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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #696A37 it is the complementary color #9695C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #696A37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #696A37 shade: #6E6A32, #7F7C45, #908E58, #A1A06B and #B2B27E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #696A37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #696A37 shade: #696A37, #585824, #474611, #363400 and #252200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #696A37 shade: #6A6B37, #6B5E37, #6B5037, #6B4237 and #6B3737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #696A37 shade: #6A6B37, #5C6B37, #4E6B37, #406B37 and #376B3C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #696A37 shade matches the following richer shades: #6A6B37, #77782A, #84861D, #90930F and #9DA002

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #696A37 shade: #6A6B37, #5E5E44, #515151, #44445F and #37366C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #696A37 shade: #6B5037, #6B5E37, #6A6B37, #5C6B37 and #4E6B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #696A37 shade: #34351B, #4F5029, #6A6B37, #858645 and #A0A253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #696A37 shade: #696A37, #376B42 and #57376B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #696A37 shade: #696A37, #376A6B and #6B376A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #696A37 shade: #696A37, #376B42, #38376B and #6B3760

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #696A37 shade: #696A37, #376B52, #38376B and #6B3750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 48 / 58

HEX #696A37

RGB 105 106 55

HSL 61.18, 0.32%, 0.32%

LAB 43.63, -8.54, 28.34

 

Complementary color

CMYK 25 / 26 / 0 / 22

HEX #9695C8

RGB 150 149 200

HSL 241.18, 0.32%, 0.68%

LAB 63.47, 11.54, -26.11

 

CMYK 0 / 4 / 55 / 57

HEX #6E6A32

RGB 110 106 50

HSL 56, 0.38%, 0.31%

LAB 44.02, -6.77, 31.63

 

CMYK 0 / 2 / 46 / 50

HEX #7F7C45

RGB 127 124 69

HSL 56.9, 0.3%, 0.38%

LAB 51.1, -7.33, 30.32

 

CMYK 0 / 1 / 39 / 44

HEX #908E58

RGB 144 142 88

HSL 57.86, 0.24%, 0.45%

LAB 58.02, -7.75, 29.04

 

CMYK 0 / 1 / 34 / 37

HEX #A1A06B

RGB 161 160 107

HSL 58.89, 0.22%, 0.53%

LAB 64.79, -8.08, 27.82

 

CMYK 0 / 0 / 29 / 30

HEX #B2B27E

RGB 178 178 126

HSL 60, 0.25%, 0.6%

LAB 71.43, -8.35, 26.66

 

CMYK 1 / 0 / 48 / 58

HEX #696A37

RGB 105 106 55

HSL 61.18, 0.32%, 0.32%

LAB 43.63, -8.54, 28.34

 

CMYK 0 / 0 / 59 / 65

HEX #585824

RGB 88 88 36

HSL 60, 0.42%, 0.24%

LAB 36.33, -7.98, 29.63

 

CMYK 0 / 1 / 76 / 72

HEX #474611

RGB 71 70 17

HSL 58.89, 0.61%, 0.17%

LAB 28.8, -7.14, 30.56

 

CMYK 0 / 4 / 100 / 79

HEX #363400

RGB 54 52 0

HSL 57.78, 1%, 0.11%

LAB 20.98, -5.92, 29.3

 

CMYK 0 / 8 / 100 / 85

HEX #252200

RGB 37 34 0

HSL 55.14, 1%, 0.07%

LAB 12.84, -3.69, 18.91

 

CMYK 1 / 0 / 49 / 58

HEX #6A6B37

RGB 106 107 55

HSL 61.15, 0.32%, 0.32%

LAB 44.02, -8.66, 28.84

 

CMYK 0 / 12 / 49 / 58

HEX #6B5E37

RGB 107 94 55

HSL 45, 0.32%, 0.32%

LAB 40.26, -0.65, 24.21

 

CMYK 0 / 25 / 49 / 58

HEX #6B5037

RGB 107 80 55

HSL 28.85, 0.32%, 0.32%

LAB 36.25, 7.81, 19.09

 

CMYK 0 / 38 / 49 / 58

HEX #6B4237

RGB 107 66 55

HSL 12.69, 0.32%, 0.32%

LAB 32.48, 16.4, 14.1

 

CMYK 0 / 49 / 49 / 58

HEX #6B3737

RGB 107 55 55

HSL 0, 0.32%, 0.32%

LAB 29.75, 23.02, 10.4

 

CMYK 1 / 0 / 49 / 58

HEX #6A6B37

RGB 106 107 55

HSL 61.15, 0.32%, 0.32%

LAB 44.02, -8.66, 28.84

 

CMYK 14 / 0 / 49 / 58

HEX #5C6B37

RGB 92 107 55

HSL 77.31, 0.32%, 0.32%

LAB 42.86, -14.87, 27.15

 

CMYK 27 / 0 / 49 / 58

HEX #4E6B37

RGB 78 107 55

HSL 93.46, 0.32%, 0.32%

LAB 41.86, -20.76, 25.69

 

CMYK 40 / 0 / 49 / 58

HEX #406B37

RGB 64 107 55

HSL 109.62, 0.32%, 0.32%

LAB 41.03, -26.12, 24.47

 

CMYK 49 / 0 / 44 / 58

HEX #376B3C

RGB 55 107 60

HSL 125.77, 0.32%, 0.32%

LAB 40.66, -28.36, 21.07

 

CMYK 1 / 0 / 49 / 58

HEX #6A6B37

RGB 106 107 55

HSL 61.15, 0.32%, 0.32%

LAB 44.02, -8.66, 28.84

 

CMYK 1 / 0 / 65 / 53

HEX #77782A

RGB 119 120 42

HSL 60.77, 0.48%, 0.32%

LAB 48.91, -11.15, 41.29

 

CMYK 1 / 0 / 78 / 47

HEX #84861D

RGB 132 134 29

HSL 61.14, 0.64%, 0.32%

LAB 54.07, -13.52, 51.9

 

CMYK 2 / 0 / 90 / 42

HEX #90930F

RGB 144 147 15

HSL 61.36, 0.81%, 0.32%

LAB 58.82, -15.4, 60

 

CMYK 2 / 0 / 99 / 37

HEX #9DA002

RGB 157 160 2

HSL 61.14, 0.98%, 0.32%

LAB 63.6, -16.52, 66.11

 

CMYK 1 / 0 / 49 / 58

HEX #6A6B37

RGB 106 107 55

HSL 61.15, 0.32%, 0.32%

LAB 44.02, -8.66, 28.84

 

CMYK 0 / 0 / 28 / 63

HEX #5E5E44

RGB 94 94 68

HSL 60, 0.16%, 0.32%

LAB 39.25, -4.77, 14.96

 

CMYK 0 / 0 / 0 / 68

HEX #515151

RGB 81 81 81

HSL 0, 0%, 0.32%

LAB 34.45, 0, -0

 

CMYK 28 / 28 / 0 / 63

HEX #44445F

RGB 68 68 95

HSL 240, 0.17%, 0.32%

LAB 29.89, 6.86, -15.91

 

CMYK 49 / 50 / 0 / 58

HEX #37366C

RGB 55 54 108

HSL 241.11, 0.33%, 0.32%

LAB 25.36, 16.3, -31.44

 

CMYK 0 / 25 / 49 / 58

HEX #6B5037

RGB 107 80 55

HSL 28.85, 0.32%, 0.32%

LAB 36.25, 7.81, 19.09

 

CMYK 0 / 12 / 49 / 58

HEX #6B5E37

RGB 107 94 55

HSL 45, 0.32%, 0.32%

LAB 40.26, -0.65, 24.21

 

CMYK 1 / 0 / 49 / 58

HEX #6A6B37

RGB 106 107 55

HSL 61.15, 0.32%, 0.32%

LAB 44.02, -8.66, 28.84

 

CMYK 14 / 0 / 49 / 58

HEX #5C6B37

RGB 92 107 55

HSL 77.31, 0.32%, 0.32%

LAB 42.86, -14.87, 27.15

 

CMYK 27 / 0 / 49 / 58

HEX #4E6B37

RGB 78 107 55

HSL 93.46, 0.32%, 0.32%

LAB 41.86, -20.76, 25.69

 

CMYK 2 / 0 / 49 / 79

HEX #34351B

RGB 52 53 27

HSL 62.31, 0.33%, 0.16%

LAB 21.41, -5.26, 16.22

 

CMYK 1 / 0 / 49 / 69

HEX #4F5029

RGB 79 80 41

HSL 61.54, 0.32%, 0.24%

LAB 33.05, -7.02, 22.75

 

CMYK 1 / 0 / 49 / 58

HEX #6A6B37

RGB 106 107 55

HSL 61.15, 0.32%, 0.32%

LAB 44.02, -8.66, 28.84

 

CMYK 1 / 0 / 49 / 47

HEX #858645

RGB 133 134 69

HSL 60.92, 0.32%, 0.4%

LAB 54.52, -10.22, 34.62

 

CMYK 1 / 0 / 49 / 36

HEX #A0A253

RGB 160 162 83

HSL 61.52, 0.32%, 0.48%

LAB 64.91, -12.24, 40.5

 

CMYK 1 / 0 / 48 / 58

HEX #696A37

RGB 105 106 55

HSL 61.18, 0.32%, 0.32%

LAB 43.63, -8.54, 28.34

 

CMYK 49 / 0 / 38 / 58

HEX #376B42

RGB 55 107 66

HSL 132.69, 0.32%, 0.32%

LAB 40.77, -27.26, 17.74

 

CMYK 19 / 49 / 0 / 58

HEX #57376B

RGB 87 55 107

HSL 276.92, 0.32%, 0.32%

LAB 28.95, 24.9, -24.89

 

CMYK 1 / 0 / 48 / 58

HEX #696A37

RGB 105 106 55

HSL 61.18, 0.32%, 0.32%

LAB 43.63, -8.54, 28.34

 

CMYK 49 / 1 / 0 / 58

HEX #376A6B

RGB 55 106 107

HSL 181.15, 0.32%, 0.32%

LAB 41.5, -16.77, -5.88

 

CMYK 0 / 49 / 1 / 58

HEX #6B376A

RGB 107 55 106

HSL 301.15, 0.32%, 0.32%

LAB 31.58, 31.22, -19.96

 

CMYK 1 / 0 / 48 / 58

HEX #696A37

RGB 105 106 55

HSL 61.18, 0.32%, 0.32%

LAB 43.63, -8.54, 28.34

 

CMYK 49 / 0 / 38 / 58

HEX #376B42

RGB 55 107 66

HSL 132.69, 0.32%, 0.32%

LAB 40.77, -27.26, 17.74

 

CMYK 48 / 49 / 0 / 58

HEX #38376B

RGB 56 55 107

HSL 241.15, 0.32%, 0.32%

LAB 25.67, 15.55, -30.31

 

CMYK 0 / 49 / 10 / 58

HEX #6B3760

RGB 107 55 96

HSL 312.69, 0.32%, 0.32%

LAB 31.12, 29.27, -14.27

 

CMYK 1 / 0 / 48 / 58

HEX #696A37

RGB 105 106 55

HSL 61.18, 0.32%, 0.32%

LAB 43.63, -8.54, 28.34

 

CMYK 49 / 0 / 23 / 58

HEX #376B52

RGB 55 107 82

HSL 151.15, 0.32%, 0.32%

LAB 41.12, -23.86, 8.7

 

CMYK 48 / 49 / 0 / 58

HEX #38376B

RGB 56 55 107

HSL 241.15, 0.32%, 0.32%

LAB 25.67, 15.55, -30.31

 

CMYK 0 / 49 / 25 / 58

HEX #6B3750

RGB 107 55 80

HSL 331.15, 0.32%, 0.32%

LAB 30.49, 26.47, -4.86

 

Description

Color code: HEX #696A37 | qconv.com Color code: HEX #696A37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 106 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 106 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 48 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 48% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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