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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6972A1 it is the complementary color #968D5E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6972A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6972A1 shade: #6E729C, #7F84AF, #9096C2, #A1A8D5 and #B2BAE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6972A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6972A1 shade: #6972A1, #58608E, #474E7B, #363C68 and #252A55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6972A1 shade: #6871A0, #6E68A0, #7D68A0, #8C68A0 and #9C68A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6972A1 shade: #6871A0 and #6868A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6972A1 shade matches the following richer shades: #6871A0, #5464B4, #4056C8, #2D49DC and #193BEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6972A1 shade: #6871A0, #7C7E8C, #908C79, #A39965 and #B7A751

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6972A1 shade: #688FA0, #6880A0, #6871A0, #6E68A0 and #7D68A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6972A1 shade: #464D70, #565E89, #6871A0, #8189B0 and #9BA1C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6972A1 shade: #6972A1, #A0689E and #88A068

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6972A1 shade: #6972A1, #A06871 and #71A068

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6972A1 shade: #6972A1, #A0689E, #A09768 and #68A06A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6972A1 shade: #6972A1, #A0688D, #A09768 and #68A07B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 29 / 0 / 37

HEX #6972A1

RGB 105 114 161

HSL 230.36, 0.23%, 0.52%

LAB 49.02, 8.33, -26.39

 

Complementary color

CMYK 0 / 6 / 37 / 41

HEX #968D5E

RGB 150 141 94

HSL 50.36, 0.23%, 0.48%

LAB 58.36, -3.95, 26.3

 

CMYK 29 / 27 / 0 / 39

HEX #6E729C

RGB 110 114 156

HSL 234.78, 0.19%, 0.52%

LAB 49.19, 8.5, -23.16

 

CMYK 27 / 25 / 0 / 31

HEX #7F84AF

RGB 127 132 175

HSL 233.75, 0.23%, 0.59%

LAB 56.2, 8.06, -23.28

 

CMYK 26 / 23 / 0 / 24

HEX #9096C2

RGB 144 150 194

HSL 232.8, 0.29%, 0.66%

LAB 63.04, 7.66, -23.44

 

CMYK 24 / 21 / 0 / 16

HEX #A1A8D5

RGB 161 168 213

HSL 231.92, 0.38%, 0.73%

LAB 69.74, 7.32, -23.62

 

CMYK 23 / 20 / 0 / 9

HEX #B2BAE8

RGB 178 186 232

HSL 231.11, 0.54%, 0.8%

LAB 76.32, 7, -23.83

 

CMYK 35 / 29 / 0 / 37

HEX #6972A1

RGB 105 114 161

HSL 230.36, 0.23%, 0.52%

LAB 49.02, 8.33, -26.39

 

CMYK 38 / 32 / 0 / 44

HEX #58608E

RGB 88 96 142

HSL 231.11, 0.23%, 0.45%

LAB 41.83, 8.92, -26.39

 

CMYK 42 / 37 / 0 / 52

HEX #474E7B

RGB 71 78 123

HSL 231.92, 0.27%, 0.38%

LAB 34.43, 9.65, -26.46

 

CMYK 48 / 42 / 0 / 59

HEX #363C68

RGB 54 60 104

HSL 232.8, 0.32%, 0.31%

LAB 26.78, 10.58, -26.63

 

CMYK 56 / 51 / 0 / 67

HEX #252A55

RGB 37 42 85

HSL 233.75, 0.39%, 0.24%

LAB 18.82, 11.87, -26.91

 

CMYK 35 / 29 / 0 / 37

HEX #6871A0

RGB 104 113 160

HSL 230.36, 0.23%, 0.52%

LAB 48.63, 8.36, -26.42

 

CMYK 31 / 35 / 0 / 37

HEX #6E68A0

RGB 110 104 160

HSL 246.43, 0.23%, 0.52%

LAB 46.65, 15.63, -29.46

 

CMYK 22 / 35 / 0 / 37

HEX #7D68A0

RGB 125 104 160

HSL 262.5, 0.23%, 0.52%

LAB 48.01, 20.28, -27.25

 

CMYK 13 / 35 / 0 / 37

HEX #8C68A0

RGB 140 104 160

HSL 278.57, 0.23%, 0.52%

LAB 49.51, 25.12, -24.79

 

CMYK 2 / 35 / 0 / 37

HEX #9C68A0

RGB 156 104 160

HSL 295.71, 0.23%, 0.52%

LAB 51.27, 30.41, -21.93

 

CMYK 35 / 29 / 0 / 37

HEX #6871A0

RGB 104 113 160

HSL 230.36, 0.23%, 0.52%

LAB 48.63, 8.36, -26.42

 

CMYK 35 / 35 / 0 / 37

HEX #6868A0

RGB 104 104 160

HSL 240, 0.23%, 0.52%

LAB 46.15, 13.84, -30.27

 

CMYK 35 / 29 / 0 / 37

HEX #6871A0

RGB 104 113 160

HSL 230.36, 0.23%, 0.52%

LAB 48.63, 8.36, -26.42

 

CMYK 53 / 44 / 0 / 29

HEX #5464B4

RGB 84 100 180

HSL 230, 0.39%, 0.52%

LAB 44.65, 17.22, -44.48

 

CMYK 68 / 57 / 0 / 22

HEX #4056C8

RGB 64 86 200

HSL 230.29, 0.55%, 0.52%

LAB 41.08, 29.27, -61.93

 

CMYK 80 / 67 / 0 / 14

HEX #2D49DC

RGB 45 73 220

HSL 230.4, 0.71%, 0.52%

LAB 38.71, 42.45, -77.36

 

CMYK 90 / 75 / 0 / 6

HEX #193BEF

RGB 25 59 239

HSL 230.47, 0.87%, 0.52%

LAB 37.05, 56.01, -90.92

 

CMYK 35 / 29 / 0 / 37

HEX #6871A0

RGB 104 113 160

HSL 230.36, 0.23%, 0.52%

LAB 48.63, 8.36, -26.42

 

CMYK 11 / 10 / 0 / 45

HEX #7C7E8C

RGB 124 126 140

HSL 232.5, 0.07%, 0.52%

LAB 53.06, 2.22, -7.82

 

CMYK 0 / 3 / 16 / 44

HEX #908C79

RGB 144 140 121

HSL 49.57, 0.09%, 0.52%

LAB 58.1, -1.92, 10.69

 

CMYK 0 / 6 / 38 / 36

HEX #A39965

RGB 163 153 101

HSL 50.32, 0.25%, 0.52%

LAB 62.93, -4.23, 28.67

 

CMYK 0 / 9 / 56 / 28

HEX #B7A751

RGB 183 167 81

HSL 50.59, 0.41%, 0.52%

LAB 68.24, -5.3, 45.91

 

CMYK 35 / 11 / 0 / 37

HEX #688FA0

RGB 104 143 160

HSL 198.21, 0.23%, 0.52%

LAB 57.2, -9.09, -13.3

 

CMYK 35 / 20 / 0 / 37

HEX #6880A0

RGB 104 128 160

HSL 214.29, 0.23%, 0.52%

LAB 52.86, -0.55, -19.89

 

CMYK 35 / 29 / 0 / 37

HEX #6871A0

RGB 104 113 160

HSL 230.36, 0.23%, 0.52%

LAB 48.63, 8.36, -26.42

 

CMYK 31 / 35 / 0 / 37

HEX #6E68A0

RGB 110 104 160

HSL 246.43, 0.23%, 0.52%

LAB 46.65, 15.63, -29.46

 

CMYK 22 / 35 / 0 / 37

HEX #7D68A0

RGB 125 104 160

HSL 262.5, 0.23%, 0.52%

LAB 48.01, 20.28, -27.25

 

CMYK 38 / 31 / 0 / 56

HEX #464D70

RGB 70 77 112

HSL 230, 0.23%, 0.36%

LAB 33.52, 6.62, -21.04

 

CMYK 37 / 31 / 0 / 46

HEX #565E89

RGB 86 94 137

HSL 230.59, 0.23%, 0.44%

LAB 40.88, 8.11, -24.87

 

CMYK 35 / 29 / 0 / 37

HEX #6871A0

RGB 104 113 160

HSL 230.36, 0.23%, 0.52%

LAB 48.63, 8.36, -26.42

 

CMYK 27 / 22 / 0 / 31

HEX #8189B0

RGB 129 137 176

HSL 229.79, 0.23%, 0.6%

LAB 57.74, 6.02, -21.47

 

CMYK 19 / 16 / 0 / 25

HEX #9BA1C0

RGB 155 161 192

HSL 230.27, 0.23%, 0.68%

LAB 66.72, 4.46, -16.64

 

CMYK 35 / 29 / 0 / 37

HEX #6972A1

RGB 105 114 161

HSL 230.36, 0.23%, 0.52%

LAB 49.02, 8.33, -26.39

 

CMYK 0 / 35 / 1 / 37

HEX #A0689E

RGB 160 104 158

HSL 302.14, 0.23%, 0.52%

LAB 51.66, 31.35, -20.12

 

CMYK 15 / 0 / 35 / 37

HEX #88A068

RGB 136 160 104

HSL 85.71, 0.23%, 0.52%

LAB 62.82, -18.45, 26.5

 

CMYK 35 / 29 / 0 / 37

HEX #6972A1

RGB 105 114 161

HSL 230.36, 0.23%, 0.52%

LAB 49.02, 8.33, -26.39

 

CMYK 0 / 35 / 29 / 37

HEX #A06871

RGB 160 104 113

HSL 350.36, 0.23%, 0.52%

LAB 50.18, 23.73, 4.28

 

CMYK 29 / 0 / 35 / 37

HEX #71A068

RGB 113 160 104

HSL 110.36, 0.23%, 0.52%

LAB 61.35, -26.98, 24.28

 

CMYK 35 / 29 / 0 / 37

HEX #6972A1

RGB 105 114 161

HSL 230.36, 0.23%, 0.52%

LAB 49.02, 8.33, -26.39

 

CMYK 0 / 35 / 1 / 37

HEX #A0689E

RGB 160 104 158

HSL 302.14, 0.23%, 0.52%

LAB 51.66, 31.35, -20.12

 

CMYK 0 / 6 / 35 / 37

HEX #A09768

RGB 160 151 104

HSL 50.36, 0.23%, 0.52%

LAB 62.17, -4.02, 25.99

 

CMYK 35 / 0 / 34 / 37

HEX #68A06A

RGB 104 160 106

HSL 122.14, 0.23%, 0.52%

LAB 60.89, -29.73, 22.49

 

CMYK 35 / 29 / 0 / 37

HEX #6972A1

RGB 105 114 161

HSL 230.36, 0.23%, 0.52%

LAB 49.02, 8.33, -26.39

 

CMYK 0 / 35 / 12 / 37

HEX #A0688D

RGB 160 104 141

HSL 320.36, 0.23%, 0.52%

LAB 51.03, 28.21, -11.07

 

CMYK 0 / 6 / 35 / 37

HEX #A09768

RGB 160 151 104

HSL 50.36, 0.23%, 0.52%

LAB 62.17, -4.02, 25.99

 

CMYK 35 / 0 / 23 / 37

HEX #68A07B

RGB 104 160 123

HSL 140.36, 0.23%, 0.52%

LAB 61.23, -26.58, 13.56

 

Description

Color code: HEX #6972A1 | qconv.com Color code: HEX #6972A1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 114 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 114 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 29 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 29% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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