105 129 24

HSL 73.71, 0.69%, 0.3%

LAB 50.42, -23.23, 49.4

 

CMYK 82 / 0 / 48 / 49

HEX #178143

RGB 23 129 67

HSL 144.91, 0.7%, 0.3%

LAB 47.35, -43.35, 25.57

 

CMYK 16 / 82 / 0 / 49

HEX #6D1781

RGB 109 23 129

HSL 288.68, 0.7%, 0.3%

LAB 27.98, 50.93, -40.21

 

CMYK 19 / 0 / 81 / 49

HEX #698118

RGB 105 129 24

HSL 73.71, 0.69%, 0.3%

LAB 50.42, -23.23, 49.4

 

CMYK 82 / 18 / 0 / 49

HEX #176A81

RGB 23 106 129

HSL 193.02, 0.7%, 0.3%

LAB 41.34, -15.34, -19.56

 

CMYK 0 / 82 / 18 / 49

HEX #81176A

RGB 129 23 106

HSL 313.02, 0.7%, 0.3%

LAB 30.21, 51.39, -21.82

 

CMYK 19 / 0 / 81 / 49

HEX #698118

RGB 105 129 24

HSL 73.71, 0.69%, 0.3%

LAB 50.42, -23.23, 49.4

 

CMYK 82 / 0 / 48 / 49

HEX #178143

RGB 23 129 67

HSL 144.91, 0.7%, 0.3%

LAB 47.35, -43.35, 25.57

 

CMYK 64 / 82 / 0 / 49

HEX #2E1781

RGB 46 23 129

HSL 253.02, 0.7%, 0.3%

LAB 19.13, 40.72, -55.01

 

CMYK 0 / 82 / 34 / 49

HEX #811755

RGB 129 23 85

HSL 324.91, 0.7%, 0.3%

LAB 29.25, 48.61, -9.62

 

CMYK 19 / 0 / 81 / 49

HEX #698118

RGB 105 129 24

HSL 73.71, 0.69%, 0.3%

LAB 50.42, -23.23, 49.4

 

CMYK 82 / 0 / 23 / 49

HEX #178163

RGB 23 129 99

HSL 163.02, 0.7%, 0.3%

LAB 47.99, -36.23, 8.2

 

CMYK 64 / 82 / 0 / 49

HEX #2E1781

RGB 46 23 129

HSL 253.02, 0.7%, 0.3%

LAB 19.13, 40.72, -55.01

 

CMYK 0 / 82 / 59 / 49

HEX #811735

RGB 129 23 53

HSL 343.02, 0.7%, 0.3%

LAB 28.21, 45.49, 10.25

 

Description

Color code: HEX #698118 | qconv.com Color code: HEX #698118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 129 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 129 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 81 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 81% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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