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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697393 it is the complementary color #968C6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697393. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697393 shade: #6E738E, #7F85A1, #9097B4, #A1A9C7 and #B2BBDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697393. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697393 shade: #697393, #586180, #474F6D, #363D5A and #252B47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697393 shade: #677192, #696792, #746792, #7F6792 and #8B6792

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697393 shade: #677192 and #676792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697393 shade matches the following richer shades: #677192, #5367A6, #3F5CBA, #2B52CE and #1647E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697393 shade: #677192, #7B7C7D, #908769, #A49155 and #B89C41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697393 shade: #678892, #677D92, #677292, #686792 and #736792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697393 shade: #454C61, #565F7A, #677192, #7E87A4 and #979EB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697393 shade: #697393, #906792 and #839267

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697393 shade: #697393, #926772 and #729267

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697393 shade: #697393, #906792, #928767 and #699267

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697393 shade: #697393, #926787, #928767 and #679272

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 22 / 0 / 42

HEX #697393

RGB 105 115 147

HSL 225.71, 0.17%, 0.49%

LAB 48.72, 3.95, -18.62

 

Complementary color

CMYK 0 / 7 / 28 / 41

HEX #968C6C

RGB 150 140 108

HSL 45.71, 0.17%, 0.51%

LAB 58.34, -1.53, 18.47

 

CMYK 23 / 19 / 0 / 44

HEX #6E738E

RGB 110 115 142

HSL 230.63, 0.13%, 0.49%

LAB 48.92, 4.31, -15.34

 

CMYK 21 / 17 / 0 / 37

HEX #7F85A1

RGB 127 133 161

HSL 229.41, 0.15%, 0.56%

LAB 55.95, 4.02, -15.62

 

CMYK 20 / 16 / 0 / 29

HEX #9097B4

RGB 144 151 180

HSL 228.33, 0.19%, 0.64%

LAB 62.81, 3.76, -15.92

 

CMYK 19 / 15 / 0 / 22

HEX #A1A9C7

RGB 161 169 199

HSL 227.37, 0.25%, 0.71%

LAB 69.52, 3.52, -16.24

 

CMYK 18 / 14 / 0 / 15

HEX #B2BBDA

RGB 178 187 218

HSL 226.5, 0.35%, 0.78%

LAB 76.11, 3.3, -16.57

 

CMYK 29 / 22 / 0 / 42

HEX #697393

RGB 105 115 147

HSL 225.71, 0.17%, 0.49%

LAB 48.72, 3.95, -18.62

 

CMYK 31 / 24 / 0 / 50

HEX #586180

RGB 88 97 128

HSL 226.5, 0.19%, 0.42%

LAB 41.5, 4.32, -18.45

 

CMYK 35 / 28 / 0 / 57

HEX #474F6D

RGB 71 79 109

HSL 227.37, 0.21%, 0.35%

LAB 34.06, 4.76, -18.32

 

CMYK 40 / 32 / 0 / 65

HEX #363D5A

RGB 54 61 90

HSL 228.33, 0.25%, 0.28%

LAB 26.33, 5.32, -18.28

 

CMYK 48 / 39 / 0 / 72

HEX #252B47

RGB 37 43 71

HSL 229.41, 0.31%, 0.21%

LAB 18.26, 6.09, -18.34

 

CMYK 29 / 23 / 0 / 43

HEX #677192

RGB 103 113 146

HSL 226.05, 0.17%, 0.49%

LAB 47.97, 4.25, -19.2

 

CMYK 28 / 29 / 0 / 43

HEX #696792

RGB 105 103 146

HSL 242.79, 0.17%, 0.49%

LAB 45.33, 10.94, -23.25

 

CMYK 21 / 29 / 0 / 43

HEX #746792

RGB 116 103 146

HSL 258.14, 0.17%, 0.49%

LAB 46.3, 14.52, -21.68

 

CMYK 13 / 29 / 0 / 43

HEX #7F6792

RGB 127 103 146

HSL 273.49, 0.17%, 0.49%

LAB 47.35, 18.22, -19.97

 

CMYK 5 / 29 / 0 / 43

HEX #8B6792

RGB 139 103 146

HSL 290.23, 0.17%, 0.49%

LAB 48.59, 22.34, -17.96

 

CMYK 29 / 23 / 0 / 43

HEX #677192

RGB 103 113 146

HSL 226.05, 0.17%, 0.49%

LAB 47.97, 4.25, -19.2

 

CMYK 29 / 29 / 0 / 43

HEX #676792

RGB 103 103 146

HSL 240, 0.17%, 0.49%

LAB 45.16, 10.31, -23.52

 

CMYK 29 / 23 / 0 / 43

HEX #677192

RGB 103 113 146

HSL 226.05, 0.17%, 0.49%

LAB 47.97, 4.25, -19.2

 

CMYK 50 / 38 / 0 / 35

HEX #5367A6

RGB 83 103 166

HSL 225.54, 0.33%, 0.49%

LAB 44.65, 10.57, -36.28

 

CMYK 66 / 51 / 0 / 27

HEX #3F5CBA

RGB 63 92 186

HSL 225.85, 0.49%, 0.49%

LAB 41.62, 20.27, -52.91

 

CMYK 79 / 60 / 0 / 19

HEX #2B52CE

RGB 43 82 206

HSL 225.64, 0.65%, 0.49%

LAB 39.59, 31.52, -67.87

 

CMYK 90 / 69 / 0 / 11

HEX #1647E3

RGB 22 71 227

HSL 225.66, 0.82%, 0.49%

LAB 38.24, 44.84, -82.15

 

CMYK 29 / 23 / 0 / 43

HEX #677192

RGB 103 113 146

HSL 226.05, 0.17%, 0.49%

LAB 47.97, 4.25, -19.2

 

CMYK 2 / 1 / 0 / 51

HEX #7B7C7D

RGB 123 124 125

HSL 210, 0.01%, 0.49%

LAB 51.96, -0.17, -0.68

 

CMYK 0 / 6 / 27 / 44

HEX #908769

RGB 144 135 105

HSL 46.15, 0.16%, 0.49%

LAB 56.36, -1.63, 17.38

 

CMYK 0 / 12 / 48 / 36

HEX #A49155

RGB 164 145 85

HSL 45.57, 0.32%, 0.49%

LAB 60.6, -1.2, 34.29

 

CMYK 0 / 15 / 65 / 28

HEX #B89C41

RGB 184 156 65

HSL 45.88, 0.48%, 0.49%

LAB 65.24, -0.14, 50.1

 

CMYK 29 / 7 / 0 / 43

HEX #678892

RGB 103 136 146

HSL 193.95, 0.17%, 0.49%

LAB 54.62, -9.08, -9.12

 

CMYK 29 / 14 / 0 / 43

HEX #677D92

RGB 103 125 146

HSL 209.3, 0.17%, 0.49%

LAB 51.41, -2.82, -13.95

 

CMYK 29 / 22 / 0 / 43

HEX #677292

RGB 103 114 146

HSL 224.65, 0.17%, 0.49%

LAB 48.25, 3.65, -18.77

 

CMYK 29 / 29 / 0 / 43

HEX #686792

RGB 104 103 146

HSL 241.4, 0.17%, 0.49%

LAB 45.25, 10.62, -23.38

 

CMYK 21 / 29 / 0 / 43

HEX #736792

RGB 115 103 146

HSL 256.74, 0.17%, 0.49%

LAB 46.21, 14.19, -21.83

 

CMYK 29 / 22 / 0 / 62

HEX #454C61

RGB 69 76 97

HSL 225, 0.17%, 0.33%

LAB 32.47, 2.58, -13.21

 

CMYK 30 / 22 / 0 / 52

HEX #565F7A

RGB 86 95 122

HSL 225, 0.17%, 0.41%

LAB 40.52, 3.26, -16.32

 

CMYK 29 / 23 / 0 / 43

HEX #677192

RGB 103 113 146

HSL 226.05, 0.17%, 0.49%

LAB 47.97, 4.25, -19.2

 

CMYK 23 / 18 / 0 / 36

HEX #7E87A4

RGB 126 135 164

HSL 225.79, 0.17%, 0.57%

LAB 56.53, 3.27, -16.47

 

CMYK 17 / 13 / 0 / 29

HEX #979EB5

RGB 151 158 181

HSL 226, 0.17%, 0.65%

LAB 65.25, 2.35, -12.75

 

CMYK 29 / 22 / 0 / 42

HEX #697393

RGB 105 115 147

HSL 225.71, 0.17%, 0.49%

LAB 48.72, 3.95, -18.62

 

CMYK 1 / 29 / 0 / 43

HEX #906792

RGB 144 103 146

HSL 297.21, 0.17%, 0.49%

LAB 49.14, 24.08, -17.08

 

CMYK 10 / 0 / 29 / 43

HEX #839267

RGB 131 146 103

HSL 80.93, 0.17%, 0.49%

LAB 58.38, -13.2, 21.06

 

CMYK 29 / 22 / 0 / 42

HEX #697393

RGB 105 115 147

HSL 225.71, 0.17%, 0.49%

LAB 48.72, 3.95, -18.62

 

CMYK 0 / 29 / 22 / 43

HEX #926772

RGB 146 103 114

HSL 344.65, 0.17%, 0.49%

LAB 48.29, 18.98, 0.75

 

CMYK 22 / 0 / 29 / 43

HEX #729267

RGB 114 146 103

HSL 104.65, 0.17%, 0.49%

LAB 57.19, -19.73, 19.25

 

CMYK 29 / 22 / 0 / 42

HEX #697393

RGB 105 115 147

HSL 225.71, 0.17%, 0.49%

LAB 48.72, 3.95, -18.62

 

CMYK 1 / 29 / 0 / 43

HEX #906792

RGB 144 103 146

HSL 297.21, 0.17%, 0.49%

LAB 49.14, 24.08, -17.08

 

CMYK 0 / 8 / 29 / 43

HEX #928767

RGB 146 135 103

HSL 44.65, 0.17%, 0.49%

LAB 56.5, -1.09, 18.74

 

CMYK 28 / 0 / 29 / 43

HEX #699267

RGB 105 146 103

HSL 117.21, 0.17%, 0.49%

LAB 56.62, -23, 18.39

 

CMYK 29 / 22 / 0 / 42

HEX #697393

RGB 105 115 147

HSL 225.71, 0.17%, 0.49%

LAB 48.72, 3.95, -18.62

 

CMYK 0 / 29 / 8 / 43

HEX #926787

RGB 146 103 135

HSL 315.35, 0.17%, 0.49%

LAB 48.96, 22.65, -10.8

 

CMYK 0 / 8 / 29 / 43

HEX #928767

RGB 146 135 103

HSL 44.65, 0.17%, 0.49%

LAB 56.5, -1.09, 18.74

 

CMYK 29 / 0 / 22 / 43

HEX #679272

RGB 103 146 114

HSL 135.35, 0.17%, 0.49%

LAB 56.74, -21.64, 12.33

 

Description

Color code: HEX #697393 | qconv.com Color code: HEX #697393 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 115 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 115 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 22 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 22% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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