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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6911B4 it is the complementary color #96EE4B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6911B4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6911B4 shade: #6E11AF, #7F23C2, #9035D5, #A147E8 and #B259FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6911B4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6911B4 shade: #6911B4, #5800A1, #47008E, #36007B and #250068

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6911B4 shade: #6A10B5, #9610B5, #B510A8, #B5107C and #B5104F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6911B4 shade: #6A10B5, #3D10B5, #1010B5 and #1010B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6911B4 shade matches the following richer shades: #6A10B5 and #6B00C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6911B4 shade: #6A10B5, #6820A5, #673195, #664185 and #645175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6911B4 shade: #1010B5, #3C10B5, #6810B5, #9410B5 and #B510AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6911B4 shade: #3E096A, #540D90, #6A10B5, #8014DB and #942DEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6911B4 shade: #6911B4, #B5103C and #10B526

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6911B4 shade: #6911B4, #B56810 and #10B568

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6911B4 shade: #6911B4, #B5103C, #5DB510 and #10B589

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6911B4 shade: #6911B4, #B51610, #5DB510 and #10B0B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 91 / 0 / 29

HEX #6911B4

RGB 105 17 180

HSL 272.39, 0.83%, 0.39%

LAB 31.11, 62.64, -66.32

 

Complementary color

CMYK 37 / 0 / 68 / 7

HEX #96EE4B

RGB 150 238 75

HSL 92.39, 0.83%, 0.61%

LAB 86.08, -51.96, 67.32

 

CMYK 37 / 90 / 0 / 31

HEX #6E11AF

RGB 110 17 175

HSL 275.32, 0.82%, 0.38%

LAB 31.37, 62.16, -62.88

 

CMYK 35 / 82 / 0 / 24

HEX #7F23C2

RGB 127 35 194

HSL 274.72, 0.69%, 0.45%

LAB 37.13, 63.8, -64.61

 

CMYK 32 / 75 / 0 / 16

HEX #9035D5

RGB 144 53 213

HSL 274.13, 0.66%, 0.52%

LAB 43.18, 64.35, -65.68

 

CMYK 31 / 69 / 0 / 9

HEX #A147E8

RGB 161 71 232

HSL 273.54, 0.78%, 0.59%

LAB 49.39, 64.24, -66.33

 

CMYK 29 / 65 / 0 / 2

HEX #B259FB

RGB 178 89 251

HSL 272.96, 0.95%, 0.67%

LAB 55.66, 63.76, -66.71

 

CMYK 42 / 91 / 0 / 29

HEX #6911B4

RGB 105 17 180

HSL 272.39, 0.83%, 0.39%

LAB 31.11, 62.64, -66.32

 

CMYK 45 / 100 / 0 / 37

HEX #5800A1

RGB 88 0 161

HSL 272.8, 1%, 0.32%

LAB 25.71, 59.82, -63.86

 

CMYK 50 / 100 / 0 / 44

HEX #47008E

RGB 71 0 142

HSL 270, 1%, 0.28%

LAB 21.18, 54.02, -59.71

 

CMYK 56 / 100 / 0 / 52

HEX #36007B

RGB 54 0 123

HSL 266.34, 1%, 0.24%

LAB 16.57, 48.14, -55.4

 

CMYK 64 / 100 / 0 / 59

HEX #250068

RGB 37 0 104

HSL 261.35, 1%, 0.2%

LAB 11.91, 42.18, -50.85

 

CMYK 41 / 91 / 0 / 29

HEX #6A10B5

RGB 106 16 181

HSL 272.73, 0.84%, 0.39%

LAB 31.28, 63.19, -66.64

 

CMYK 17 / 91 / 0 / 29

HEX #9610B5

RGB 150 16 181

HSL 288.73, 0.84%, 0.39%

LAB 38.18, 69.22, -55.08

 

CMYK 0 / 91 / 7 / 29

HEX #B510A8

RGB 181 16 168

HSL 304.73, 0.84%, 0.39%

LAB 42.8, 72.43, -39.65

 

CMYK 0 / 91 / 31 / 29

HEX #B5107C

RGB 181 16 124

HSL 320.73, 0.84%, 0.39%

LAB 40.65, 66.84, -16.22

 

CMYK 0 / 91 / 56 / 29

HEX #B5104F

RGB 181 16 79

HSL 337.09, 0.84%, 0.39%

LAB 39.17, 62.79, 10.03

 

CMYK 41 / 91 / 0 / 29

HEX #6A10B5

RGB 106 16 181

HSL 272.73, 0.84%, 0.39%

LAB 31.28, 63.19, -66.64

 

CMYK 66 / 91 / 0 / 29

HEX #3D10B5

RGB 61 16 181

HSL 256.36, 0.84%, 0.39%

LAB 25.86, 59.11, -75.77

 

CMYK 91 / 91 / 0 / 29

HEX #1010B5

RGB 16 16 181

HSL 240, 0.84%, 0.39%

LAB 23.06, 57.33, -80.52

 

CMYK 91 / 91 / 0 / 29

HEX #1010B5

RGB 16 16 181

HSL 240, 0.84%, 0.39%

LAB 23.06, 57.33, -80.52

 

CMYK 41 / 91 / 0 / 29

HEX #6A10B5

RGB 106 16 181

HSL 272.73, 0.84%, 0.39%

LAB 31.28, 63.19, -66.64

 

CMYK 46 / 100 / 0 / 22

HEX #6B00C6

RGB 107 0 198

HSL 272.42, 1%, 0.39%

LAB 32.26, 69.51, -75.06

 

CMYK 41 / 91 / 0 / 29

HEX #6A10B5

RGB 106 16 181

HSL 272.73, 0.84%, 0.39%

LAB 31.28, 63.19, -66.64

 

CMYK 37 / 81 / 0 / 35

HEX #6820A5

RGB 104 32 165

HSL 272.48, 0.68%, 0.39%

LAB 31.1, 54.72, -57.35

 

CMYK 31 / 67 / 0 / 42

HEX #673195

RGB 103 49 149

HSL 272.4, 0.51%, 0.39%

LAB 32.37, 43.15, -45.57

 

CMYK 23 / 51 / 0 / 48

HEX #664185

RGB 102 65 133

HSL 272.65, 0.34%, 0.39%

LAB 34.6, 29.95, -32.18

 

CMYK 15 / 31 / 0 / 54

HEX #645175

RGB 100 81 117

HSL 271.67, 0.18%, 0.39%

LAB 37.62, 15.51, -17.59

 

CMYK 91 / 91 / 0 / 29

HEX #1010B5

RGB 16 16 181

HSL 240, 0.84%, 0.39%

LAB 23.06, 57.33, -80.52

 

CMYK 67 / 91 / 0 / 29

HEX #3C10B5

RGB 60 16 181

HSL 256, 0.84%, 0.39%

LAB 25.77, 59.04, -75.93

 

CMYK 43 / 91 / 0 / 29

HEX #6810B5

RGB 104 16 181

HSL 272, 0.84%, 0.39%

LAB 31, 62.96, -67.11

 

CMYK 18 / 91 / 0 / 29

HEX #9410B5

RGB 148 16 181

HSL 288, 0.84%, 0.39%

LAB 37.85, 68.91, -55.64

 

CMYK 0 / 91 / 6 / 29

HEX #B510AA

RGB 181 16 170

HSL 304, 0.84%, 0.39%

LAB 42.91, 72.71, -40.67

 

CMYK 42 / 92 / 0 / 58

HEX #3E096A

RGB 62 9 106

HSL 272.78, 0.84%, 0.23%

LAB 16.8, 41.97, -43.98

 

CMYK 42 / 91 / 0 / 44

HEX #540D90

RGB 84 13 144

HSL 272.52, 0.83%, 0.31%

LAB 24.28, 52.88, -55.78

 

CMYK 41 / 91 / 0 / 29

HEX #6A10B5

RGB 106 16 181

HSL 272.73, 0.84%, 0.39%

LAB 31.28, 63.19, -66.64

 

CMYK 42 / 91 / 0 / 14

HEX #8014DB

RGB 128 20 219

HSL 272.56, 0.83%, 0.47%

LAB 38.21, 73.06, -77.35

 

CMYK 37 / 81 / 0 / 8

HEX #942DEB

RGB 148 45 235

HSL 272.53, 0.83%, 0.55%

LAB 44.48, 72.6, -76.09

 

CMYK 42 / 91 / 0 / 29

HEX #6911B4

RGB 105 17 180

HSL 272.39, 0.83%, 0.39%

LAB 31.11, 62.64, -66.32

 

CMYK 0 / 91 / 67 / 29

HEX #B5103C

RGB 181 16 60

HSL 344, 0.84%, 0.39%

LAB 38.76, 61.64, 21.63

 

CMYK 91 / 0 / 79 / 29

HEX #10B526

RGB 16 181 38

HSL 128, 0.84%, 0.39%

LAB 64.4, -64.36, 57.15

 

CMYK 42 / 91 / 0 / 29

HEX #6911B4

RGB 105 17 180

HSL 272.39, 0.83%, 0.39%

LAB 31.11, 62.64, -66.32

 

CMYK 0 / 43 / 91 / 29

HEX #B56810

RGB 181 104 16

HSL 32, 0.84%, 0.39%

LAB 51.57, 25.23, 55.86

 

CMYK 91 / 0 / 43 / 29

HEX #10B568

RGB 16 181 104

HSL 152, 0.84%, 0.39%

LAB 65.09, -55.95, 28.68

 

CMYK 42 / 91 / 0 / 29

HEX #6911B4

RGB 105 17 180

HSL 272.39, 0.83%, 0.39%

LAB 31.11, 62.64, -66.32

 

CMYK 0 / 91 / 67 / 29

HEX #B5103C

RGB 181 16 60

HSL 344, 0.84%, 0.39%

LAB 38.76, 61.64, 21.63

 

CMYK 49 / 0 / 91 / 29

HEX #5DB510

RGB 93 181 16

HSL 92, 0.84%, 0.39%

LAB 66.07, -50.84, 64.5

 

CMYK 91 / 0 / 24 / 29

HEX #10B589

RGB 16 181 137

HSL 164, 0.84%, 0.39%

LAB 65.72, -48.76, 11.78

 

CMYK 42 / 91 / 0 / 29

HEX #6911B4

RGB 105 17 180

HSL 272.39, 0.83%, 0.39%

LAB 31.11, 62.64, -66.32

 

CMYK 0 / 88 / 91 / 29

HEX #B51610

RGB 181 22 16

HSL 2.18, 0.84%, 0.39%

LAB 38.61, 59.18, 46.43

 

CMYK 49 / 0 / 91 / 29

HEX #5DB510

RGB 93 181 16

HSL 92, 0.84%, 0.39%

LAB 66.07, -50.84, 64.5

 

CMYK 91 / 3 / 0 / 29

HEX #10B0B5

RGB 16 176 181

HSL 181.82, 0.84%, 0.39%

LAB 65.36, -34.29, -13.11

 

Description

Color code: HEX #6911B4 | qconv.com Color code: HEX #6911B4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 17 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 17 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 91 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 91% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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