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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #697780 it is the complementary color #96887F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #697780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #697780 shade: #6E777B, #7F898E, #909BA1, #A1ADB4 and #B2BFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #697780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #697780 shade: #697780, #58656D, #47535A, #364147 and #252F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #697780 shade: #697781, #697181, #696B81, #6E6981 and #746981

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #697780 shade: #697781, #697181, #696B81 and #696981

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #697780 shade matches the following richer shades: #697781, #567B94, #4380A6, #3084B9 and #1D88CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #697780 shade: #697781, #7C736E, #8F6F5B, #A26B48 and #B56735

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #697780 shade: #69817D, #697E81, #697881, #697181 and #696B81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #697780 shade: #444D53, #57626A, #697781, #7E8C95 and #94A0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #697780 shade: #697780, #776981 and #818069

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #697780 shade: #697780, #816978 and #788169

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #697780 shade: #697780, #776981, #817269 and #738169

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #697780 shade: #697780, #7E6981, #817269 and #6C8169

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

Complementary color

CMYK 0 / 9 / 15 / 41

HEX #96887F

RGB 150 136 127

HSL 23.48, 0.1%, 0.54%

LAB 57.68, 3.68, 6.73

 

CMYK 11 / 3 / 0 / 52

HEX #6E777B

RGB 110 119 123

HSL 198.46, 0.06%, 0.46%

LAB 49.42, -2.49, -3.35

 

CMYK 11 / 4 / 0 / 44

HEX #7F898E

RGB 127 137 142

HSL 200, 0.06%, 0.53%

LAB 56.44, -2.58, -3.93

 

CMYK 11 / 4 / 0 / 37

HEX #909BA1

RGB 144 155 161

HSL 201.18, 0.08%, 0.6%

LAB 63.3, -2.67, -4.49

 

CMYK 11 / 4 / 0 / 29

HEX #A1ADB4

RGB 161 173 180

HSL 202.11, 0.11%, 0.67%

LAB 70.01, -2.77, -5.03

 

CMYK 11 / 4 / 0 / 22

HEX #B2BFC7

RGB 178 191 199

HSL 202.86, 0.16%, 0.74%

LAB 76.59, -2.86, -5.56

 

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

CMYK 19 / 7 / 0 / 57

HEX #58656D

RGB 88 101 109

HSL 202.86, 0.11%, 0.39%

LAB 41.98, -3.05, -6.18

 

CMYK 21 / 8 / 0 / 65

HEX #47535A

RGB 71 83 90

HSL 202.11, 0.12%, 0.32%

LAB 34.53, -2.98, -5.67

 

CMYK 24 / 8 / 0 / 72

HEX #364147

RGB 54 65 71

HSL 201.18, 0.14%, 0.25%

LAB 26.79, -2.91, -5.14

 

CMYK 29 / 10 / 0 / 80

HEX #252F34

RGB 37 47 52

HSL 200, 0.17%, 0.17%

LAB 18.69, -2.85, -4.61

 

CMYK 19 / 8 / 0 / 49

HEX #697781

RGB 105 119 129

HSL 205, 0.1%, 0.46%

LAB 49.23, -2.89, -7.22

 

CMYK 19 / 12 / 0 / 49

HEX #697181

RGB 105 113 129

HSL 220, 0.1%, 0.46%

LAB 47.49, 0.62, -9.82

 

CMYK 19 / 17 / 0 / 49

HEX #696B81

RGB 105 107 129

HSL 235, 0.1%, 0.46%

LAB 45.78, 4.2, -12.41

 

CMYK 15 / 19 / 0 / 49

HEX #6E6981

RGB 110 105 129

HSL 252.5, 0.1%, 0.46%

LAB 45.64, 7.16, -12.58

 

CMYK 10 / 19 / 0 / 49

HEX #746981

RGB 116 105 129

HSL 267.5, 0.1%, 0.46%

LAB 46.18, 9.3, -11.71

 

CMYK 19 / 8 / 0 / 49

HEX #697781

RGB 105 119 129

HSL 205, 0.1%, 0.46%

LAB 49.23, -2.89, -7.22

 

CMYK 19 / 12 / 0 / 49

HEX #697181

RGB 105 113 129

HSL 220, 0.1%, 0.46%

LAB 47.49, 0.62, -9.82

 

CMYK 19 / 17 / 0 / 49

HEX #696B81

RGB 105 107 129

HSL 235, 0.1%, 0.46%

LAB 45.78, 4.2, -12.41

 

CMYK 19 / 19 / 0 / 49

HEX #696981

RGB 105 105 129

HSL 240, 0.1%, 0.46%

LAB 45.21, 5.41, -13.27

 

CMYK 19 / 8 / 0 / 49

HEX #697781

RGB 105 119 129

HSL 205, 0.1%, 0.46%

LAB 49.23, -2.89, -7.22

 

CMYK 42 / 17 / 0 / 42

HEX #567B94

RGB 86 123 148

HSL 204.19, 0.26%, 0.46%

LAB 49.84, -6.18, -17.62

 

CMYK 60 / 23 / 0 / 35

HEX #4380A6

RGB 67 128 166

HSL 203.03, 0.42%, 0.46%

LAB 51.13, -8.12, -26.2

 

CMYK 74 / 29 / 0 / 27

HEX #3084B9

RGB 48 132 185

HSL 203.21, 0.59%, 0.46%

LAB 52.55, -7.12, -35

 

CMYK 86 / 33 / 0 / 20

HEX #1D88CC

RGB 29 136 204

HSL 203.31, 0.75%, 0.46%

LAB 54.27, -4.45, -43.13

 

CMYK 19 / 8 / 0 / 49

HEX #697781

RGB 105 119 129

HSL 205, 0.1%, 0.46%

LAB 49.23, -2.89, -7.22

 

CMYK 0 / 7 / 11 / 51

HEX #7C736E

RGB 124 115 110

HSL 21.43, 0.06%, 0.46%

LAB 49.1, 2.54, 4.01

 

CMYK 0 / 22 / 36 / 44

HEX #8F6F5B

RGB 143 111 91

HSL 23.08, 0.22%, 0.46%

LAB 49.45, 9.72, 15.99

 

CMYK 0 / 34 / 56 / 36

HEX #A26B48

RGB 162 107 72

HSL 23.33, 0.38%, 0.46%

LAB 50.29, 18.09, 28.46

 

CMYK 0 / 43 / 71 / 29

HEX #B56735

RGB 181 103 53

HSL 23.44, 0.55%, 0.46%

LAB 51.59, 27.09, 40.88

 

CMYK 19 / 0 / 3 / 49

HEX #69817D

RGB 105 129 125

HSL 170, 0.1%, 0.46%

LAB 52.05, -9.51, -0.72

 

CMYK 19 / 2 / 0 / 49

HEX #697E81

RGB 105 126 129

HSL 187.5, 0.1%, 0.46%

LAB 51.28, -6.91, -4.18

 

CMYK 19 / 7 / 0 / 49

HEX #697881

RGB 105 120 129

HSL 202.5, 0.1%, 0.46%

LAB 49.52, -3.47, -6.79

 

CMYK 19 / 12 / 0 / 49

HEX #697181

RGB 105 113 129

HSL 220, 0.1%, 0.46%

LAB 47.49, 0.62, -9.82

 

CMYK 19 / 17 / 0 / 49

HEX #696B81

RGB 105 107 129

HSL 235, 0.1%, 0.46%

LAB 45.78, 4.2, -12.41

 

CMYK 18 / 7 / 0 / 67

HEX #444D53

RGB 68 77 83

HSL 204, 0.1%, 0.3%

LAB 32.17, -2.13, -4.77

 

CMYK 18 / 8 / 0 / 58

HEX #57626A

RGB 87 98 106

HSL 205.26, 0.1%, 0.38%

LAB 40.9, -2.34, -5.96

 

CMYK 19 / 8 / 0 / 49

HEX #697781

RGB 105 119 129

HSL 205, 0.1%, 0.46%

LAB 49.23, -2.89, -7.22

 

CMYK 15 / 6 / 0 / 42

HEX #7E8C95

RGB 126 140 149

HSL 203.48, 0.1%, 0.54%

LAB 57.43, -3.09, -6.51

 

CMYK 12 / 5 / 0 / 34

HEX #94A0A8

RGB 148 160 168

HSL 204, 0.1%, 0.62%

LAB 65.17, -2.58, -5.61

 

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

CMYK 8 / 19 / 0 / 49

HEX #776981

RGB 119 105 129

HSL 275, 0.1%, 0.46%

LAB 46.46, 10.39, -11.26

 

CMYK 0 / 1 / 19 / 49

HEX #818069

RGB 129 128 105

HSL 57.5, 0.1%, 0.46%

LAB 53.09, -3.79, 12.65

 

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

CMYK 0 / 19 / 7 / 49

HEX #816978

RGB 129 105 120

HSL 322.5, 0.1%, 0.46%

LAB 47.14, 12.27, -4.75

 

CMYK 7 / 0 / 19 / 49

HEX #788169

RGB 120 129 105

HSL 82.5, 0.1%, 0.46%

LAB 52.63, -7.93, 11.91

 

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

CMYK 8 / 19 / 0 / 49

HEX #776981

RGB 119 105 129

HSL 275, 0.1%, 0.46%

LAB 46.46, 10.39, -11.26

 

CMYK 0 / 12 / 19 / 49

HEX #817269

RGB 129 114 105

HSL 22.5, 0.1%, 0.46%

LAB 49.16, 4.25, 7.12

 

CMYK 11 / 0 / 19 / 49

HEX #738169

RGB 115 129 105

HSL 95, 0.1%, 0.46%

LAB 52.25, -9.88, 11.31

 

CMYK 18 / 7 / 0 / 50

HEX #697780

RGB 105 119 128

HSL 203.48, 0.1%, 0.46%

LAB 49.2, -3.13, -6.68

 

CMYK 2 / 19 / 0 / 49

HEX #7E6981

RGB 126 105 129

HSL 292.5, 0.1%, 0.46%

LAB 47.14, 12.95, -10.17

 

CMYK 0 / 12 / 19 / 49

HEX #817269

RGB 129 114 105

HSL 22.5, 0.1%, 0.46%

LAB 49.16, 4.25, 7.12

 

CMYK 16 / 0 / 19 / 49

HEX #6C8169

RGB 108 129 105

HSL 112.5, 0.1%, 0.46%

LAB 51.73, -12.56, 10.51

 

Description

Color code: HEX #697780 | qconv.com Color code: HEX #697780 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 119 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 119 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 7 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 7% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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