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Color name
HEX #68D8B7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #68D8B7 it is the complementary color #972748. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #68D8B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #68D8B7 shade: #6DD8B2, #7EEAC5, #8FFCD8, #A0FFEB and #B1FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #68D8B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #68D8B7 shade: #68D8B7, #57C6A4, #46B491, #35A27E and #24906B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #68D8B7 shade: #68D8B7, #68D899, #68D87B, #74D868 and #92D868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #68D8B7 shade: #68D8B7, #68D8D5, #68BDD8, #689FD8 and #6881D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #68D8B7 shade matches the following richer shades: #68D8B7, #59E7BD and #4AF6C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #68D8B7 shade: #68D8B7, #78C9B1, #87B9AA, #96AAA4 and #A69B9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #68D8B7 shade: #68D87B, #68D899, #68D8B6, #68D8D4 and #68BED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #68D8B7 shade: #30BD94, #48CFA7, #68D8B7, #89E0C7 and #AAE9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #68D8B7 shade: #68D8B7, #6874D8 and #D88A68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #68D8B7 shade: #68D8B7, #B668D8 and #D8B668

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #68D8B7 shade: #68D8B7, #6874D8, #D8688A and #D8CD68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #68D8B7 shade: #68D8B7, #7F68D8, #D8688A and #C2D868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

Complementary color

CMYK 0 / 74 / 52 / 41

HEX #972748

RGB 151 39 72

HSL 342.32, 0.59%, 0.37%

LAB 35, 48.3, 7.82

 

CMYK 50 / 0 / 18 / 15

HEX #6DD8B2

RGB 109 216 178

HSL 158.69, 0.58%, 0.64%

LAB 79.37, -39.87, 9.32

 

CMYK 46 / 0 / 16 / 8

HEX #7EEAC5

RGB 126 234 197

HSL 159.44, 0.72%, 0.71%

LAB 85.66, -39.73, 8.37

 

CMYK 43 / 0 / 14 / 1

HEX #8FFCD8

RGB 143 252 216

HSL 160.18, 0.95%, 0.77%

LAB 91.87, -39.57, 7.49

 

CMYK 37 / 0 / 8 / 0

HEX #A0FFEB

RGB 160 255 235

HSL 167.37, 1%, 0.81%

LAB 93.88, -32.53, 0.67

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFE

RGB 177 255 254

HSL 179.23, 1%, 0.85%

LAB 95.17, -23.85, -7.15

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 56 / 0 / 17 / 22

HEX #57C6A4

RGB 87 198 164

HSL 161.62, 0.49%, 0.56%

LAB 72.95, -39.9, 7.55

 

CMYK 61 / 0 / 19 / 29

HEX #46B491

RGB 70 180 145

HSL 160.91, 0.44%, 0.49%

LAB 66.51, -39.81, 8.64

 

CMYK 67 / 0 / 22 / 36

HEX #35A27E

RGB 53 162 126

HSL 160.18, 0.51%, 0.42%

LAB 59.98, -39.56, 9.85

 

CMYK 75 / 0 / 26 / 44

HEX #24906B

RGB 36 144 107

HSL 159.44, 0.6%, 0.35%

LAB 53.37, -39.06, 11.2

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 52 / 0 / 29 / 15

HEX #68D899

RGB 104 216 153

HSL 146.25, 0.59%, 0.63%

LAB 78.67, -46.24, 21.51

 

CMYK 52 / 0 / 43 / 15

HEX #68D87B

RGB 104 216 123

HSL 130.18, 0.59%, 0.63%

LAB 78.16, -51.49, 36.26

 

CMYK 46 / 0 / 52 / 15

HEX #74D868

RGB 116 216 104

HSL 113.57, 0.59%, 0.63%

LAB 78.36, -50.89, 45.9

 

CMYK 32 / 0 / 52 / 15

HEX #92D868

RGB 146 216 104

HSL 97.5, 0.59%, 0.63%

LAB 79.74, -41.42, 47.89

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 52 / 0 / 1 / 15

HEX #68D8D5

RGB 104 216 213

HSL 178.39, 0.59%, 0.63%

LAB 80.1, -32.56, -8.31

 

CMYK 52 / 13 / 0 / 15

HEX #68BDD8

RGB 104 189 216

HSL 194.46, 0.59%, 0.63%

LAB 72.43, -18.38, -21.46

 

CMYK 52 / 26 / 0 / 15

HEX #689FD8

RGB 104 159 216

HSL 210.54, 0.59%, 0.63%

LAB 63.91, -2.14, -34.56

 

CMYK 52 / 40 / 0 / 15

HEX #6881D8

RGB 104 129 216

HSL 226.61, 0.59%, 0.63%

LAB 55.69, 15.39, -47.49

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 61 / 0 / 18 / 9

HEX #59E7BD

RGB 89 231 189

HSL 162.25, 0.75%, 0.63%

LAB 83.42, -48.04, 9.2

 

CMYK 70 / 0 / 20 / 4

HEX #4AF6C4

RGB 74 246 196

HSL 162.56, 0.91%, 0.63%

LAB 87.66, -54.96, 11.55

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 40 / 0 / 12 / 21

HEX #78C9B1

RGB 120 201 177

HSL 162.22, 0.43%, 0.63%

LAB 75.41, -30.37, 4.23

 

CMYK 27 / 0 / 8 / 27

HEX #87B9AA

RGB 135 185 170

HSL 162, 0.26%, 0.63%

LAB 71.39, -19.66, 2.29

 

CMYK 12 / 0 / 4 / 33

HEX #96AAA4

RGB 150 170 164

HSL 162, 0.11%, 0.63%

LAB 67.96, -8.16, 0.72

 

CMYK 0 / 7 / 5 / 35

HEX #A69B9E

RGB 166 155 158

HSL 343.64, 0.06%, 0.63%

LAB 64.98, 4.57, -0.13

 

CMYK 52 / 0 / 43 / 15

HEX #68D87B

RGB 104 216 123

HSL 130.18, 0.59%, 0.63%

LAB 78.16, -51.49, 36.26

 

CMYK 52 / 0 / 29 / 15

HEX #68D899

RGB 104 216 153

HSL 146.25, 0.59%, 0.63%

LAB 78.67, -46.24, 21.51

 

CMYK 52 / 0 / 16 / 15

HEX #68D8B6

RGB 104 216 182

HSL 161.79, 0.59%, 0.63%

LAB 79.29, -40.11, 7.05

 

CMYK 52 / 0 / 2 / 15

HEX #68D8D4

RGB 104 216 212

HSL 177.86, 0.59%, 0.63%

LAB 80.07, -32.82, -7.82

 

CMYK 52 / 12 / 0 / 15

HEX #68BED8

RGB 104 190 216

HSL 193.93, 0.59%, 0.63%

LAB 72.71, -18.89, -21.03

 

CMYK 75 / 0 / 22 / 26

HEX #30BD94

RGB 48 189 148

HSL 162.55, 0.59%, 0.46%

LAB 68.87, -46.47, 10.28

 

CMYK 65 / 0 / 19 / 19

HEX #48CFA7

RGB 72 207 167

HSL 162.22, 0.58%, 0.55%

LAB 75.32, -45.94, 9.26

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 39 / 0 / 11 / 12

HEX #89E0C7

RGB 137 224 199

HSL 162.76, 0.58%, 0.71%

LAB 83.31, -31.9, 4

 

CMYK 27 / 0 / 8 / 9

HEX #AAE9D6

RGB 170 233 214

HSL 161.9, 0.59%, 0.79%

LAB 87.81, -23.73, 2.83

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 52 / 46 / 0 / 15

HEX #6874D8

RGB 104 116 216

HSL 233.57, 0.59%, 0.63%

LAB 52.28, 23.26, -52.91

 

CMYK 0 / 36 / 52 / 15

HEX #D88A68

RGB 216 138 104

HSL 18.21, 0.59%, 0.63%

LAB 64.78, 26.19, 30.52

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 16 / 52 / 0 / 15

HEX #B668D8

RGB 182 104 216

HSL 281.79, 0.59%, 0.63%

LAB 56.88, 49.73, -45.14

 

CMYK 0 / 16 / 52 / 15

HEX #D8B668

RGB 216 182 104

HSL 41.79, 0.59%, 0.63%

LAB 75.49, 2.58, 43.93

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 52 / 46 / 0 / 15

HEX #6874D8

RGB 104 116 216

HSL 233.57, 0.59%, 0.63%

LAB 52.28, 23.26, -52.91

 

CMYK 0 / 52 / 36 / 15

HEX #D8688A

RGB 216 104 138

HSL 341.79, 0.59%, 0.63%

LAB 58.35, 47.39, 2.34

 

CMYK 0 / 5 / 52 / 15

HEX #D8CD68

RGB 216 205 104

HSL 54.11, 0.59%, 0.63%

LAB 81.43, -9.35, 51.06

 

CMYK 52 / 0 / 15 / 15

HEX #68D8B7

RGB 104 216 183

HSL 162.32, 0.59%, 0.63%

LAB 79.31, -39.89, 6.55

 

CMYK 41 / 52 / 0 / 15

HEX #7F68D8

RGB 127 104 216

HSL 252.32, 0.59%, 0.63%

LAB 51.12, 35.68, -54.67

 

CMYK 0 / 52 / 36 / 15

HEX #D8688A

RGB 216 104 138

HSL 341.79, 0.59%, 0.63%

LAB 58.35, 47.39, 2.34

 

CMYK 10 / 0 / 52 / 15

HEX #C2D868

RGB 194 216 104

HSL 71.79, 0.59%, 0.63%

LAB 82.69, -23.65, 52.12

 

Description

Color code: HEX #68D8B7 | qconv.com Color code: HEX #68D8B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 104 red, 216 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
104 216 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 15 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 15% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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