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Color name
HEX #6916B6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6916B6 it is the complementary color #96E949. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6916B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6916B6 shade: #6E16B1, #7F28C4, #903AD7, #A14CEA and #B25EFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6916B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6916B6 shade: #6916B6, #5804A3, #470090, #36007D and #25006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6916B6 shade: #6816B5, #9316B5, #B516AC, #B51681 and #B51656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6916B6 shade: #6816B5, #3E16B5 and #1616B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6916B6 shade matches the following richer shades: #6816B5 and #6905C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6916B6 shade: #6816B5, #6826A5, #673794, #674784 and #665873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6916B6 shade: #1619B5, #3E16B5, #6816B5, #9316B5 and #B516AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6916B6 shade: #3E0D6C, #531190, #6816B5, #7E1ADA and #9238E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6916B6 shade: #6916B6, #B51643 and #16B529

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6916B6 shade: #6916B6, #B56816 and #16B568

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6916B6 shade: #6916B6, #B51643, #63B516 and #16B588

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6916B6 shade: #6916B6, #B51916, #63B516 and #16B2B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 88 / 0 / 29

HEX #6916B6

RGB 105 22 182

HSL 271.13, 0.78%, 0.4%

LAB 31.7, 61.89, -66.54

 

Complementary color

CMYK 36 / 0 / 69 / 9

HEX #96E949

RGB 150 233 73

HSL 91.13, 0.78%, 0.6%

LAB 84.61, -50.06, 66.55

 

CMYK 38 / 88 / 0 / 31

HEX #6E16B1

RGB 110 22 177

HSL 274.06, 0.78%, 0.39%

LAB 31.95, 61.42, -63.13

 

CMYK 35 / 80 / 0 / 23

HEX #7F28C4

RGB 127 40 196

HSL 273.46, 0.66%, 0.46%

LAB 37.87, 62.57, -64.58

 

CMYK 33 / 73 / 0 / 16

HEX #903AD7

RGB 144 58 215

HSL 272.87, 0.66%, 0.54%

LAB 44.03, 62.79, -65.44

 

CMYK 31 / 68 / 0 / 8

HEX #A14CEA

RGB 161 76 234

HSL 272.28, 0.79%, 0.61%

LAB 50.32, 62.46, -65.94

 

CMYK 30 / 63 / 0 / 1

HEX #B25EFD

RGB 178 94 253

HSL 271.7, 0.98%, 0.68%

LAB 56.65, 61.85, -66.23

 

CMYK 42 / 88 / 0 / 29

HEX #6916B6

RGB 105 22 182

HSL 271.13, 0.78%, 0.4%

LAB 31.7, 61.89, -66.54

 

CMYK 46 / 98 / 0 / 36

HEX #5804A3

RGB 88 4 163

HSL 271.7, 0.95%, 0.33%

LAB 26.17, 59.48, -64.31

 

CMYK 51 / 100 / 0 / 44

HEX #470090

RGB 71 0 144

HSL 269.58, 1%, 0.28%

LAB 21.41, 54.48, -60.58

 

CMYK 57 / 100 / 0 / 51

HEX #36007D

RGB 54 0 125

HSL 265.92, 1%, 0.25%

LAB 16.82, 48.62, -56.27

 

CMYK 65 / 100 / 0 / 58

HEX #25006A

RGB 37 0 106

HSL 260.94, 1%, 0.21%

LAB 12.18, 42.7, -51.72

 

CMYK 43 / 88 / 0 / 29

HEX #6816B5

RGB 104 22 181

HSL 270.94, 0.78%, 0.4%

LAB 31.47, 61.54, -66.34

 

CMYK 19 / 88 / 0 / 29

HEX #9316B5

RGB 147 22 181

HSL 287.17, 0.78%, 0.4%

LAB 38.04, 67.68, -55.33

 

CMYK 0 / 88 / 5 / 29

HEX #B516AC

RGB 181 22 172

HSL 303.4, 0.78%, 0.4%

LAB 43.32, 72.12, -41.19

 

CMYK 0 / 88 / 29 / 29

HEX #B51681

RGB 181 22 129

HSL 319.62, 0.78%, 0.4%

LAB 41.19, 66.45, -18.5

 

CMYK 0 / 88 / 52 / 29

HEX #B51656

RGB 181 22 86

HSL 335.85, 0.78%, 0.4%

LAB 39.7, 62.31, 6.3

 

CMYK 43 / 88 / 0 / 29

HEX #6816B5

RGB 104 22 181

HSL 270.94, 0.78%, 0.4%

LAB 31.47, 61.54, -66.34

 

CMYK 66 / 88 / 0 / 29

HEX #3E16B5

RGB 62 22 181

HSL 255.09, 0.78%, 0.4%

LAB 26.55, 57.39, -74.63

 

CMYK 88 / 88 / 0 / 29

HEX #1616B5

RGB 22 22 181

HSL 240, 0.78%, 0.4%

LAB 23.94, 55.41, -79.04

 

CMYK 43 / 88 / 0 / 29

HEX #6816B5

RGB 104 22 181

HSL 270.94, 0.78%, 0.4%

LAB 31.47, 61.54, -66.34

 

CMYK 47 / 97 / 0 / 22

HEX #6905C6

RGB 105 5 198

HSL 271.09, 0.95%, 0.4%

LAB 32.23, 68.59, -75.12

 

CMYK 43 / 88 / 0 / 29

HEX #6816B5

RGB 104 22 181

HSL 270.94, 0.78%, 0.4%

LAB 31.47, 61.54, -66.34

 

CMYK 37 / 77 / 0 / 35

HEX #6826A5

RGB 104 38 165

HSL 271.18, 0.63%, 0.4%

LAB 31.91, 52.37, -56.03

 

CMYK 30 / 63 / 0 / 42

HEX #673794

RGB 103 55 148

HSL 270.97, 0.46%, 0.4%

LAB 33.47, 39.73, -43.19

 

CMYK 22 / 46 / 0 / 48

HEX #674784

RGB 103 71 132

HSL 271.48, 0.3%, 0.4%

LAB 36.09, 26.38, -29.2

 

CMYK 11 / 23 / 0 / 55

HEX #665873

RGB 102 88 115

HSL 271.11, 0.13%, 0.4%

LAB 39.65, 11.4, -13.23

 

CMYK 88 / 86 / 0 / 29

HEX #1619B5

RGB 22 25 181

HSL 238.87, 0.78%, 0.4%

LAB 24.33, 54.23, -78.39

 

CMYK 66 / 88 / 0 / 29

HEX #3E16B5

RGB 62 22 181

HSL 255.09, 0.78%, 0.4%

LAB 26.55, 57.39, -74.63

 

CMYK 43 / 88 / 0 / 29

HEX #6816B5

RGB 104 22 181

HSL 270.94, 0.78%, 0.4%

LAB 31.47, 61.54, -66.34

 

CMYK 19 / 88 / 0 / 29

HEX #9316B5

RGB 147 22 181

HSL 287.17, 0.78%, 0.4%

LAB 38.04, 67.68, -55.33

 

CMYK 0 / 88 / 4 / 29

HEX #B516AD

RGB 181 22 173

HSL 303.02, 0.78%, 0.4%

LAB 43.38, 72.26, -41.7

 

CMYK 43 / 88 / 0 / 58

HEX #3E0D6C

RGB 62 13 108

HSL 270.95, 0.79%, 0.24%

LAB 17.44, 41.17, -44.24

 

CMYK 42 / 88 / 0 / 44

HEX #531190

RGB 83 17 144

HSL 271.18, 0.79%, 0.32%

LAB 24.49, 51.67, -55.44

 

CMYK 43 / 88 / 0 / 29

HEX #6816B5

RGB 104 22 181

HSL 270.94, 0.78%, 0.4%

LAB 31.47, 61.54, -66.34

 

CMYK 42 / 88 / 0 / 15

HEX #7E1ADA

RGB 126 26 218

HSL 271.25, 0.79%, 0.48%

LAB 38.26, 71.36, -76.69

 

CMYK 37 / 76 / 0 / 10

HEX #9238E6

RGB 146 56 230

HSL 271.03, 0.78%, 0.56%

LAB 45.15, 67.31, -72.16

 

CMYK 42 / 88 / 0 / 29

HEX #6916B6

RGB 105 22 182

HSL 271.13, 0.78%, 0.4%

LAB 31.7, 61.89, -66.54

 

CMYK 0 / 88 / 63 / 29

HEX #B51643

RGB 181 22 67

HSL 343.02, 0.78%, 0.4%

LAB 39.25, 61.02, 17.81

 

CMYK 88 / 0 / 77 / 29

HEX #16B529

RGB 22 181 41

HSL 127.17, 0.78%, 0.4%

LAB 64.47, -63.72, 56.28

 

CMYK 42 / 88 / 0 / 29

HEX #6916B6

RGB 105 22 182

HSL 271.13, 0.78%, 0.4%

LAB 31.7, 61.89, -66.54

 

CMYK 0 / 43 / 88 / 29

HEX #B56816

RGB 181 104 22

HSL 30.94, 0.78%, 0.4%

LAB 51.59, 25.35, 54.15

 

CMYK 88 / 0 / 43 / 29

HEX #16B568

RGB 22 181 104

HSL 150.94, 0.78%, 0.4%

LAB 65.14, -55.56, 28.75

 

CMYK 42 / 88 / 0 / 29

HEX #6916B6

RGB 105 22 182

HSL 271.13, 0.78%, 0.4%

LAB 31.7, 61.89, -66.54

 

CMYK 0 / 88 / 63 / 29

HEX #B51643

RGB 181 22 67

HSL 343.02, 0.78%, 0.4%

LAB 39.25, 61.02, 17.81

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 88 / 0 / 25 / 29

HEX #16B588

RGB 22 181 136

HSL 163.02, 0.78%, 0.4%

LAB 65.75, -48.65, 12.37

 

CMYK 42 / 88 / 0 / 29

HEX #6916B6

RGB 105 22 182

HSL 271.13, 0.78%, 0.4%

LAB 31.7, 61.89, -66.54

 

CMYK 0 / 86 / 88 / 29

HEX #B51916

RGB 181 25 22

HSL 1.13, 0.78%, 0.4%

LAB 38.86, 58.68, 43.92

 

CMYK 45 / 0 / 88 / 29

HEX #63B516

RGB 99 181 22

HSL 90.94, 0.78%, 0.4%

LAB 66.33, -48.76, 63.75

 

CMYK 88 / 2 / 0 / 29

HEX #16B2B5

RGB 22 178 181

HSL 181.13, 0.78%, 0.4%

LAB 66.02, -34.92, -12.11

 

Description

Color code: HEX #6916B6 | qconv.com Color code: HEX #6916B6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 105 red, 22 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
105 22 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 88 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 88% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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