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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #694E47 it is the complementary color #96B1B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #694E47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #694E47 shade: #6E4E42, #7F6055, #907268, #A1847B and #B2968E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #694E47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #694E47 shade: #694E47, #583C34, #472A21, #36180E and #250600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #694E47 shade: #6A4F48 and #6A4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #694E47 shade: #6A4F48, #6A5848, #6A6148, #696A48 and #606A48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #694E47 shade matches the following richer shades: #6A4F48, #784639, #873E2B, #95351C and #A32D0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #694E47 shade: #6A4F48, #5B5756, #4D6065, #3E6873 and #307182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #694E47 shade: #6A4853, #6A484A, #6A4F48, #6A5848 and #6A6148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #694E47 shade: #392A26, #513C37, #6A4F48, #826159 and #9A746A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #694E47 shade: #694E47, #5C6A48 and #484F6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #694E47 shade: #694E47, #486A4F and #4F486A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #694E47 shade: #694E47, #5C6A48, #48636A and #55486A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #694E47 shade: #694E47, #526A48, #48636A and #60486A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 32 / 59

HEX #694E47

RGB 105 78 71

HSL 12.35, 0.19%, 0.35%

LAB 35.8, 10.26, 8.55

 

Complementary color

CMYK 18 / 4 / 0 / 28

HEX #96B1B8

RGB 150 177 184

HSL 192.35, 0.19%, 0.65%

LAB 70.45, -7.7, -6.67

 

CMYK 0 / 29 / 40 / 57

HEX #6E4E42

RGB 110 78 66

HSL 16.36, 0.25%, 0.35%

LAB 36.29, 11.76, 12.44

 

CMYK 0 / 24 / 33 / 50

HEX #7F6055

RGB 127 96 85

HSL 15.71, 0.2%, 0.42%

LAB 43.56, 10.92, 11.15

 

CMYK 0 / 21 / 28 / 44

HEX #907268

RGB 144 114 104

HSL 15, 0.16%, 0.49%

LAB 50.64, 10.22, 10.02

 

CMYK 0 / 18 / 24 / 37

HEX #A1847B

RGB 161 132 123

HSL 14.21, 0.17%, 0.56%

LAB 57.57, 9.64, 9.01

 

CMYK 0 / 16 / 20 / 30

HEX #B2968E

RGB 178 150 142

HSL 13.33, 0.19%, 0.63%

LAB 64.35, 9.13, 8.09

 

CMYK 0 / 26 / 32 / 59

HEX #694E47

RGB 105 78 71

HSL 12.35, 0.19%, 0.35%

LAB 35.8, 10.26, 8.55

 

CMYK 0 / 32 / 41 / 65

HEX #583C34

RGB 88 60 52

HSL 13.33, 0.26%, 0.27%

LAB 28.26, 11.15, 9.87

 

CMYK 0 / 41 / 54 / 72

HEX #472A21

RGB 71 42 33

HSL 14.21, 0.37%, 0.2%

LAB 20.46, 12.31, 11.51

 

CMYK 0 / 56 / 74 / 79

HEX #36180E

RGB 54 24 14

HSL 15, 0.59%, 0.13%

LAB 12.41, 13.88, 12.85

 

CMYK 0 / 84 / 100 / 85

HEX #250600

RGB 37 6 0

HSL 9.73, 1%, 0.07%

LAB 4.73, 13.54, 7.33

 

CMYK 0 / 25 / 32 / 58

HEX #6A4F48

RGB 106 79 72

HSL 12.35, 0.19%, 0.35%

LAB 36.22, 10.23, 8.53

 

CMYK 0 / 32 / 32 / 58

HEX #6A4848

RGB 106 72 72

HSL 0, 0.19%, 0.35%

LAB 34.33, 14.55, 5.86

 

CMYK 0 / 25 / 32 / 58

HEX #6A4F48

RGB 106 79 72

HSL 12.35, 0.19%, 0.35%

LAB 36.22, 10.23, 8.53

 

CMYK 0 / 17 / 32 / 58

HEX #6A5848

RGB 106 88 72

HSL 28.24, 0.19%, 0.35%

LAB 38.75, 4.73, 12.04

 

CMYK 0 / 8 / 32 / 58

HEX #6A6148

RGB 106 97 72

HSL 44.12, 0.19%, 0.35%

LAB 41.35, -0.68, 15.59

 

CMYK 1 / 0 / 32 / 58

HEX #696A48

RGB 105 106 72

HSL 61.76, 0.19%, 0.35%

LAB 43.91, -6.38, 19.01

 

CMYK 9 / 0 / 32 / 58

HEX #606A48

RGB 96 106 72

HSL 77.65, 0.19%, 0.35%

LAB 43.16, -10.24, 17.87

 

CMYK 0 / 25 / 32 / 58

HEX #6A4F48

RGB 106 79 72

HSL 12.35, 0.19%, 0.35%

LAB 36.22, 10.23, 8.53

 

CMYK 0 / 42 / 53 / 53

HEX #784639

RGB 120 70 57

HSL 12.38, 0.36%, 0.35%

LAB 35.34, 19.95, 16.98

 

CMYK 0 / 54 / 68 / 47

HEX #873E2B

RGB 135 62 43

HSL 12.39, 0.52%, 0.35%

LAB 35.54, 29.73, 26.27

 

CMYK 0 / 64 / 81 / 42

HEX #95351C

RGB 149 53 28

HSL 12.4, 0.68%, 0.35%

LAB 36.02, 39.05, 35.99

 

CMYK 0 / 72 / 91 / 36

HEX #A32D0E

RGB 163 45 14

HSL 12.48, 0.84%, 0.35%

LAB 37.29, 47.08, 44.61

 

CMYK 0 / 25 / 32 / 58

HEX #6A4F48

RGB 106 79 72

HSL 12.35, 0.19%, 0.35%

LAB 36.22, 10.23, 8.53

 

CMYK 0 / 4 / 5 / 64

HEX #5B5756

RGB 91 87 86

HSL 12, 0.03%, 0.35%

LAB 37.32, 1.41, 1.15

 

CMYK 24 / 5 / 0 / 60

HEX #4D6065

RGB 77 96 101

HSL 192.5, 0.13%, 0.35%

LAB 39.38, -5.93, -5.23

 

CMYK 46 / 10 / 0 / 55

HEX #3E6873

RGB 62 104 115

HSL 192.45, 0.3%, 0.35%

LAB 41.47, -11.44, -10.75

 

CMYK 63 / 13 / 0 / 49

HEX #307182

RGB 48 113 130

HSL 192.44, 0.46%, 0.35%

LAB 44.31, -15.15, -15.56

 

CMYK 0 / 32 / 22 / 58

HEX #6A4853

RGB 106 72 83

HSL 340.59, 0.19%, 0.35%

LAB 34.65, 16.33, -0.67

 

CMYK 0 / 32 / 30 / 58

HEX #6A484A

RGB 106 72 74

HSL 356.47, 0.19%, 0.35%

LAB 34.38, 14.85, 4.67

 

CMYK 0 / 25 / 32 / 58

HEX #6A4F48

RGB 106 79 72

HSL 12.35, 0.19%, 0.35%

LAB 36.22, 10.23, 8.53

 

CMYK 0 / 17 / 32 / 58

HEX #6A5848

RGB 106 88 72

HSL 28.24, 0.19%, 0.35%

LAB 38.75, 4.73, 12.04

 

CMYK 0 / 8 / 32 / 58

HEX #6A6148

RGB 106 97 72

HSL 44.12, 0.19%, 0.35%

LAB 41.35, -0.68, 15.59

 

CMYK 0 / 26 / 33 / 78

HEX #392A26

RGB 57 42 38

HSL 12.63, 0.2%, 0.19%

LAB 18.65, 6.25, 5.29

 

CMYK 0 / 26 / 32 / 68

HEX #513C37

RGB 81 60 55

HSL 11.54, 0.19%, 0.27%

LAB 27.45, 8.39, 6.66

 

CMYK 0 / 25 / 32 / 58

HEX #6A4F48

RGB 106 79 72

HSL 12.35, 0.19%, 0.35%

LAB 36.22, 10.23, 8.53

 

CMYK 0 / 25 / 32 / 49

HEX #826159

RGB 130 97 89

HSL 11.71, 0.19%, 0.43%

LAB 44.26, 12.17, 9.76

 

CMYK 0 / 25 / 31 / 40

HEX #9A746A

RGB 154 116 106

HSL 12.5, 0.19%, 0.51%

LAB 52.29, 13.45, 11.32

 

CMYK 0 / 26 / 32 / 59

HEX #694E47

RGB 105 78 71

HSL 12.35, 0.19%, 0.35%

LAB 35.8, 10.26, 8.55

 

CMYK 13 / 0 / 32 / 58

HEX #5C6A48

RGB 92 106 72

HSL 84.71, 0.19%, 0.35%

LAB 42.84, -11.92, 17.39

 

CMYK 32 / 25 / 0 / 58

HEX #484F6A

RGB 72 79 106

HSL 227.65, 0.19%, 0.35%

LAB 34, 4.22, -16.52

 

CMYK 0 / 26 / 32 / 59

HEX #694E47

RGB 105 78 71

HSL 12.35, 0.19%, 0.35%

LAB 35.8, 10.26, 8.55

 

CMYK 32 / 0 / 25 / 58

HEX #486A4F

RGB 72 106 79

HSL 132.35, 0.19%, 0.35%

LAB 41.61, -18.44, 11.33

 

CMYK 25 / 32 / 0 / 58

HEX #4F486A

RGB 79 72 106

HSL 252.35, 0.19%, 0.35%

LAB 32.56, 11.1, -18.69

 

CMYK 0 / 26 / 32 / 59

HEX #694E47

RGB 105 78 71

HSL 12.35, 0.19%, 0.35%

LAB 35.8, 10.26, 8.55

 

CMYK 13 / 0 / 32 / 58

HEX #5C6A48

RGB 92 106 72

HSL 84.71, 0.19%, 0.35%

LAB 42.84, -11.92, 17.39

 

CMYK 32 / 7 / 0 / 58

HEX #48636A

RGB 72 99 106

HSL 192.35, 0.19%, 0.35%

LAB 40.15, -8.08, -7.19

 

CMYK 20 / 32 / 0 / 58

HEX #55486A

RGB 85 72 106

HSL 262.94, 0.19%, 0.35%

LAB 33.15, 13.18, -17.74

 

CMYK 0 / 26 / 32 / 59

HEX #694E47

RGB 105 78 71

HSL 12.35, 0.19%, 0.35%

LAB 35.8, 10.26, 8.55

 

CMYK 23 / 0 / 32 / 58

HEX #526A48

RGB 82 106 72

HSL 102.35, 0.19%, 0.35%

LAB 42.11, -15.98, 16.28

 

CMYK 32 / 7 / 0 / 58

HEX #48636A

RGB 72 99 106

HSL 192.35, 0.19%, 0.35%

LAB 40.15, -8.08, -7.19

 

CMYK 9 / 32 / 0 / 58

HEX #60486A

RGB 96 72 106

HSL 282.35, 0.19%, 0.35%

LAB 34.32, 17.11, -15.84

 

Description

Color code: HEX #694E47 | qconv.com Color code: HEX #694E47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 78 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 78 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 32 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 32% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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