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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68E25B it is the complementary color #971DA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68E25B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68E25B shade: #6DE256, #7EF469, #8FFF7C, #A0FF8F and #B1FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68E25B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68E25B shade: #68E25B, #57D048, #46BE35, #35AC22 and #249A0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68E25B shade: #67E15A, #8BE15A, #B0E15A, #D5E15A and #E1CA5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68E25B shade: #67E15A, #5AE171, #5AE196, #5AE1BA and #5AE1DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68E25B shade matches the following richer shades: #67E15A and #5AF14A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68E25B shade: #67E15A, #73D269, #80C279, #8DB289 and #99A398

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68E25B shade: #B0E15A, #8CE15A, #67E15A, #5AE170 and #5AE195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68E25B shade: #32C623, #47DB37, #67E15A, #87E87D and #A7EEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68E25B shade: #68E25B, #5AD4E1 and #E15A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68E25B shade: #68E25B, #5A67E1 and #E15A67

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68E25B shade: #68E25B, #5AD4E1, #D45AE1 and #E1675A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68E25B shade: #68E25B, #5AABE1, #D45AE1 and #E1905A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 60 / 11

HEX #68E25B

RGB 104 226 91

HSL 114.22, 0.7%, 0.62%

LAB 80.79, -59.52, 54.58

 

Complementary color

CMYK 8 / 82 / 0 / 36

HEX #971DA4

RGB 151 29 164

HSL 294.22, 0.7%, 0.38%

LAB 38.09, 63.77, -45.08

 

CMYK 52 / 0 / 62 / 11

HEX #6DE256

RGB 109 226 86

HSL 110.14, 0.71%, 0.61%

LAB 80.91, -58.73, 56.91

 

CMYK 48 / 0 / 57 / 4

HEX #7EF469

RGB 126 244 105

HSL 110.94, 0.86%, 0.68%

LAB 87.07, -58.95, 55.88

 

CMYK 44 / 0 / 51 / 0

HEX #8FFF7C

RGB 143 255 124

HSL 111.3, 1%, 0.74%

LAB 91.15, -56.28, 52.32

 

CMYK 37 / 0 / 44 / 0

HEX #A0FF8F

RGB 160 255 143

HSL 110.89, 1%, 0.78%

LAB 92.12, -48.84, 44.74

 

CMYK 31 / 0 / 36 / 0

HEX #B1FFA2

RGB 177 255 162

HSL 110.32, 1%, 0.82%

LAB 93.22, -40.89, 37.05

 

CMYK 54 / 0 / 60 / 11

HEX #68E25B

RGB 104 226 91

HSL 114.22, 0.7%, 0.62%

LAB 80.79, -59.52, 54.58

 

CMYK 58 / 0 / 65 / 18

HEX #57D048

RGB 87 208 72

HSL 113.38, 0.59%, 0.55%

LAB 74.58, -59.09, 55.55

 

CMYK 63 / 0 / 72 / 25

HEX #46BE35

RGB 70 190 53

HSL 112.55, 0.56%, 0.48%

LAB 68.3, -58.34, 56.21

 

CMYK 69 / 0 / 80 / 33

HEX #35AC22

RGB 53 172 34

HSL 111.74, 0.67%, 0.4%

LAB 61.98, -57.14, 56.25

 

CMYK 77 / 0 / 90 / 40

HEX #249A0F

RGB 36 154 15

HSL 110.94, 0.82%, 0.33%

LAB 55.6, -55.26, 55.14

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 38 / 0 / 60 / 12

HEX #8BE15A

RGB 139 225 90

HSL 98.22, 0.69%, 0.62%

LAB 81.88, -49.03, 56.62

 

CMYK 22 / 0 / 60 / 12

HEX #B0E15A

RGB 176 225 90

HSL 81.78, 0.69%, 0.62%

LAB 83.87, -36.01, 59.4

 

CMYK 5 / 0 / 60 / 12

HEX #D5E15A

RGB 213 225 90

HSL 65.33, 0.69%, 0.62%

LAB 86.37, -21.57, 62.86

 

CMYK 0 / 10 / 60 / 12

HEX #E1CA5A

RGB 225 202 90

HSL 49.78, 0.69%, 0.62%

LAB 81.28, -5.17, 57.54

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 60 / 0 / 50 / 12

HEX #5AE171

RGB 90 225 113

HSL 130.22, 0.69%, 0.62%

LAB 80.3, -59.73, 43.78

 

CMYK 60 / 0 / 33 / 12

HEX #5AE196

RGB 90 225 150

HSL 146.67, 0.69%, 0.62%

LAB 80.86, -53.6, 26

 

CMYK 60 / 0 / 17 / 12

HEX #5AE1BA

RGB 90 225 186

HSL 162.67, 0.69%, 0.62%

LAB 81.6, -46, 8.19

 

CMYK 60 / 0 / 1 / 12

HEX #5AE1DF

RGB 90 225 223

HSL 179.11, 0.69%, 0.62%

LAB 82.57, -36.72, -10.01

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 63 / 0 / 69 / 5

HEX #5AF14A

RGB 90 241 74

HSL 114.25, 0.86%, 0.62%

LAB 84.78, -69.62, 65.66

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 45 / 0 / 50 / 18

HEX #73D269

RGB 115 210 105

HSL 114.29, 0.54%, 0.62%

LAB 76.53, -48.61, 43.18

 

CMYK 34 / 0 / 38 / 24

HEX #80C279

RGB 128 194 121

HSL 114.25, 0.37%, 0.62%

LAB 72.6, -35.34, 30.25

 

CMYK 21 / 0 / 23 / 30

HEX #8DB289

RGB 141 178 137

HSL 114.15, 0.21%, 0.62%

LAB 68.97, -20.55, 16.95

 

CMYK 6 / 0 / 7 / 36

HEX #99A398

RGB 153 163 152

HSL 114.55, 0.06%, 0.62%

LAB 65.93, -5.67, 4.48

 

CMYK 22 / 0 / 60 / 12

HEX #B0E15A

RGB 176 225 90

HSL 81.78, 0.69%, 0.62%

LAB 83.87, -36.01, 59.4

 

CMYK 38 / 0 / 60 / 12

HEX #8CE15A

RGB 140 225 90

HSL 97.78, 0.69%, 0.62%

LAB 81.93, -48.7, 56.69

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 60 / 0 / 50 / 12

HEX #5AE170

RGB 90 225 112

HSL 129.78, 0.69%, 0.62%

LAB 80.29, -59.87, 44.25

 

CMYK 60 / 0 / 34 / 12

HEX #5AE195

RGB 90 225 149

HSL 146.22, 0.69%, 0.62%

LAB 80.85, -53.79, 26.49

 

CMYK 75 / 0 / 82 / 22

HEX #32C623

RGB 50 198 35

HSL 114.48, 0.7%, 0.46%

LAB 70.31, -65.89, 63.7

 

CMYK 68 / 0 / 75 / 14

HEX #47DB37

RGB 71 219 55

HSL 114.15, 0.69%, 0.54%

LAB 77.45, -67.66, 64.7

 

CMYK 54 / 0 / 60 / 12

HEX #67E15A

RGB 103 225 90

HSL 114.22, 0.69%, 0.62%

LAB 80.44, -59.51, 54.61

 

CMYK 42 / 0 / 46 / 9

HEX #87E87D

RGB 135 232 125

HSL 114.39, 0.7%, 0.7%

LAB 84.14, -49.17, 43.13

 

CMYK 30 / 0 / 33 / 7

HEX #A7EEA0

RGB 167 238 160

HSL 114.62, 0.7%, 0.78%

LAB 87.92, -36.77, 30.92

 

CMYK 54 / 0 / 60 / 11

HEX #68E25B

RGB 104 226 91

HSL 114.22, 0.7%, 0.62%

LAB 80.79, -59.52, 54.58

 

CMYK 60 / 6 / 0 / 12

HEX #5AD4E1

RGB 90 212 225

HSL 185.78, 0.69%, 0.62%

LAB 78.87, -30.04, -16.62

 

CMYK 0 / 60 / 30 / 12

HEX #E15A9E

RGB 225 90 158

HSL 329.78, 0.69%, 0.62%

LAB 57.84, 59.16, -9.92

 

CMYK 54 / 0 / 60 / 11

HEX #68E25B

RGB 104 226 91

HSL 114.22, 0.7%, 0.62%

LAB 80.79, -59.52, 54.58

 

CMYK 60 / 54 / 0 / 12

HEX #5A67E1

RGB 90 103 225

HSL 234.22, 0.69%, 0.62%

LAB 48.65, 31.36, -63.89

 

CMYK 0 / 60 / 54 / 12

HEX #E15A67

RGB 225 90 103

HSL 354.22, 0.69%, 0.62%

LAB 56.39, 53.58, 20.23

 

CMYK 54 / 0 / 60 / 11

HEX #68E25B

RGB 104 226 91

HSL 114.22, 0.7%, 0.62%

LAB 80.79, -59.52, 54.58

 

CMYK 60 / 6 / 0 / 12

HEX #5AD4E1

RGB 90 212 225

HSL 185.78, 0.69%, 0.62%

LAB 78.87, -30.04, -16.62

 

CMYK 6 / 60 / 0 / 12

HEX #D45AE1

RGB 212 90 225

HSL 294.22, 0.69%, 0.62%

LAB 58.74, 65.81, -47.03

 

CMYK 0 / 54 / 60 / 12

HEX #E1675A

RGB 225 103 90

HSL 5.78, 0.69%, 0.62%

LAB 58.46, 46.58, 30.43

 

CMYK 54 / 0 / 60 / 11

HEX #68E25B

RGB 104 226 91

HSL 114.22, 0.7%, 0.62%

LAB 80.79, -59.52, 54.58

 

CMYK 60 / 24 / 0 / 12

HEX #5AABE1

RGB 90 171 225

HSL 204, 0.69%, 0.62%

LAB 67.08, -8.93, -34.65

 

CMYK 6 / 60 / 0 / 12

HEX #D45AE1

RGB 212 90 225

HSL 294.22, 0.69%, 0.62%

LAB 58.74, 65.81, -47.03

 

CMYK 0 / 36 / 60 / 12

HEX #E1905A

RGB 225 144 90

HSL 24, 0.69%, 0.62%

LAB 67.05, 25.5, 41.06

 

Description

Color code: HEX #68E25B | qconv.com Color code: HEX #68E25B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 226 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 226 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 60 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 60% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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