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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #695792 it is the complementary color #96A86D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #695792. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #695792 shade: #6E578D, #7F69A0, #907BB3, #A18DC6 and #B29FD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #695792. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #695792 shade: #695792, #58457F, #47336C, #362159 and #250F46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #695792 shade: #695792, #795792, #895792, #92578B and #92577C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #695792 shade: #695792, #5A5792 and #575792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #695792 shade matches the following richer shades: #695792, #6244A5, #5B32B8, #531FCB and #4C0CDE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #695792 shade: #695792, #716A7F, #787D6C, #809059 and #87A346

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #695792 shade: #576592, #595792, #695792, #795792 and #885792

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #695792 shade: #44395F, #574878, #695792, #7E6CA7 and #9586B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #695792 shade: #695792, #925775 and #5D9257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #695792 shade: #695792, #926957 and #579269

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #695792 shade: #695792, #925775, #819257 and #579275

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #695792 shade: #695792, #925763, #819257 and #579286

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

Complementary color

CMYK 11 / 0 / 35 / 34

HEX #96A86D

RGB 150 168 109

HSL 78.31, 0.25%, 0.54%

LAB 66.21, -16.43, 28.44

 

CMYK 22 / 38 / 0 / 45

HEX #6E578D

RGB 110 87 141

HSL 265.56, 0.24%, 0.45%

LAB 41.3, 21.07, -26.47

 

CMYK 21 / 34 / 0 / 37

HEX #7F69A0

RGB 127 105 160

HSL 264, 0.22%, 0.52%

LAB 48.45, 20.32, -26.54

 

CMYK 20 / 31 / 0 / 30

HEX #907BB3

RGB 144 123 179

HSL 262.5, 0.27%, 0.59%

LAB 55.43, 19.66, -26.64

 

CMYK 19 / 29 / 0 / 22

HEX #A18DC6

RGB 161 141 198

HSL 261.05, 0.33%, 0.66%

LAB 62.26, 19.06, -26.77

 

CMYK 18 / 27 / 0 / 15

HEX #B29FD9

RGB 178 159 217

HSL 259.66, 0.43%, 0.74%

LAB 68.95, 18.52, -26.93

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 31 / 46 / 0 / 50

HEX #58457F

RGB 88 69 127

HSL 259.66, 0.3%, 0.38%

LAB 33.7, 21.7, -30

 

CMYK 34 / 53 / 0 / 58

HEX #47336C

RGB 71 51 108

HSL 261.05, 0.36%, 0.31%

LAB 26.13, 22.77, -30.13

 

CMYK 39 / 63 / 0 / 65

HEX #362159

RGB 54 33 89

HSL 262.5, 0.46%, 0.24%

LAB 18.34, 23.99, -30.27

 

CMYK 47 / 79 / 0 / 73

HEX #250F46

RGB 37 15 70

HSL 264, 0.65%, 0.17%

LAB 10.39, 25.2, -30.25

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 17 / 40 / 0 / 43

HEX #795792

RGB 121 87 146

HSL 274.58, 0.25%, 0.46%

LAB 42.7, 25.81, -27.22

 

CMYK 6 / 40 / 0 / 43

HEX #895792

RGB 137 87 146

HSL 290.85, 0.25%, 0.46%

LAB 44.53, 30.99, -24.22

 

CMYK 0 / 40 / 5 / 43

HEX #92578B

RGB 146 87 139

HSL 307.12, 0.25%, 0.46%

LAB 45.35, 32.58, -18.68

 

CMYK 0 / 40 / 15 / 43

HEX #92577C

RGB 146 87 124

HSL 322.37, 0.25%, 0.46%

LAB 44.78, 29.87, -10.49

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 38 / 40 / 0 / 43

HEX #5A5792

RGB 90 87 146

HSL 243.05, 0.25%, 0.46%

LAB 39.69, 16.33, -32.15

 

CMYK 40 / 40 / 0 / 43

HEX #575792

RGB 87 87 146

HSL 240, 0.25%, 0.46%

LAB 39.44, 15.48, -32.56

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 41 / 59 / 0 / 35

HEX #6244A5

RGB 98 68 165

HSL 258.56, 0.42%, 0.46%

LAB 36.83, 35.68, -48.08

 

CMYK 51 / 73 / 0 / 28

HEX #5B32B8

RGB 91 50 184

HSL 258.36, 0.57%, 0.46%

LAB 33.91, 49.59, -64.17

 

CMYK 59 / 85 / 0 / 20

HEX #531FCB

RGB 83 31 203

HSL 258.14, 0.74%, 0.46%

LAB 32.1, 61.88, -78.34

 

CMYK 66 / 95 / 0 / 13

HEX #4C0CDE

RGB 76 12 222

HSL 258.29, 0.9%, 0.46%

LAB 31.97, 70.99, -89.58

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 11 / 17 / 0 / 50

HEX #716A7F

RGB 113 106 127

HSL 260, 0.09%, 0.46%

LAB 46.11, 7.17, -10.64

 

CMYK 4 / 0 / 14 / 51

HEX #787D6C

RGB 120 125 108

HSL 77.65, 0.07%, 0.46%

LAB 51.55, -5.15, 8.64

 

CMYK 11 / 0 / 38 / 44

HEX #809059

RGB 128 144 89

HSL 77.45, 0.24%, 0.46%

LAB 57.32, -15.33, 27.35

 

CMYK 17 / 0 / 57 / 36

HEX #87A346

RGB 135 163 70

HSL 78.06, 0.4%, 0.46%

LAB 63.17, -24.36, 44.33

 

CMYK 40 / 31 / 0 / 43

HEX #576592

RGB 87 101 146

HSL 225.76, 0.25%, 0.46%

LAB 43.37, 6.7, -26.4

 

CMYK 39 / 40 / 0 / 43

HEX #595792

RGB 89 87 146

HSL 242.03, 0.25%, 0.46%

LAB 39.61, 16.04, -32.29

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 17 / 40 / 0 / 43

HEX #795792

RGB 121 87 146

HSL 274.58, 0.25%, 0.46%

LAB 42.7, 25.81, -27.22

 

CMYK 7 / 40 / 0 / 43

HEX #885792

RGB 136 87 146

HSL 289.83, 0.25%, 0.46%

LAB 44.41, 30.66, -24.42

 

CMYK 28 / 40 / 0 / 63

HEX #44395F

RGB 68 57 95

HSL 257.37, 0.25%, 0.3%

LAB 26.68, 14.14, -20.88

 

CMYK 28 / 40 / 0 / 53

HEX #574878

RGB 87 72 120

HSL 258.75, 0.25%, 0.38%

LAB 34.02, 17.56, -25.15

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 25 / 35 / 0 / 35

HEX #7E6CA7

RGB 126 108 167

HSL 258.31, 0.25%, 0.54%

LAB 49.44, 19.94, -29.12

 

CMYK 18 / 26 / 0 / 29

HEX #9586B6

RGB 149 134 182

HSL 258.75, 0.25%, 0.62%

LAB 58.8, 15.57, -23.12

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 0 / 40 / 20 / 43

HEX #925775

RGB 146 87 117

HSL 329.49, 0.25%, 0.46%

LAB 44.54, 28.7, -6.6

 

CMYK 36 / 0 / 40 / 43

HEX #5D9257

RGB 93 146 87

HSL 113.9, 0.25%, 0.46%

LAB 55.66, -29.87, 25.84

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 0 / 28 / 40 / 43

HEX #926957

RGB 146 105 87

HSL 18.31, 0.25%, 0.46%

LAB 48.14, 13.97, 16.6

 

CMYK 40 / 0 / 28 / 43

HEX #579269

RGB 87 146 105

HSL 138.31, 0.25%, 0.46%

LAB 55.69, -28.63, 15.83

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 0 / 40 / 20 / 43

HEX #925775

RGB 146 87 117

HSL 329.49, 0.25%, 0.46%

LAB 44.54, 28.7, -6.6

 

CMYK 12 / 0 / 40 / 43

HEX #819257

RGB 129 146 87

HSL 77.29, 0.25%, 0.46%

LAB 57.95, -16.25, 29.26

 

CMYK 40 / 0 / 20 / 43

HEX #579275

RGB 87 146 117

HSL 150.51, 0.25%, 0.46%

LAB 55.96, -26.14, 9.4

 

CMYK 28 / 40 / 0 / 43

HEX #695792

RGB 105 87 146

HSL 258.31, 0.25%, 0.46%

LAB 41.05, 20.79, -29.92

 

CMYK 0 / 40 / 32 / 43

HEX #925763

RGB 146 87 99

HSL 347.8, 0.25%, 0.46%

LAB 43.99, 25.97, 3.57

 

CMYK 12 / 0 / 40 / 43

HEX #819257

RGB 129 146 87

HSL 77.29, 0.25%, 0.46%

LAB 57.95, -16.25, 29.26

 

CMYK 40 / 0 / 8 / 43

HEX #579286

RGB 87 146 134

HSL 167.8, 0.25%, 0.46%

LAB 56.39, -22.2, 0.31

 

Description

Color code: HEX #695792 | qconv.com Color code: HEX #695792 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 87 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 87 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 40 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 40% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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